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Top 100 songs of 2022.

There was such a flood of new music in the last two months of 2022 that I struggled to keep up with it, even slipping a couple of new albums on my best of 2022 list that I’d only listened to in their entirety in the last couple of weeks. It’s a good outcome, though, as 2022 shaped up to be a better year for new music than I would have said it was coming out of the summer, and I had more songs to put on this list than I could fit (and no, I’m not going past 100, this is work enough for something that’s not my actual job). You can see my previous years’ song rankings here: 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012.

If you can’t see the Spotify widget below, you can access it here.

100. beabadoobee – 10:36. Beatrice Kristi Laus’s second album, beatopia, refers to a fantasy world she created for herself when she moved with her family from the Philippines to London at age 7. It’s a clear step forward in her songwriting and gets her out of the lo-fi world of her first record. This was my second-favorite track on the album, although “Last Day on Earth,” her one-off single from 2021, isn’t on the LP at all.

99. Stella Donnelly – How Was Your Day? The Welsh-Australian singer-songwriter Donnelly released her second album, Flood, this spring to positive reviews. This track’s witty lyrics, revealing the hidden layers behind that innocuous phrase, and sunny indie-pop make it the album’s best.

98. Young Guv – Nowhere at All. Ben Cook of the Canadian band No Warning released his third album as Young Guv early this year and then followed it up with this one-off jangle-pop single that reminded me quite a bit of last year’s debut record from Chime School.

97. The Linda Lindas – Tonite. I’ve been a bit surprised that the Linda Linda’s debut album Growing Up didn’t appear on any year-end rankings or roundups of the year’s best music that I found, given the hype around the teenage punk band a year or two earlier – and given how good they sound for a bunch of kids. This is a great, vibrant young punk album, just angry enough about the right stuff. I admit it’s not breaking a ton of new ground, but tracks like this one are pretty infectious and point to a promising future.

96. Arlo Parks – Softly. The only music Parks released this year was this track, which brings some electronic music elements to her lovely vocals.

95. Bartees Strange – Wretched. Strange’s second album, Farm to Table, is his big coming-out as a songwriter, bringing him out from under the shadow of his influences (notably the National). This track was one of the album’s standouts, a slower, mournful song that offers thanks to the people who stood by him when he was at his worst.

94. Jungle – Good Times. One of two songs Jungle released this year ahead of an album that didn’t appear in 2022, although I imagine it won’t be that much longer now that their summer/fall tour is over.

93. SAULT – Money. SAULT released six albums this year, five of them at the start of November. One of those five was Today & Tomorrow, the band’s most rock-oriented record to date, even bringing in some punk influences. You can hear it here, where they channel the 1970s punk act Death.

92. The Cool Greenhouse – Get Unjaded. I know this style of very English art-rock music with talk-sung lyrics isn’t everyone’s cup of tea, but where else would you find a couplet like “Googling questions like ‘Should I start microdosing?’/And ‘How come I’m standing outside Four Seasons Total Landscaping?’”

91. The Fashion Weak ft. Gruff Rhys – Welsh Words. I admit to some pro-Cymru bias here, but this song is both extremely catch and makes me laugh every time I hear it. Rhys is the lead singer of Super Furry Animals, who’ve recorded entire albums in Welsh, while the Fashion Weak are a new wave revival act whose second single, “Fly Fishing,” featured Miki Berenyi of Lush.

90. Superbloom – Falling Up. The first few seconds are sort of nonsense, the kind of thing the band will grow out of, but I like where the track goes afterwards as these over Nirvana fans expand beyond the well-crafted mimicry of their first album into something more original over the foundation of grunge revival.

89. Stars – Pretenders. Stars’ first album in nearly five years was typically lovely, if perhaps a bit unambitious, featuring plenty of back-and-forth vocals from the two lead singers. They bring an ethereal beauty even to upbeat rock tracks like this one, my favorite on the record.

88. All Them Witches – Hush, I’m on TV. According to Wikipedia, ATW released nine original singles in 2022 plus two covers, but no album. Anyway, I dig their heavy, stoner/blues rock sound, which settles in after the loud, layered riffing that opens this track before the buzzsaw hits in the chorus.

87. The Wombats – Everything I Love is Going to Die. The two best tracks from the Wombats’ 2022 album Fix Yourself, Not the World were both released in 2021, so even though the LP made my best-of-2022 list, this is the only song from the record on this year’s top 100.

86. Preoccupations – Ricochet. The best song from Preoccupations’ fourth album Arrangements is this track, which fuses their typical post-punk/early new wave sound with elements of early ‘90s shoegaze.

85. Porcupine Tree – Rats Return. “Harridan” was my favorite song on CLOSURE/CONTINUATION, but this is a close second, less ambitious but highlighted by the best guitar riff on the entire album, a dark, minor-key line that infuses the whole song with a sense of foreboding.

84. Cory Wong – Power Station. Wong released two albums in 2022, Wong’s Café in January and Power Station in April, with this, obviously from the latter album, sounding like something discovered in Prince’s archives from the early 1980s, just with a better guitar solo.

83. The Afghan Whigs – I’ll Make You See God. The Whigs have always been able to rock, but this track goes 0 to 90 in the opening seconds and never lets up – enough that it ended up in the video game Gran Turismo 7. The lyrics appear to be total nonsense, but man, this sucker rocks.

82. Gojira – Our Time is Now. Gojira put out the best metal song of the year – and it’s the only song they released all year, although I’m hopeful we’re getting a new Gojira album soon. It’s not my favorite Gojira song ever, but it might be their most accessible, if that’s possible.

81. Black Honey – Heavy. I didn’t love their previous single, “Charlie Bronson,” but “Heavy” is more the Black Honey I know and love, indie-rock with a strong melody crossed with a harder edge.

80. Crawlers – I Don’t Want It. Barely over two minutes long, this little earworm from the Liverpudlian quartet Crawlers is their best track to date and one of two strong singles from their second EP, Loud Without Noise, along with “Too Soon.”

79. Sports Team – The Drop. I could have put as many as five songs from Gulp! on this top 100, but ended up with two, adding this track because the main hook is so memorable, and it’s one of the more interesting tracks on the album because of the one right turn it takes at the bridge.

78. Killing Joke – Lord of Chaos. Jaz Coleman is 62, and with his age and seven years passing since Killing Joke’s last album, Pylon, I figured we were done getting new music from the band. Killing Joke defy labels as much as any artist I can think of – I suppose people who know Sparks’ music would say the same, but I don’t know their oeuvre as well – so it was sort of a pleasant surprise to hear this track and “Total” follow in the same heavy-rock vein as that last album, which gave us the incredible single “Euphoria.”

77. Band of Horses – Warning Signs. Band of Horses’ best songs can be pretty great, like “Is There a Ghost,” but I find their albums nearly always let me down, and this year’s Things Are Great was more of the same. This was my favorite track, although I think that’s probably because it reminds me of the way I want Band of Horses to sound all the time.

76. Melt Yourself Down – Balance. I admit to ignorance on Melt Yourself Down, and I need to explore their discography some more, as I liked what I heard from this year as they released their fourth album Pray for Me, I Don’t Fit In. Their music doesn’t just blend genres from around the world, but it does so in a frenetic fashion that holds my interest even when the song doesn’t have a great hook (“Nightsiren”). This was the best track from the album, with three great hooks in the vocals, the saxophone line, and the guitar riff around the 1:30 mark.

75. The Mysterines – Means to Bleed. The Mysterines released their debut album, Reeling, in March, but it didn’t include most of the great singles they’d released over the previous couple of years, like “I Win Every Time,” “Love’s Not Enough,” “Bet Your Pretty Face,” or “Gasoline.” The album has the right vibe, just without the highlights, although this and “Hung Up” are solid examples of their sound and their potential.

74. Jack White feat. Q-Tip – Hi-De-Ho. The Jack White/Q-Tip partnership that first appeared on record with A Tribe Called Quest’s swan song We Got It From Here … Thank You For Your Service continued this year with Q-Tip’s guest spot on this track from the first of White’s two albums released in 2022, Fear of the Dawn. The result here, based on an interpolation of Cab Calloway’s famous scatting phrase, is wonderfully weird and catchy, and by now you probably realize I give 5 bonus points to any track including Kamaal the Abstract.

73. Kid Kapichi – Rob the Supermarket. I can’t avoid thinking of this as some sort of late-stage capitalist response to the Clash’s anti-consumerist “Lost in the Supermarket,” while also marveling at how Kid Kapichi have taken the mantle that Alex Turner dropped somewhere in the late teens.

72. Freddie Gibbs feat. Moneybagg Yo. Gibbs is one of the best technical rappers going now, and pairs it with consistently interesting and often weird backing music; this track, the best from the regular edition of Gibbs’s $oul $old $eparately, shows off his rhyming speed and rhythm better than anything else on the record.

71. beabadoobee – Talk. The best track from beatopia has a little harder of an edge to the music and mixes her vocals up accordingly to pair with the walls of distortion in the chorus, along with the album’s best melody.

70. Talk Show – Cold House. Talk Show, unrelated to the Stone Temple Pilots offshoot from about twenty years ago, released two EPs this year; Touch the Ground had six songs, including last year’s “Underworld” and this track that encapsulates their blend of post-punk, new wave revival, and dark wave.

69. HAIM – Lost Track. I’ve never gotten the hype for HAIM, but man this song has a hell of a hook in the chorus, and it’s the perfect length for a song of this simplicity.

68. FKA twigs featuring Jorja Smith and Unknown T – darjeeling. I love FKA twigs and I love Jorja Smith, so I’m clearly in the target audience for this track from FKA twigs’ album mixtape, and indeed it’s Smith’s vocals that elevate the track.

67. Tei Shi – GRIP. Big year for songs/albums calling out the music industry’s more exploitative practices. Tei Shi pulled her 2021 album La Linda from streaming services after Downtown Records refused to pay her the remainder of her advance two years aft, er its release. “GRIP” is her diss track against that label and the industry as a whole.

66. Editors – Karma Climb. I was a little underwhelmed by EBM, Editors’ latest album and first with Blanck Mass (Benjamin Power) as a member, but the chorus on “Karma Climb” is extremely catchy and I think a good example of their early Interpol-esque dark indie sound.

65. Greentea Peng – Your Mind. Greentea Peng’s eclectic mix of styles can be very hit or miss, missing on “Stuck in the Middle” but hitting here on “Your Mind,” which incorporates traditional soul, jazz, and some rock guitar lines. Both appeared on her mixtape GREENZONE 108 this September. I wonder if it’s more than a coincidence that this song’s length is 4:20.

64. Sudan Archives – Home Maker. The opening track from Natural Brown Prom Queen, my #2 album of the year, fakes you out with a minute-long intro that almost sounds like someone pressed ‘record’ before anyone was ready, but it’s all a matter of building tension before Britt Parks starts up with her mixture of rap and vocals, and by the two-minute mark she’s shipped you back almost fifty years in time with her classic R&B sounds.

63. Sky Ferreira – Don’t Forget. I had forgotten, it turns out, as Ferreira released just one song between 2014 and 2022, 2019’s “Downhill Lullaby.” This track is supposed to herald the release of her long-awaited second album, Masochism, although it’s still unscheduled; if this is where her sound has evolved after the long layoff, into a darker version of synth-pop, I’m all for it.

62. Sprints – Literary Mind. Sprints released an EP earlier in 2022, Modern Job, featuring the title track and “Delia Smith,” while this single came later and might be their catchiest song to date, without losing any of their signature garage or punk elements.

