Stick to baseball, 3/2/24.

Nothing new this week at the Athletic, but I’ll have two draft-related pieces coming up next week.

At Paste, I reviewed Dragonkeepers, a new family-level game that I found really disappointing, with the wrong mixture of complexity and randomness.

I’ll have a new newsletter out in the next day or two, but you can sign up here – it’s free and always includes links to everything I write.

And now, the links…

Stick to baseball, 1/26/24.

The top 100 prospects ranking will run on The Athletic on Monday, February 5th, followed by the farm system rankings later that week, and the team top 20s start running on February 12th.

My friend and one-time colleague Chris Crawford has had a tough year, losing his mother and just last week his stepfather while a site for which he was writing & producing podcasts decided to just not pay its people. He started a GoFundMe last week to help cover the mortgage on his parents’ house.

I’ve got a newsletter about 80% written and just need to finish it up this weekend. It’s free and you can sign up here.

Stick to baseball, 11/11/23.

Nothing new from me at the Athletic as I wait for some real news, a trade or signing, that I can break down. I’ve also begun the offseason prospect work, although those rankings won’t run until late January or early February.

Over at Paste, I reviewed the wonderful game Fit to Print, which has a real-time aspect like Galaxy Trucker where players grab various tiles, then some tile-laying like Patchwork, as players try to fill out their woodland newspapers – with some hilarious text and art on the tiles – with articles, photos, and ads, playing over three rounds to represent three days of issues.

On the Keith Law Show, I spoke with Robert Kolker, author of Hidden Valley Road and The Lost Girls, primarily about the first book, which deals with a family where six of their twelve children developed schizophrenia, although we touched on his update to the latter since the case may have been solved. You can listen and subscribe via iTunes, Spotify, amazon, or wherever you get your podcasts.

I also appeared on NPR’s Marketplace, talking about Moneyball and the data revolution in baseball in the last twenty years. You can catch it on iTunes on the Marketplace Tech podcast.

I sent out a new edition of my free email newsletter last Saturday and will do another this weekend as I try to make this a weekly thing, although I might shift to Monday since that tends to be the slowest day of my week (in more ways than one).

Stick to baseball, 10/7/23.

I’ve had one post up for subscribers to the Athletic since the last roundup, with my hypothetical postseason awards ballots for 2023. I do have another story filed for Sunday, so keep an eye skinned for that.

Over at Paste, I reviewed Votes for Women, a (mostly) two-player, asymmetrical game about the fight for women’s suffrage. It’s fantastic, and I also love that this review went up the week that Glynis Johns turned 100.

On the Keith Law Show this week, my guest was MLB’s Sarah Langs, talking about the season that was, who she would vote for in the various awards, and what excited her about this year’s playoff teams. You can listen and subscribe via iTunes, Spotify, Stitcher, amazon, or wherever you get your podcasts.

And now, the links…

Stick to baseball, 9/23/23.

For subscribers to The Athletic, I posted my annual Minor League Player of the Year column this week, as well as my last regular-season scouting notebook of 2023, covering prospects I saw from the Red Sox, Orioles, and Nationals. I’ll head to Arizona in October for Fall League coverage, of course. My podcast will be back next week and I’ve already filed my next review for Paste.

And now, the links…

Stick to baseball, 9/9/23.

Nothing new this week other than two contributions to headlines on the callups of Jordan Lawlar and Evan Carter, but I’ll be back next week with the players I got wrong column. I did hold my first Klawchat in ages, though.

On The Keith Law Show this week, I spoke with Jonathan Abrams, New York Times reported and author of the 2022 book The Come Up: An Oral History of the Rise of Hip-Hop, which comes out in paperback on October 3rd. You can listen and subscribe via iTunes, Spotify, Stitcher, amazon, or wherever you get your podcasts.

And now, the links…

  • Vulture exposes the corruption behind Rotten Tomatoes’ algorithm as studios and publicists have paid small-time reviewers, who are often inexplicably included in the site’s calculations, to post positive reviews or withhold negative ones. I’m not included in RT’s metrics and I’m not paid by any studios or publicists, so you can always trust my reviews, even if they’re not any good!
  • Parents of trans kids who spoke to the New York Times’ Azeen Ghorayshi spoke out against the reporter and how they felt used and misled by her actions. Ghorayshi wrote a fairly uncritical piece about the so-called whistleblower at a St. Louis clinic for trans kids, but didn’t accurately reflect the sentiments of the parents she spoke to, while the whistleblower appears to have fabricated or inflated most of her claims.
  • The Florida town of Mount Dora established a program where businesses can declare themselves safe spaces for LGBTQ+ people and display a decal in their window to that effect. Several Florida Republicans are vowing to stop the program, because they are apparently opposed to the First Amendment, or too stupid to understand why it applies here.
  • Christian nationalist commentator Matt Walsh, who doesn’t understand the biology of gender, decided to dunk on a single woman for a Tiktok video about her Saturday routines, and even the National Review said it was a bit much. Walsh’s view is that women exist solely for procreation, so it’s unsurprising that Julia Mazur’s unmarried, childless lifestyle would be so confusing to him.
  • The Kids Online Safety Act isn’t about protecting kids, at least not for its Republican backers – it’s about blocking LGBTQ+ content online, according to sponsor Sen. Marsha Blackburn (R). It has broad bipartisan support, however, and I contacted both of Delaware’s Senators to voice my opposition, even though both are sponsors of the bill as well.

Stick to baseball, 7/16/23.

