My analysis of the Phil Hughes signing is up for Insiders.
Playdek, the folks behind this summer’s spectacular iOS adaptation of Agricola, just released their most recent boardgame app, Lords of Waterdeep, a straightforward worker-placement/task-completion game with some modest interactions through the use of special Intrigue cards that let you sabotage your opponents here and there. (Amazon has the physical version of the game
While Lords of Waterdeep has a theme from the Dungeons & Dragons universe, it’s pasted on to a game that has neither might nor magic in it, using the Forgotten Realms for artwork and nomenclature but nothing more. Each player tries to complete Quests in exchange for victory points and resources, where Quests in certain categories may earn the player additional bonus points unique to his player identity. Resources include money and four different worker types, the availability of which are unequal and can vary over the course of the game. Players begin acquiring money and workers by placing “Agents” in open buildings on the board, as in Agricola, but can buy and place new buildings, as in Caylus, to open additional opportunities for all players to earn resources while gaining commissions (money, workers, Intrigue cards, or victory points) for the builder. And the aforementioned Intrigue cards add an interactive element: You can steal resources from other players, or assign a “mandatory” quest with a tiny victory-point value to an opponent who must complete that quest before any others.
The game comprises eight rounds, with two distinct phases. In the first four rounds, each player has two Agents to place on open building spaces; in the last four rounds, each player gets a third Agent to place. Building spaces offer various returns:
* Most just offer resources – one or two workers of a specific type, or money, or a combination of both.
* Three spaces offer access to the four visible Quest cards, with each bringing something along with the Quest card, such as an Intrigue card.
* Three spaces in Waterdeep Castle allow a player to play one of his Intrigue cards, with the twist that an Agent placed there can be reassigned later in the round once all players have placed their Agents once.
* Another space allows the player to build one of three visible Buildings and place it on the right side of the board, assuming he can pay the cost (in money) on the card.
* And the final space allows the player to take over the Starting Player (going first in each round) role while also granting him/her an Intrigue card.
Once occupied by an Agent, a building space is unavailable to all other players (except those with a specific Intrigue card) for the remainder of the round.
The dynamic of each round is simple: Place two or three Agents for resources, money, or Quest cards; to play an Intrigue card; or to buy and place a building; and, whenever you have the right resources, complete a Quest, an action that does not require the use of an Agent. At the end of eight rounds, the player with the most victory points – from completed Quests, from Quest-related bonuses, from money (1 point per 2 coins left), and from unused workers (1 point per cube) wins.
In my experience, the path to victory revolves mostly around bonus points. You want to complete quests with high point values, or, failing that, complete a lot of quests with lower values, but it’s most important to stick to the Quest types for which you’ll earn rewards. There are various Quest categories, such as Piety, Arcana, Warfare, Commerce, and Skullduggery, and each player character gives four point rewards for each Quest completed in two of those types. Where possible, I’ve only acquired and completed Quests in my two categories, and also have tried to complete a Quest that increases those bonuses – for example, in one recent game, I earned an additional two points for each Skullduggery Quest I completed on top of the base four points I got from my character.
I’ve also learned from watching the AI players that laying down Intrigue cards is a high-return endeavor because of the ability to reassign that Agent later in the same round – so it’s like getting an extra half-turn. Some cards have higher value early in the game, both Intrigue and Quest cards, so obtaining and playing those in the first few rounds (if possible) is key.
Lords of Waterdeep ultimately comes down to a lot of little decisions around resource allocation, with minimal (but non-zero) interaction with your opponents and only a few small ways in which you can strengthen your abilities over the long haul. You don’t have any choice of Intrigue cards, and your choice in Quest cards is limited to the four you see in the open pool at any given time. There’s a fair amount of luck in the game as a result, but I don’t think it’s enough to defeat a player with a focus on completing Quests that provide the right bonuses.
The app is moderately entertaining, with competent AI players on the hard and medium levels, but the board layout is atrocious. It’s impossible to view everything on the screen at once, as the developers seemed to hew too faithfully to the physical game, and there’s so much unnecessary detail that critical pieces of text are often obscured unless you zoom in to see them. Caylus and Agricola are both stellar examples of how to display a game board that can’t fit comfortably into one screen, but Lords of Waterdeep is an example of how not to do this. Even after several plays, I still felt like it was hard to follow what the AI players were doing, and frequently had to zoom back to place my final agent because it wasn’t clear what building spaces were still free.