61. Automatic – Skyscraper. Automatic released their second album, Excess, in June, and this third single from the record was actually the first of their songs I’d heard, a pulsing, dark synth-pop track powered by a prominent, wandering bass line.

60. Dry Cleaning – Don’t Press Me. I’m very sensitive to how a vocalist sings, and often it doesn’t even make that much sense to me. I don’t love the vocals from Dry Cleaning, even though that flat, almost toneless style of sing-talking doesn’t necessarily bother me from other singers, just as I can’t stand Porridge Radio’s whiny, cracking vocals. “Don’t Press Me” is a rare example where the vocals on a Dry Cleaning song aren’t enough to deter me from an outstanding Wire-ish track.

59. Hatchie – Quicksand. I was a little … not underwhelmed, but maybe just whelmed by Hatchie’s new album this year, as it seemed like the Aussie singer/songwriter might be stagnating; the best track was last year’s “This Enchanted,” followed by this song, both solid examples of her particular brand of dream pop.

58. CVC – Good Morning Vietnam. CVC have been gigging in Cardiff (that’s Wales) since before the pandemic but didn’t start releasing music until this year, when they dropped a couple of singles, including this odd mélange of psychedelic rock and ‘70s soft rock with a funk-adjacent bass line. “Docking My Pay” is also worth checking out if you like this track, as we wait for CVC to drop a full album.

57. Yard Act – Pour Another. Yard Act’s debut album The Overload dropped in January and its best songs had already appeared, including the superb title track and the peculiar “Payday,” leaving this as the best song from the band in 2022. I’ll forever compare them to Gang of Four, although here there’s a more joyous, almost silly vibe.

56. Crows – Garden of England. The standout track on Slowly Separate, bringing punk energy to their particular brand of hard-rock-verging-on-metal. I’d fly to London tomorrow for a Kid Kapichi/Crows double billing.

55. MUNA – What I Want. MUNA’s self-titled third album made a few best-of-2022 lists, although it didn’t quite make the cut for me. I do like their unabashedly poppy approach; I just feel like they’re often a little short in the hooks department. This was the best track on the record for me, and unsurprisingly I think the most acclaimed as well.

54. shame – Fingers of Steel. shame’s sophomore album Food for Worms is due out February 24th, with this the lead single. I see them tabbed everywhere as “post-punk,” but I don’t think it fits; they’re an alternative rock act in the clearest sense of the word, working with dissonant sounds and unusual rhythms that will probably always keep them out of the mainstream. I’m also in awe of the fact that they named a song “Baldur’s Gate” after my all-time favorite CPRG series.

53. John-Allison Weiss – Different Now. Weiss’ first new music since coming out as non-binary & trans in 2017, and first for Get Better Records, was this aptly titled song that doubles as a bittersweet breakup track.

52. Death Cab for Cutie – Here to Forever. DCFC seem good for one real standout single on every album at this point, such as “Gold Rush” from 2018’s Thank You for Today and “Black Sun” from Kintsugi. That may not quite hit the highs of Codes and Keys or Transatlanticism, but I’d say this is pretty good for a band approaching the 25th anniversary of its first album, and singing about mortality and surviving.

51. STONE – Waste. This Liverpool garage-punk band signed to Polydor earlier in the year and ended it with a banger of a six-song EP, highlighted by this abrasive track that starts angry and ends up furious.

50. Sam Fender – Alright. A tremendous non-album single from the Seventeen Going Under sessions, included in a live version on a bonus version of the 2021 LP released this summer. You’ll notice I don’t include many slower-tempo songs on these lists, especially ones that aren’t acoustic, so that should give you some sense of how much I like this.

49. Foals – Looking High. I thought Foals’ Life is Yours was just a big ol’ mess of danceable fun, but it didn’t receive the plaudits I expected, with a lot of criticism over the lyrics – which has never been a strength of Foals’ songwriter Yannis Philippakis. (“I see a mountain at my gates/I see it more and more each day.” Shades of Keats and Shelley there.) This or “Wake Me Up” vie for my favorite track on the album.

48. GIFT – Gumball Garden. A five-minute opus that starts out in shoegaze territory and then shifts almost to power-pop territory before turning back around on itself. Their album Momentary Presence has a lot of that combination, bigger melodies and faster tempos mixed with shimmering guitars and synths out of shoegaze.

47. Lizzo – About Damn Time. You may have heard this song. Special lists twenty-five different people as producers, and somehow, none of them was Nile Rodgers. This track is so chic Rodgers might as well have produced it and played guitar.

46. Kendrick Lamar feat. Sampha – Father Time. Mr. Morale and the Big Steppers is certainly ambitious, but it’s too long and inconsistent, which led me to leave it off my top albums of the year list. “N95” is solid, and “Auntie Diaries” has a truly incredible and necessary sentiment (although it contains a word best omitted, despite the message). This song was the real highlight for me, thanks to the chorus from Mercury Prize winner Sampha.

45. The Head and the Heart – Shut Up. Every Shade of Blue had its highs and lows for me, which is how I pretty much always feel about H&H’s albums, although I loved this song and “Virginia (Wind in the Night)” from their latest.

44. SAULT – Above the Sky. The best track from the best of the six albums SAULT released this year (Today & Tomorrow), incorporating rock elements into the sound they honed on their first four albums, including a guitar solo with distortion and reverb that evoke Hendrix. Also, it’s kind of nuts that SAULT has released eleven albums in three and a half years.

43. The Lathums – Say My Name. The Arctic Monkeys meet the Amazons? It’s anthemic, muscular rock, and I’m fine with that, even if it’s of a sort we’ve heard before.

42. Anxious – Call From You. It’s post-hardcore, emo, whatever, but with real harmonies, and that little guitar riff you hear in the intro is so unexpected from this subgenre that it has consistently brought me back to this song on a generally great album.

41. Just Mustard – Mirrors. So I’ve said many times I was never a My Bloody Valentine fan, even with their general critical acclaim and my own affinity for shoegaze, because I just hear waves of noise, not individual notes or chords. “I Only Said” is the exception, because there’s an actual melody to latch on to. If you made an even more accessible version of that song, you’d get “Mirrors.”

40. Danger Mouse & Black Thought feat. MF Doom – Belize. Of course, I had to include this track from Cheat Codes, as it’s probably the final recording to feature the late MF Doom (a.k.a Zev Love X), although it’s hard to single out any particular tracks on the generally excellent DM/BT collaboration.

39. Young Fathers – I Saw. The Mercury Prize winners will drop their fourth album, Heavy Heavy, early in 2023, and from the first three singles it looks like we’re in for even more musical experimentation. This was by far my favorite of the three, though, as there’s a hint of their rap origins and a rising sense of indignation as the song progresses.

38. Belle & Sebastian – Unnecessary Drama. I don’t know why people get upset when Belle & Sebastian rock out a little, or hit the dance floor, as long as their essential Belle-and-Sebastian-ness is intact. Stuart Murdoch’s wry, sardonic lyrics are still here, as are the band’s harmonies, so who’s to argue if they have a little more fun?

37. Gang of Youths – in the wake of your leave. I don’t think any album disappointed me more than angel in realtime., which had three incredible singles to tease it (“the angel of 8th ave.” and “unison”) and nothing else of note. The rest of the record felt self-indulgent, even pretentious, and worst of all devoid of energy. But those three tracks … I’m not sure anyone has evoked early U2 so effortlessly.

36. Khruangbin feat. Leon Bridges – B-side. The collaboration that began two years ago with Texas Sun continued this year with Texas Moon, highlighted by this danceable, soulful, and of course jazz-inflected single.

35. The Beths – Expert in a Dying Field. The title track from my #1 album of 2022 is just a perfect Beths song, shiny and bright and poppy and just a little dark around the edges.

34. Sunflower Bean – I Don’t Have Control Sometimes. Sunflower Bean had a moment this year, pun intended, with “Moment in the Sun” appearing in the final episode of Netflix’s Heartstopper, and their latest album Headful of Sugar had a number of similarly melodic lo-fi gems, including this one, which hits you with the melody right out of the chute.

33. The Smile – Thin Thing. The more I listened to the Smile’s debut album, the less I liked it, finding it experimental in some ways but often exactly what you’d expect if you smushed Jonny Greenwood’s soundtrack work with Thom Yorke’s vocals and the drummer from jazz group Sons of Kemet. It turns out it’s not that interesting. This track has the most to offer, starting with that odd syncopated guitar line that opens the song and moves on through it.

32. Blossoms – The Sulking Poet. Good luck getting this chorus out of your head. It’s a bit of Lord Huron, a bit of Head and the Heart, a bit of the Kooks, and oddly American-sounding for a band from Stockport, England.

31. Everything Everything – Bad Friday. If you liked Everything Everything’s early work, like “Cough Cough,” “Kemosabe,” “MY KZ UR BF,” and so on, this would likely be your favorite song from their newest album Raw Data Feel. It’s their most frenetic, most freewheeling track on the record, and we get more of the falsetto vocals that show up on just about all of their best songs.

30. Megan Thee Stallion – Her. I think Megan Thee Stallion is in the uppermost echelon of rappers today when it comes to speed, flow, and verbal dexterity, but I don’t think she picks music that does enough to accentuate her skills – or at least to work with them to make better songs. Only this and “Plan B” really stood out to me from Traumazine as songs that worked on all levels, from rhyme to music.

29. Rina Sawayama – This Hell. Sawayama’s second album, Hold the Girl, sees the singer/songwriter leaning far more into her pop sensibilities, which means it lacks the edge or ambition of her debut record, but also has a few more mainstream-ready tracks like this one. It’s her most overtly pop song yet, opening with a trite callback to Shania Twain and passing through a number of popular catchphrases and allusions, but highlights her idiosyncratic blend of styles and ability to craft a memorable hook.

28. Kae Tempest and Grian Chatten – I Saw Light. A spoken-word track over a hypnotic, minimalist synth line that sees the English poet/rapper Tempest sharing the vocals with Fontaines D.C. singer Chatten. Tempest’s lyrics are superb – a song like this can’t succeed without that – and the sparse music behind them creates a forbidding mood without getting in the way of the two speakers.

27. Griff & Sigrid – Head on Fire. Griff is a rising superstar, taking home a couple of Brit Award nominations last year shortly after she turned 21 (including Best New Artist, which she lost to Little Simz … who won for her fourth album), while Sigrid is already a star in Europe, so it was a little disappointing to see this track, with its catchy-as-hell chorus, fare poorly on the charts even in their home countries.

26. White Lies – Trouble in America. A bonus track on the deluxe edition of As I Try Not to Fall Apart that should have made the record proper given how potent this chorus is. It’s one of my favorite tracks ever from White Lies, six albums in, with some tremendous bass work from Charles Cave.

25. Phoenix feat. Ezra Koenig – Tonight. The best track on Phoenix’s fun, straightforward new album Alpha Zulu, which had a few other standouts, including “All Eyes on Me.” This one features Vampire Weekend lead singer/founder Koenig, but I like it anyway.

24. Christine and the Queens – Je te vois enfin. The best track from Redcar les adorables étoiles (prologue) recalls the dark pop sounds from his 2020 EP La Vita Nuova and even parts of his 2018 album Chris.

23. Soccer Mommy – Shotgun. My favorite track from Soccer Mommy’s acclaimed album Sometimes, Forever has some of her strongest vocals – I find her voice can be droning, but here it’s well paired with the music and comes off as more ethereal and dreamy than whiny.

