Top Chef, S14E06.

Welcome back to this season of Top Chef Some-Stars! Let’s see if any of the rookies can survive another challenge.

* Quickfire: Surgeon General Dr. Vivek Murthy is there, talking about getting people to eat more healthful foods. The challenge is to make a more healthful version of fatty, carb-heavy comfort foods – chicken pot pie, meatloaf, beef stroganoff, and more. All dishes must be made vegetarian, which is good, and chefs can only grab tools and ingredients one at a time, which is stupid, and yet another way the show consistently discriminates against chefs who are older or heavier or just less athletic.

* Sheldon has no clue what tuna casserole is, which is to his credit, I think. (I’ve never eaten it, and couldn’t tell you how to make it.) Also, he’s coming off an injury in the previous episode, so running back and forth seems like a great idea!

* Neck-Tat is making his dish “almost vegan,” with crumbled tofu as the protein. He says his son has been vegetarian since age 3, but I’d love to know why – did his son ask where meat comes from and then ask to stop eating it?

* Jim is using eggplant for its meatiness in his vegetarian version of chicken-fried steak, and that’s why I don’t love eggplant – it does have a meaty texture, but not the good kind. Unless it’s really handled well, like salting it ahead of time to draw out moisture, eggplant slices develop a texture like wet meat.

* Tesar says he’s never seen seitan before. Is that possible? He’s correct that vegetarian protein substitutes often aren’t very flavorful; you have to infuse them with flavor through marinades, seasoning, cooking methods, and so on. He calls them all “tofu derivatives,” but seitan is actually wheat gluten.

* The food: Amanda made a vegetable stroganoff with charred eggplant, tomato, and yogurt … Katsuji made spaghetti (zucchini noodles) and zucchini meatballs, cut with a melon baller, so he really made a big plate of zucchini … Brooke made vegetarian lasagna with grilled zucchini, bechamel, and tomato sauce, using tofu in the base to add creaminess … Tesar made a veggie burger with mushrooms, curry powder, and cranberries … Sylva made seitan and masa dumplings (a riff on chicken and dumplings) … Casey made a vegetable pot pie with silken tofu and crumbled farro crust … Neck-Tat made a crumbled tofu sloppy joe with bell peppers, onion, and tomato paste, along with a side salad … Jim made his baked eggplant steak with a pistachio, mint, lemon zest, and parsley topping plus a mushroom gravy … Emily made a vegetarian “meatloaf” with almonds and charred tomato.

* Dr. Murthy is kind of a big nerd, right? That’s not an insult, not when I say it at least. He didn’t like Sylva’s (hard to chew), Casey’s (topping was grainy), or Katsuji (noodles were soggy and oversauced – look at the doctor dropping some cooking knowledge). Favorites: Emily’s was tasty and looked right; Neck-Tat’s; and Brooke’s lasagna, which looked great and had a creamy texture. Winner is … Neck-Tat. Thought Brooke should have had this one, based on comments and Dr. Murthy’s emphasis on visual appeal.

* Elimination challenge: Honoring southern chef Edna Lewis, the first African-American celebrity chef and a pioneer in spreading the gospel of southern cooking as a cuisine. Toni Tipton Martin and Alexander Smalls are there, with Smalls, a restaurateur and a Grammy and Tony-Award winning opera singer, serving as guest judge. Padma compares Lewis’ influence to Julia Child’s influence on French cooking in the US. The challenge is to create a dish that pays homage to her legacy, and the chefs will be cooking at the same restaurant kitchen Lewis used to cook in. Her cookbooks made her a celebrity, especially The Taste of Country Cooking, first published in 1976 (when Lewis was 60 years old) and still in print.

* This is the kind of challenge I would love if this entire season hadn’t been only southern cuisine challenges. Now it’s just more of the same kind of food.

* Katsuji is doing fried chicken and watermelon. Sylva implies that’ll be an insult to the table of southern chefs. Lewis’ frying medium for her fried chicken was oil flavored with bacon or ham and then butter. I get that that sounds awful, but it probably made for very crispy skin, and I assume some of this was the old ethic of saving and reusing everything you could. If you cook and eat bacon, save that fat. It’s good for a lot of things, including greasing the pancake griddle and making flour tortillas.

* Sylva’s father blocked him from going to the Culinary Institute of America because he said “no son of mine is going to be a domestic.” Oof. Also now I have that awful Genesis song in my head.

* Jim is making a dish with a consomme and discusses the need to thoroughly clarify it. Michael Ruhlman wrote in The Making of a Chef about how at the CIA the instructor wanted to be able to see the lettering on a dime sitting at the bottom of the pot. That’s a fantastic read, by the way, even if you don’t cook.

* The food: Jim made seared shrimp with a smoked turkey wing and smoked pork consomme, plus spring peas and squash; Hugh (Hugh!) says it was very clean & seasonal, says it’s really working, but Tom says the peas were undercooked … Katsuji made fried chicken with pickled rind watermelon salad, and it turns out everyone likes the use of the watermelon, especially that he pickled the rind to pair with the fried chicken; he seems to have been aware of the stereotype and wanted to make it “go away” … Brooke made a warm salad with braised chicken and bread crumbs, grilled Swiss chard, sunchokes, blackberry vinaigrette, and lemon curd; Hugh says it’s either a dessert that wants to be savory or savory course that wants to be sweet. I’ll say this is a big pet peeve of mine at fine restaurants – I don’t like much if any sugar in savory courses. It’s such an overpowering flavor that it can ruin the complexity and texture of a lot of dishes. And there is a special level of hell for people who put sugar in their tomato sauce.

* OK, back to the food … Emily made deep-fried semolina-crusted chicken livers (she wanted to pan-fry but ran out of time) with corn puree, dandelion green salad, blackberry sauce; Gail says the livers were totally underseasoned and no one seems to approve of the deep-frying … Shirley made chicken and rice, confit chicken wings with collard greens and rice, and a watercress salad; Smalls loves the collard greens and rice, but come on, watercress salad is so 1996 … Tesar made “pan-broiled” chicken thigh (which is what Lewis called frying it in butter until the skin crisped) with roasted sunchokes and watercress; Art Smith says he “channeled” Lewis in that dish … Sylva made a flour- and cornmeal-crusted skillet-fried snapper that looked absolutely gorgeous with garden vegetables and vegetable broth; clearly hit the mark, Art loves how crispy the fish is, so does Biggie Smalls, and did I mention it looked amazing? … Sheldon made pork belly and cabbage with cabbage jus and potato; Tom loves the idea, but I’m not sure he liked the dish … Amanda did a roast duck breast with sweet potatoes, spiced pecans, balsamic onions, dandelion greens; Padma dislikes the chunky nature of the dish, Hugh says duck is chewy, and the dish isn’t southern enough … Casey made chicken and dumplings stuffed with chicken, and ham (maybe tasso?) … Neck-Tat fails to plate one of his dishes, which of course goes to Padma; he made roasted strip steak with sunchokes, spring onions, corn soubise; the meat is a little rare – I saw one of the steaks moo and head for a Chik-Fil-A billboard – while the corn soubise is the best part for Tom.

* Brooke’s dish was “a mess,” per Hugh. Emily’s chicken livers lacked complexity and were overwhelmed by the sweetness. Hugh says Amanda’s “pulled at no heartstrings.” And the components weren’t done so well either. Really, I was happy to get Hugh’s opinions on everything since he wasn’t at Judges’ Table.

* Favorites: Jim, Sylva, and Sheldon. Gail loved Jim’s flavors and the simplicity of the dish. Biggie Smalls praises Sylva’s, says “it’s an Edna Lewis piece,” that Sylva handled the fish brilliantly and paid respect to the vegetables; Gail can’t get over how the breading was thick and still crunchy. Biggie says Sheldon “brought the ancestors with you today.” Smalls is like Morgan Freeman here with that heavy, slow delivery; I would pay to hear him narrate an audiobook. The winner is Sylva. That fish looked stunning – I love fried fish, but it’s so often disappointing, and his looked as good as any fried fish I’ve ever eaten myself. He says afterwards it’s his favorite dish that he’s ever cooked. I can see why.

* Least favorites: Amanda, Emily, and Brooke. Amanda’s dish had no “soul,” the duck was dry and a little boring. Emily’s bad mix of sweet and savory didn’t work; she’s teary in front of the judges, but she’s had a bad run on the show and there’s no sign of progress here. Smalls says to Brooke that with her clash of tastes, he “didn’t get the blackberry, didn’t get the lemon;” Tom thinks she tried to get too modern. Brooke says she got inspired by too many things in the book, and regrets introducing the sauce to the dish. Without that, she’s probably not on the bottom, since no one is questioning her execution of any element.
* Amanda is eliminated, and she knew it as soon as Tom said “we didn’t get that feeling” from the losing dish. That leaves us with six veterans, four rookies. Did Emily survive so we didn’t end up at seven to three?

* Quick rankings: Brooke, Jim, Sylva, Sheldon, Shirley, Tesar, Casey, Katsuji, Neck-Tat, Emily. I truly can’t see any of the last four winning, and even Tesar seems to lack the kind of ingenuity that usually wins (but not last season). This is still Brooke’s to lose, even with the slight stumble this week.

The Night Of.

I started HBO’s limited series The Night Of when it premiered in July, liked the first three episodes, got busy and just never got back around to it, because it’s the kind of series that demands your full attention, not scattered looks here and there. I finally binged the last three episodes over the past few days, racing to the end, and, well, as usual Alan Sepinwall got it right, although I think on balance I liked the series more than he did.

Co-written by Richard Price, who wrote several episodes of The Wire along with the incredible novel Lush Life and the solid Clockers, HBO’s The Night Of was adapted from a five-hour British TV series called Criminal Justice, keeping the same core elements but adding several critical details. The story centers on Naz (Riz Ahmed, nominated for a Golden Globe Award), a naive college student of Pakistani descent who “borrows” his father’s cab for a night out, ends up picking up a girl, partying and sleeping with her, only to find when he wakes up in her apartment that she’s been brutally stabbed to death. After a sequence that’s both gripping and a comedy of errors, he’s arrested and charged with the crime, which informs the remainder of the series. (If you don’t have HBO, you can watch the series on amazon.)

The Night Of splits across at least four intertwined plot threads that eventually coalesce in the eighth and final episode. Naz is first represented by eczema-riddled, $250/pop defense attorney John Stone (John Turturro, also nominated for a Golden Globe Award), later joined after various machinations by the young idealist Chandra Kapoor (Amara Karan); they’re opposed by DA Helen Weiss (Jeannie Berlin) and about-to-retire Detective Dennis Box (Bill Camp), with each side’s efforts forming one subplot. A third focuses on Naz’s experiences in prison, where he’s taken under the wing of convicted murderer Freddy Knight (Micheal K. Williams, a.k.a. Omar Little). A fourth focuses on the impact of Naz’s arrest on his family and the Muslim community, including the destruction it wreaks on his family’s finances, and the harassment they get from Muslims who fear that it will stir up further prejudice against them and from white supremacists who, frankly, need little provocation anyway.