There’s a major two-part expansion for the physical game called Scoundrels of Skullport
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, which is cheaper but just as strong, lacking Henckels’ brand-name and maybe losing a little comfort on the handle. The best value among Henckels knives is this 
, only $12 more than the Victorinox model; I can’t compare them directly but have been very happy with the Henckels knives I own.
is identical to the one I own except for the handle style.
is under $8, a better value than the Henckels model.
over half off, $22 total, which has to be a temporary sale. I own a Henckels santoku with a different handle and it’s very useful for thin, precise cuts of vegetables, and it’s frighteningly sharp.
via amazon that includes both of the ones I own. Treat them right – no metal utensils, don’t let them heat up all the way while empty, don’t put them in the dishwasher – and they should last for years. For eggs, which will stick to pretty much anything, these skillets are essential, but they’re also great for frying a 
, which I’ve had for at least a decade and still use all the time. I originally bought it because Alton Brown told me it was the only way to cook proper Southern fried chicken, which was true, but it’s now my go-to vehicle for any kind of pan-frying where I’m using a half inch of oil or more, up to deep frying (which I do in my Dutch oven). I also cook pancakes in here, using bacon fat as the grease. The only issue I’ve had is that smaller stoves don’t play that nicely with its wide base, so if you have a 30” stovetop or just know your burners are small, go for the 10.5” model (found in the same link) instead.
, with a saute pan and two skillets but no saucier, and while I’m sure the skillets are wonderful I’d still want to supplement them with non-stick ones like those I mentioned above.
is a luxury item, although you can get one a lot cheaper if you have an outlet near you and don’t mind buying a discontinued color. Le Creuset products are made of cast iron but the surface is enameled, so it’s nonstick and doesn’t require seasoning. If you can afford one, you won’t regret the purchase, as they’re so heavy-duty they’re perfect for any kind of braise or stew, or even stovetop dishes like risotto, where you want even eating and a wide opening for steam to escape. It is also by far the best way to deep fry anything, as long as you have a candy or frying thermometer; it holds its heat and the deep sides limit spatter. (Don’t buy an electric deep-fryer; the reviews on those are consistently terrible.) I’ve linked to the size and model I have, a seven-quart version, as the nine-quart is too big for consumer stove burners and is also too heavy for easy transport when it’s hot. The seven-quart is fine for cooking a five-pound pork shoulder or enough 
and have been very satisfied with it, as it’s big enough for my needs and the ceramic liner is heavy enough to retain its heat for a long time after the cooking has stopped.
grated ten years ago this past weekend, which is a little eerie, but it’s as good as new and I just busted it out the other day. I also have their 
, which I use more for grating hard cheeses to finish a dish, since it produces light snow-like flakes and doesn’t tear apart whatever you’re grating. 
and am actually due for a replacement, as I managed to crack the frame of mine through overuse. The blade never lost any sharpness, though, which is what they promised. It’s great for making very thin slices (with four thickness settings) of vegetables for salads, for quick pickles, or for potato or other root vegetable chips. (Sweet potato chips are my favorite, fried till just slightly colored, dusted with sea salt and smoked Spanish paprika. Way, way better than sweet potato fries.)
is indispensable. Others you can pick up just about anywhere that might make good gifts, especially as stocking stuffers: small digital thermometers, a metal steamer basket, good vegetable peelers (I like Oxo’s Y-shaped and straight peelers, and a 
for fruits like peaches), whisks from 10” long to miniature ones (great for whisking salad dressings or hot cocoa), 
non-stick baking mats, dishers/cookie scoops (a #20 size is great for dishing muffin batter into tins), these 
(which I own and love), 
(I got one years ago on sale for $10 and it’s fantastic), 
to keep wine fresh (I believe they work, but I’m not a wine expert by any means) … I could go on and on. These are just things I find useful on a regular basis around the kitchen, so you’ll have some confidence that the gift you’re giving won’t end up at the bottom of a drawer until the recipients sell their house. At this point, in an era when none of us actually needs anything for Christmas, that seems to me like the ideal kind of gift.
when I was in third grade or so, as it was one of a series of abridged, illustrated classics I’d been tearing through as fast as my parents could buy them. I remembered the basics of most of the plots, including Edgar Allen Poe’s 
(“The Telltale Heart,” “The Fall of the House of Usher,” “The Junebug,” and, surprisingly for a book aimed at kids, “The Cask of Amontillado”), as well as bits and pieces of Alcott’s book – enough to understand that episode of Friends when it aired.