22. Little Simz – Angel. Simz won the Mercury Prize in October for Sometimes I Might Be, my #1 album of 2021, and then released NO THANK YOU, a simpler album that excoriates the music industry,twomonths later. This opener is a six-minute polemic against the exploitation Simz faced over the last year-plus since her magnum opus was first released, although I found in general NO THANK YOU doesn’t have the same degree of musical ambition as the preceding LP.

21. Mandrake Handshake – Emonzaemon. This Oxford-based psychedelic rock band released their second EP, The Triple Point of Water, last month, with three songs that run a total of nearly 20 minutes. I could see them being big on the jam-band circuit with this sound and those running times, but that’s not to dismiss the great guitar lick that opens this track and carries it all the way through until the heavier guitars kick in for the last thirty seconds.

20. Lizzo – 2 Be Loved (Am I Ready). The best track on Special is the one that calls back to Prince both in title and in sound, which couldn’t have been more tailor-made for me.

19. Momma – Speeding 72. There’s a big Veruca Salt vibe to the vocals on this track, but mixed with fuzzier garage-rock production and some heavier bass work from a band that likes to employ the drop-D tuning more associated with metal acts.

18. The Reytons – Avalanche. Sometimes I just want a big, crunchy rock song that announces its presence with authority in the opening seconds and never lets up on the gas pedal until it’s done. So I give you “Avalanche.”

17. Sharon van Etten – Mistakes. As with Soccer Mommy, van Etten’s vocal style often grates on me – she sounds stoned or just disinterested on so many of her songs – even when I like her music. Here she belts it out on the earworm chorus, maybe the best hook she’s ever crafted.

16. Kid Kapichi feat. Bob Vylan – New England. Vylan is the perfect collaborator for Kid Kapichi’s style of bitter, sarcastic attacks on modern British society between the duo’s track “GDP” last year and Kapichi’s … well, their entire catalog to date. “You’re such a fool, Britannia” probably wouldn’t get anyone many votes but it’s certainly sums up the Brexiteers.

15. Wet Leg – Angelica. I know “Chaise Longue” and “Ur Mum” have earned more plaudits, and the former was a legitimate commercial breakout track, but this is their best song by a mile – it’s got a better hook, the sonic interplay between the two vocalists works far better here than on other tracks, and this time the lyrics are actually funny.

14. Spiritualized – The Mainline Song. Everything Was Beautiful, the space-rock pioneers’ first new album in four years and only their second in a decade, came out in April, highlighted by this gorgeous, textured, melancholy song, the only flaw in which is that it could use some additional lyrics.

13. Let’s Eat Grandma – Levitation. I understand this band’s name (think “eats, shoots and leaves”) but it still kind of bugs me. They can write a pretty great synth-pop song, though.

12. Lucius – Next to Normal. One of the year’s best bass lines came on this funky track from Second Nature, Lucius’ first album of new material since 2016.

11. Metronomy – Good to Be Back. What a weirdly happy, bouncy song – it feels like someone slipped it into the TARDIS in the early 1980s, from the new wave-y sound to the sparse production, but that main synth line is so catchy it would fit in any era. The song is so good that Panic Shack’s punk cover of it works just as well.

10. FKA twigs feat. rema – jealousy. The best track from CAPRISONGS includes the Nigerian “Afrorave” singer Rema and has a swirling, Afrobeat-like backdrop to the vocals that feels immersive even with a too-short running time below three minutes.

9. Riverby – Chapel. Riverby is a punk act from Philly, but this song from their latest album Absolution is an absolutely gorgeous ballad that showcases lead singer/guitarist August Greenberg’s beautiful voice. I’d take a whole album made out of this, thanks.

8. Blossoms – Ode to NYC. The most Lord Huron-ish track on Ribbon Around the World also feels like the replacement for Ryan Adams’ “New York, New York.” As someone who grew up in the suburbs of the Big Apple, I was never not in love with New York City, but I’m also always happy to sing along with praises of my favorite place in the U.S.

7. Mattiel – Lighthouse. There are two great hooks in this track, both driven by the powerful voice of lead singer Mattiel Brown, from her new album Georgia Gothic. It reminds me a ton of Swing Out Sister’s breakout hit … uh, “Breakout,” from 1986, which I mean as a high compliment.

6. Jamie T – The Old Style Raiders. In a year when the Arctic Monkeys gave up on rock, we didn’t lack for artists stepping in to fill the void they’ve left behind, from the Lathums to the Reytons to Kid Kapichi, along with this track from British star Jamie T, whose 2022 album The Theory of Whatever hit #1 in the UK.

5. Sports Team – Dig! I loved Sports Team’s new album Gulp! and this is the song I keep coming back to. If I were a big-league reliever, I’d warm up to this track, which brings huge energy with the initial bass line and that three-chord riff, like someone put a cinder block on the gas pedal.

4. Sudan Archives – NBPQ (Topless). The best track from my #2 album of the year refers to that LP’s title, Natural Brown Prom Queen, and wanders through what feels like three different genres while always coming back to the tagline from the chorus, “I’m not average.” She’s anything but.

3. The Beths – When You Know You Know. If anyone ever asked me why I like the Beths so much, I’d just play this song, which has everything that makes them great: a big hook in the chorus, sunny vocals with a great harmony, witty lyrics, and jangly guitars. Almost all of Expert in a Dying Field is like this, but here everything comes together perfectly for the best song the Beths have ever recorded.

2. Spoon – Wild. Man, Lucifer on the Sofa did not live up to this single at all, but for three minutes it felt like we had peak Spoon again. That simple, sparing guitar line in the verse feels like a rubber band about to snap, and the song never quite lets out that tension. I liked the previous single, “The Hardest Cut,” as well, but the rest of the record was just filler after these two songs.

1. Bartees Strange – Heavy Heart. What’s the opposite of the sophomore slump? Strange’s debut album was solid, and promising, but also limited, and it seemed like he might just be another indie-rock singer/songwriter who had a distinct voice but whose music sounded like too much else from indie/college radio of the last decade or so – notably his primary influence, the National. Instead of continuing in that vein, we got Farm to Table, a wide-ranging, genre-skipping, guitar-driven record with sensitive, introspective lyrics, led by this song, which feels like two for the price of one, punctuated by that giant guitar break just after the two minute mark that I would bet brings the house down when he plays it live. I had Strange in the wrong category after the first record, figuring I’d respect his music more than I liked it. His growth as a musician and lyricist is one of the great stories of music in 2022.

Feel free to throw any of your favorites – songs, albums, EPs, mixtapes – in the comments!

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→ February 13, 2021
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Stick to baseball, 2/13/21.

For subscribers to the Athletic, my ranking of all 30 organizations ran this week on Wednesday, followed by my team-by-team reports and top 20s for the AL East and AL Central:

The remaining four divisions will run on Monday through Thursday of this week. I also held a Klawchat on Thursday.

My podcast guest this week was Bobby Heck, Special Assistant to the GM of the Tampa Bay Rays and one of the architects of the Rays’ 2020 AL champs and the multiple pennant-winning Astros teams of a few years ago. You can subscribe on Apple podcasts, Amazon, and Spotify.

At Paste, I reviewed the press-your-luck game 7 Summits, co-designed by the designer of Sagrada.

My last edition of my free email newsletter shared some details of my recent nuptials; I’m overdue for another issue because I’ve been writing the team reports and top 20s. You can still buy The Inside Gameand Smart Baseball anywhere you buy books; the paperback edition of The Inside Game will be out in April.

And now, the links…

  • Longreads first: New Republic looks at QAnon and the cultification of the American right, which will continue without Trump and without the nonexistent Q. The same publication argued that the Democratic Party does not understand the QAnon phenomenon, which has enraptured more educated, well-off people than the Democrats think.
  • Also from the New Republic – this is a coincidence – the alt-right problem in standup comedy, where people like Gavin McInnes have tried to use comedy to legitimize their racist beliefs.
  • The Republican Party has willingly allied itself with armed self-styled militias.
  • Louisiana’s Attorney General Jeff Landry, a Republican, has sued a reporter for filing a FOIA request. The only way you could more directly assault freedom of the press would be to arrest the reporter – which I assume is next.
  • Donald Trump’s incompetence and science denial has helped the U.S. have the highest case and death rates from COVID-19 in the developed world. A new panel estimates that 40% of the deaths were attributable to federal government policies – not just our late response, but structural problems like reduced access to health insurance and growing income inequality. Trump inherited a bad public health situation and made it much worse.
  • Governors across the U.S. are allowing more and more indoor dining before enough people are vaccinated to control the pandemic, which could lead to greater spread of the more infectious variants already present in the country. Delaware has been among the best states in testing and in vaccinations, but we’re already moving to 50% occupancy in restaurants, which seems contrary to scientist’s recommendations.
  • “The only truly clean energy is less energy.” So-called “clean” energy requires a lot of dirty infrastructure.
  • Phoenix police may have specifically targeted Black activist Bruce Franks, Jr., when they arrested him and hit him with a variety of serious charges after his arrest during an August 2020 protest. The grand jury that indicted him didn’t see any video from the event, but were only given police testimony, which this ABC15 investigation found included multiple false statements.
  • Earwig and the Witch, the first 3-D animated film from Studio Ghibli, is a disaster across the board. It’s directed by Goro Miyazaki, the son of Ghibli founder Hayao Miyazaki.
  • Instagram has banned anti-vaxxer and COVID-19 denier Robert F. Kennedy, Jr. for spreading disinformation about COVID-19 vaccines. All platforms should do the same. He’s a menace to public health, and his words will lead to more deaths.
  • If you’ve been to a baseball game in Arizona, you likely have heard vendor Derrick Moore and his signature “Lemonade, lemonade, like grandma made!” call. He’s facing some sort of serious medical issue and doesn’t have health insurance – nice country we have here, folks – so there’s a GoFundMe to try to help him.
  • My daughter and I have been watching The Mandalorian, which is entertaining but hasn’t quite lived up to the hype for us – nearly every problem the main character faces is solved by shooting everyone in sight. Anyway, Gina Carano, who played Cara Dune, will not be returning for season 3 after months of tweets that ranged from transphobia to COVID-19 denial to false claims about the election, with a recent post comparing the negative consequences she’s facing to the Nazi genocide against Jews. My best guess is that Disney had warned her they wouldn’t renew her contract if she didn’t knock it off, and she did it anyway.
  • TikTok might be good for the music industry, but it’s not good for good music, as the recent soporific “Drivers License,” which has spent four weeks at #1 on the Billboard Hot 100, demonstrates.
  • President Biden promised to fire any of his subordinates who harassed colleagues or otherwise treated them inappropriately, but the first major test of that came this week when a Deputy Press Secretary threatened to “destroy” a Politico reporter for writing about a relationship he had with an Axios writer. As of Friday night, the Deputy Press Secretary had only been suspended for a week. It’s not acceptable.
  • France has arrested five people so far for making online death threats against a teenager known as Mila, who posted several Islamophobic statements on social media.
  • Board game news: Renegade announced pre-orders for the June release of the second edition of Gravwell.
  • Asmodee’s years-long acquisition spree went in a new direction this week with the purchase of BoardGameArena, one of the most popular online board gaming sites. W. Eric Martin has some analysis of what this means over at BoardGameGeek.
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→ November 29, 2020
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Stick to baseball, 11/29/20.

