→ October 12, 2019
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Stick to baseball, 10/12/19.

I’ll have an Arizona Fall League scouting post up Monday or possibly Sunday night, covering everything I’ve seen out here in the desert. No chat this week as I was traveling.

I did review Tapestry, the newest game from the mind of designer Jamey Stegmaier (Scythe, Charterstone), for Paste this week; it’s a quick-to-learn strategy game with a ton of potential decisions and paths for players, pitched as a civ-builder but playing more abstract than that.

My second book, The Inside Game: Bad Calls, Strange Moves, and What Baseball Behavior Teaches Us About Ourselves,
is now available for pre-order on the Harper Collins site and through major retailers. It’s due out in April 2020.

And now, the links…

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→ August 22, 2018
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Rebel Talent.

I heard Harvard Business School Professor Francesca Gino on a recent episode of the Hidden Brain podcast, discussing her new book Rebel Talent: Why It Pays to Break the Rules at Work and in Life and her thesis that ‘rebels’ are more successful innovators in the workplace and that bending or breaking some societal mores can lead to greater happiness as well as productivity. That concept is certainly an appealing one – who doesn’t like the idea of pushing boundaries and then proving to the world that you were right to do so? – and in cases where Gino can back up her insights with data, rather than merely with anecdotes, it’s compelling. The book varies too much between those two poles, however, with so much of it supported by individual observations, that I wasn’t entirely convinced that her hypothesis was as generalizable as she wants it to be.

Much of Rebel Talent is built around Gino’s profile of and visits with Italian celebrity chef Massimo Bottura, whose restaurant, Osteria Francescana, has received three Michelin Stars and appears regularly on lists of the best restaurants in the world. (It also shows up in one episode of season two of Master of None.) Bottura is the exemplar of the rebel in Gino’s definition; working within the tradition-bound world of Italian cuisine, Bottura has introduced the sort of deconstructive, modern approach to cooking popularized by el bulli (where he worked for a summer) and Noma, turning classical Italian preparations inside out, often with a gently mocking tone to the new versions. Gino cooked in Bottura’s kitchen for a night and devotes a fair amount of time to describing a few dishes, such as one called “the crunchy part of the lasagna,” a specific dish that gives the diner the almost-burned, crispy edges that form around the top edges of that baked pasta dish, which many people (myself included) will tell you it’s the best part. As someone who’s generally interested in food and cooking, I enjoyed these passages on their own merits, although the narrative would drag when Gino would shift from talking about Bottura’s approaches to food to his approaches to managing his staff (still relevant to her premise, but come on, I’m here for the cooking ideas).

There are long parts of Rebel Talent where Gino deftly defends her arguments with a blend of such anecdotes and with real data. The chapter “Uncomfortable Truths” looks at the value of diversity in the workplace and in life, that there is hard evidence that diverse teams are more productive and more creative, while people are often happier living or working in diverse environments. (Diversity in these instances refers to demographic diversity, rather than diversity of educational or employment backgrounds.) A team of all white men will tend to be less productive or creative than a comparable team with even one person who is nonwhite or non-male. Such additions can also help to reduce discriminatory attitudes on the parts of the dominant subgroup in the environment. It’s the most compelling individual argument anywhere in the book – if you want teams that innovate, and even go beyond the norms of your workplace, then mix it up by hiring a diverse employee base and putting people together in heterogenous teams.

However, too much of the book leans very heavily on a handful of individual examples, and it was hard for me to accept the generalization of those specific cases to the workplace or society as a whole. Gino does a masterful job of retelling the heroic efforts of Captain Chesley “Sully” Sullenberger, who was the pilot of US Airways flight 1549 when birds disabled both of the plane’s engines, forcing an emergency landing that Sully decided in a matter of seconds he had to make on the Hudson River. Did he make this decision because he was, in Gino’s terms, a ‘rebel?’ I think it’s just as easy to argue that he made this decision based on years of experience, a calm demeanor in the face of unimaginable pressure, and the preparations afforded to him by his training and the in-flight checklist that, at least, he and his co-pilot could begin to use before time ran short and Captain Sullenberger had to made an immediate decision to land in the water rather than trying to get to a runway in New Jersey. There’s a similarly stirring anecdote Gino uses multiple times about then Portland Trailblazers coach Mo Cheeks coming to the aid of a young girl who panicked while singing the national anthem before a playoff game and forgot the words. Cheeks realized she was in trouble, walked over to her, said “it’s all right,” and started singing with her so she could pick back up where she’d trailed off, with the entire arena joining in. It’s a beautiful and emotional story, but was Cheeks a rebel, or just a dad and a good human being, helping a child who needed someone?

