Catherynne Valente first published her young adult novel The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making online, in installments; the book was a huge success online, winning the Andre Norton Award for young adult science fiction/fantasy, given by the Science Fiction Writers’ Association, and is still the only self-published novel to do so. It’s now the first novel in the five-book Fairyland series, which covers the adventures of a young girl named September who lives in Omaha and is visited one day by the Green Wind, who whisks her off to the parallel world known as Fairyland. Hilarity and peril ensue, as they would. I bought it for my daughter to read, but last month decided to give it a whirl myself, and it is witty, sweet, and written at a very high level for YA literature.
September is your typical YA fantasy heroine, a precocious child whose life is boring (to her) and whose family isn’t perfect (her father is away at war, her mother works long hours at an airplane manufacturing plant), so she is the ideal target for a being from Fairyland to come and rescue for a series of adventures – although Valente has a knack for making these adventures go sideways often enough that they’re not totally predictable. September then meets a series of eccentric characters from Fairyland after the Green Wind, including a wyvern who’s convinced his father was a library, a young ifrit named Saturday, a conjured servant made of soap, a sentient paper lantern, and plenty of others, leading up to the Marquess, a young girl who has become the evil queen of Fairyland after the death of the benevolent queen who preceded her. September ends up on a series of quests that generally don’t end well for her but instead lead her on a crooked path toward an eventual confrontation with the Marquess and a revelation about the true connection between Fairyland and our human plane.
There’s also quite a bit of wordplay within Fairyland, perhaps not quite as much as you’ll find in The Phantom Tollbooth or in the Harry Potter series, but a similar mix of straight-up puns and double meanings along with twisted loanwords from folklore and mythology. September meets a wairwulf, who is a wolf 27 days a month and a man the other three, and is married to two witches, one of whom gets the wolf days and the other the human days; the witches are named Hello and Goodbye, and the wairwulf Manythanks. There’s a quest for a spoon (alas, not the runcible variety), a dictum to avoid eating any food in Fairyland that quickly goes awry, an argument over the shape of the earth (“roughly trapezoidal, vaguely rhomboid, a bit of a tesseract”), and plenty of sly jokes about bureaucracy, pseudoscience, and air travel.
My daughter read this when she was 11 and both enjoyed it and said she had no real trouble with the prose; she read it on her Kindle, which, despite my affinity for dead-tree editions, does have the benefit of allowing you to click on a word and get an immediate definition. (And then you read a paper book and come across a word you don’t know and put your finger on the page and press and then look around and hope nobody saw you do that. Or so I hear.) Valente has hit that perfect sweet spot between writing for a young audience and keeping it smart enough to hold an adult’s attention. I ripped through the entire book in just a few hours while on a flight back from Europe last month, because I wanted something light for the long trip, but this was fun and sharp enough that I decided it was worth reviewing and recommending too.
Next up: I’m way behind on book reviews, but I’m currently reading Flannery O’Connor’s novel Wise Blood, which is just $3.55 for Kindle right now.