I had one piece this week for subscribers to the Athletic, on the Reds-Rockies trade and Atlanta’s two free agent signings, as well as a piece last week on what we can learn from the various pro leagues’ approaches to the pandemic. I held a Periscope video chat on Thanksgiving day while I spatchcocked the turkey.

Over at Paste, I ranked the ten best deduction board games, including Coup and this year’s The Search for Planet X.

I held off on sending the next issue of my free email newsletter until after the holiday so I could write up the trade and signings, but I’ll get one out in the next 48 hours. You can sign up for free here.

My first book, Smart Baseball, got a glowing review from SIAM News, a publication of the Society of Industrial and Applied Mathematics. You can buy Smart Baseball and my second book, The Inside Game, at any bookstore, including bookshop.org via those links, although Smart Baseball has been backordered there for a while. You can check your local indie bookstore or buy it on amazon.

And now, the links…

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→ January 27, 2020
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Joker.

In what appears to be a remake of Falling Down with clown makeup, Joker has somehow ended up a critical darling, leading all films in 2019 with eleven nominations, including Best Picture, Best Actor, and Best Adapted Screenplay, for this year’s Academy Awards. It’s a grim picture that manages to lionize a murderer, present an insulting image of mental illness, and retcon a major character’s backstory, driven entirely by the lead performance by Joaquin Phoenix as the Joker descends into madness. (Joker is now available to rent on amazon and iTunes.)

Joker is a new origin story – because the world hasn’t had enough of those – for the most iconic villain in the Batman stories, a character portrayed quite memorably by Jack Nicholson and Heath Ledger, among others. Arthur Fleck, played here by Phoenix, is a clown for hire, a meek, lonely adult man who lives with his frail mother and has the very rare condition known as pathological laughter, a form of pseudobulbar affect that is usually the consequence of a brain injury. He can be weirdly childlike, but only at certain times, and he has some sort of serious mental illness that requires seven different medications, although the illness is never identified. Most of the first half of the film shows how little use or regard society has for Arthur, until a series of revelations finally causes him to go off the rails, becoming the psychotic killer we recognize as the Joker.

There’s a clear intent to get after some Big Themes here, two in particular. The first, around mental illness and how little regard our society has for people who suffer from it, is the film’s major flaw and one I’ll return to in a moment. The second is a simpler depiction of growing economic inequality, with Arthur and his mother on one side of the divide, and Thomas Wayne and his family (including the young Bruce) on the other. Arthur’s first crime makes him a sort of inadvertent Gavrilo Princip, spurring a grassroots movement of people in clown masks railing against the 1%, while Thomas Wayne, here depicted as a cold, ambitious billionaire running for Mayor of Gotham (which differs from previous backstories), is a derisive, entitled man who hides behind wrought-iron fences and attends fancy banquets while showing no regard for anyone beneath him.

Joker‘s big failing is that Arthur should not be a sympathetic character. He describes himself in the film as a “mentally ill loner,” and he is utterly beaten down (literally and figuratively) and discarded by the dystopian-but-accurate society of Gotham, which, in the script’s logic, turns him into a gleeful killer. Several of his victims appear to have had it coming in this twisted worldview – he kills several yuppie douchebags on a subway train early in the film, and then later, after receiving some news that seems to cause him to completely snap, enacts revenge on multiple people in his orbit who have harmed him, and in each case the script seems to justify it. There’s more than a kernel of truth behind the story – the United States is about the worst place in the developed world to have a serious mental illness, especially if you’re not well-off, and of course it’s ridiculously easy for people who shouldn’t have access to guns to get one. The script just paints way too much of a straight line from mental illness to violence, which way too often mirrors both media portrayals of real-world serial killers and mass shooters – nearly all of whom look a lot like Arthur – and the excuses we hear from gun-rights people whenever there’s another massacre.

Phoenix does give a good performance here, although the role itself is written to be extreme, so his performance is going to stand out more for its sharper peaks and valleys; it’s a bit like a great hitter going to Coors Field and putting up video game numbers, where he’s still a great hitter but the superficial stat line may overstate the case. (As an aside, I did wonder if choosing the music of an incarcerated pedophile for Phoenix’s now famous scene on the outdoor staircase was deliberate.) Two of the best ways to get an Oscar nomination for acting are to play someone famous and to play a crazy person; Phoenix certainly got the second one, and he plays it to the hilt. He’s appropriately disturbing when he needs to be, although his affect when he’s just regular Arthur tends to come and go a bit, including his use of an infantile voice in certain scenes but not others. There are other good actors in this film – Bryan Tyree Henry and Zazee Beats are both wasted in minuscule roles – but no character gets beyond two dimensions, not even Robert Deniro’s talk show host Murray Franklin, although Deniro at least appears to be having fun with the role.

We’ve seen examples of genre films tackling serious themes successfully in recent years, including Black Panther, so it can clearly be done. Joker is not as successful, especially when it comes to its treatment of mental illness, and in the process also turns an incel into some sort of folk hero when the history of the character is that he’s a sociopathic villain. I don’t dismiss it as a comic book movie, but I do think it aspires to a level of seriousness it fails to reach, and in the process mixes its messages in a way that’s actively unhelpful. Todd Phillips getting an Oscar nomination for his direction here over Greta Gurwig and Lulu Wang is an absolute joke. I’m sure Phoenix is going to win Best Actor for this performance, but any more honors for Joker will only serve to elevate a movie that doesn’t deserve it.

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→ March 23, 2019
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Stick to baseball, 3/23/19.

I had two ESPN+ pieces this week – my annual breakouts column and my first scouting notebook from Arizona, covering prospects from the Padres, Dbacks, A’s, and Royals. I’ll have a draft blog post up this weekend looking at four potential first-rounders, including presumptive #1 overall pick (today, at least) Adley Rutschman. I also held a Klawchat on Thursday.

There will be a fresh email newsletter in the next 2-3 days as well. You can sign up free and never miss a word.

And now, the links…

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→ January 15, 2019
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Bohemian Rhapsody.

Bohemian Rhapsody is just not a good movie, no matter what the Hollywood Foreign Press wants to tell you, and it’s hardly a surprise given the movie’s tortuous route to the screen, with multiple writers, a director dismissed from the project due to harassment allegations, and the three living members of Queen holding veto power over portions of the script. The film tries to tell the story of the band Queen and the story of Freddie Mercury, either of which would have filled an entire two hours on its own, and then somehow devolves into the (inaccurate) story of how the band ended up staging the best show at Live Aid, which, had they committed to it from the start, would have been a better movie than this pablum.

Queen were worldwide rock stars for more than fifteen years, from when Freddie Mercury, who was born Farrokh Bulsara to Parsi parents in Zanzibar, joined the band in 1971 until his death from AIDS-related pneumonia in 1991. Mercury was a flamboyant personality who dressed in androgynous fashion and had an electric stage presence as well as a potent voice with a four-octave range, and was the subject of longstanding rumors about his sexual orientation (at a time of rampant homophobia) and, later, about his health (when fear of AIDS was a polite form of homophobia). He had a difficult and, by some accounts, unhappy personal life, with his twenty-year friendship with Mary Austin, to whom he was once engaged, one of the few highlights, with him calling her his “only friend” in a 1985 documentary.

Bohemian Rhapsody glosses over most of the important stuff and tells a sanitized linear story that is light on the facts but avoids painting any of the three surviving band members in any sort of negative light, and presents a two-dimensional portrait of Mercury that makes him by turns pathetic and bland. You can find plenty of breakdowns of the film’s loose relationship with the truth, but that’s hardly its biggest flaw. This is a bunch of well-shot concert scenes stitched together by snippets of dull back story, most of which shows the band making music (not really great cinema, gents) or the three musicians getting mad at Freddy for being late. Much of the first 110 minutes seems to be prologue for the Live Aid scene, which the film attempts to re-create shot for shot, and which is undoubtedly the best part of the film – indeed, had they just shown me those 20 minutes, and skipped everything that came before, I would have been far more satisfied with the experience. (Also, there was popcorn.)

Much of the writing in Bohemian Rhapsody is just plain lazy. The band didn’t break up before Live Aid, but the script has them do so to raise the stakes for the show as a reunion and give us a rather silly scene in their lawyer’s office. There’s a Wayne’s World reference that is groan-worthy and lazy AF, and of course it features Mike Myers in a bit of stunt-casting as a record executive who never existed. There are speeches and soliloquys galore, most of which I have to assume never happened because they’re so ridiculous. There’s a Rasputin-like character Paul, who was a real person, but is exaggerated to be the bad guy who drives the wedge between Freddie and the band and is dispensed with once his role as the villain is done. (He’s played by Allen Leach, so the whole time I’m thinking, that’s Branson with a porn stache.)

The movie’s worst sin is how it straightwashes so much of Mercury’s sexuality and, eventually, how he was sick for the last five years of his life and died of AIDS-related pneumonia. The movie shows him telling his bandmates “I’ve got it,” referring to the disease, before Live Aid, but all accounts have him unaware he was sick until at least a full year later, and he didn’t tell the other members of Queen until 1989. It depicts Mary Austin as his only female lover, which isn’t accurate, and then has her largely out of his life between the end of their engagement and the run-up to Live Aid, which also isn’t accurate – she worked for his private music publishing company. (Apparently the scene where he confesses he thinks he’s bisexual and she responds by saying she thinks he’s gay is accurate, at least according to Austin.) Mercury came off in many interviews as unhappy, and exploring why – perhaps as the gay son of a Zoroastrian couple, whom he never told about his orientation, who was self-conscious about his appearance and ethnicity as well, he had issues with identity and self-acceptance. The film just doesn’t bother with this material.

Rami Malek won the Golden Globe for Best Actor in a Drama for this performance, which is a good effort but ultimately, like so much in the film, an extended impersonation because the character is so underdeveloped. Still, the Academy of Motion Picture Arts and Sciences voters love impersonations too – they gave Gary Oldman the same fucking award last year for doing nothing more than donning a fat suit and mumbling his way through Darkest Hour — and it wouldn’t surprise me to see Malek get the same here, although if he defeats Bradley Cooper, Christian Bale, and Ethan Hawke it would be a damn shame, to say nothing of Stephan James or Joaquin Phoenix, neither of whom is likely to even get a nomination. As for Best Picture, I suppose anything is possible, but even considering the Academy’s disdain for foreign films in that category, I could give you two dozen better American films from 2018 without much effort. Giving this a nod over First Man, which is right behind it on Gold Derby’s odds page, would be criminal. It’s barely worth your time if you love Queen’s music, and you have to sit through so much nonsense to get to that stuff I wouldn’t even suggest you waste the gas money.

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→ December 31, 2018
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Top ten movies of 2018.

I’ve seen everything I think would likely make this top ten list other than several foreign titles, including Cold War and Capernaum, although I’ll still continue watching 2018 releases for a few more months as they hit theaters or streaming. I’ve seen 40 movies that count as 2018 theatrical releases, not counting the HBO movie The Tale, which would have made my top ten but isn’t eligible for awards because it went straight to television after the network purchased it at Sundance.

With those caveats in place, here’s my top ten as of this morning, and it still could change as I continue to see more 2018 films this winter. Links on the films’ titles go to my reviews.

10. The Endless. A thriller, or perhaps a psychological horror movie, that garnered positive reviews with a modest release, The Endless follows two brothers who, having escaped a cult where they grew up, revisit the compound to try to find some closure, only to discover that a mysterious presence has kept their old cultmates from aging and seems to prevent anyone from leaving.

