Music update, April 2019.

I’m not sure why April was so light on new music, especially since I’ve already started a new playlist for May and have a half-dozen songs on it (including “Alligator,” the new single from Of Monsters & Men). April did bring the debut album from Jade Bird, whom I’ve featured on many past playlists. I figured it was better to just wrap this one up now and let the May playlist be longer. You can access the Spotify playlist here if you can’t see the widget below.

Hatchie – Stay With Me. The Australian singer-songwriter Hatchie, whose dreamy indie-pop songs have been all over my playlists for a year and a half now, will release her debut album Keepsake on June 21st.

Ten Fé – Waterfalls. Yep, it’s a cover of the TLC song, which I don’t even particularly like, but this version is another creature entirely.

Hot Chip – Hungry Child. The English electronic/indie stalwarts will put out their seventh album, A Bath Full of Ecstasy, on June 21st. It’s their first album produced entirely by people outside of the band members themselves.

Working Men’s Club – Bad Blood. If I played this for you and told you it was a lost British New Wave track from 1983, would you have any reason to doubt me?

Tame Impala – Borderline. This might be my favorite song by Kevin Parker since “Solitude is Bliss,” in part because it’s so different from the band’s signature sound, with a heavy ’70s soul vibe.

Broken Social Scene – Can’t Find My Heart. This song rocks much harder than most of the Broken Social Scene songs I’ve heard before – at least, it’s not the sound I expect from this eclectic Canadian outfit.

Pharlee – Darkest Hour. I’ve criticized the derivative sound of Greta van Fleet a few times here and on Twitter, but if you like their extremely Led Zeppelin thing, I have a few new songs to recommend, starting with this bluesy psychedelic rocker from a new San Diego group helmed by Macarena Rivera.

Feeder – Fear of Flying. Yes, the same Feeder who had a modest (and slightly annoying) hit in 1997 with “High,” now a duo who announced that their tenth album, Tallulah, will drop in August. There’s no resemblance to their big hit on this driving, melodic rocker.

Ride – Future Love. Shoegaze icons Ride, now fully embracing their comeback two decades after their brief heyday, have recorded … a Britpop song? This has to be the most upbeat track the Oxonians have ever released, the first single from their upcoming album This Is Not a Safe Place, which is due out on August 16th.

Port Noir – Champagne. Port Noir’s label calls them “post-metal” but I just think of them as melodic hard rock, not really metal, with some progressive elements as well.

King Gizzard & The Lizard Wizard – The Cruel Millennial. Another recommendation if you like Led Zeppelin or other blues-heavy classic rock acts; the prolific Australian band just released their fourteenth album in eight years (!), Fishing for Fishes, which is a little inconsistent but has a few real uptempo, blues/jam tracks like this one and “Boogieman Sam.”

Band Of Skulls – Gold. I was hoping for more rock sounds on Band of Skulls’ new album, Love Is All You Love, but it’s a generally downtempo, mellower album than my favorite of their records, 2014’s Himalayan, with the closer “Gold” one of the heavier tracks on the record.

Helms Alee – Spider Jar. The intro to this song reminds me so much of the start of “Prime Cut” from Prong’s 1990 record Beg to Differ, although this song veers in a more progressive direction rather than the lean post-hardcore style of that earlier song. The Seattle band’s latest album, released two weeks ago, is called Noctiluca, which also happens to be the name of the board game I’m reviewing this week for Paste.

Diamond Head – Death by Design. These NWOBHM icons will release their eighth studio album, their second with new lead singer Rasmus Bom Anderson, on May 24th, and their sound really doesn’t seem to have changed that substantially from their influential if still obscure debut album Lightning to the Nations.