Awards aside – this is going to lose everything to The People vs. O.J. Simpson at the Golden Globes – The Night Of is strong and compelling but flawed. The storylines don’t carry equal weight or even work that well when presented in counterpoint; the prison stuff felt very rushed and often lurid, while the investigative threads are deliberate, almost cautious, building tension because the stakes are high, and the truth of what happened that night doesn’t become clear until the last episode. If you look only at those two subplots – the prosecutors and the defense – The Night Of is a smart crime drama elevated by several brilliant characters. Interspersing prison scenes or the languid (if entirely plausible) vignettes of Naz’s family presents pacing issues that dragged the middle episodes for me.

And then there is the utter disaster of Chandra Kapoor’s character, who is completely undone by her utterly inexplicable and unrealistic choices in the seventh episode to shatter ethical boundaries between attorney and client, putting her career at risk (or right in the toilet) with no warning or internal justification. Karan nails this character up through that episode, effusing intelligence and confidence with her voice, her posture, and her facial expressions; this is a young lawyer on the come, a woman of integrity, destined for big cases where she owns the room and the cameras, so when the writers have her do two mind-blowingly stupid things as mere plot contrivances (i.e., so Stone can deliver the closing argument), they undo all the work they and Karan have done to build this character into a credible, three-dimensional person.

(Unrelated, but I was floored to find out Karan was born in the UK; her American accent isn’t just good, but precisely neutral. Ahmed is also British, but his character’s accent is very New York, and you can hear little moments where he’s emphasizing certain consonants to harden it. Doing a dead-neutral accent like Karan is a harder task.)

In the original series, the defendant was played by Ben Whishaw (The Lobster, The Hour), so the switch to a Muslim character and son of immigrants introduced an entirely new element to the series, one that the writers chose to explore on the outside of the courtroom but sort of dropped on the way to trial inside it. With white supremacists becoming more open in their hate and their actions, I feel like the treatment of the hostility toward Naz’s family and Muslims in general could have received more thorough handling in the family thread, perhaps with less of the pandering violence scenes from the prison.

Peyman Moaadi (A Separation) is great but underutilized as Naz’s father, reduced to a sad-sack character whose life is spinning beyond his control, and Williams chews up the screen most of the times he appears, playing a character (the criminal with a code) we’ve seen from him before. The series has a bunch of fun cameos, though, with J.D. Williams (Bodie from The Wire) appearing in several episodes, Trudie Styler (an actress best known as Sting’s wife) as a cougar who dated the murder victim’s stepfather, and Roscoe Orman (Gordon from Sesame Street) as the jury foreman. I didn’t recognize rappers Sticky Fingaz of Onyx or Lord Jamar of Brand Nubian, but both appeared as fellow inmates of Naz and Freddy at Rikers Island.

Despite all of those issues with the series, I found the core storyline – did Naz do it, and how would both sides assemble and present their cases to the jury – very compelling. The final episode doesn’t resort to cheap tricks or big gotcha moments; we get small, very human glimpses into most of the characters, even ones we don’t know that well like DA Weiss. The resolution of Naz’s story is poignant yet ambiguous, and Stone gets almost the same kind of half-and-half treatment. But I do think the cat was just a metaphor, nothing more.

Klawchat 1/5/17.

You can preorder my upcoming book, Smart Baseball, on amazon. Also, please sign up for my more-or-less weekly email newsletter.

Klaw: Hanging on to hope when there is no hope to speak of. Klawchat.

Ron: Use of second half stats such as your piece on Desmond’s second half slump as a representation of what to expect going forward. This is not true and any study of projections will demonstrate that this is a false picture. Data for players is so limited anyway and full season data is the much stronger option to use. When you use second half stats to misrepresent a player’s value it produces a false narrative just like you always warn against. Of course that doesn’t detract too much from your overall point in Desmond’s case. Anyway not a jab. I follow your work extensively for a reason. Just a heads up
Klaw: Except that I didn’t do that. I pointed out that Desmond’s second half looked a lot like his performance from 2014-15. That’s a much larger sample to work with. Second half stats alone are subject to small sample size issues and caliber of competition problems with September callups.

Niles standish: Does Christian Arroyo have a chance to crack the top 50 on your next list? Do you think moving him to 3B will be a struggle for him due to his limited range? Thank you.
Klaw: I don’t think he’s a top 50 prospect.

ILLINIcheid: With all the talk about the obscure California labor law that could affect player free agency (Trout, Bumgarner, Posey…not Pujols), if a lesser player used this clause would they be blackballed by MLB teams? Would the directive be from MLB brass, owners, or would General Managers take it upon themselves?
Klaw: Fangraphs ran a piece yesterday claiming a California labor law could grant free agency to players with seven years of employment for any California-based team. The article is almost certainly wrong – the CBA would supersede that law – and doesn’t seem to have any opinions of anyone but the author. I didn’t see anyone from MLB or the union mentioned in there. To your question, blackballing such a player would result in a lawsuit and probably wouldn’t stand, even if such a thing happened (all 30 teams ignoring a player of value).

Dave: As someone who obviously values paying for creative services (and rightfully so), what are your thoughts on Spotify and how it pays artists? From what I’ve read, seems that artists (the smaller ones mainly) get underpaid, potentially even enormously. It’s led to my hesitancy to make the switch to Spotify.
Klaw: I’ve asked some professional musicians I know, and they favor it – they do make money from it, hardly enough but some, and it gives them wider exposure. I actually signed up for the paid service after one of the members of Superhumanoids (Cameron Parkins) told me he thought it benefited small artists.

Jamie: Gavin Cecchini made the back end of your Top 100 last year and you still seemed optimistic that he could stay at SS. From all I’ve read it seems his defense got even worse, but he still looks to be a solid hitter. Will he be anywhere near your Top 100 this year? Do you see him ending up an everyday player?
Klaw: No, he got much worse, and I think he’s a 2b only.

Zach: In theory, do you think teams that ask for taxpayer money to build stadiums should have their full finances open to the public?
Klaw: Yes. Or I’d favor a federal law banning this. If no cities can offer it, then the practice goes away. (And yes, this sort of corporate welfare happens in other industries too, probably to states’ or cities’ detriment, but at least those factories or offices create better jobs.)

Trumbo: Why do you think there’s been such a lull in the FA market?
Klaw: Market is weak and most of the top guys on my rankings have already signed.

Jarrod: Recently heard Sam Miller voice his distaste for ROY award, citing it favors older players and is biased against players who enter midseason for fiscal reasons (e.g., Gary Sanchez). As an alternative, he suggests best player awards by age groups (e.g., best under 25). As part of his case, Miller stated that Felix Hernandez was younger than at least one top 3 finisher for ROY for 7 straight years(!). Thoughts on Miller’s idea?
Klaw: My solution to this problem has been to consider players’ ages, look at performance relative to playing time, and perhaps consider their prospect status as well. I don’t think the award should be just “rookie who had the best year.” We’re trying to point to stars here and tell fans, “hey, watch these two guys, they might be stars.”

Sam: I’m struggling with the whole RP shouldn’t be in the HOF argument. I get that many, if not all, relief pitchers are guys who weren’t good enough to be starters, and I get the argument that they don’t throw as many innings as starters so it’s difficult to impact a game as much. However, relief pitching is still certainly a very important part of baseball, and wields itself in virtually every game one-way or another. As so, can’t we just appreciate relievers for what they are and what their role is? And put the guys that were the very best in this role in the HOF? I know you don’t like Hoffman as a HOF’er, but he’s a guy that had a lot of success for a long time, and as we know, that kind of sustained success is rare for relievers.
Klaw: If you put most average, not HoF-caliber starters in relief roles, they’d be as good as or better than nearly all closers (Mo Rivera excepted). Relievers are guys who couldn’t start, like utility infielders are guys who couldn’t play every day.

Nick: Could either of the big name PR players (Ricardo De La Torre & Wilberto Rivera) sneak into the first round of the draft?
Klaw: I think that’s a low probability, maybe 20% chance we see a Puerto Rican player go in the true first round this year. There are a lot of probable top 100 guys in PR this year, but nobody who’s clearly first-round worthy.

JD, Arlington: Does Tyson Ross have anything left? SD ditching him is damning. I’ll hang up and listen.
Klaw: I’m out. Bad delivery, hurt often, never throws strikes.

Mike: Seems like the holdup on the Twins trading Dozier to the Dodgers is the isistance on getting 2 MLB-ready prospects from the Dodgers. Are the Dodgers being unreasonable by trying to hold on to both DeLeon and Stewart?
Klaw: I don’t think that’s an unfair ask for the Twins, but that would severely cut into the Dodgers’ starting pitching depth, and I think the result would reduce the Dodgers’ potential gains from adding Dozier.

Adam: Why don’t people make a bigger deal of Faedo’s knee issues when discussing his draft stock?
Klaw: Because we don’t know anything about them yet. Teams haven’t seen medicals. He hasn’t come back to the mound and had any trouble, or shown no ill effects.

Chris: In some parallel universe where the Wilpons didn’t own the Mets, what kind of return would you expect for Bruce if mets ate his entire salary?
Klaw: Very little. If you get someone’s 8th best prospect you’re probably happy.

Jay: When do you expect to have your top 100 up?
Klaw: The team rankings will appear starting on January 18th, and the top 100 will start rolling out on January 23rd, appearing in blocks of 20 each day.

JR: Surprised at all the bats still available this late in the offseason?
Klaw: I’m not because they’re all pretty flawed. Few guys who can play a position. Lot of platoon DH types. Why pay more for that when you probably have someone who’s 85% of that in your system?

Josh: People have frequently talking about Wieters’ lack of pitch-framing skill this offseason. Do you believe that’s something a catcher can “learn” at some point in their career or is it an innate skill that can’t necessarily be taught?
Klaw: We have tangible evidence it can be taught. Jason Castro is one good example.

Scott: I’ve seen some talk lately of Robert ‘The Lighthouse’ Stephenson being destined for the bullpen this year due to his command issues, but wouldn’t it make more sense to keep trying him as a starter and using those three option years he has remaining to be sure he can’t maximize that potential?
Klaw: I would, because he has three pitches that grade out as above-average to plus, and I think in his case it’s not just the catch-all command issue but the overuse of the changeup.

Jeff: I’ve heard you say repeatedly that the Angels will not trade Mike Trout. But, it just doesn’t make sense to me. If you can trade one 9-win player for three 4-win players, don’t you do that?
Klaw: This isn’t the issue. The issue is the owner won’t trade him.

Rob: Dave Cameron mentioned shortly after the Eaton trade that sources he spoke to said Giolito’s stock is down and those sources have doubts about Giolito reaching the #1 starter type, more of a 3 or 4 now. Do you agree with that assessment?
Klaw: I do not, nor do the folks I’ve talked to; the common refrain has been that the Nats shouldn’t have altered his delivery or brought him to the majors while he was still readjusting, and that the 2015 version is likely still there.

Matt: So…Curt Schilling. He seems like he’s become a bitter angry man that blames others for his own shortcomings. If there is ever an example of money doesn’t make you happy, it’s him. I’m glad I don’t go through life with so much anger and hate.
Klaw: It’s been sad to see; I’ve said before I never had any issues working with Curt, and I think he’s got a lot of stuff to contribute when talking pitching. His commentary of late has moved even further away from anything I can comprehend.