9. First Man. Considered something of a box-office flop, Damien Chazelle’s follow-up to La La Land goes in a completely different direction, telling the quiet, almost painfully restrained story of Neil Armstrong, from the death of his young daughter to cancer to his landing on the moon. Ryan Gosling and Clare Foy are excellent as the two leads, although the emphasis on accuracy in depicting space flight made some scenes very hard for me to watch.

8. Isle of Dogs. This should win the Best Animated Feature Oscar, although I fear the silly Spiderman: Into the Spider-Verse will win (I admit Spider-ham is pretty funny, though) instead. Wes Anderson’s second animated film, his first from an original story, is brilliant, emotional in the right ways, often funny, and extremely well-voiced by a cast of Wes usuals along with the welcome addition of Bryan Cranston.

7. The Favourite. Yorgis Lanthimos’ follow-up to the The Lobster is a bawdy, lowbrow comedy in nice clothes, and it’s hilarious, thanks to the combined efforts of Olivia Colman, Emma Stone, and Rachel Weisz, all three of whom deserve awards consideration. The story itself isn’t new – it’s a power struggle combined with a bizarre love triangle – but the dialogue sparkles and the three stars, aided by a strong supporting turn from Nicholas Hoult, all slay in their respective roles.

6. If Beale Street Could Talk. A lovely, languid adaptation of James Baldwin’s 1974 novel by Moonlight director Barry Jenkins, Beale Street stars Stephan James (of Homecoming) and Kiki Layne as young lovers who find they’re expecting just as he’s headed to jail for a crime he didn’t commit.

5. You Were Never Really Here. A taut modern noir thriller, starring Joaquin Phoenix as a damaged private eye who rescues kidnapped girls and ends up caught in a case that threatens his safety and his sanity. Lynne Ramsay’s latest film, her first feature since 2011’s We Need to Talk About Kevin, clocks in at a spare 90 minutes, leaving no slack in the tension.

4. Beast. Driven by a star turn by relative newcomer Jessie Buckley, Beast follows a young woman in her late 20s who falls for the local outcast, who is himself a potential suspect in the murders of three other teenaged girls in their small town. The contrast between the idyllic setting and the darkness throughout the plot further drives the viewer’s sense of unease at every turn.

3. Shoplifters. My top three films are all foreign films, which is purely coincidental, and all made the Academy Award’s shortlist for Best Foreign Language Film at the 2019 Oscars. Japan’s entry is a simple, intimate portrait of a makeshift family of grifters who take in a neglected four-year-old girl they find playing outside in the cold in their tenement. Director/writer Hirokazu Kore-eda took hold the Palme d’Or at Cannes for this film, which has a huge heart and explores the essentially human need for the connections and security of family through a group of well-rounded characters.

2. Roma. Alfonso Cuarón’s passion project for Netflix lived up to the lofty expectations set for it. Based on his own childhood in Mexico City, including the life of his nanny/housekeeper Cleo, Roma is told from her perspective, as she gets pregnant by a man who abandons her and sees the marriage of her employers crumble, all amidst the tumult of protest-torn Mexico in the early 1970s. The story can be a shade slow, and Cleo is the only real character of depth, but the cinematography is the best of the year – maybe in several years – and the film seems set to win awards for its sound as well.

1. Burning. Adapted from a scant Haruki Murakami story called “Barn Burning,” this Korean-language film creates an air of uncertainty from the start, and its three main characters remain unknowable to the dramatic conclusion. Lee Jong-su meets a girl, Shin Hae-mi, who says she knew him in grade school, and after a few days he’s clearly in love with her, only to have her go to Africa on a trip and ask him to watch her cat for her. When she comes back, she’s with a suave, wealthy guy, Ben, who might be her new boyfriend, and Jong-su can’t figure out what to do – or what exactly Ben does for his strange hobby. It’s a hypnotic slow burner anchored by one of the year’s best performances from Steven Yeun as Ben.

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→ August 15, 2018
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Top 55 pizzerias in the U.S., ranked.

I’ve updated this list for the first time since the original version went up three years ago, and again, I expect this will start quite a few debates.

I adore all kinds of pizza – New York-style, Neapolitan-style (thin crust, wet center), Roman-style (also thin-crust but with a cracker-like crust), Sicilian, coal-fired, wood-fired, whatever. Except “deep dish,” which is just a bread casserole and which I actively dislike. I try to find good artisan pizzerias everywhere I travel, and I’ve hit just about all of the most highly-regarded places in Manhattan and Brooklyn too. I grew up on Long Island, eating by the slice and folding as I did so, but a couple of trips to Italy convinced me of the merits of those very thin crusts and superior toppings. We’re the beneficiaries of a huge boom in high-end pizza joints in this country, and while I haven’t tried all of the good ones, I’ve been to enough to put together a ranking of the 55 best that I’ve tried. There is, I admit, a bias to this list – I’ve tried more places in greater Phoenix than any other metro area other than New York – and I’m sure I’ll get some yelling over where I put di Fara or Paulie Gee’s, but with all of that out of the way, here’s how I rank ’em.

(I’ve removed two entries that closed since the last ranking, but if I missed another one, please put it in the comments.)

1. Pizzeria Bianco, Phoenix
2. Kesté, New York
3. Motorino, New York
4. Roberta’s, Brooklyn
5. Una Pizza Napoletana, New York (relocated from San Francisco)
6. Pizzeria Vetri/Osteria, Philadelphia
7. Frank Pepe’s, New Haven
8. del Popolo, San Francisco
9. Garage Bar, Louisville
10. Pizzeria Mozza, Los Angeles
11. Pizzeria Lola, Minneapolis
12. cibo, Phoenix
13. Lucali, Brooklyn
14. Forcella, New York
15. Pizzeria Stella, Philadelphia
16. Spacca Napoli, Chicago
17. Paulie Gee’s, Brooklyn
18. Don Antonio by Starita, New York
19. Pizzaiolo, Oakland
20. ‘Pomo, Phoenix
21. Brigantessa, Philadelphia
22. Marta, New York
23. Ribalta, New York
24. flour + water, San Francisco
25. Totonno’s, Brooklyn
26. Federal Pizza, Phoenix
27. La Piazza al Forno, Glendale, AZ
28. Via Tribunali, New York/Seatte
29. Il Cane Rosso, Dallas
30. Antico, Atlanta
31. Ravanesi, Concordville, PA
32. City House, Nashville
33. Tarry Lodge, Port Chester, New York
34. Desano, Nashville
35. Grimaldi’s, Phoenix
36. Jon & Vinny’s, Los Angeles
37. Timber Pizza, Washington, DC
38. Di Fara, Brooklyn
39. All-Purpose, Washington, DC
40. Il Bosco, Scottsdale, AZ
41. Co., New York (closed February 2018)
42. Rubirosa, New York
43. Punch Pizza, St. Paul
44. Toro, Durham
45. Craft 64, Scottsdale, AZ
46. Harry’s Bar, Miami, FL
47. 800 Degrees, Los Angeles
48. Firestarter, Dennis, MA
49. Forno 301, Phoenix
50. Dolce Vita, Houston
51. Stella Rosa, Santa Monica
52. Grimaldi’s, Brooklyn
53. Basic, San Diego
54. Nicoletta, New York (closed as of 1/2019)
55. Taconelli, Philadelphia

There’s a long list of pizzerias I still need (okay, want, but where I’m concerned pizza is a need) to try, so they’re not on the list: Razza in Jersey City, Apizza Scholls in Portland, Area Four near Boston, 2 Amy’s in DC (temporarily closed), Menomale in DC, Sottocasa in Brooklyn, al Forno in Providence, Mani Osteria in Ann Arbor, Vero in Cleveland, Iggie’s in Baltimore, and more. It’s a good time to be a pizza lover, and unless you have to be gluten-free, how could you not love pizza?

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→ July 26, 2018
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Klawchat 7/26/18.

My Insider post on the Eovaldi, Andriese, and Oh trades is now up. Also, I have a new board game review up at Paste, covering Istanbul the Dice Game, which strips down the original Istanbul (an amazing game from 2014) to something quicker, simpler, but also more driven by chance.

Keith Law: You left all the lights on, but there’s nobody home. Klawchat.

Nick L: Is this peak Javy Baez? It almost feels like even a little more discipline moves him dangerously close to MVP discussions.
Keith Law: I think this is peak Baez; it’s unlikely (albeit not impossible … just highly improbable) that he finds plate discipline now.

Chris: Hi Keith. Looking forward to your book signing this weekend in MA. What do you think about how the Red Sox made out in the Eovaldi for Beeks trade? Thanks.
Keith Law: That post just went up (Insider).

Frank: The Jays traded a reliever for what MLB Pipeline says is the Rockies 13th & 24th best prospects. Would those qualify as lottery prospects, or is the Rockies system good enough that those are a little better than that? Side question: what would you expect the Jays to get for Happ?
Keith Law: See the link I just posted.

Arnold: Actual SI FB post earlier this week: “Mets Prospect Tim Tebow out for season.” Prospect??? Maybe fate favors the Mets since this means Tebow won’t be blocking any actual prospects for the rest of the season, but the Mets are gonna force this charade on us next season, aren’t they?
Keith Law: There are many people, even within this industry, who treat “prospect” and “minor leaguer” as synonyms. They are not.

Eddie: Wander Franco has looked great so far, can you think of another J2 signee that you rated so highly in his 1st season?
Keith Law: Yes, several, including Sano & Vlad Jr.

Dana: Do you fault Gary Sanchez for not hustling considering he reaggravated his injury in the first inning? I feel like he’s getting unfairly crushed here.
Keith Law: I wish Latino there was Latino some sort of Latino reason why Latino everyone is so Latino quick to criticize Latino certain players for not Latino hustling.

Mark: It seems the Rays take high floor players in trades, and the Padres have a rule 5 roster problem approaching, so could this explain the Padres and Archer rumor? The Rays might be willing to take some of the players the Padres aren’t going to be able to protect in addition to some premium talent. They made a similar deal in the past (can’t remember the details) where Boxberger, Andriese, and Forsythe were the return who have been nice players, but at the time were seen as high floor useful guys. Thanks!
Keith Law: Is the Padres’ rule 5 apocalypse that close? I think they’re a year-plus away from that. I don’t hate this idea like the Hosmer (-0.7 fWAR … but TEH LEADERSHIP) deal, but it’s still not really ideal for the Padres unless they’re somehow doing this without trading any of their top 10 prospects.

Ike: If you had your choice for a franchise player, who would you take between Acuna, Soto or Vlad jr?
Keith Law: Acuna. Or Tatis Jr.

Rich: Any advice for a first-time author? I am about to start writing after years of research. What were some of your biggest stumbling blocks with SB? Also, I hope to make it this Saturday in Acton at the Silver Unicorn!
Keith Law: I wrote that all pretty quickly, so I’m not sure I’d have stumbling blocks to offer. Just carve out dedicated time to write each day, because it’s easy to procrastinate on a project like that with long deadlines.

addoeh: To continue the discussion from the last Klawchat, is Creed worse than Nickelback and would positive comments about either “music” group cause a prospect to fall due to “dumb social media comments”?
Keith Law: My warning to all players at any level: If your walkup music is by Post Malone, I don’t care how good you are, I am slapping a fucking NP label on you and never looking back.

Joe: Keith, are there any good reasons why Ced Mullins and Dj Stewart are still in AAA given the Orioles’ struggles?
Keith Law: Is there a burning reason why either should be up? These aren’t elite prospects.