Rebel Talent is a bit of a swerve from the books in the business genre I usually read, which tend to be more data-driven and grounded in disciplines like cognitive psychology; it’s written for the mass audience, clearly, and thus lighter in prose and tone. It gave me plenty of food for thought, pun intended, and is an encouragement to be bolder and more innovative in any of my various endeavors. I’m just not sure Gino sufficiently supported her broader points, beyond these one-off individuals who rebelled and succeeded (where many others have likely failed) to justify her bigger claims about the value of rebels at work and in life.

Next up: Kory Stamper’s Word by Word: The Secret Life of Dictionaries.

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→ August 17, 2018
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Deep Work.

I am very prone to distractions, especially when it comes to sitting down at the computer to get work done. The obvious one is social media – I need to be on Twitter and Facebook for work purposes, but I spend far more time on those sites, especially the former, than I could justify rationally – which soaks up far too much of both my time and attention each day. But there are far more distractions around me, even though I don’t work in an office. Email is a constant intrusion, coupled with the feeling that you have to respond to certain emails immediately. Texts are the same, with an even greater sense of urgency. But there are also more mundane aspects of quotidian life at home that interfere with my ability to work – seemingly innocuous things like stopping to make coffee or to grab the mail, or to do a little cleaning, or to go get the mail, or to start prepping dinner. I’m aware on some level that all of these things make me less productive than I could be, but it takes a conscious effort to surmount them.

Cal Newport has some advice for me and anyone else who suffers from the noises & distractions from anything good in his new book Deep Work: Rules for Focused Success in a Distracted World, a quick read that offers some hard advice that sounds easy to follow but in practice is hard to implement. He argues that deep work is an entirely different mode of thinking, the kind that we tend to disdain today because it doesn’t ‘look’ productive, but in fact is far more conducive to the kinds of productivity that matter: you’ll get more done, and what you do will be better. Newport even emphasizes that this is the kind of work that’s going to matter more in our modern, knowledge-driven economy, where merely being good at repetitive but shallow tasks isn’t enough to give you a sustainable career.

Deep Work has two sections, and you could easily just skip the first and read the second if you’re more focused on advice and a checklist for becoming a deep worker than in his arguments why deep work matters (although I’d still recommend reading the whole thing). That first part explains why you should realign your working habits around deep work: that it’s valuable in the marketplace, that few people can do it well, and that the cognitive processes around it produce work that is meaningful for the person doing it. Your brain functions differently in ‘deep work’ modes, and the more time you spend practicing it, the better you’ll get, producing more work and higher quality work as a result. He delves into the idea of ‘deliberate practice,’ popularized by Malcolm Gladwell and then roundly mocked by critics, going back to the professor, K. Anders Ericsson, who coined the phrase based on research into how we learn difficult material and what separates experts in certain fields from others working in those areas.

Newport also talks distractions, explaining why they’re a real problem in part one and recommending avoiding them in part two. Open offices come in for particular criticism, because they create more noises and more opportunities for co-workers to interrupt any attempts at deep work, all under the guise of creating “more opportunities for collaboration” (which, he later points out, may not even be accurate). The increased desire across industries to measure employee productivity – what Newport calls “the metric black hole” – also contributes to the fight against deep work, driving employees to do what will improve their metrics, not what will be more productive. And there are huge social obstacles to deep work, because most of us naturally want to be responsive, collegial, and, worst of all, available for colleagues when they appear to need our attention.

Part two of Deep Work is the checklist, four global rules, each with various corollaries, for becoming a deep worker: practice working deeply, embrace boredom, quit social media, and schedule your day to sequester and minimize shallow work. Newport is really prescribing an entirely new way to approach your job, one that will probably feel highly restrictive and type A to most people. But even in less than two weeks of dabbling in some of his recommendations, I can vouch for everything I’ve tried. There’s no question he’s right about social media; I used to keep Twitter and my public Facebook page open in browser tabs all day, so I could keep an eye on relevant news and respond to reader questions, but I’ve stopped doing that entirely. I’m writing this post with my browser closed entirely, and have reserved any questions or links I’ll need to finish this review until I’ve completed the body text and am almost ready to post it. I’ve started cordoning off email time, realizing that virtually nothing in my email related to work is actually urgent unless it’s an editor’s question about something I’ve filed – and by that point, my period of deep work has paused because I’ve finished a column or post and moved on to the next task. I’ve long encouraged readers to post baseball questions in my chats, where I can address the entire audience at once, rather than via private messages like email or Facebook, where my answer goes to just one person. (I also wouldn’t have time to answer all the baseball questions I get through email or other services, but if you message me with questions about mental health, I will answer.) Somehow I managed to write a book without very good work habits, judging by the standards Newport lays out in Deep Work, but if I do get the chance to write another one, I’ll feel much better armed to do it now that I’ve read his advice.

Next up: Min Jin Lee’s 2017 novel Pachinko.