Mike: Has the outlook on Berrios dimmed at all? Any clue on what we can attribute the control issues to?
Klaw: His fastball is flat and straight, and I think in the majors he tried to pitch away from contact more. I have to take a break for that phone call – it moved 1 to 2 to 1:30 – but I will return in maybe 45 minutes to finish the chat.

David: Can you imagine Dusty working with Dave Stewart? That would be a historic train wreck, wouldn’t it?
Klaw: I think that’s too many old ideas and not enough new thinking.

Dustin: I have vowed to listen to (even) more music this year. I am quite open-minded and enjoy many genres. Please recommend as many non-mainstream albums/artists as you feel compelled to name.
Klaw: If you have Spotify, check out my top 100 songs of last year.

Jason: Why has Tyrell Jenkins been picked up and released four times in the last month? Is there a particular reason (contract, options, or otherwise) why teams can’t just keep him stashed in the minors?
Klaw: Talked to a few scouts about him this winter. Consensus is that for a great athlete he’s got a less-athletic delivery, something that either was taught to him or that came about after the shoulder surgery, but that either way the stuff wasn’t as crisp and of course he couldn’t miss bats. I think he’s a perfect project for the Padres – try to restore the delivery, get some length back, take advantage of his size and looseness, see if you can find the missing stuff.

Bob: Here’s an answer to the closers-in-the-HOF argument. Would you have traded prime Trevor Hoffman for prime Curt Schilling straight up? Yeah, I thought not.
Klaw: That’s another way to look at it. So is just the sheer total innings comparison; Hoffman’s career IP is about six innings of a starter, which wouldn’t even qualify you for the Hall.

Bucky: How soon do you think Bellinger can be ML ready? Can you forsee another Belt/Huff situation with he and Gonzalez?
Klaw: Some time this year, and I think the Dodgers will make room when he’s ready.

Gene Mullett: Heard the Goblin Cock LP on JoyfulNoise? Certainly not trying to be facetious, I didn’t pick the name. It’s Rob from Pinback & it’s been a very pleasant surprise.
Klaw: Yeah, it’s actually pretty good, like they started out as a parody band and suddenly made some decent music.

John Liotta: Hope you had a great holiday! I finished the year having read 128 books- my goal was 100. I knocked out a lot of the books I wanted to read. Of course there are still more; there are always more. What were some of your favorites this year? What’s on your list to read this year? And, is there anything you have been continually pushing aside?
Klaw: Nice job! I’ve never gotten to 120 or even 110 in a year. Some of my favorites that I read in 2016: In the Light of What We Know, The Executioner’s Song, the Caine Mutiny, The Vorrh, Station Eleven, The Most Dangerous Book, The Sellout, The Doomsday Book, Predictably Irrational, The Alchemy of Air. The to-do list is already about 20 deep, and the book I’ve pushed aside is Brin’s The Uplift War, which I started reading last January, and gave up when I found it slow and, as it turned out, was about to get horribly sick.

Ryan S: What level of baseball understanding is your target audience for your book? I love your baseball input but don’t want to spend the money if it’s way over my head or meant for a complete novice.
Klaw: It’s not over anyone’s head. A complete novice? Well, I’m not explaining what a ball and a bat are, so you might be OK.

Paul: Hi Keith, what are your thoughts on Louis Gohara? Can he be a number 2 in a few years? I know he had some make up issues but he seems to have found his focus last season
Klaw: I think the upside is at least a two, but there’s huge risk, not least because he’s huge.

JB: Thoughts on what Wikileaks and Snowden have provided? Traitors or heroes?
Klaw: Snowden’s a hero to me. Wikileaks as a conduit is what it is – an outlet for leaked documents. Assange is a sleaze, and I have no idea why the Ecuadorian embassy (or anyone) would protect an accused rapist.

Anonymous: The Yankees appear to be at a critical point in the win curve, have spaces in their rotation that could use an upgrade, have one of the deepest farms in the game, and just gave nearly 18 mil a year for a closer. Specific package aside, are there any reasons why the Yankees shouldn’t press hard for Quintana?
Klaw: No; I think any holdup is over the price in prospects. When you have a deep, strong system, people will ask for a lot.

Bryan: Based on your recommendation, I bought Pandemic from Amazon 2 months ago, and my wife and I love it. However, we seem to be able to win relatively easy. This might seem like an odd question, but how much do you collaborate with other players when you play? We keep our cards face up during the entire game.
Klaw: We collaborate too. You can tweak the difficulty level by increasing the threat level and using more Epidemic cards.

Votto: Klaw, every now and then, usually around HOF time, you insist that “there is no evidence” that PED’s have any effect on baseball performance. So what are you saying, exactly – that you have doubts that HGH or steroids have even an indirect effect on one’s playing performance because a peer-reviewed study in a medical journal doesn’t say so? That until this happens, players may as well be popping Smarties?
Klaw: I thought that was clear. There is no evidence that they help. That’s not saying they DON’T help; it’s saying that the absence of evidence has allowed the tight-underpants crowd to treat all PEDs as superpills and to act like they’re all equal in power. For the record, I believe that amphetamines, which are classified as PEDs, truly do help – but I can’t tell you how much, or even necessarily prove that belief.

J: Smart Baseball book tour means Portland which means Powells which means Apizza Scholls & Le Pigeon. Good reason to write the book
Klaw: Book tour is still TBD but, as Doug Judy would say, that’s still very much on the table.

Albert: As arguably the best defensive CF ever, with almost 450 home runs, Andruw Jones belongs in the Hall of Fame, right?
Klaw: He’s going to be very tough. My gut says yes, the best CF ever belongs in the Hall, and it’s not like he was Bill Mazeroski with the stick, either. But he was effectively done at 30, and I think his career totals across the board are a little light for the Hall. One of my favorites to watch, though. I believe I get a vote in his first or second year on the ballot, so at some point I’ll have to commit.

Shaughn: Keith, with all of the activity around A’s ownership/loss of revenue sharing this offseason, I expected some bigger moves (moving Sonny, exploring more trades), but the lack of activity this offseason (Rajai Davis?) has me scratching my head… is there any hope on the horizon?
Klaw: I didn’t get the Davis move – he’s likely a 1 WAR guy this year, and $6 million for one win in Oakland probably is a net loss (a win isn’t worth much to a below-average team in with a low revenue base). Would playing Eibner for nothing really be that much worse?

G: Word around the time of the Adam Eaton trade was that Giolito’s value amongst teams around the league isn’t as high as recent prospect lists would lead one to believe–and now similar things are being said about Glasnow amidst the Quintana talk. When making your yearly list, do you consult team executives, or do you rely on your own scouting and reports?
Klaw: My list is more reliant on my scouting, notes from all the scouts I talk to, and some analytics work. I do discuss my list with execs, and their input matters, but it can’t be wishy-washy kind of feedback like what you’re describing. Also, bear in mind sometimes you may get folks trying to run certain prospects’ value down.

Orbit: How good can Astros Martes be? Would you have traded martes , tucker for Sale?
Klaw: I wouldn’t have traded Sale for Tucker & Martes.

Anonymous: Am I just being particular and pedantic when I get annoyed by people who talk about an “aging player” or an “aging roster”? I mean we’re all aging. E just aged reading this question.
Klaw: It’s the polite way of saying, fuck, you’re old.

Zach: How high do you think walker buehler’s ceiling is?
Klaw: If he can really hold this stuff over a full season, I don’t see why he’s not a number one starter. But we have no evidence he can do that yet.

Ray Grace: It sounds like Willie Calhoun doesn’t have the defensive chops to be the Dodger’s long term 2nd baseman but I saw someone write that he’s most likely a Zobrist-like super utility type player. Do you agree and does the bat ultimately play in the majors?
Klaw: He’s not a second baseman, and won’t be good enough on the dirt to be Zobrist. That little SOB can hit, though. I think he finds a way to be an everyday player somewhere, maybe LF.

HugoZ: Given that Oakland’s payroll projects to be around 72 million at the moment, is there any real reason to get as concerned about Davis’ salary as one twitter pundit appears to be? They can play him, trade him, bench him, what difference will it make?
Klaw: Their resources are finite, so that $6 million doesn’t go to a player with a real chance to return something in trade. Daniel Hudson got $11 million over two years, and that’s a deal with much more potential upside for the club, either in trade or returned value, than a 36-year-old whose bat is pretty clearly in decline.

ILLINIcheid: RE: blackballing in MLB. You mention that a blackball situation would result in a lawsuit. I would agree except that it can be very difficult to provide evidence of blackballing unless you have a smoking gun that would likely come in the form of an email that would likely require a whistle-blower. That being said, Barry Bonds was a 3+ WAR player coming off a 28 HR season in 2007, and didn’t get a sniff from any team during Free Agency of 2008. Were Bond’s contract demands simply too high or did baseball decide he was not worth the headache?
Klaw: I think Selig – excuse me, Hall of Famer Bud Selig – made it clear to teams he didn’t want bonds to sign. Remember, Bonds offered to play for the minimum. That said, Selig’s gone and I don’t think Manfred would do such a thing.

Aaron C.: As a longtime A’s fan, I wonder if yesterday’s ridiculously passionate defense of the Rajai Davis signing & rumored interest in Mark Trumbo is evidence that the “cult of Beane” is a little *too* in the tank for a front office that is deservingly lauded, but also…guilty of more than a few missteps in recent seasons?
Klaw: This is my interpretation as well.

David Coonce: I read the Master and Margarita on your suggestion. Complex read but I loved it. I’ve read there is a film adaptation in the works but can’t fathom how that would work. Can you?
Klaw: Nope. Unfilmable, and I’m OK with that. I saw The Handmaid’s Tale is coming as a movie or TV project and I’m not sure I could stomach that. It’s bad enough Texans have to live it.

Matthias: I think my biggest problem with top chef this year is that all returning contestants did very well on they’re years. Idea would have worked better if just chefs returning were eliminated in their first or second episode. This is like if you took the all stars season and added eight rookies to the cast.
Klaw: Yes. It’s Top Chef Some-Stars.

Pete the Cat: Cruising to St Maarten, St Kitt, Grand Turk and Puerto Rico next week. Only on land for 8ish hours at each island. Any food or tourist recommendations for those spots? Thanks!!
Klaw: Only been to two. St. Kitts, if you can seek out the Spice Mill, food was good and view was spectacular. Puerto Rico, if you have a car, find Gustos Coffee a little out of San Juan, in an industrial area, maybe the only Puerto Rico-grown coffee you’ll ever have. I wanted to try La Princesa in San Juan but they were closed for a festival the last time I was there.

Gene Mullett: Do you do vinyl/physical copies of music or are you all digital? Are you the same way with books?
Klaw: Mostly digital music other than occasional vinyl I get from friends in the industry. Books I’m split. I prefer paper but if I see something I want for sale on Kindle I buy it.

Paul: Keith – did you happen to read the Thrillist series on the impending burst of the restaurant bubble? (Part 3 is here, with links to parts 1 and 2 inside.). I thought it was really good and, sadly, made all too much sense. I know you have gotten to know some restaurant owners and wonder if you have an opinion besides “this sucks”.
Klaw: I haven’t, but I’ll check it out. I have wondered sometimes how we can possibly support all these new restaurants I see opening – not just famous ones, but even all the chain places i see. There can’t be enough disposable income and people with time to keep them all in business.