Joe: Keith, it seems like the Orioles hung on to Britton too long like they did with Machado. Would you have traded him after his huge season in 2016 even though the Orioles had just made the playoffs? His value was never higher and Chapman and Miller were just traded for huge hauls.
Keith Law: I would have, and I think I said so at the time, but it’s also a bit unfair to criticize them on Britton because he got hurt during the offseason and scotched any chance they could trade him then.

Aaron C.: What do you do if you’re Billy Beane/David Forst? (1) Hope the A’s offense continues to make Cahill/B. Anderson/E. Jackson look serviceable? (2) Trade for a back-end starter? (3) Trade some top-tier prospect(s) for a front-end starter? Thanks!
Keith Law: More like (2). Definitely not (3).

Bob: I know Isaac Paredes isn’t likely a SS, but he hit well in the FSL at 19 and Det must think highly of him to promote him to AA as a teenager. How good can he be as a 2B or 3B?
Keith Law: Above-average regular at 2b or 3b, definitely not a shortstop. Little bit of stat-scouting going on around him – good prospect, not an elite one.

Bob: After a rough start to the year in AA, Brent Rooker has been dominant for nearly 2 months. What’s his upside?
Keith Law: Solid-average regular.
Keith Law: I guess maybe a 55, above-average regular. Probably 1b. He is a grade 80 tweeter though.

Bob: Hans Crouse has had a couple recent 7 IP/double digit K starts. Does he have front of the rotation upside or more a reliever for you?
Keith Law: Delivery is reliever. Mentality is probably reliever too. Stuff would let him start.

mike sixel: Some Twins’ fans I interact with think the team should sign Escobar to a QO if they can’t extend him. Thoughts on 18MM for Eduardo Escobar? Admittedly, they have very little payroll committed for next year….but, 18MM?
Keith Law: Hardest of passes.

Bob: Kevin Kramer has followed up his AA breakout with a very similar AAA season. Can he be an above average regular?
Keith Law: In my opinion, no.

PhillyJake: In your write up of Mitch Keller, you wrote “If he finds that third pitch — better feel for the changeup, maybe even a splitter — he has No. 1 starter upside.” On June 28th, the day after Keller was promoted to Indy (AAA), Tim Williams of Pirates Prospects wrote about how his improvement in his secondary pitches lead to the promotion. I realize that ranking him 24th overall means you don’t hate him (Or the Pirates!), but I’m wondering when you’ll get a chance to see him again to see with your own eyes?
Keith Law: I have seen him – I just saw him – and what I wrote is completely accurate.

Bob: Have you had a chance to see Daniel Johnson in Harrisburg? He has not repeated his A ball power numbers, but his overall game looks solid. Can he be a starter or more a 4th OF?
Keith Law: Extra OF for me, some small chance of a regular.

MIKEPCFL: Just a quick thank you for sharing about the loss of your family cat and how your daughter handled it. It was very touching. Never just stick to baseball.
Keith Law: You’re welcome – thank you, all of you, for reading and reaching out after I sent that newsletter.

Harold: Was the White Sox’ 2017 draft as good as it appears with Sheets, Gonzalez, Hentzman, Tyler Johnson, Battenfield, etc. all doing well?
Keith Law: I just wrote up Sheets and Gonzalez … Sheets in particular looks bad, and bear in mind they took a lot of college guys who *should* do well in the low minors. Shame about Berger, though – he seemed like the kind of guy who could finish his first year in AA or higher.

Moe Mentum: Favorite band or musician that your wife was into before you were?
Keith Law: We have wildly different tastes in music. There isn’t much overlap other than bands we both liked from the ’80s.

CD: Ramon Laureano has had a nice bounce back season in AAA. Do you think he can defend well enough to be an average-ish regular in CF?
Keith Law: Astros tried to alter his swing – launch angle! – and it wrecked his 2017. I think definite fourth OF who can play all three spots, maybe 10-15% chance of a regular. I particularly like him as a player, just the way he plays, not the biggest tools but enough athleticism and a really good idea of what he’s doing.

C-Note: Who is the 2nd best player in baseball?
Keith Law: Trout is 1 and Mookie is 2. You can start your arguments at 3.

Seath: Do you have any other plans while in MA? Going to the RedSox-Twins series? I would have loved to go to your book event.
Keith Law: Nope, having dinner with my best friend from grade school and then driving home.

Concerned citizen: Why don’t other countries on par with the U.S. have the same amount of vaccines that are required?
Keith Law: Ask them. The science on this is quite clear.

SeanE: Will Craig has put up solid power numbers but with a corresponding drop in BA and OBP. Can he reach a happy medium and become a productive MLB 1b?
Keith Law: Don’t think so – more like a below-average regular/bench piece.

Jerry: Is Josh James a legit prospect. Seems to have really taken a step forward. Is he a high strikeout mid rotation guy?
Keith Law: Huge arm, has touched 99, bad delivery, command way behind control. Lot of relief risk. I have not seen him myself.

Neal Huntington: Do I put together a package of prospects to add a starting pitcher for the stretch run or was the recent streak just smoke and mirrors?
Keith Law: I would not advocate buying; there are nine other teams competing for the same playoff spots, and I don’t think their true talent level is better than their two divisional rivals.

Kevin: What kind of return could Carlos Rodon catch for the White Sox? Since there are not too many young, controllable SP on the market and they are still a few years away from competing, should the Sox look to maximize his value?
Keith Law: I don’t think the value would be that great for a guy who is less than a year off significant shoulder surgery and who hasn’t had a full season of sustained production.

SeanE: Any chance that Oniel Cruz can stick at SS or is his future at 3b? Is he a candidate for your top 100 next year?
Keith Law: No chance of SS. I’m not sure he can stay on the dirt – dude is like a skyscraper out there.

Dave: Do you have any recs for a good vegetarian cookbook?
Keith Law: Nothing I absolutely love; the best cookbook I have for vegetables is Nigel Slater’s Tender, which is veg-focused but not truly vegetarian. I own one of Isa Chandra Moskowitz’s books (Isa Does It!), which is vegan, but most of the recipes don’t work without significant modifications – I don’t think anyone tested them.

Jack: Does Haseley adding a leg kick, and subsequent success(SSS ik) potentially increase his value at the deadline?
Keith Law: No, pure SSS. Swing has been awful.

David: Have you ever played much chess?
Keith Law: Yes but I’m not very good at it.

Jeremy: I just wanted to reach out and say that I appreciate your willingness to discuss things outside baseball. While I may often disagree with your positions on some matters, I enjoy being able to read other opinions and points of view and discuss them in a civilized manner.
Keith Law: Thank you. That is also why I moderate the comment sections here so strictly – I would rather have a smaller but more civil discussion by keeping anyone seeking to comment in bad faith out.

Harry: Which Under Armour players impressed you the most? Did you write this event up?
Keith Law: There was zero chance I was taking a trip when my daughter needed me home like that.

Trevor: Thoughts on Forrest Whitley being rewarded with an invite to the Futures Game after serving a 50-game suspension?
Keith Law: Not great, Bob, but he ended up getting hurt anyway. MLB was in a tight spot – he’s the best RHP prospect in baseball, and not inviting him would have been weird, too.

Joe: Was there a time in your early days of scouting when you would look past flaws in order to defend guys you essentially “discovered?”
Keith Law: I’ve never discovered anyone. I go see players scouts or execs have identified for me as players to see.

Gerry : Beyond Rhys Hoskins’ obvious offensive talent, when scouting a player, do scouts really take into account leadership qualities as a tipping point for player A over player B, who be more high risk? Thanks KLaw
Keith Law: Not really. I think people tend to retcon that stuff on to a guy after he turns out to be good (or just gets paid a lot).

GEO: My condolences on your loss of Bailey; I once had a black cat of the same name. It’s a difficult decision to have to make. May I ask how you knew he was ill in the first place? They seldom tell you when they are in pain. Or was it uncovered in a regular vet exam?
Keith Law: That very afternoon, he was howling like he’d never done before, and that was the first sign. If you read my latest newsletter (tinyletter.com/keithlaw) I tell the whole story. It was shocking because he seemed fine just days before.

Joshua: I know it was a small, pretty inconsequential trade, but is there anything to be excited about with Jacob Condra-Bogan in the Goodwin trade? Thanks.
Keith Law: No. There were some strange claims that he was throwing up to 99, but he’s not. He’s a great story but I have 90-94 from scouts.

Doug: I think Buster might need to take a breath. What’s the problem with Preller checking in on controllable pitchers?
Keith Law: I agreed with Buster’s point – Archer’s window doesn’t coincide that well with when the Padres’ young core should be in the majors and producing.

Nate: You’ve mentioned the Cards Hudson having the look of a reliever. Is the basis stuff, mechanics, makeup, other?
Keith Law: Yes.
Keith Law: I don’t know about his makeup and can’t think of times that pushed a guy to relief.

xxx(yyy): Any specific recommendations for a Game Night with other couples (so not OVERLY difficult to understand rules/games)?
Keith Law: Something like Coup, Love Letter, One Night Werewolf (if you have 5+ people), Crossfire … social deduction games that move fast, don’t have a lot of rules, work well with alcohol.

xxx(yyy): Who ends up the better MLBer of the Rangers L Tavares or J.P. Martinez?
Keith Law: Taveras for me. He was on my top 50; Martinez wasn’t and wasn’t a consideration.

JB: CJ Chatham seems to have bounces back after the injury. Reason to be optimistic or is he old for high-A? Thanks!
Keith Law: Saw him. Like the glove/hands a lot. Bat is light.

Mark Antoch: Over/Under HR’s if you give Tyler O’Neill if the Cards gave him 550 AB’s in the majors next year? He’s a beast
Keith Law: 28 homers and a sub-.300 OBP.

Bryan: I always forget to show up at chat times, so I just wanted to say thanks for always being helpful and answering random questions on Twitter. But since I’m supposed to ask a question here — were you playing Pandemic Legacy? How is it going/did it go? (we’re about to embark on Season 2, and I’m already stressed out about it!)
Keith Law: We played it 5 times, I think, and liked it, but we’re often bringing other games to the table. Charterstone also sort of leapfrogged it in our legacy game queue.

Nate: Better OF prospect, Pache or Waters?
Keith Law: One was on my top 50…

Steve Culver: While they are all important, is there a particular race you are rooting for in the Nov elections? Really need to flip the house.
Keith Law: Not especially. They’re all important, and I just want to see more pro-science people in government at all levels.

Brian: What has happended in the last decade or so that has helped improve these 19-21 year olds succeed so early in MLB? Before trout and Harper, i dont recall seeing so many young players contribute so early at the major league level (excluding JR and Andrew Jones).
Keith Law: They’re a lot more physically developed now at 19-20 than I remember them being ten years ago, but I don’t know if the data on their performances bears out the impression we both have that they’re succeeding sooner.

Pete: Is Cornelius Randolph still prospect-worthy? 21yrs old at AA. Shows flashes
Keith Law: Not really. young but showing nothing, and he’s a 4 in LF.

Joshua: Do upcoming “mid-tier” free agents like Gio Gonzalez and Daniel Murphy hope they get traded so that they don’t have compensation attached to them in the offseason? Thanks, Keith.
Keith Law: Probably – it seems to hit them worse than it does top-tier guys, as you’d expect.

Mundo: What are your thoughts on Jonathan Loaisiga?
Keith Law: Love him if healthy, but he hasn’t stayed healthy. Mid-rotation upside, reliever downside.

