Stick to baseball, 2/16/19.

No ESPN+ content this week, but my entire prospect ranking package is now up for subscribers, including the top 100, farm system rankings, and in-depth rankings for all 30 teams, with at least 15 prospects ranked in each system. Before my vacation I wrote up the J.T. Realmuto trade. I also held a Klawchat this Thursday and another back on February 6th.

My most recent board game review for Paste covered the light, fun engine-builder Gizmos, by the designer of Bärenpark and Imhotep, a very family-friendly title with no text to worry about that takes the engine-builder concept and boils it down to a simpler game that plays in well under an hour.

I also resumed my email newsletter, so feel free to sign up for that if you just can’t get enough Klaw in your life.

And now, the links…

Comments

  1. The Baylor article was excellent. The article was written before Southern Mississippi announced it would not bring in Art Briles as an assistant due to his past. The current head coach, Jay Hopson, defended Briles in a statement. And the university recently found out that Hopson recruited a player who was accused of raping two women at knife point and didn’t inform the administration of that.

    http://www.espn.com/college-football/story/_/id/25937562/art-briles-no-longer-candidate-offensive-coordinator-southern-mississippi-golden-eagles

  2. I only just started going through the Best Picture ranking article, but from the first (bottom) 10 or so, I’ll say that I think The Artist deserves to be higher, and I’ll forever be a Dances With Wolves defender. I also say that with the caveat that the one and only time I watched Goodfellas, it was unenthusiastically and due more to peer pressure and that I badly need to revisit it, but I also felt it was the ultimate mob-glorification film, which has always bothered me.

    Hopefully I’ll get a chance to comment more fully once I’ve read the whole thing, especially since I have seen every Best Picture winner.

    • Mob glorification is a major issue for me overall, since it seems to go hand in hand with stereotypes of Italian-Americans.

    • Overall, I would say it’s a pretty good list. There are some that I think should be higher, and some that I think should be lower, but I think the ones at the top are correct. I’m glad they brought up the obvious issues with Gone with the Wind and Kazan’s ridiculous justification for On the Waterfront (it’s a great film, of course, but to try and equate its story with Kazan’s betrayal in front of HUAC is supremely tone-deaf).

      On my own personal rankings (which I catalog in a slight bit of OCD), I’ve only ranked 95 films as 10 out of 10. Only 18 of those 95 actually won Best Picture. And my own personal top 5 only features one Best Picture winner which, ironically, is their #1 choice.

    • I’m biased because it’s one of my favorite movies, but I disagree with the assessment that Goodfellas glorifies the mob lifestyle. While it certainly begins like that based on Henry’s view of the local mobsters when he was a child, that tone certainly changes (at least to me).

      I felt like the film frames them as essentially a group of domestic terrorists. It does show a number of examples of how awful they were (e.g., Spider’s murder, the beating of the boss of Henry’s girlfriend). I felt like it’s apparent how they are criminals who have made their society much worse off.

    • Thanks for your assessment, Chris. That’s why I need to revisit it. The one and only time I watched it was almost 20 years ago and I did so reluctantly.

    • It is just my point of view, but it’s definitely a much different tone than the Godfather (or a lot of other mob movies). From what I’ve read the story itself is very true to real events. Apparently, the Joe Pesci “I’m funny how?” scene was actually something that really happened to Pesci, not Hill, when he was a waiter and told a mob member he was funny. Henry Hill said he liked that scene because it conveyed how he lived every single day in fear for his life.

  3. Jason Osborne

    Thanks Keith! Long-time reader/listener. First-time mind-speaker…
    The Vulture article on the ranked Oscars was enjoyable, but I have a bone to pick. In discussing 2006’s “The Departed” (#27 on the list), they fail to mention the original film, “Infernal Affairs.” I believe “The Departed” was a remake? The Hong Kong film was also excellent and certainly worthy of mention in any discussion of “The Departed.” Do you suppose it was ignorance or negligence, or am I wrong that this was a remake.

    • I think you’re nitpicking. This isn’t a review of any specific film but a list of 90 – and having written many such lists I know the challenge of keeping each item’s comment concise.

  4. KL,
    Thanks for responding. I take your point. I have never written such a list and could have been more considerate. It is an excellent read and I thank you for pointing me to it. I was probably subconsciously plugging Infernal Affairs, which I preferred because I saw it before The Departed. I’ll add, for whatever it is worth that The Departed was the first remake ever to win Best Picture

    Thanks again for your reaction. I look forward to your appearances on the Baseball Tonight podcasts.

    • Is Infernal Affairs good? I’ve never seen that or The Departed so I’m curious.

    • I would say they’re both good. The main differences are Infernal Affairs doesn’t bother with a romantic subplot and it doesn’t have Jack Nicholson continue to chew scenery in more and more ridiculous ways as the film continues. Though the scene they link to in the article might be the best in the film, if only because Scorsese uses “Let It Loose,” my favorite lesser-known Stones song.

  5. Slant did the same exercise with the Oscar winners. I appreciate their lack of fealty to conventional wisdom as reflected in some of these choices:

    https://www.slantmagazine.com/film/every-best-picture-oscar-winner-ranked-from-worst-to-best/

    • This article is much more enjoyable if you read #90 through #40 or so as Jebidiah Atkinson … NEXT!