Dave: So you do think that Tyson Ross will soon be out of baseball altogether?
Klaw: No. I wouldn’t sign him, though.

John T: My 5-year-old son got Ticket To Ride: First Journey (ages 6+) for Christmas and loves playing it. I’ve been trying to think of some other games to get that don’t involve reading or more than simple addition. Any suggestions?
Klaw: There’s also a My First Stone Age game I haven’t tried but that might work.

Ted Timmerman: Favorite Prankster: Francine Carruthers, Danny Rebus or Manny Spamboni?
Klaw: Annie Scramble was kind of cute.

Ethan: So, the Org rankings are out the 18th. When do the Team Top 10’s come out?
Klaw: The final week. My editors chose to change the schedule and roll all the content out slowly.

Larry: Any early reports on Maitan out of instructs?
Klaw: He looked great, because no player has ever looked bad in instructional league.

Dave: What are your thoughts on Dylan Cease? He throws hard, but barely throws any innings. Is he a bullpen guy?
Klaw: He barely throws any innings because he had Tommy John surgery in 2014.

Larry: Dustin Peterson a regular?
Klaw: I think so – a 40-50% chance to be a regular, maybe.

Aaron (Astrobeerman): No question. Thanks for the turkey spatchcock turkey advice. I don’t see making turkey any other way. Skin was fantastic.
Klaw: It’s unbeatable and so much faster.

MJ: Did you see Nathaniel Grow’s article on Fangraphs regarding Trout (or other CA based players) possibly being able to exploit a law to grant them free agency after 7 years? Thoughts on whether or not Trout is the one (possibly only?) player for which it’d be worth the risk to try to exploit the law?
Klaw: Answered above. I don’t think it’s accurate.

Bob: Should college students have the right to due process when expelled for allegations of sexual misconduct?
Klaw: That’s a complicated question. I will answer an easy question instead: Colleges should turn questions of sexual misconduct over to the police if they appear to break any laws.

Donald J: Mazara, Conforto, & Dahl… 1) How would you rank them this year? 2) How would you rank them going forward? Do any of them have a bigly future?
Klaw: Love them all, they are tremendous players, they get the best hits. This year, Dahl, Conforto, Mazara. Long-term, flip it.

Barry: Speaking of your book tour I’m guessing you’re going to be signing books at independent book stores and B&N? Any chance of linking them too for preorders instead of just Amazon? I’ve checked and indiebound.org and bn.com have your book available to order. FWIW, I don’t mean to sound rude. I work in publishing and authors just linking Amazon is a pet peeve of mine. I’m looking forward to buying and reading your book.
Klaw: Harper Collins’ official page links to all of those. I use the amazon link because then I can see how often people are clicking and/or ordering. I can’t do that through the other sites.

Darryl: Which Stanford hurler has the most future stardom potential…Quantrill, Hock or Beck?
Klaw: Quantrill. Might have been 1-1 if he’d been healthy all spring.

Anonymous: Did you see anything in Patrick Corbin’s delivery last year that explains his fall from his pre-TJ days? Overcompensating to be protective of the elbow?
Klaw: Nope, I have no good explanation for what happened. Although to be fair to Pat, he was far from the only AZ pitcher to struggle in the majors last year.

Marshall MN: The Andruw Jones question is interesting – he is part of a group of CF’s (Edmonds, Lofton, to a much lesser extent Torii Hunter, who I don’t think deserves to get in) that I think will all get overlooked when it comes to HOF voting. And in regards to Edmonds and Lofton in particular, they already have gotten the boot.
Klaw: Andruw was much more famous, he had an all-time elite skill, and had some postseason glory as a kid. I think he’ll stick around on the ballot but not get in.

Dave: Theo/Jed are among the best in the business, but they have drafted over 100 pitchers since 2012, and not one of them is a reliable starter….is it that much more difficult to evaluate pitching? Do you just have to get lucky?
Klaw: I don’t think that’s quite fair. Did they even sign all those guys? And are you counting 2015 and 2016 draftees? Trevor Clifton was a 2013 draft pick and looks like he’s on track to be a big league starter at age 22 or 23. That’s not a failed pick.

Brian: Settlers of Catan – rhymes with “Satan” or “rattan”? It’s really been bugging me. Thanks
Klaw: Rhymes with “rattan.”

Justin: Can WAR be simply extrapolated when talking about a shortened season ala Jose Reyes. He had a 1.3 WAR for 60 games, if he stayed consistent can we assume 3.5 WAR for a season? And if so, at 500K wouldnt that make him pretty valuable?
Klaw: I don’t think that’s a good way to make a projection. You should ask Szymborski et al, but I’m guessing that you’d want to project based on the components that are most predictive. For example, Reyes, who choke-slammed his wife into a door last offseason, posted his highest ISO in ten years. You can’t expect that to continue in his age-34 season.

el fuego 25: If you were granted an expansion team, where would you concentrate your draft resources? It feels much more difficult to predict pitching, but sadly someone has to put the ball in play.
Klaw: In an expansion draft? I’d focus on guys who seemed to have untapped upside – players who might benefit from new coaches, from getting healthy, just from more playing time – and thus who might return more in trade than, say, the generic 5th starter types you might otherwise get.

Mike: Have you had a chance to see Sixto Sanchez ? If not, have you heard from others who have ? Is there serious reason for optimism if you’re a Phillies fan ?
Klaw: He’ll be in the Phillies org writeup. I have not seen him – I don’t see any games in the GCL or DSL.

Telly: Why would an organization draft a player, like Giolito, watch him perform well with elite tools, then decide he needs to change things? If my memory serves right, the Giants tried the same thing with Bumgarner, saw him stink for awhile, then let him go back to his natural way of doing things. At least they realized the stupidity of their ways.
Klaw: I don’t have an answer to that, although I ask the same question. And it’s not like the Nats are dumb. They’ve got good people there, including in player development. Someone made a mistake.

Ed: I think we all know what Reyes did. And no one approves, but what is the point of answering the question like that? Is “chokeslammed his wife” part of his name now for you?
Klaw: It’s part of his identity. That is who he is, and all the fake-apologies and references to “the incident” won’t change that.

John from Cincinnati: You mentioned earlier in the chat about not thinking Manfred would blackball players… am I wrong in thinking that he’s going to be a very good commissioner? I don’t distrust him the same way I did Selig.
Klaw: I’m a fan. I think he’s going to be great for the sport.

Matt: Do you have any recommendations for books/shows on what I’ll call Cooking Theory 101? I’m hoping to get a better, broader understanding of spices, flavors, etc. and how they all go together. Feels like a good way to be able to cook well without recipes.
Klaw: The Flavor Bible. Lists of ingredients that play well with others, based on wide surveys of chefs.

Tom: How would you say the D-Backs FO is doing so far this offseason? Or is there too little to comment on?
Klaw: Small moves so far but I’ve liked them all. The one big move, trading Segura for Walker and Marte, was just the kind of move they need to make – trading a guy coming off a career year with two years of control left for two former top prospects with upside and risk and more years left.

Jessica: Trea Turner’s power and hit tools seemed higher than expected last year. Has his ceiling changed for you? Are we talking about a top 10 player in MLB?
Klaw: Yeah, I was light on his strength overall, so he’s going to hit and have more power than I thought. I changed my personal forecast for him early last season, which is why I kept banging the drum for the Nats to bring him up and bench Espinosa.

John: Two other factors for Theo/Jed drafting pitchers: they haven’t used any first round pick on pitching. That means (1) they haven’t drafted elite pitching prospects, and (2) they haven’t drafted many pitchers who are expected to move especially quickly through the minors. (As an aside, even though they didn’t draft him, they should probably get some credit for some of Hendricks’ development)
Klaw: I believe their draft philosophy specifically excludes taking pitchers up top unless a no-doubt college arm is there, which hasn’t happened. (I think they would have taken Appel in 2013, but he went 1.)

Rob: What are some of the causes of Tyler Glasnow’s control issues and are they fixable to the point where he reaches his potential?
Klaw: He’s 6’8″ and his control has already gotten way better since he first signed and had his velocity jump. Those super-tall guys often need more time and physical maturity to get enough coordination to repeat their deliveries. I’m not terribly concerned.

Pat: Keith – have you spoken with some attorneys on the Trout/CA labor law thing? Just wondering why you think the CBA would supersede. I’m a lawyer — albeit not one in CA and not a labor lawyer — but generally speaking I think a CBA would only preempt a state labor law if it’s made pursuant to a federal statute, like the Railway Labor Act.
Klaw: Yes, I have spoken to attorneys about it, because I am not one and don’t know jack about it.

Sean: Do you care to provide a current or former MLB comp for Amed Rosario?
Klaw: I really dislike doing comps unless something strikes me as very apt.

Bob: Have you ever seen anyone throw as many career innings as J Arrieta before having such a massive breakthrough? What did the Orioles do to him??
Klaw: That’s a long story, but I think it’s fair to say that Buck and Rick Adair did a lot of things wrong with him, with his mechanics and with how they handled him. It’s a mistake they should be very wary of repeating with any of the other very talented arms they’ve brought in recently, like Gausman and now Sedlock or Akin and I hope eventually Harvey.

Klaw: That’s all for this week – thanks so much for bearing with me on the time, but it’s top 100 research time which means a lot of phone calls. I will try to chat every week this month as long as the workload allows me to do so.

Colt Express.

Colt Express won the 2015 Spiel des Jahres prize as the best moderate-level boardgame of the year, beating out Machi Koro (which I think should have won) and something called The Game, which was apparently named by designers who wanted to be sure no one could ever Google their product. Asmodee, the publisher of Colt Express and now owner of the boardgame and app publishing studio Days of Wonder, has just released an app versionof the game, and it’s a solid adaptation with a couple of major frustrations built into it.

Colt Express pits players against each other as bandits in an old-fashioned train robbery, with the twin goals of collecting as much loot as possible while also shooting as many of your opponents as possible; the final scoring rewards the gems and purses you collect, and gives a bonus to the ‘best shooter’ who’s discharged the most bullets. There’s a marshal on the train as well, and if you happen to run into him, you get shot and forced up on top of a train car.

All movement and action takes place via cards that are played to the table at the start of each round, most visible to all players but some hidden when the train passes into a tunnel, but not actually enacted until all cards for that round have been played – it’s a two-phase process, playing all cards, then going through the pile and letting players act on those cards. Cards allow for movement along the train, movement up to the top of a car or back down into one, punching an opponent (which forces him/her to drop one item), picking up an item from the floor, shooting at an opponent, or moving the marshal one car in either direction. If you’ve been shot, you also get a neutral, useless bullet card in your deck, which just reduces the options in your hand for your turn. You can also pass on a turn to draw three more cards from your deck if you’re looking for a specific card. A round can involve as few as two card plays or as many as five; sometimes the order reverses, sometimes you’ll get to play two in a row (very valuable for sneaking up on someone and poking him in the snoot). Some rounds end with a special rule, such as any character on top of the car that contains the marshal draws a neutral bullet card.