TV series and the 1997 edition of the classic American cookbook Joy of Cooking. With Good Eats airing in repeats on the Food Network and the Cooking Channel, you can just set up your DVR to record them rather than buying the overpriced DVD sets, but the companion books, starting with 
, are worth owning for the revised (usually re-tested) recipes and the commentary on each episode. Brown’s techniques always revolve around sound science and increased efficiency, whether it’s a faster way of doing something or a way to reuse an existing kitchen tool for a new purpose. He’s goofy – belching yeast sock-puppets are just never not funny – but always educational. And of all of his recipes that I’ve tried (more than I can count), only one, the squash dumplings, didn’t work for me, and that was fixed in the companion book.
is always my first recommendation for people who are either just learning to cook or who are looking for one cookbook to rule them all. There are many editions available and there are some wide variations from one to the next, but the ’97 version has served me extremely well for its tremendous breadth of recipes – that’s still my go-to book even for Italian classics like pesto Genovese or shrimp scampi – and for the clear, logical recipes. For this edition, the publisher hired food writers to rewrite most of the recipes in the book, losing the folksy prose that charmed readers of earlier editions, but ensuring that the recipes were easy to follow and worked properly. Each recipe in Joy lists the ingredients in bold face at the point in the recipe where they’re used, rather than listing them all at the top. If you don’t succumb to the temptation to skip your mise en place – prepping and measuring ingredients before you start any cooking – this makes it much easier to follow the recipes and reduces the odds that you’ll skip an ingredient.
for nearly a decade. It’s out of print but amazon has used copies for $4 and up at that link.
, a book I own myself and have given away as a gift. Its recipes require a slightly higher skill level than Joy, but Ruhlman’s twenty section essays – on basic techniques like poaching, braising, and frying, or core ingredients like onions, eggs, and salt – build up your knowledge on each subejct from the ground up. It’s the kind of book that might intimidate a rookie but, if you try some of the recipes, will leave you impressed with your own capabilities. I 
, is another must-have but is for intermediate home cooks and above because it makes assumptions about the reader’s experience and comfort level with certain techniques or foods. The book’s recipes are largely presented as ratios that can be scaled up to produce the desired quantity. If you want to make biscuits, you need 3 parts flour to 1 part fat to 2 parts liquid. The specifics are largely up to you, and there are brief discussions of your options, but again, Ruhlman is largely assuming you know how a biscuit or a Hollandaise or pâte à choux and is describing each recipe in terms of its foundation.
, which I 
, easily the most beautifully shot cookbook in my collection. Slater is a very famous food writer in England who has just a small cult following here, but Tender deserves a much wider audience for its focus on vegetables from seed to table. His gardening advice hasn’t helped me much because you can’t get a much wider gap between soil types than England and Arizona, but his dishes, many of which do contain meat but still accentuate the vegetables, are subtle showstoppers, turning some very ordinary veg – the more mundane and kid-unfriendly the plant, the more Slater seems to adore it – into warm, glowing, gorgeous dishes. Tender is the book that got me to buy and cook an actual pumpkin (not from a can), a process that, with about a tablespoon of added brown sugar led to this:
, which isn’t a cookbook at all. The authors, Karen Page and Andrew Dornenburg, interviewed dozens of professional chefs about what ingredients went well together, and tabulated the results in this book. Look up an ingredient in The Flavor Bible and you’ll find a long list of good partners, with ingredients that were mentioned more often earning bolded entries. For example, parsnips are in season right now in much of the country, and the parsnip entry first says they should always be cooked, and work well when baked, boiled, braised, fried, grilled, mashed, pureed, roasted, or steamed. When the authors asked chefs about parsnips, the most-mentioned ingredients were butter (including browned butter) and nutmeg, both appearing in bold, capital letters. Bolded entries, mentioned less often than those two ingredients, include apples, chives, cream, curry, garlic, ginger, maple syrup, olive oil, parsley (a relative of parsnip and carrots), pepper, potatoes, sage, salt (duh), brown sugar, thyme, and root vegetables. The entry also includes about fifty other ingredients that work well with parsnip and were mentioned at least once by the interviewed chefs, and then concludes with five “flavor affinities,” combinations like parsnips + honey + mustard or parsnips + butter + cream + potatoes. Some entries have “Holy Grail” pairings, marked with an asterisk and mentioned by a large portion of the chefs they interviewed, like plums and Armagnac or lamb and rosemary, and some entries have “avoid” sections, like parsley and dessert. There are even sections for national cuisines – if you want to know what flavors work well in Afghan or Eastern European cuisines, for example, they’ve got you covered. What The Flavor Bible doesn’t do, however, is tell you what to do with these pairings. There are assorted quotes from celebrity chefs describing specific dishes, but the book contains no recipes. They assume you have the recipes and techniques and are looking for inspiration.
