Stick to baseball, 9/23/23.

For subscribers to The Athletic, I posted my annual Minor League Player of the Year column this week, as well as my last regular-season scouting notebook of 2023, covering prospects I saw from the Red Sox, Orioles, and Nationals. I’ll head to Arizona in October for Fall League coverage, of course. My podcast will be back next week and I’ve already filed my next review for Paste.

And now, the links…

Stick to baseball, 9/16/23.

For subscribers to the Athletic, I wrote my annual column on players I was wrong about, and I weighed in on the Red Sox’ firing – and perhaps scapegoating – of Chaim Bloom. I held a Klawchat again on Friday.

On the board game front, I reviewed the excellent new game 3 Ring Circus over at Paste, and updated my list of the best new games so far in 2023 over at Vulture.

And now, the links…

  • Longreads first: Why the actual fuck has Columbia University spent years protect an OB/GYN who abused hundreds of patients while working at the school – and even let him return to practice for five weeks after a patient went to the police, accusing him of sodomizing her, during which period he assaulted at least eight more patients. Columbia refused to cooperate with an earlier prosecution that resulted in a plea arrangement that kept him out of jail. And the Columbia leaders who oversaw all of this have gotten off scot-free, unlike the leadership at Penn State or Michigan State. Dr. Robert Hadden was convicted, finally, in January, of four counts of sexual abuse involving interstate travel (making it a federal case). Columbia still has not notified his former patients that he’s a sex offender. There are over 240 additional women who say he molested or abused them while under his care. If I had gone to Columbia, I wouldn’t give them another fucking dime.
  • There’s a million-dollar Kickstarter up for a series of expansions and enhancements to the hit game Terraforming Mars, from Indie Game Studios, which bought TM’s original publisher Stronghold Games when the latter’s founder retired a year or two ago. Kickstarter requires now that creators disclose what parts of the project are generated by AI projects, and it turns out that Indie decided to use AI for a whole bunch of the art in the new game – and Indie’s President Travis Worthington is completely unapologetic about this, even in the face of some pretty direct questions from Polygon’s Charlie Hall. What I find most distasteful about this is that they’re charging more for the product while their costs are going down, since they’re not paying actual artists for actual art. This is straight-up profit-taking. (Full disclosure: I’ve written for Polygon and Charlie was my editor.)
  • Vanity Fair has a story from author and journalist James David Robenalt on the upcoming book by and revelations from former Secret Service agent Paul Landis, who claims that he found another bullet lodged loosely in the seat behind President John F. Kennedy and Jackie Kennedy right after the President’s body was removed from the car. The implication, if we accept this story, is that there was a second shooter. It’s a long story, and I think Robenalt doth protest too much, but he’s also arguing against 60 years of government reports and denials.
  • The Zulu prince and South African politician Mangosothu Buthelezi died last week at age 95. The BBC looks at his lengthy and complicated legacy. He served as president of one of the country’s “Bantustans,” puppet states within South Africa that claimed to give autonomy to Black citizens living under apartheid, then allied with the African National Congress in the fight for equality, only to split with the ANC over whether armed action was necessary or whether to ask for international sanctions.
  • Meanwhile, the GOP’s extreme wing is trying to shoehorn further abortion restrictions, including banning the safe, effective abortion pill, into various unrelated bills, and it’s backfiring on Rep. McCarthy and other Republican leaders already – to say nothing of what it might do next November. The Washington Post’s Greg Sargent also looks at how what he calls the “MAGA doom loop” may kill their chances in key battleground states next year.
  • Argentina is trying to get Italy to extradite a priest who helped the military junta torture dissidents in the 1970s. Franco Reverberi fled Argentina to return to his native country when it became clear he might be called to account for assisting torturers, sitting in the room while these abuses took place and even telling victims that God wanted them to reveal their secrets.
  • The library director and another library official in Sterling, Kansas, were fired in July after displaying a rainbow image at the entrance to the library because a few “Christians” complained it was promoting a “gay agenda,” even though the image was about neurodivergent people. I can’t with these people. Your religion is your business but it is not an excuse for hate, ignorance, or just being an asshole.e
  • A mathematical puzzle unsolved for fifty years, about the minimum dimensions for a Möbius strip, has been solved.