Mark Antoch: Are you watching any HBO shows? Succession or Sharp Objects?
Keith Law: I finished S1 of the Leftovers. No interest in Succession.

addoeh: Favorite music video from the 80’s?
Keith Law: It’s tough to beat “Thriller,” although counting the whole 20 minutes is probably cheating.

Jesse B: Have you seen or heard anything about Nate Lowe to think the breakout is for real?
Keith Law: Saw him in DC. Slugger without defensive value. He’s something, not a star.

Ridley Kemp: Luis Rengifo is rocketing through the Angels’ system this year with some silly looking numbers (.316/.420/.484) with more walks than strikeouts. Have you had a chance to see him, or have you heard anything about him? He was totally off my radar coming in to this year.
Keith Law: I have heard solid utility type. Not a shortstop, maybe a 2b-of type who can fill in at short (not that he’ll do that with Andrelton there). Has played in some very good hitters’ parks this year too.

Doug: Which of the four Missions’ pitchers hits the bigs first? Paddack, Quantrill, Nix, or Logan?
Keith Law: Nix then Paddack.

John: Any non-fiction book recs from the last 12-24 months? Looking for a gift for my Dad’s birthday and he loves NF!
Keith Law: Killers of the Flower Moon or Evicted.

Andy: Could Mookie have been an elite fielding 2B?
Keith Law: Yes. I’m not sure there’s a position where Mookie couldn’t be an elite fielder.

paul: love your work. question about the metropolitans. with cespedes out indefinitely should the mets trade degrom and thor? as a fan I almost think I might just stop watching baseball if they do. if all the players you cheer and root for get traded prematurely or hurt (david wright) and you have terrible ownership (also a redskins fan so its a double ball kick) what’s the point?
Keith Law: The franchise should trade them, but with no clear direction or single decision-maker right now, they should wait to hire a full-time GM and then make those deals. Doing it now, with a potentially restricted market (more teams likely to be buyers in December than July), probably reduces your return.

Adam: Should Touki be in the Braves pen now?
Keith Law: No. that would be counterproductive.

Jax : Is it 50/50 that Zack Collins stays behind the plate?
Keith Law: It’s like 10/90, or maybe less.

Esteban : How likely is it that the Wilpon’s are forced to sell the team? And are there any potential owners out there that would bring excitement to the team? Coming from a Mets fan
Keith Law: I think next to zero chance. They only did this with McCourt when he was (supposedly) about to miss payroll.

John: Do you think we see a multi-inning relief pitcher in a fireman-type role put up 100 IP in the next 5 years? (strictly RP – 0 start guys – have put up even 100 IP since 2010)
Keith Law: Would you consider a guy who makes 1-5 starts still a multi-inning reliever? I’m okay with that. The guy you’re describing would have to be capped at something like 50 appearances a year and we haven’t seen that in … 20 years?

ColinMoran: What do you think of Seth Lugo as an under the radar acquisition as a starter. Small sample but very good xwOBA as a starter.
Keith Law: xwOBA doesn’t work. Lugo’s interesting, more likely a reliever – get him and have him throw that CB a ton.

JJ: Did the Cardinals’ front office screw the pooch with Carson Kelly? Should they try to trade him now, even though his value has declined? I can’t see any way he takes any playing time from Yadi Molina over the next two plus seasons — he’s got more job security than a governor’s brother-in-law.
Keith Law: Could still trade him now/this winter. Everybody needs catching.

Troy: What is the best restaurant in the nation you’ve eaten at?
Keith Law: Juniper & Ivy in San Diego. Would also nominate Monteverde in Chicago, Cotogna in San Francisco, PYT in Los Angeles, Rose’s Luxury in DC, Five & Ten in Athens GA, Husk in Nashville/Charleston, and of course Pizzeria Bianco in Phoenix.

Dave: (Six Seasons and Root to Leaf are both really solid and current vegetarian cookbooks)
Keith Law: I will check these out.

Harry: Kodi Medeiros headed to the White Sox for Soria. Reactions?
Keith Law: I have never bought into Medeiros as anything more than a LH specialist.

Jesse B: Daz Cameron looks way better in AA than he did in High A, does this have anything to do with the two different leagues or is he just getting better?
Keith Law: FSL can be rough on guys with just so-so power. Aaron Judge power, you’re fine. Less than that, might be rough.

Tom C: Sorry about your cat, but I wanted to ask – was that the one that got stuck in the wall a while ago?
Keith Law: That’s him! Good memory. Bailey was a sweet cat but not the brightest bulb in the chandelier.

Simon: Jhailyn Ortiz….real deal or just a guy?
Keith Law: I am completely sold on the bat. I am far from sold that he can play LF.

Bob Nutting: Would Kramer and Newman (not the Seinfeld guys) be and upgrade over Mercer and Harrison? Seems to me they would at least be comparable and I could save mega $. What is not to like?
Keith Law: I’d be OK with this, assuming you think you could deal the two veterans for something useful.

Zihuatanejo: Why is the hit/power/speed/glove/arm scouting rubric still widely used for position players? It always seemed to me that it improperly suggested an equivalence between differently-valued tools.
Keith Law: It’s a useful framework, but the bigger problem is averaging the five grades, or otherwise pretending that, say, speed is as important as hit or power.

Drew: Is Dillon Tate the most promising prospect the O’s have acquired so far?
Keith Law: Diaz is.

Troy: How did you and Curt Schilling get along when he worked at ESPN.
Keith Law: Actually quite well.

Scott Rolan: Am I a Hall of Famer?
Keith Law: yes, but you will have to spell your name correctly to get the 200 points.

Bobby Bradley’s 40-time: Kelenic made your top 50 update but was #6 on your draft board behind Bohm and Swaggerty, who didnt end up making the list. Why the bump up after just a few weeks of pro ball?
Keith Law: Is that OK with you? I didn’t realize I needed to adhere strictly to the draft board. We get more data on players and pro scouts get their first looks at guys once they sign.
Keith Law: I spoke to scouts who saw all three players you mentioned.

Ridley Kemp: Did you see the recent article on Cohl Furey and the quest to find the Grand Unified Theory using obscure algebra instead of by bashing particles together? If not, it’s a heady read (and it makes me a little ill to think some of our top minds are seriously considering busking to further their work):
Keith Law: Yes, this was in my latest Saturday links post … but I won’t pretend I understood the math either.

James: Would you be opposed to a “prospect roundtable” broadcast of yourself and other experts who do lists, such as Callis, Mayo, Sickles, BA staffers, etc, and arguing your lists with each other? Personally I’d pay money to see it.
Keith Law: Mayo and I have discussed doing something like this with Jim for years but could never get all sides to agree. The three of us get along quite well, even though I think readers think we’re rivals of some sort.

Matt : If the Yankees end up in the WC game would you give any thought to them starting anyone other than Severino and rely on the bullpen heavy so they can pitch him in game 1 against the Sox or Astros?
Keith Law: Yes, but that takes some serious stones to actually do it.

Joshua: Is Carter Kieboom a realistic option for the Nats opening day 2019 starting second baseman? Thanks.
Keith Law: I think that’s too optimistic.

Braised Short Ribs: Come back to us, Keith!
Keith Law: I miss you, man. I really do.

Stephen: Take on S1 of the Leftovers?
Keith Law: Amazing. Extremely well-acted across the board. Fascinating themes. Thought the season finale was clumsy, though.

Nick: Any concerns about David Peterson’s struggles in Hi-A? Reports are he has been getting hit hard since the promotion.
Keith Law: And his stuff is off a little too – dead arm, maybe? I’m hoping it’s nothing serious. He was straight dealing for almost three months, with stuff/reports to match.

James: Do you think the wrong Lowe played in the Futures game? I’m partial to Brandon – agree?
Keith Law: Same.

Marshall MN: In regard to TV shows, I give my highest recommendation to the German TV show “Dark” on Netflix.
Keith Law: Thank you. I think someone else rec’d that. Or maybe it was you and you’re just relentless?

Todd Boss: Strasburg to DL: is it officially wave the white flag time in DC? Their comp pick for Harper is almost useless thanks to poor cap management; do they dare make the trade and admit complete failure? Gio, Murphy maybe even Wieters might have trade value?
Keith Law: I could go either way with this. Yeah, if they sell, they could potentially add a lot of talent – if there are buyers for Harper or Murphy. But they’re also a lot better on paper than their record, and the teams ahead of them have both overachieved a lot. If they decide to stand pat, I won’t criticize them.

Joshua: In the past you’ve rated Luis Garcia below Yasel Antuna, is this still how you’d rate them? Thanks.
Keith Law: I rated them just once, but Garcia has moved way past Antuna, whose body apparently has gone way backwards, showing no twitch or athleticism this summer.

Brad: Thanks for the idea to read the Hugo Award winners. Any chance of going back to any other Sci-Fi/Horror books? I’ve just started Name of the Wind (Book 1 of the Kingkiller Chronicle) and it’s really good so far! Thanks for the great work
Keith Law: I’m reading non-Hugo winners too – I have The Fall of Hyperion in my suitcase right now.

Adam: I live ten minutes from Pizzeria Bianco and have still never been there
Keith Law: What is wrong with you?

Matt : Funny how republicans hate socialism but are somehow okay with a $12B handout to farmers being altered by Trump’s crazy trade war.
Keith Law: I pointed out to someone on Twitter who was decrying universal health care as “socialism” (not accurate) that we have seen actual ideas that resemble socialism from this administration – you named one, and the proposal to nationalize coal plants was another – than far more than the philosophy of providing health care for all citizens, which research indicates will lead to a more productive populace and greater economic growth, has to be.
Keith Law: People have been using “socialism” as a pejorative for economic ideas they dislike at least since I was in high school, probably back to McCarthyism. Socialism is a failure. That does not mean that laissez-faire capitalism is the correct solution for every policy problem.

Nate: Would you call up Lazardo to be a pen piece down the stretch and, possibly, in the postseason?
Keith Law: I would not.

Brandon Nimmo: Any interest in writing about politics? Love reading your takes on Twitter.
Keith Law: ESPN wouldn’t allow it, and I’d have to spent a LOT more time reading about those topics to be even close to educated enough to really write about it. It’s one thing to tweet; it’s another entirely to ask someone to pay you to write thousand-word columns that offer cogent arguments.

Jack: Do you think it is just my Philly fandom that I think there is a real possibility that trout comes to Philly when his contract is up? Middleton seems like he wants a splash.
Keith Law: I’m sure Middleton does … and so does every other owner with cash.

Brandon Nimmo: Whoever acquires Zack Wheeler is going to look really smart aren’t they? I just hope the Mets get more than RHP relief prospects.
Keith Law: There is no way I’m taking Wheeler if Woolsey isn’t in the deal too.

Jim: How good is Azul?
Keith Law: I loved it. Best game of 2017 for me. Easy to pick up, plays a little differently each time.
Keith Law: Plays well with 2, 3, or 4 too.

Mike: Does Brendan Rodgers have superstar potential?
Keith Law: Yeah, but more likely a solid 55.

Amy: Wouldn’t Mookie have more value as a 2B? If Pedrioa is done, why not move him to 2B, benintendi to CF, JBJ right, JDM left? Wouldn’t that maximize the lineup?
Keith Law: Sure, if Pedroia can accept the demotion.

Darryl: What is an appropriate age for considering travel ball? I chuckle at the parents who think a kid needs to be on display as a 9 y/o. Always thought anything before high school was a waste of money, time and potential abuse of an arm, but it may be my old school thinking that is getting in the way of things…
Keith Law: I tell parents in my neighborhood that it’s fine for their kids to play travel ball as long as they’re not being asked to fork out hundreds of dollars for events, and as long as they’re making sure their kids who pitch are following PitchSmart guidelines (lord knows the coaches don’t care). Playing more is good. Just don’t fool yourself into thinking you’re advancing his future just by paying more for high-profile events.