The entire strategy of Colt Express involves guessing what your opponents are likely to do and planning out your cards to anticipate those moves and/or give yourself flexibility to react on the fly, once the cards are played but before they’re used. When a player plays a card at the start of the round, that player doesn’t have to specify, say, how far they’re moving or in which direction, or who the target of a shooting or punching card would be, so you need to see what’s played and keep track of the tree of potential decisions from that. The only random aspect of the game is the card draw, but there’s a ton of luck involved in the guesswork – you can plan well and still whiff because another player did something unlikely or unanticipated.

The app version looks great, as all Asmodee and DoW apps have, with strong graphics and bright colors, and it ran smoothly on my iPad Pro. (I just upgraded from a five-year-old iPad 2, which couldn’t run a full game without crashing.) The app allows you to play in Classic mode with any number of the game’s pre-set characters – each of whom has some special ability; I think Cheyenne’s is the best – and has the potential for you to play with some variants, although those aren’t immediately available.

There are two real flaws with the app, one easy to fix, one less so. The app comes with a story mode that includes five short missions for each of the five characters, and completing all five missions for a character unlocks a variant for you to use in the base game, such as having the last car on the train detach at the end of a round. I have never liked this concept in app design, where certain aspects of the game are inaccessible unless you complete something else; Catan made this mistake and it is one of the main reasons I don’t recommend that particular app. If you pay for the product, you should get the whole product up front. I completed the stories for two of the characters, but the missions generally are more like puzzles than full games, because you’re often ignoring what the AI characters are doing; you’re completing one or two tasks, while the AI characters are playing the game normally. Just make the variants available from the start and use Achievements to reward players who complete the stories.

I’ve also found the AI players to be a little dumb, at least in terms of card choices. Obviously, you’re playing a little blind, not knowing what other players will play or do over the course of a round, but there are certain cards that you know you won’t be able to use, or are maybe 5% likely to be able to use – for example, punching another character when there won’t be anyone in your space, or picking up an item from the ground when the ground is empty. The AI players tend to do that a couple of times per game, in total, and there’s no excuse for it; AI players have the advantage of calculating every possible set of moves in a game this limited, and moves that are 5% (or less) likely to work should be discarded.

There’s one technical glitch that could also have been user error (meaning I may have screwed up). When you play a card to shoot or punch another character, you have to select the target, and sometimes you have more than one choice (e.g., you’re in a car with two other characters). Choosing the right target is occasionally tricky when you’ve got several characters bunched up together in a car. Twice I thought I clicked on one target but the game selected the other one, so either 1) it was not clear which selection button attached to which target or 2) I just did it wrong.

The app is $3.99 for iOS devices or $4.99 for Android; I have only played the iOS version. I think the game itself is enjoyable enough for a $4 price, but I think you’d get more out of it if you use the online multiplayer feature instead of facing off against AI opponents.

Stick to baseball, 12/31/16.

No Insider pieces and no Klawchat this week, between the lack of MLB activity, a little holiday-related travel, and me just generally taking it easy this week. I did review the boardgame City of Spies: Estoril 1942 for Paste, and have reviews coming up for Doom, Kodama, and Inis.

You can preorder my upcoming book, Smart Baseball, on amazon. Also, please sign up for my more-or-less weekly email newsletter.

And now, the links…

  • Texas is making rapid progress in becoming the nation’s worst backwater, from anti-gay laws to wiping out abortion clinics to reducing environmental protections to a statewide cut in special education resources, as detailed in this Houston Chronicle investigative report on how tens of thousands of disabled children in Texas aren’t getting the education help they deserve.
  • This New York Times profile on an Iraq War veteran suffering from PTSD who was convicted of a home invasion highlights how little we do for soldiers returning from active combat duty, and how costly the war in Iraq has been in human lives.
  • I thought the Telegraph had the best piece on George Michael’s career, life, and death at age 53, possibly the result of a heroin addiction. If you haven’t heard his 1990 album, Listen Without Prejudice, Volume 1, it stands up incredibly well today for its mixture of styles that, at the time, was seen as a disappointment by fans who wanted him to remain a bubblegum pop star. And the same publication also wrote how horrible Gene Kelly was to a 19-year-old Debbie Reynolds during the filming of Singing in the Rain, and how Fred Astaire came to the rescue.
  • Security expert Bruce Schneier, who coined the term “security theater” to refer to all the things we do to appear to make our lives safer, points out that TSA Pre-Check also won’t work, as it just provides a second way for a would-be terrorist to beat the system and get on a plane. He links to a former TSA administrator’s post explaining Pre-Check’s vulnerabilities, but the two disagree on the solution – Schneier wants less pre-flight screening for everyone, rather than for a select few, saying that terrorists are going to pick ‘clean’ operatives no matter what we do.
  • This longread on Olympian Debbie Thomas’ descent into mental illness and poverty is from March, but I just found it this week and it’s one of the best and most awful stories I’ve read in the last few months. Thomas won a bronze medal in Calgary in 1988, became a doctor, but has lost everything in the last few years as a result of bipolar disorder.
  • Donald Trump took credit for Sprint’s decision, made in April, to add 5000 jobs in the U.S., and here’s a partial list of media outlets who repeated his lie in headlines without pointing out its untruth. Yes, there’s more to an article than a headline, but I know from experience many people will read the headline and then move along … but will still send me an angry email about a headline I didn’t write. (Editors write headlines, not writers.)
  • A New York Times investigation found rampant bribery among Homeland Security officials charged with protecting our borders. I doubt there’s a simple solution to this: no private or public entity will pay agents more than defeating the security is worth to those trying to do so.
  • The same Russian hacker group that has been accused of trying to influence our election placed malware on a computer at the main electric utility in Vermont, raising concerns about an attack on our infrastructure.
  • Meanwhile, the Russian government has also been supporting far-right movements across Europe in an attempt to destabilize EU states, finding success in Hungary, Estonia, and Bulgaria, along with the rise of the neo-Nazi National Front Party in France.
  • “More than a third of the almost 200 people who have met with President-elect Donald Trump since his election last month, including those interviewing for administration jobs, gave large amounts of money to support his campaign and other Republicans this election cycle.” So begins this Politico story on the rising kleptocracy in Washington, where money buys you direct access like we haven’t seen in decades (under either party).
  • Another neo-Nazi group is planning an armed march in Whitefish, Montana, where its founder’s mother lives. There’s more background, and information on the community’s response, in this audio piece from NPR, which describes businesses putting menorahs in windows to show support and solidarity this week.
  • Jane Coaston of MTV.com looks at the roots and insolubility of the Syrian civil war.
  • New York issued the first (known) birth certificate for an intersex person – that is, one that states the person’s sex as “intersex,” referring to someone born with physical and genetic characteristics of both sexes, often including sexual organs. This is law catching up to science, but I ask you, North Carolina and Texas and Mississippi and every bigot out there trying to make life miserable for people unlike you: What bathroom would you like her to use?
  • In 2018 and 2020, remember how the Republicans stole a Supreme Court seat by refusing to even hold a hearing for Merrick Garland, nominated to fill that vacancy by President Obama.
  • The political crisis in Burundi, sparked by the questionable re-election of Pierre Nkurunziza to a third term as President, was not helped when he hinted he might run again in 2020. The Burundian constitution limits the president to a single re-election, and his decision to run roughshod over that clause led to 500 deaths and over 300,000 refugees leaving the country.
  • An open letter from 23 activists, many of them Nobel laureates, calls for the UN Security Council to stop ethnic cleansing in Burma against the Rohingya minority – and criticizes Nobel Peace Prize winner Aung San Suu Kyi for her inaction on this issue.
  • That Gambian election a few weeks ago that appeared to end the tyrannic rule of President Yahya Jammeh? Yeah, well, so much for that, as Jammeh is trying to annul the results and declare himself the winner. Senegal, which surrounds Gambia on all but the latter’s tiny coastal border, has said a military intervention is only a “last resort.”
  • Fortune looks at the recent spate of frauds among tech startups, asking whether this is a growing trend giving the amount of VC money flying around.

Top Chef, S14E05.

Welp. This season had two chefs I was truly interested in watching, and one went home tonight, in what is rapidly turning into a bad season of Top Chef: All Stars, where every challenge involves cooking something “southern.” If I wasn’t doing these recaps, I’d bail on this season and just come back if Brooke makes the finale (which I can only assume she will).

* Silvia is shown talking to her mother on her birthday, and apparently there’s a “birthday curse” on Top Chef, with at least three chefs going home on their birthdays in prior seasons. Since curses aren’t real, this is just bad TV nonsense.

* Sheldon says he herniated his disc ten years ago while carrying a pan of noodles, leading to surgery, painkillers, and an eventual return to the kitchen – but his back is bothering him again. He never mentions what he took, and the way he’s dancing around it, I wonder if the painkillers became a problem; it’s hard not to think of that after Prince died from painkiller use just a few months ago.

* Quickfire: The chefs walk in to a dark kitchen with no one there, 40 minutes on the clock, and no ingredients or instructions. (I’m not sure if they see the cameras but don’t realize they’re on, or if they can’t see the cameras at all.) The garage door opens to show the ingredients, and the clock starts, but they still have no instructions. Sylva guesses it’s a biscuit challenge. Brooke is the one loud dissenter, saying, “we can’t just decide our own challenge.” Well, it turns out that you can.

* At least three of the twelve chefs have never made biscuits before, which I find a little surprising for two of them. Neck-Tat has a restaurant in Charleston; how do you cook in the American south and not know how to make a biscuit, at least by ratio? Sheldon and Silvia at least come from entirely different cooking cultures, although I think Hawai’i is Americanized enough that biscuits would be familiar to him. For Silvia, though, biscuits are probably pretty foreign, pun slightly intended; the word “biscuit” and its equivalents in Europe refer to cookies, often those cooked twice (biscotti), but never to the sort of rolled, shaped quickbread we call a biscuit. The closest Italian quickbread I could think of was brazadela, a sweet quick bread of the Emilia-Romagna region, but that’s not a biscuit. An American, Southern biscuit is usually just a vehicle for dairy, both what’s baked into it and what’s slathered on or poured over it once made. Biscuits here are closer in concept to pie crusts, with some boost from a chemical leavener and milk or buttermilk instead of water.

* I’m not sure if Shirley has never made them, or is just saying she doesn’t make them now, as she does say she tries to avoid baking whenever possible.

* The ovens are at 450 degrees. I’ve never cooked biscuits – which Silvia calls “bis-queets” – at a temp that high. I think they’d burn before they cooked through.

* Katsuji rambles on about corn and biscuits, and then it’s like a switch flipped, and he turns into Katsuji Nye the Kitchen Science Guy, explaining why the butter in your biscuits (or pie dough, for that matter) needs to be cold.

* Sheldon’s didn’t rise – he was just copying Brooke, so if he didn’t see her add baking powder/soda or didn’t add enough, that would explain flat biscuits – so he cuts them in half, puts something on the bottoms, and then forgets to put the tops on.

* The guest judge is John Currence, chef-owner of Big Bad Breakfast in Oxford, Missisippi, and now Birmingham; he has a new book out, called Big Bad Breakfast: The Most Important Book of the Day, which includes his acclaimed biscuit recipe on page 183.