The Wound.

The Oscars’ process for determining nominees for the Best Foreign Language Film is a little strange, and I don’t think it’s very widely understood – I only came across it within the last few years because I decided to see as many of the nominated films as I could. Any country can submit one film released in its market between October 1st and the following September 30th (so twelve months) in the year leading up to the awards; for the 2017 Academy Awards, a record 92 countries submitted films. The rules mean that a country with a long history of producing critically-acclaimed films, like France, or a country with a huge population and a large native film industry, like India, gets to submit the same number of films as Iceland, which was the smallest country (by population, 348,000) to submit a film this year. Last year, the South Korean film The Handmaiden, among the most critically acclaimed movies of the year, wasn’t even its own country’s nominee. This year, Loveless nearly lost out on a nomination because of political objections to its content.

The Academy changed their process about a decade ago to release a shortlist of nine films before they announce the final list of five nominees, which gives another little boost of publicity to four more films that would otherwise be shut out. This year’s shortlist included Félicité, the first-ever submission by Senegal; In the Fade, from Germany, which won the Golden Globe in the same category; Foxtrot, from Israel, which is just getting a U.S. theatrical release now; and The Wound, from South Africa, which is available now on Netflix. With dialogue primarily in the Bantu language Xhosa, with occasional Afrikaans and English, this 88-minute film feels like a thematic cousin to Moonlight, looking at a closeted gay man in South Africa as he tries to hide his identity from a traditional culture that sees homosexuals as less than men.

Based on a 2009 novel by the South African author Thando Mgqolozana, The Wound tells the story of Xolani, known to his friends as X, a quiet, lonely worker in a South African warehouse who is asked by a family friend to come serve as the ‘caregiver’ to the man’s son in the amaXhosa circumcision ritual known as ulwaluko, which marks the passage of young men, called initiates, into full manhood. The ritual takes place over several weeks on ‘the mountain,’ where X meets his old friend and secret paramour Vija, who has a wife and family at home. X’s charge, Kwanda, is seen as ‘soft’ (I think that’s code for gay) and pampered both by his father and by the other initiates, who also suspect that he’s gay, but while he’s not ‘out’ in the western sense, he’s certainly less willing to wear the mask that X does and fights back against the bullying of the other boys. Kwanda quickly grasps what X and Vija are up to, and that X is far more emotionally invested in the relationship than Vija is, eventually pushing X in a student-teaches-the-teacher twist to demand more for himself, if not with Vija then with someone else. The wound of the film’s title refers, of course, to the wounds of circumcision – treated in ghoulish fashion with traditional ‘herbs’ and techniques rather than modern medicine – and what X presumably has carried inside him his entire life as a gay amaXhosa man whose family and culture would view him as a degenerate and less than a man if they knew his orientation.

The South African film ratings board caved to public pressure and gave the film an X18 rating, akin to labeling it pornography, even though there’s nothing explicit in the film and any sex scenes are shown either in silhouette or at a distance. This only reinforces the story’s point, that the tyranny of these traditions actually serves to dehumanize men who are born gay into a world that won’t accept them. Kwanda has a dryly humorous rant towards the end of the film about how the ritual just shows how men are obsessed with their own genitalia – not long after one of the other initiates is showing off his “Mercedes-Benz” circumcision, which, fortunately, is not pictured – and serves as a sly, figurative criticism of the importance placed on a traditional ceremony focused on one physical manifestation of manhood that tells us nothing about the man within.

Stick to baseball, 2/24/18.

I’m pretty stoked about the game I reviewed this week for Paste: Charterstone, a competitive, legacy game that incorporates so many great things from other games, plays in just an hour, and changes the board, cards, and rules in each play.

I had Insider posts on this week’s three-team trade (AZ, NYY, TB) and the JD Martinez signing. I held a Klawchat on Thursday.

Smart Baseball comes out in paperback on March 13th! More details on the HarperCollins page for the book. List price is $16.99 but I imagine it’ll be less than that at many retailers.

And now, the links…