Brian: Would you mind clarifying what “Mentality is probably reliever too” means in reference to Hans Crouse?
Keith Law: He pitches like he wants to shove the ball down the hitter’s throat. I love it. And sometimes that kind of guy stays a starter (Scherzer comes to mind). Most end up relievers. It was a compliment, though.

Vladdy & Eloy: Please please please, don’t rank either of us #1 on your next prospect list! Muchas gracias!
Keith Law: Seriously. I don’t believe in hexes, curses, or other superstitions, but I can’t believe Tatis got hurt within hours of me listing him as #1. Hoping he and Vlad Jr. come to Fall League!

Nick L: It looks like Miguel Amaya is certainly the best Cubs prospect, but how good could he be? Do you see him as a top 75 prospect?
Keith Law: He’s a top 100 guy, I feel pretty confident about that. He is their #1 prospect, easily.

Josh: Do you ever see a point where the current ownership of the A’s spends like the average MLB team? Seems like a new stadium is just an excuse. If the Warriors are able to spend and be successful across the parking lot, why can’t the A’s do more?
Keith Law: If they spend more now, it undercuts their claims that they need a new stadium (which they do – not that i think the city should pay for it, but they do need one). They have a strong disincentive.

Devon: Hi Keith. How has your anxiety been? Also, how is it when you travel? My symptoms tend to get worse. Any tips? Thanks!
Keith Law: Thank you for asking. I’ve been pretty good the last few weeks; it’s always higher leading up to the draft. The vacation helped, once we were on the plane.

KO: What is your favorite Cape League Park to watch a game at?
Keith Law: I can tell you my least favorite is Wareham.

BE: Will there be any big names at the August deadline, or was last year just an anomoly?
Keith Law: Last year was an anomaly.

Chip: What’s the top of next year’s draft looking like? I know it’s all highly subject to change, but wondering if there’s a generational talent or at least a Mize up their for the O’s
Tom: Why is Raimel Tapia in the majors if he’s not getting any playing time? Seems like a waste.
Keith Law: Very weak college pitching crop. Adequate HS crop. College bats are good not great. Overall looks like a down year.
Keith Law: I agree on Tapia, although no hitter is learning anything by hitting in Albuquerque either.

Jim: How much would Shin-Soo Choo help the phillies lineup? What would be the cost? Thanks, love your blog.
Keith Law: Does he fit them at all? Probably needs to DH. Their corner OF are both LHB.

Mike: Is there any valid reasons pitchers can’t run hard on groundballs when it appears they will be out?
Keith Law: Yeah, the risk of serious injury on something totally stupid.

Jackie: It used to be that 300 wins, 3K strikeouts, 3,000 hits, or 500 HR were automatic qualifiers for the HOF. Do you think there are any benchmarks for voters these days?
Keith Law: 3000 hits probably still gets you in unless you have the PED stain upon you. The pitching benchmarks have fallen, as they should.

Pat D: Still interested in seeing The Happytime Murders?
Keith Law: Yep. That and Black Klansman are the two films I’m most looking forward to right now.

bartleby: please explain to me why Jose Reyes and Juan Bautista are getting playing time.
Keith Law: #LOLMets?

Bredin: Is Gavin Lux a top 100 guy? Could you just give us your thoughts on him in general as well? Thank you, sir.
Keith Law: I’m very pleased to see his progress this year, although he’s still a cipher against LHP, and I don’t know how much of his power is the Cal League and how much is that the Dodgers try to optimize every prospect’s launch angle. He can play short, though, and his hit and eye tools are already there. Regular for me with lots of potential for more.

Salzer: I love me some Bo Bichette. Has his stock taken a hit at all or is the lower average just normal growing pains?
Keith Law: I just ranked him as highly this month as I had in the winter. Still quite young for double-A, too.

Dennis S: Is there any way the Dodgers sign Machado, move him to second or third base with Seager back or would that just cripple their overall player budget?
Keith Law: Seems like they’ll be outbid, given their general philosophy on free agents – and Kershaw can opt out if he wants to, so they may end up renegotiating his deal to prevent that.

tom: Am I being too optimistic in seeing a #2 starter in Chris Paddack? I mean, to the naked eye both the control & command are 70 grade. I realize he’ll need a 3rd pitch – how has his curveball progressed? He seems to be dominating AA hitters as much as he did in High A
Keith Law: It isn’t impossible to be a #2 with a below-average breaking ball, but it’s rare/unusual.

Matt : Do you have an interest in economics or more specifically stocks/investing. With your background it seems like topics you’d be on board learning about.
Keith Law: I don’t think an individual can beat the market. Used to read a lot more on that topic, and covered a lot of it in school. More interested in the behavioral economics stuff – what drives our thinking, and our bad decisions, and why man isn’t the rational actor that 200+ years of economic philosophy claimed he was.

Brett: Scott Kingery or Luis Urias long term?
Keith Law: Urias. Both good.

Frank: Derick Rodriguez has pitched very well for the Giants. Can he be a solid #2 or #3 going forward?
Keith Law: Way too high. Back-end starter.

Jim, the Frustrated Fan: I’m SOOOO tired of seeing so many injuries as a result of head first slides. Is there any evidence feet-first slides are at all safer?
Keith Law: I don’t know the answer to that, actually.

Darryl: Recommended restaurants in downtown Chicago? Family is taking a trip next month and would love your input!
Keith Law: Monteverde, Publican & Publican Quality Meats, any Rick Bayliss place, Little Goat (haven’t been to Girl & the Goat, I assume it’s fantastic). Pretty good little food town they got there.

Dave: I was wondering why you think nobody has signed Hanley Ramirez, since all they’d have to pay is the pro-rated minimum. Is he that done? Also wanted to thank you for the chats and for Stick to Baseball. Although I have an issue with Stick to Baseball, because of all the extra reading I have to do. BTW who’d a thunk George Will would become the voice of reason.
Keith Law: Doesn’t have any defensive value and teams are loath to burn bench spots on guys like that, not when everyone wants to carry 15 pitches.
Keith Law: That’s all for this week – thank you all as always for reading and all of your questions, and this week for bearing with me as I got caught in traffic (!) driving here on the Cape. I may not chat next week because I’ll be at Gen Con – and hope to see many of you there. Also, if you’re near Acton, Massachusetts, come see me Saturday at 1 pm at Paul Swydan’s new bookstore The Silver Unicorn. I’ll talk baseball, take your questions, and sign copies of Smart Baseball!

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→ April 8, 2018
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Stick to baseball, 4/7/18.

Three new pieces for Insiders this week – looking at the most prospect-laden rosters in the minors, and draft blog posts on the top prospects at the NHSI tournament and on Kentucky’s 6’11” RHP Sean Hjelle. I also held a Klawchat on Thursday.

Smart Baseball is now out in paperback! You can buy it through HarperCollins directly or at any bookseller.

And now, the links…

  • Longread: Novelist Rana Dasgupta, writing in the Guardian, looks at the ongoing decline of the nation-state system and the lack of a promising structure to replace it.
  • The Useless Department of Agriculture ruled this week that organic food producers can use the bogeyman emulsifier carrageenan, derived from seaweed and blamed (without evidence) for lots of health ills. The real problem here is that the USDA shouldn’t be ruling on what organic means; it’s not clear any more that that term has any use, and one major reason is that the federal government has watered it down.
  • ICE is trying to deport a U.S. Army veteran, contrary to Defense Secretary Jim Mattis’ directive that they should not do that. I feel safer already!
  • The Thai government has had a long-running endeavor to open more Thai restaurants abroad, reasoning that it would help drive tourism to the southeast Asian country (which has a not entirely undeserved reputation for unsavory tourist business). It’s been successful enough, at least, that other countries are mimicking their strategy.
  • This week’s NPR Hidden Brain podcast, a repeat of an episode from about two years ago, covered the scarcity trap, or how a lack of something leads us to focus inordinately on getting it. Among other things, it helps explain why people who live paycheck to paycheck (or with less) have a hard time spreading out the funds they do have until their next deposit.
  • The Outline looks at why Wilmington, Delaware’s ongoing problem with gun violence hasn’t abated even as the national homicide rate has declined. Three major reasons: Urban poverty, the effects of trauma, and bureaucratic infighting.
  • JAMA ran an anti-glyphosate editorial recently without disclosing the authors’ substantial conflict of interest. The authors are running what sounds like a scam site offering to test customers’ urine for the presence of glyphosate for a significant fee.
  • The Athletic has a subscriber-only piece that includes a Q&A with Rob Manfred on MLB’s end run around the courts to suppress minor league salaries, and why Manfred’s answers don’t add up.
  • The Good Phight’s Paul Boyé looks at Nick Pivetta’s new, sharper curveball. Pivetta was a sinker/slider guy in the Nats’ system, and had no real weapon for left-handed batters back when I first saw him in 2015, when he had a wide platoon split. He had virtually no split in 2016, then had a huge reverse split in the majors in 2017. With two effective breaking pitches now, though, I’d absolutely expect him to show substantial improvement against right-handed batters.
  • Tim Grierson discussed the new film You Were Never Really Here with director Lynne Ramsey and star Joaquin Phoenix, who won Best Actor at Cannes for this performance.
  • A pair of stories around my alma mater: I saw folks claiming on Twitter that Harvard had somehow suspended its largest evangelical students’ group; the truth is that the Undergraduate Council suspended funding for an evangelical group that violated the Council’s rules on non-discrimination by expelling an officer who came out as LGBT. The UC is a student-run organization, not the university proper.
  • There’s also a stalking-horse lawsuit against Harvard alleging that the university discriminates against Asian-American applicants; the truth is that the lawsuit is arranged and funded by a white conservative who opposes affirmative action.
  • The headline here is terribly misleading, but there was a flurry of stories this week like this one, about a new study arguing that diet affects mental health, particularly depression. The quick-and-dirty: eat more fiber in your diet from vegetables, fruits, and whole grains. As a whole, the prescription doesn’t sound that different from the so-called Mediterranean diet.
  • James Beard award-winning chef Sean Brock went public with his alcoholism last year, and in a new piece for Bon Appetit he describes his new diet and self-care regime, a combination of good nutrition, mindfulness, and pseudoscience.
  • Serious Eats has a guide to Italian amari, potable bitters that include Campari and Montenegro. The guide includes comments from Sother Teague, owner of tiny Manhattan bar Amor y Amargo, profiled this week on Liquor.com. I’ve been to Amor y Amargo and it’s superb; Teague uses only bitters, no sodas or fruit juices, in his drinks, creating clever flavor combinations with some serious alcohol kick.
  • George Will writes that there’s no good reason to prevent felons from voting; there’s a reason states like Florida do it, of course, but it’s not a good one.
  • Board game news: The Fireball Island Kickstarter was fully funded in an hour and crossed the $1 million funding mark inside of a week.
  • Z-Man Games announced Taj Mahal, the upcoming game from Reiner Knizia, due out later this year.
  • Asmodee Digital announced the imminent release of the Terraforming Mars app, with Steam coming first and iOS/Android soon after.
  • In what appears to be an April Fools’ Day tradition, Berkeley Breathed released a new “Calvin County” crossover comic, bringing Calvin back to the meadow of Bloom County.
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