* The dishes: Sylva made a grated corn biscuit with pan seared scallops, served vol-au-vent style, which Tesar slagged in the confessional but Currence loved … John made a drop biscuit with cheddar and jalapeño with country gravy … Katsuji made biscuits with sweet corn relish and jalapeño honey butter … Silvia made a strange, savory salmon biscuit with avocado and crème fraiche, but Currence likes it, and says “I hope you do everything this well on your first try” … Neck-Tat made a traditional breakfast biscuit with truffle honey and a sunny egg … Shirley made a biscuit with black pepper mascarpone and blackberry compote … Jim did a cream cheese lard and biscuit with a creamed corn sauce and a seared scallop that he cooked on both sides … Brooke made black pepper and poppy seed biscuits with smoked salmon salad … Sheldon did biscuit bottoms with ham, soft-boiled egg, and parsley.

* Worst dishes: Shirley’s biscuits were dense and her mascarpone extremely salty. Sheldon’s were undercooked, and he only served half. Jim’s were overworked and dense, and Padma said his scallop was “hammered,” one would hope on some good rum.

* Best: Brooke’s was “immaculate” and showed off her technical precision. Katsuji’s was fantastic, Currence liked the dish, and said the biscuit couldn’t have been better. Neck-Tat seems to have also executed well on the classic presentation. But Brooke wins, again, and gets immunity. She’s the 2016 Cubs right now.

* Elimination challenge: Rodney Scott of Scott’s whole pit BBQ – not the same as Rodney “Cool Breeze” Scott, though. The twelve chefs split up into three teams and each must cook a whole hog plus three sides for 150 guests, including Darius Rucker.

* Sheldon’s going for an MRI, which may or may not be TV drama going on. I think based on the previews that this may be an issue in the next episode, but not this one.

* The chefs go to two Q joints first, before cooking. First is Sweatman’s BBQ northwest of Charleston, a place that’s only open Friday and Saturday, as many good Q places are. (When they’re out of meat, you’re out of luck.) Sweatman’s sauces its hog just once, and they try to finish the hog between 175 and 200 – although I may have misheard that, because at 175 the shoulder is not going to be done. Their mustard sauce uses yellow rather than brown mustard and contains a lot of sugar.

* Scott’s sauce starts with a vinegar-pepper base, both cayenne and black peppers, and “maybe” has some sugar. Sure thing, Rodney.

* Here’s what gets a little underplayed here, other than Jim pointing out that grilling is not BBQ. Real Q takes time, and it is not something you’d expect any experienced chef to have done. This is truly low and slow cooking, eight to twelve to sixteen hours depending on what cut of which animal, from pork shoulder to beef brisket to any ribs to this kind of whole hog cooking. You are working with real wood and real fire, so you’re in maintenance mode the whole time, keeping the temperature relatively constant, ensuring the food is cooking via indirect heat and is absorbing flavor from the smoke, but not getting so hot that it’ll cook too fast and fail to have any connective tissue break down. I’ve never smoked anything bigger than a pork shoulder, and while I love doing it, it ain’t easy and I wouldn’t tell you I’m good at it.

* Silvia wants to make a non-traditional potato salad, without mayo, and I can’t decide if this is a good idea or a terrible one. Was the mandate to make traditional southern Q sides, or just to make sides that would go well with smoked pork? Should her teammates have pushed her on this? Hold that thought.

* Sheldon returns, says he has a herniated disc but got “a shot in his spine” and apparently is feeling little or no pain.

* The chefs are up all night, although Brooke seems more annoyed that Tesar won’t shut up (editing?) than about getting no sleep. Silvia also gets to eat her first s’more, which … eh, they’re overrated. Melting cheap marshmallows and milk chocolate together doesn’t make them any less cheap-tasting. She’s only been in US for four years, now co-owns two places and has now opened a third since the show ended. We’re also seeing a lot of Silvia this episode, in case you missed that foreshadowing.

* Did they ever say what kind of wood they used? I didn’t catch it. I always use hickory if I can, because I like that very pronounced flavor.

* This might be the best cooking tip of the season: Tesar wants to make a roux for mac & cheese, but somehow they didn’t get AP flour, or lost it along the way. No one else bought it, but Katsuji offers to swap him some xanthan gum for Tesar’s peeled garlic – mostly because Katsuji was being kind, I think, not really because he needed it. Xanthan gum is big for gluten-free baking, because it can provide the structure that would otherwise come from gluten. Tesar says it’s emulsifying his sauce, but that’s not right – xanthan gum, which is produced by a bacterium that ferments certain simple sugars, is a thickener and a stabilizer, but not an emulsifier. It is a powerful thickener, however; a little goes a very long way, and it’s resilient at a wide range of temperatures, unlike corn starch.

* Shirley cooks baby piglet at her restaurant. Yeah, I know that’s traditional, and there’s nothing inherently worse about eating piglet (“suckling pig” is the preferred euphemism) than pig, but … ugh.

* The green team (Katsuji, Amanda, Silvia, Sylva) is cooking its pig at 350. No way you BBQ at that temp. That’s roasting, and it’s going to end up toughening the exterior if not blowing the whole animal out.

* Sylva adds hoisin and ketchup to make his BBQ sauce; Amanda says it’s delicious, just not a SC sauce, neither mustard nor vinegar-based.

* Silvia says in Italy, potato salad uses a salsa verde, which is like an Italian chimichurri with parsley, garlic, vinegar and lemon. Tom seems OK with this in concept.

* Something’s off with Katsuji’s beans, with a sour, funky smell Tom and Rodney dislike. This is revealed later, but Tom thinks Katsuji took a gland from the pig head when going for the jowl meat, perhaps a scent gland, which would wreck the dish’s aroma and flavor. (Jowl meat itself is fine – if you’ve ever had “head cheese,” you’ve had it.)

* Emily’s beans aren’t quite cooked. She claims that adding salt and vinegar makes them “seize up” and take longer to cook. This is bullshit. Salt your cooking water and the beans should cook a little faster if anything, because (see that link) the sodium in the salt will replace calcium and magnesium in the beans’ skins and allow greater penetration of the hot water into the beans.

* Let’s go already. The yellow team made smoked mac & Cheese (John), braised pinto beans with pork (Emily), sauerkraut-style pineapple slaw (Brooke), and whole hog topped with chile citrus vinegar sauce (Sheldon). The beans aren’t as done as they should be. The pork is delicious and seems to hit all the marks for temperature, texture, and spice. The judges also seem to like the mac & cheese. Tom wipes out his plate.

* Red team: Head and trotter hash, braised cabbage and apples, fresh pickle, and whole hog with pepper citrus vinegar based sauce. Rucker loves the hash, which seemed to be Jim’s main dish; this team also had Neck-Tat, Shirley, and Casey. Their sauce seems less “interesting.” The cabbage and the hash were Rodney’s favorites. Tom seems satisfied with the pork, however, and we all know this is Tom’s show.

* Green team: Whole hog with a hoisin-vinegar sauce and apricot glaze; kale and pickled apricot slaw; potato salad with salsa verde and red onion agrodolce; and Katsuji’s beans. There’s something off in Katsuji’s beans; Gail notices it too. Tom mutters that Silvia’s potato salad is “terrible.” Padma says don’t call it potato salad, since that means people will expect mayo, but if it was delicious they wouldn’t care what she called it. Amanda’s slaw has no flavor. The pork is mushy. Rodney says potato salad in the south has to have mayo; Gail says it was slimy. It really sounds like this team went 0-for-4 while the other two teams combined went 7-for-8 on their dishes, with Emily’s beans the lone exception.

* Yellow team wins, so Brooke comes out on top again, although she doesn’t get the individual win, which goes to Tesar for the xanthan gum mac & cheese. It’s his first elimination solo win ever on the show; he does say to the judges it was a team effort when thanking them, but I think it’s completely fair for him to take credit for this one (except maybe for thanking Katsuji for the assist), since he had to make up a new recipe on the fly.

* Green team is on bottom, of course. Rodney thinks the jowls hurt Katsuji’s beans, although I assume he means the glands; the beans’ sauce was “murky” and had – wait for it – too many ingredients. Everyone went for “sweet acidity.” Tom says the hoisin didn’t work at all, making the sauce as thick as something from a bottle at the supermarket. Silvia deviated from the tradition, but again, it seems like a failure of execution more than concept, as Gail said the texture of sauce between the potatoes and vegetables was off, the vegetables were undercooked, and the dish didn’t look appetizing (it had a greyish cast on TV). Amanda somehow escapes special criticism here despite making a slaw that the judges agreed had no taste.

* Silvia is eliminated. This is hugely disappointing given some of what she did earlier, even in the quickfire here, and we lose yet another rookie from the show. What’s particularly disappointing about this season even beyond the rookie/veteran format is that the challenges so far have almost all involved regional cooking from just one region, and you can be a great chef without being versed in the cuisine of the American South. The new chefs are all at a disadvantage, while Shirley and Sheldon at the least appear to be at a disadvantage because they learned cooking traditions outside of the continental U.S. – and Sylva seems to have done the same, with a Haitian background and culinary training in Paris. Are we looking for the best chef, or the best Southern chef?

* So this elimination leaves us with seven veterans against four rookies, two of whom haven’t shown any reason why we would want to see more of them. Silvia may very well have had the worst dish – I wasn’t there, so I can’t really argue this – but I’d rather see more of her than more of Katsuji, whose beans were apparently borderline inedible, or Emily, who’s been repeatedly on the bottom and was saved this week by her teammates’ food.

* I think Brooke is the overwhelming favorite at this point: She executes, she’s imaginative, and her only dud of the season so far came in a team challenge with one of the worst contestants as her partner. After her, I’d go Jim, Sheldon (if healthy, as if he’s another pitching prospect), Shirley, Sylva, Casey, Tesar, Katsuji, Amanda, Neck-Tat, Emily.

* LCK: I skipped the last two episodes of LCK for the same basic apathy I’m feeling about the main show. But Tom is far more entertaining here than on the main show – he seems to have far more fun on LCK. It turns out Sam won the last two challenges here, so it’s him versus Silvia. The two chefs must cook with seven of the available “lucky” ingredients. Silvia ends up winning with a branzino dish against Sam’s chicken-fried pork chops; I thought the pork looked overdone, given the color and Tom appearing to have some trouble cutting it, but he only dinged Sam for the bitterness of the browned kale, while his only criticism of Silvia’s was that her onions weren’t cooked enough.

* One unrelated LCK observation: Silvia tried to make an aioli in her Vitamix, but said it wasn’t working. Does anyone on this show test the equipment? Or if something malfunctions, do they not just have a spare machine or alternative (like a stick blender) lying around? Sometimes I wonder if these mishaps are deliberate attempts to make the chefs think on their feet, but if that’s the case, I’m not sure I understand the point of the show any more.

Fences.

Most of the buzz around Fences has been around the individual performances of Viola Davis, seen as the heavy favorite to win the Best Actress Oscar, and Denzel Washington, who play Rose and Troy Maxson, the center of this film set in 1950s Pittsburgh. That’s both the movie’s strength and its weakness: This is an ensemble of great acting performances around a script that’s very talky, the way a play on a stage needs to be but a filmed version does not. (The film is based on the Tony- and Pulitzer-winning play by August Wilson, who died in 2005.)