For subscribers to the Athletic, here’s an index to my draft coverage from this past week:

I also recapped the Futures Game and wrote a brief note on the call-up of Pirates’ right-hander Quinn Priester.

I had Joe Sheehan back on the podcast last week, before the draft, and then skipped this week to write all that stuff above. You can listen & subscribe via iTunes, Spotify, Stitcher, amazon, or wherever you get your podcasts.

I’m a little pressed for time so let’s get to the links:

Stick to baseball, 11/12/22.

For subscribers to the Athletic, I wrote a piece on the folly of the five-year deal for Edwin Díaz, based on the dismal history of deals of four years or longer for free-agent relievers. This was on the heels of last week’s ranking of the top 50 free agents this winter.

Over at Paste, I reviewed The Spill, a Pandemic-like cooperative game where players work to contain the damage from a Deepwater Horizon-like oil spill.

My free email newsletter returned last weekend, and with Twitter possibly on its way out, that’s one good way to keep up with everything I write. I’ve also set up accounts on counter.social and cohost, in case either of those proves a worthy alternative (the former is actually okay, if a bit quiet). Also, you can buy either of my books, Smart Baseball or The Inside Game, via bookshop.org at those links, or at your friendly local independent bookstore. I hear they make great holiday gifts.

And now, the links…

How High We Go in the Dark.

Sequoia Nagamatsu’s How High We Go in the Dark was one of three finalists for this year’s inaugural Ursula K. Leguin Prize for Fiction, losing the ultimate honor to Khadija Abdalla Bajaber’s The House of Rust. Nagamatsu’s work is a short story novel, a series of connected anecdotes that involve related characters, all of it set in a dystopian but easy to foresee near future where climate change is melting permafrost, thawing out a virus that causes a horrifying global pandemic. Each story after the opening one explores the ramifications of these two events, ranging from the ridiculous to the tragic, but always returning to the humanity of their characters.

The initial story sets up everything that follows, as we meet Dr. Cliff Miyashiro at an archaeological dig site in eastern Siberia where his daughter, Clara, fell and died shortly after discovering the remains of a possibly-Neanderthal girl who died of mysterious causes with strange markings on and near her body. It emerged as the ice melted due to climate change, which also activated a virus in the corpse that quickly infects several members of the camp. By the start of the second story, it has become a global pandemic, and, in almost direct contrast to SARS-CoV-2, it is far more deadly to children, which leads to especially perverse ideas – like an amusement park where parents take their gravely ill children to be euthanized on a rollercoaster.

Within a few stories, Nagamatsu has reshaped society around the pandemic, making funerary companies the most valuable in the world that also control the cryptocurrencies that take over the world’s economy. It goes a bit too far – the company that manufactures the spaceship that heads out in search of another habitable planet is Yamato-Musk, which seems especially embarrassing for Nagamatsu after the last week – but that’s clearly his concept, pushing every idea to the farthest possible boundary and then exploring how his characters respond to it. In that sense, it’s very Philip K. Dick, but less insane, with at least some grounding in actual science, at least to the extent that he’s anticipating readers’ first objections to some of his concepts. There are a pair of stories that broke my suspension of disbelief, but even in those cases, I could go with it because they were both well-written and focused on the characters rather than the impossible facts.

Nagamatsu eschews easy answers, and one possible reading of How High We Go in the Dark is as an  extremely bleak outlook on the near future of our planet and our species, that climate change is inevitable (true) and we are totally unprepared for its impact (partly true), that our current pandemic, which isn’t mentioned in the book, is a harbinger of more and larger ones to come (likely). I didn’t read it that way, as grim as the subject matter is. Nagamatsu’s characters all look forward and try to find not just ways to survive, but reasons. There’s just one direct suicide in the book, and some euthanasia of the very sick, but the vast majority of the characters here are fully engaged in living. Even Dennis, a character in multiple stories who would probably have been equally at odds and ends in a non-catastrophe world, is still striving for something, even if he has no idea what it might be.

Even with such dismal subject matter, How High We Go in the Dark is one of the most compelling and fastest reads I’ve had in ages. Nagamatsu’s prose is clear and unadorned, hitting the right amount of detail when he’s delving into science or his speculations. There’s so much more focus on people than ideas here that the work rises above most cli-fi or other stories of realistic dystopias, up to the level of Station Eleven, a novel that turned a global pandemic that crumbled civilization into a story of great beauty around humanity, kindness, and the enduring power of art. Nagamatsu deals more with the personal tragedies of his characters and how society might grapple with mass deaths that involve far more children than our current pandemic, where the world has largely shrugged at the deaths of 1 in every 1000 people. It’s a remarkable novel and thought experiment, one of the best things I’ve read this year.

Next up: Jess Grose’s Screaming on the Inside: The Unsustainability of American Motherhood. I have an advance copy so I can read it before Jess comes on my podcast in two weeks.

Stick to baseball, 11/5/22.

For subscribers to the Athletic, I ranked the top 50 free agents in this year’s class, and held a Q&A about it that afternoon. Based on my Twitter replies, a lot of people looked at the raw rankings without reading any of the content. Good times!

My guest on the Keith Law Show this week was Caroline Criado Perez, author of the book Invisible Women: Data Bias in a World Designed for Menand host of the podcast Visible Women. You can listen and subscribe via iTunes, Spotify, Stitcher, amazon, or wherever you get your podcasts.

Last week’s roundup went up late because of all the sportsball going on over the weekend, so I’m relinking it here for folks who missed it.

And now, the links…