, which has most of the basic desserts you’d want to make, including a pie crust (for lattice tops, like the one in my Twitter avatar, but functional in any pie) that works as reliably as any I’ve ever tried. The writing can be cloying, especially when they go into more detail on failed kitchen experiments than I ever needed (if you’re going to describe something that didn’t work, at least make it funny), but the recipes work and their pumpkin pie is bar none the best I have ever tasted, one I make at least once every year.
, 
(most of the same breads as the first book, but in whole-wheat, multi-grain, and 50/50 variations), and the more accessible 
. His pizza doughs are pretty foolproof; I add a tablespoon of vital wheat gluten to his 100% whole wheat pizza dough and it’s strong enough to stretch it to translucency without tearing. (Sometimes I tear it anyway because I’m clumsy like that.) His pain a l’ancienne white-flour baguettes from The Bread Baker’s Apprentice are absurdly easy if you have a stand mixer or food processor (this 
is the current version of the one I’ve used for fifteen years) and never fail to get raves when I bring them to friends. I’ve made his focaccia, his cinnamon rolls, his struan, his challah, his pitas, and his wild yeast starter, which I kept going for about a year and a half until we packed up the house in Massachusetts. His books even have recipes for international breads like pumpernickel, panettone, hutzelbrot, and stollen, as well as Ethiopian injera and crackers like lavash and graham. Go with Artisan if you’re a bread-baking rookie, or the others if you have more experience or want books that will focus on baker’s ratios and allow for more ingredient substitutions. I 
, which I 
. I don’t own the full book, but have a magazine version they sold when the book first came out, including about a third of the main book’s recipes, and they’ve all worked on the first try, including a surprisingly flavorful bolognese sauce that makes enough to freeze for one or two future meals (you lose a little texture, but the flavors remain strong), a beef burgundy stew that gave us about three dinners’ worth, and a white chicken chili that is surprisingly low in fat.
, which does, indeed, include wisdom from the woman who introduced America to French cooking, in the past because Child was so influential and important that she belongs on this list, but her most famous cookbooks are already dated. This book focuses on the bare essentials in the kitchen, including the basic vinaigrette formula I’ve been using for years, mother sauce formulas, simple instructions for roasting or braising major cuts of meat, souffles, breads, custard, and even baking-powder biscuits so you can make strawberry shortcakes.
, by the Persian writer Louisa Shafia. Focused on seasonal, plant-based recipes, it’s more useful for side dishes than mains, and the flavor profiles tend toward the Mediterranean, Middle Eastern, and Persian ends of the scale, although she does include a number of east Asian ingredients including tofu, yuba, and agar-agar. Shafia also includes side notes on gardening, avoiding processed foods, and sustainable eating. If you’re concerned about matters like your carbon footprint or reducing your meat intake, it looks like an ideal book – but with the caveat that I have yet to begin my attack, starting with the Winter section.
via amazon. Otherwise, you can stream it on Spotify below.)
by another English act, These New Puritans, which comprises twin brothers plus a third member, although the disc includes prominent contributions from over thirty-eight session musicians (per Wikipedia). I’ve previously mentioned the lead single, “Fragment Two,” which is also by far the album’s most conventional track in song structure, although even its music rarely follows the rules of modern rock music. I feel underqualified to talk about the album, given its experimental and highly artistic nature, with only Talk Talk’s Laughing Stalk coming to mind as a reference point (and I wouldn’t even say I know that album that well). The overwhelming sense I got from Field of Reeds was one of vastness, of the attempts to fill enormous ranges of space with haunting sounds that expanded upon release but never managed to reach the area’s borders. There are moments on the album of beauty, and just as many moments where it appears the band is trying to create a form of anti-music. As someone who tends to choose singles over albums, and gravitates towards melody over sonic textures, however, I found myself coming back to “Fragment Two” and the hynpotic “Organ Eternal,” the album’s two most accessible tracks. Field of Reeds is for mature listeners only.
appears on the Bloomsbury 100, which meant I either had to end my boycott or give up on my goal of reading all 100 titles, and since this also appears on the Novel 100 (at #29) I figured I’d stop being a stubborn ass about it and give it a read. James’ prose is, still, too prolix, and the novel moves about as quickly as a Yankees-Red Sox game on national television, but I could see that it’s also the work of a brilliant writer, and his central character is among the most memorable I’ve encountered.
, which is also on the Bloomsbury list. Beth’s not doing so well right now, though, so I put the iPad in the freezer.
is Pandemic set in a burning building. While the setting and endgame conditions differ, the core mechanics are very similar, enough that it should be simple for 
.