Troy is a 53-year-old trash collector in Pittsburgh who portrays himself as a devoted husband and father, a strong provider, and a bon vivant, only for the complexity of his character and contradictions of his (offscreen) actions to become clear as the movie progresses. Troy played in the Negro Leagues – this movie has a lot of baseball talk in it, and the playwright behind it, August Wilson, obviously knew his baseball – but was denied his chance due to his race or perhaps his age, although he remembers it one way and his wife the other. Troy’s self-built narrative takes one hit after another as we meet his sons, learn the story of his war-wounded and addled brother Gabe (a tremendous turn by Mykelti Williamson), and discover the secret he’s been hiding from Rose that turns the entire story upside down, giving Davis control of the second half of the film to deliver her very Oscar-worthy performance.

Davis dominates her time as the wronged wife, but Washington’s work, especially in the first half of the film where he’s the storytelling, bullshitting center of every scene, seems a little too on the nose. I haven’t seen the play, so I lack that means of comparison, but either the script or Washington’s interpretation of it – especially the way he voices his lines from his jowls – seems to border on caricature, in a way that particularly emphasizes Troy’s race.

Yet Fences is not inherently a movie about race or racism – there isn’t a white person to be found except the nameless driver of Troy and his best friend Bono’s garbage truck – and only a portion of Troy’s misfortune is due to his blackness. His downfall is not the color of his skin, but his willingness to rationalize all of his mistakes, from mere errors in judgment to total lapses in responsibility, because they felt right in his heart. He’s kept his sons at arm’s length for different reasons, but in both cases it has produced damaged relationships. He has a good, eighteen-year marriage to a devoted wife, Rose, who has chosen a life of subjugation to her domineering husband and his expansive personality, but he throws it all away because, in his mind, of his need to escape the stress of being the sole provider for the family. That’s a role on the stage that would require a huge persona to fill up the theater, but Washington seems to bring the bluster along with the bravado in a way that overwhelms the rest of the family throughout the first half of the film.

Fences is much stronger as a document about women, and perhaps their role in the newly upwardly-mobile black communities of the 1950s, where the door had just begun to open on financial opportunities for black men, at least in the north and west of the U.S. Rose reveals, in one of several speeches that could form her Oscar nomination reel, that she suppressed her own goals in life because she found that accommodating Troy left no “room” for her, only to find that Troy has betrayed her in the most treasonous way possible. This is The Remains of the Day for the working class, and a story in which one of the two characters looking back on a life of lost chances gets a second act to try to regain what they gave up.

As for the fence of the title, Troy and his son Cory (played meekly by Jovan Adepo, later upstaged by a six-year-old girl) are supposed to be building one around their property at Rose’s request, and the fence serves as a clumsy metaphor for Rose’s attempts to keep her family close to her and Troy’s goal to keep the Angel of Death out. It never worked for me, both because it was too overt a symbol and because we don’t see enough of Rose’s strength in the first half of the film to reinforce the metaphor.

Fences is a better film than I may have implied here – it’s flawed, but in small ways, factors that keep it from being as strong as Moonlight or Manchester by the Sea. It’s also a pure joy to watch Davis, Williamson – playing a character who is childlike as a result of a serious head injury he suffered in World War II, without veering off into clownlike caricature – and Stephen Henderson (as Bono) just do their thing, delivering precise, full-bodied performances in a movie that is largely a showcase for them. Even Washington, for all his scene-chewing, is a magnetic presence on the screen; I think I have more complaint with his direction, such as some needless close-ups of characters in anxious or pensive moments, than his acting, although he’ll probably get nominations for both. He infuses the character with rakish charm in the opening scene, and then allows the character’s actions and justifications to chip away at our admiration until, by the time of the Big Reveal, there’s little left but a shell that Troy himself can’t put back together, no matter what he tells Rose or himself to defend it.

Stranger in a Strange Land.

Continuing my roll through Hugo winners, I finally got around to Robert Heinlein’s Stranger in a Strange Land right before Christmas. It’s long been on my to-read list, but I figured I’d eventually find a copy in a used bookstore and waited until that happened to read it, even though I’ve read a few other Heinlein works (Double Star and Starship Troopers, both Hugo winners) and enjoyed them. Stranger is something else entirely, however – a deeply philosophical work, a new version of the Christ figure in literature, and a book with just a veneer of science fiction about it. Heinlein’s views on religion, morality, and human nature may not be yours or mine, but this novel gives you plenty to consider and reconsider on these subjects and more, simply because he sets off the correct bomb in the middle of the metaphorical town square.

That bomb is the person of Valentine Michael Smith, a man who was born on Mars and raised by Martians, an alien race, apparently much older than ours, that evolved quite differently from our own and possesses physical powers well beyond anything humans have acquired. When “Mike” returns to Earth with a second spacecraft, he’s suddenly the most sought-after person on our planet, with the government hiding him, multiple authorities trying to steal from him, and the media chasing him, and, eventually, one reporter and his nurse friend choosing to free him, sneaking him out of the hospital where he’s a de facto prisoner. Mike and the nurse end up at the estate of Jubal Harshaw, a polymath, hack author, and attorney who takes an immediate interest in Mike’s case and becomes his mentor and cicerone and protector all in one, negotiating for Mike’s freedom under the guise of the latter being the leader of humanity on Mars.

Mike ends up exploring human religion and philosophy, including the megachurch/cult of the Fosterites, and selects pieces of that he finds worthwhile in building his own Church of All Worlds, where members advance through various levels of enlightenment towards an inner circle, learning the Martian language and acquiring some of the same psychokinetic abilities Mike has. The Church of All Worlds becomes a counterculture haven, preaching free love and naturalism, eschewing modern capitalism, and living in a commune-like structure each time they set up shop in a new town. Their popularity threatens many existing forces, from the government to traditional religions, who whip up enmity towards its members and Mike in particular, leading to an entirely predictable ending that completes his Christ-like journey through the novel.

The novel’s title comes from one possible translation of a phrase in Exodus 2:22, “And she bare him a son, and he called his name Gershom: for he said, I have been a stranger in a strange land.” Smith comes here as ignorant of human customs as a baby, and even has to learn to use his body properly in our higher gravity. He brings Martian concepts of dualism and an afterlife, of war, commerce, and, of course, of water, which is revered through the practice of “sharing water” with someone, after which you are “water brothers,” a sort of blood oath that bonds you to each other for life. He adopts some trivial aspects of human culture, at least temporarily, such as wearing clothes, but takes on a mystical role to those around him – first Jubal’s employees, then gradually more and more who take to his own message of free love, spiritual enlightenment, and … uh … being nice to everyone.

That’s where the book goes a bit off the rails for me, at least, although Heinlein is aiming for something very big here and probably gets as close to his goal as most authors could. Smith’s religion is cultlike too, and it’s not very clear what he’s preaching or promising – people see that he can move stuff with his mind, and he’s offering a sort of spiritual salvation without stigmatizing or forbidding sex the way the Catholic Church and many evangelical Protestant groups do, so of course they’re flocking to him. And there’s certainly something Christ-like in his messages of love, tolerance, and nonviolence, as well as his willingness to sacrifice himself for the good of everyone around him. But Smith’s transition from ingenue to wiseman/Pied Piper is wildly abrupt and unexplained; in one chapter, he’s still confused by common human norms, and in the next, he and Jill, the nurse who got him out of the hospital, have run off to join a traveling carnival. (I read the version of the novel that was first published; Heinlein later restored material cut by his publishers in a separate edition that’s about 30% longer.)

Where Heinlein succeeds, however, is in crafting a sci-fi story that’s powered by the plot, not by the scientific details. None of the action in the book takes place on Mars; we meet Smith on earth, and for a time it’s unclear whether there’s anything different about him beyond his experience. He has psychokinetic powers learned from the Martians, and some very different ideas on death, but Heinlein uses that to drive the story – how would Earthborn humans respond to the appearance of a man with these abilities? It’s a twist on the Second Coming, but rather than playing it straight, Heinlein adds the interplanetary twist. There’s also an ancillary subplot, never fleshed out, about what the Martians might do to earth, having previously destroyed a nameless planet and civilization between Mars and Jupiter, but it feels unnecessary and unfinished, especially since the novel stands just fine on its own without that attempt to justify Mike’s return to earth.

Stranger in a Strange Land is a big novel of ideas – or perhaps a novel of big ideas – and whether it works may depend on your acceptance of some of the more mundane aspects of the philosophy Mike preaches to his followers. And it is preachy – there’s no question that Heinlein is advocating something here, which I thought caused the last of the novel’s five sections to drag until the last few pages. The real power in Heinlein’s concepts here, as voiced by Smith, is how absurd human conflicts, from war to prejudice, would appear to someone who fell in from the sky and wasn’t raised among the rest of us. If there’s a lasting message to take from this novel, that should be it.

EDIT: Oh, I forgot to mention the one absolute nails-on-chalkboard line in the book, where one character (Jill?) says that nine times out of ten, a rape is at least partly the woman’s fault. I know it was written a half-century ago, but it’s absolutely cringeworthy, and knocked the book down a full grade for me.

Next up: I knocked out Thomas Hager’s non-fiction book The Alchemy of Air, about the invention of the Haber-Bosch process, and have just started Ben Fountain’s 2012 novel Billy Lynn’s Long Halftime Walk, which won the National Book Critics Circle Award for Fiction that year.

Top Chef, S14E04.

I did not recap episode 3, since I didn’t even watch it until five days after it aired. I’m just jumping ahead to episode 4 and should be on schedule with every episode at least until spring travel begins.

So we start with some comments from Tesar on how Katsuji “gets a hall pass for being an asshole.” And that’s why 1) he’s back on the show and 2) I’m not happy to see him on the show. What Katsuji seems to think of as gamesmanship is borderline harassment. It’s not good TV and it has nothing to do with food.

* Quickfire: The new EIC of Food & Wine, Nilou Motamed, is here as the guest judge. Each chef has a box in front of him/her, and must use everything in the box – the gag is that it’s “not quite everything you wanted for Christmas.” The boxes contain cooking tools as well as ingredients: pressure cooker, tequila, pomegranate, wasabi, melon baller, chocolate pretzels, squab, and so on. We’re ripping off Chopped here, right?

* Jim says melon ballers are “from a pantry in the 1950s” but I use mine constantly to take out the seeds of apples. Cut the apple (or pear) in half, then use the baller to carve out the half-sphere with the seeds and tougher flesh from each half of the fruit. I don’t use them for melons, though.

* Shirley’s using white chocolate in place of butter. I’m not sure how that’ll work – white chocolate is fat plus a lot of sugar, while butter is fat, milk solids, and water.

* Emily has never used a pressure cooker, which I find hard to fathom. Tesar points out that they use them on this show all the time, so basically don’t come on this show without learning. Also, how do you not own a pressure cooker when you’re a chef? You don’t cook at home, ever? This isn’t some sort of novelty device. I just used mine two nights ago. They’re fantastic.

* Jim’s stand mixer bowl is smoking … it would have been nice to know why. I’m just sayin’.

* Shirley burns her squab in a tequila fire – although that can’t be what actually happened. Tequila is usually 80 proof, and that’ll burn if vaporized (like, say, heating it in a hot pan), and of course if it’s bringing any sort of lipids with it those will burn too. But 80-proof tequila shouldn’t just burn on its own, and even if it did the fire would be cool enough to slip your hand through it (not that I recommend doing so). I once created about a three-foot high flame by adding rum to a pan that was much hotter than I realized, and it didn’t ignite anything else – not even the wood cabinets the flame touched – or leave any scorch marks anywhere. So I guess I’m really wondering what was in that fire to char the exterior of the bird.

* We only see a few of the dishes here, I guess for time’s sake, not that we’d want to see more food on a show about food. Katsuji made braised squab in tequila and soy with pretzels, pomegranate, and wasabi in his salsa … Tesar made a pan-seared squab with mole and an avocado and pomegranate salad; he calls avocado “light and refreshing” which it’s not, with about 75% of the caloric content of an avocado coming from fat … Brooke made a pan-roasted squab with a clove, tequila, and pomegranate stock, and some melon-balled squash … Emily made a pan-roasted squab with a soubise, and Padma delivers the deadly compliment, “well, the squab is cooked nicely” … BJ made a pretzel-encrusted squab with wasabi cauliflower puree, tequila, and pomegranate; Nilou asks if that was the texture he wanted from the deep-fried squab, so we know what that means .. Jim made a roasted squab with beets, fennel broth, and a smoked pretzel and tequila whipped cream (that’s what was in the stand mixer, I suppose) … Casey made a smoked chili, tequila, and squab soup, then compressed pineapple with several of the other ingredients from the box … Shirley made a roasted squab with wasabi rapini and flambe tequila. She didn’t use the melon baller because she didn’t have hers – Sheldon appears to have taken it at some point. Then Padma makes a bizarre comment about hoping it’s not a sudden death quickfire. If Sheldon took her melon baller, shouldn’t he be eliminated (hypothetically) rather than Shirley? And the fuck is Padma talking about here anyway?

* Bottom three: Shirley, really because she charred her squab “to within an inch of its life” … Emily’s soubise was gummy, and now they’re saying she was not “kind to that protein” … BJ’s squab was very tough. Top three: Brooke, Casey, and Tesar. The winner is Casey, again, so she gets immunity.

* Anyone else see a little bit of Kristen Bell in Casey?

* The guest judge this week is Mike Lata of Fig, a very highly-rated restaurant in Charleston that made Eater’s list of the 38 most essential restaurants in the country for 2016. Also, he used to be Emily’s bossn and fired her once.

* The elimination challenge is based on the Italian feast of the seven fishes. I never had this growing up, even though I’m ¾ Italian, and I’ve never had it as an adult because my wife is allergic to shellfish. The twist on this episode is that the chefs are going to use “trash fish,” incidental catches that are often discarded because “consumers aren’t familiar with them,” which makes them good for chefs interested in sustainability. Jim seems comfortable with the concept, though, having won the Great Ameircan Seafood Cookoff in 2011.

* Casey gets first pick of the fish and chooses amberjack, which I’ve never thought of as a trash fish; if you’ve had the kind of sushi or sashimi called “kampachi” or “kanpachi,” you’ve had amberjack. The remaining chefs are combined randonly into teams of two. Tesar gets Katsuji, the only person Katsuji didn’t want to work with, although later they’re bickering like buddies in the confessional. Shirley’s paired with Sheldon, but they’re getting along fine in Whole Foods. BJ’s paired with Silvia, Silva with Neck-Tat, and Jim with Amanda.

* The other fish available are tunny, blackbelly rosefish, gray tilefish, triggerfish (which Lata was the first chef in Charleston to serve), mullet, and barrelfish.

* Tesar wants to use canned tomatoes; Katsuji wants to use fresh heirloom tomatoes. Each is acting like the other is insane. But doesn’t this depends on the time of year? If tomatoes are in season, you’ll never beat fresh. If they’re not, then they’re not going to have much taste, if any.

* Shirley wants to use mullet shank, the tail end of the fish, which has fewer bones (?).

* Emily is deferring to Brooke on everything, so Brooke ends up the de facto head chef on their team with Emily playing the role of a line cook. That could go either way – Brooke’s probably the best competitor on the show this year, one of the best they’ve ever had, and Emily appears increasingly to be a train wreck as a contestant.

* Silvia is making pane carasau, a traditional yeast-raised flatbread, similar to pane guttiau (which you might have seen at Trader Joes). Both are Sardinian, with the former using yeast and the latter not. To Americans, they’re more like crackers – I’d compare pane guttiau to what matzoh would be like if you made it with something like puff pastry dough, so it shatters rather than breaks.

* Tesar and Katsuji are now each making a sauce with the tomatoes, and then each ends up plating some of the dishes with his own sauce. This should have been a disaster.

* Sheldon & Shirley made a Sichuan peppercorn (a Chinese spice that isn’t a true pepper) braised mullet with tofu, celery, and buttered radish. Tom seems to have gotten a small bone, but says he loves the dish, especially the use of the Sichuan pepper. Blais likes the combination of tofu and fish together because their textures are similar. I’m not sure if I’ve ever had mullet, although it seems like the most familiar name among the trash fish after amberjack (I’d never heard of triggerfish or barrelfish before this show).

* Hugh is back! Judges’ table is always better with his dark Canadian humour.

* Silva and Neck-tat had Tunny. I’ve heard the term before, because it can refer to a couple of fish, but I’m assuming this one is little tunny, a fish in the tuna tribe (Thunnini) but in a separate genus from the fish we eat as tuna. That Wikipedia article mentions anecdotal reports of ciguatera poisoning from eating tunny, so I’ll pass on this one, thanks.

* Lata says he’d go calabrian with tunny, making a spicy preparation because the fish itself has such a pronounced fish flavor. The team made a ras el hanout-dusted tunny, seared so it’s nearly raw in the center, with melted leeks, parsnip puree, wild mushroom ragout, and xo jus. Graham Elliott says is “looks like a $30 tuna steak dish.” Hugh deadpans that “we were all guessing that you’d fail miserably.” One thing no judge mentioned was the taste of the center of the fish. If tunny is oily and has a strong fish flavor, and the chefs didn’t address that throughout the fish, what happened when the judges got to the middle of those “steaks?”

* Brooke and Emily made roasted blackbelly rosefish with fiddleheads, marble potatoes, leeks, corn, coconut, and tamarind sauce. Lata says it’s a tough fish to work with and needed more than just the sear? All the judges seem to agree that the dish was totally confused, with a bunch of different ideas all on one plate. Brooke won’t throw Emily under the bus, however, even though Emily contributed nothing to the concept of the plate. Tom says “leek sauce all day, all this other stuff get rid of it,” which I suppose would be great if this were a leek challenge.

* BJ and Silvia made a barrel fish brodo with leeks, kale, cauliflower, and pane carasau. They poached fish, but as it dried outside of the poaching liquid, it seized up and became tough; Tom suggests they could have flaed it back into the broth, although if the broth was still hot enough to be safe, wouldn’t it have continued to cook? The broth was apparently excellent, but there wasn’t enough of it, and Silvia’s pane carasau is probably the most-praised aspect of the dish.

* Tesar and Katsuji made trigger fish with chili sauce, fennel puree, bottarga, and breadcrumbs. Tom says the sauce is terrific and the fish was cooked beautifully. Hugh says they bridged a monumental gap to put aside their egos, which also says to me that it’s no accident that these two chefs were asked to return this season.

* Jim and Amanda made a gray tilefish with tomato and fennel broth, and some apparently very undercooked beans. Tom asks, “Who cooked the beans?” and Amanda responds, “I did. Why?” She looks like she just ran a marathon.

* Casey’s amberjack dish is a catastrophe, but we never really saw anything about why? She barely cooked it at all, and her rice porridge is gummy and tasteless. So what was she doing during her allotted time in the kitchen? She thinks she’d be sent home if she didn’t have immunity, so what the hell happened?

* Tom: “There’s a reason why these fish don’t usually end up on a table – they’re very difficult to work with.” For some of these fish, that’s almost certainly true – tunny being oily and fishy is going to be a deterrent no matter what chefs or fishermen do, but gray tilefish is supposed to be lean and mild-tasting, and amberjack is lean and firm like mahi-mahi or swordfish. Some of the problem is just education: consumers only look for a few common types of fish, like salmon, because they’re familiar with those and know how to prepare them.

* The top three are Sheldon and Shirley, Jamie (Neck-Tat) and Silva, and John and Katsuji. Katsuji’s sauce was amazing. S&S’s dish ate like something they’d cooked before. The mullet had a lot of bones, but they made the best of it. Every component of Jamie and Silva’s dish was done very well and it showcased the fish. John and Katsuji win, and Katsuji wins the individual honor for the sauce. He even tears up, I don’t think he expected that. I’m sure he’ll handle the victory in a quiet, professional manner.

* Padma says Casey “really needed” that immunity. The other three teams are on the bottom, by default. Jim and Amanda’s dish died for a few reasons, but Mike says in his kitchen one of his commandments is never serve undercooked beans. The inclusion of mussels also took the dish away from the star ingredient. Brooke and Emily’s dish just had way too much going on, and it obscured the fish. Silvia and BJ’s fish tasted like overcooked chicken. BJ made the broth, Silvia did the bread, but the fish was both.

* While the chefs go back to the stew room to wait, Katsuji starts going after Emily for failing to tell everyone more about Mike Lata’s preferences. What a dick move.

* Mike says the barrel fish (Silvia/BJ) was overcooked, while Tom says BJ overreduced the sauce. Brooke and Emily put too much on the plate, but it seems like the judges are giving them a pass because the two were “too nice to each other.” Jim and Amanda’s fish got lost in “all that stuff.” Tom says that could be the worst dish because of the beans, which Amanda cooked. At this point I assumed she was gone, given the emphasis on the beans, and also, how do you serve undercooked beans on Top Chef and survive?

* Yet BJ is eliminated. He could have gone home last week, or the prior week with the pork that he cooked poorly, a move that tanked his team because it took so much of the team’s budget. That’s three rookies out and one veteran who was just barely eliminated in four episodes. I thought Amanda had ‘earned’ the elimination, given what we heard from the judges, but it’s hard to weep for BJ with him on the bottom so many times already. But we’re now at seven veterans to five rookies, and two more of the rookies (Neck-Tat and Emily) seem perpetually close to elimination.

* I guess it’s time to rank ’em … Brooke is the clear #1 in this group, and of the rookies I think only Silvia has shown the potential to catch her. I’d go Brooke, Silvia, Shirley, Sheldon at the top. Bottom three: Emily, Amanda, and Neck-Tat.

* I’ll catch up on LCK later this week. In the meantime, have a safe and Merry Christmas.

Stick to baseball, 12/24/16.

For Insiders this week, I wrote up Cleveland’s deal with Edwin Encarnacion and the Clay Buchholz trade, as well as a piece last Saturday on some potential problems in the new CBA. I also held my regular Klawchat on Thursday.

My first-ever piece for Vulture ran this week, a holiday gift guide to boardgames for gamers at various levels (including newbies to the hobby).

You can preorder my upcoming book, Smart Baseball, on amazon. Also, please sign up for my more-or-less weekly email newsletter.

And now, the links…