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→ February 7, 2018
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The Hidden Brain.

I’ve become a huge fan of the NPR prodcast The Hidden Brain, hosted by Shankar Vedantam, a journalist whose 2010 book The Hidden Brain: How Our Unconscious Minds Elect Presidents, Control Markets, Wage Wars, and Save Our Lives spawned the podcast and a regular radio program on NPR. Covering how our subconscious mind influences our decisions in ways that traditional economists would call ‘irrational’ but modern behavioral economists recognize as typical human behavior, Vedantam’s book is a great introduction to this increasingly important way of understanding how people act and think.

Vedantam walks the reader through these theories via concrete examples, much as he now does in the podcast – this week’s episode, “Why Now?” about the #MeToo movement and our society’s sudden decision to pay attention to these women, is among its best. Some of the stories in the book are shocking and/or hard to believe, but they’re true and serve to emphasize these seemingly counterintuitive concepts. He discusses a rape victim who had focused on remembering details about her attacker, and was 100% sure she’d correctly identified the man who raped her – but thirteen years after the man she identified was convicted of the crime, a DNA test showed she was wrong, and she then discovered a specific detail she’d overlooked at the time of the investigation because no one asked her the ‘right’ question. This is a conscientious, intelligent woman who was certain of her memories, and she still made a mistake.

Another example that particularly stuck with me was how people react in the face of imminent danger or catastrophe. Just before the 2004 Indian Ocean tsunami, the sea receded from coastal areas, a typical feature before a tidal wave hits. Vedantam cites reports from multiple areas where people living in those regions “gathered to discuss the phenomenon” and “asked one another what was happening,” instead of running like hell for high ground. Similar reports came from the World Trade Center after 9/11. People in those instances didn’t rely on their instincts to flee, but sought confirmation from others nearby – if you don’t run, maybe I don’t need to run either. In this case, he points to the evolutionary history of man, where staying with the group was typically the safe move in the face of danger; if running were the dominant, successful strategy for survival, that would still be our instinct today. It even explains why multiple bystanders did not help Deletha Word, a woman who was nearly beaten to death in a road-rage incident on the packed Belle Isle bridge in Detroit in 1996 – if no one else helped her, why should I?

Vedantam’s writing and speaking style offers a perfect blend of colloquial storytelling and evidence-based arguments. He interviews transgender people who describe the changes attitudes they encounter between before and after their outward appearances changed. (One transgender man says, “I can even complete a whole sentence [post-transition] without being interrupted by a man.) And he looks at data on racial disparities in sentencing convicted criminals to death – including data that show darker-skinned blacks are more likely to receive a death sentence than lighter-skinned blacks.

The last chapter of The Hidden Brain came up last week on Twitter, where I retweeted a link to a story in the New York Times from the wife of a former NFL player, describing her husband’s apparent symptoms of serious brain trauma. One slightly bizarre response I received was that this was an “appeal to emotion” argument – I wasn’t arguing anything, just sharing a story I thought was well-written and worth reading – because it was a single datum rather than an extensive study. Vedantam points out, with examples and some research, that the human brain does much better at understanding the suffering of one than at understanding the suffering of many. He tells how the story of a dog named Hokget, lost in the Pacific on an abandoned ship, spurred people to donate thousands of dollars, with money coming from 39 states and four countries. ( An excerpt from this chapter is still online on The Week‘s site.) So why were people so quick to send money to save one dog when they’re so much less likely to send money when they hear of mass suffering, like genocide or disaster victims in Asia or Africa? Because, Vedantam argues, we process the suffering of an individual in a more “visceral” sense than we do the more abstract suffering of many – and he cites experimental data from psychologist Paul Slovic to back it up.

The Hidden Brain could have been twice as long and I would still have devoured it; Vedantam’s writing is much like his podcast narration, breezy yet never dumbed down, thoroughly explanatory without becoming dense or patronizing. If you enjoy books in the Thinking Fast and Slow or Everybody Lies vein, you’ll enjoy both this title and the podcast, which has become one of my go-to listens to power me through mindless chores around the house.

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→ July 23, 2017
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Everything is Obvious.

Duncan Watts’ book Everything is Obvious *Once You Know the Answer: How Common Sense Fails Us fits in well in the recent string of books explaining or demonstrating how the way we think often leads us astray. As with Thinking Fast and Slow, by Nobel Prize winner Daniel Kahneman, Watts’ book highlights some specific cognitive biases, notably our overreliance on what we consider “common sense,” lead us to false conclusions, especially in the spheres of the social sciences, with clear ramifications in the business and political worlds as well as some strong messages for journalists who always seek to graft narratives on to facts as if the latter were inevitable outcomes.

The argument from common sense is one of the most frequently seen logical fallacies out there – X must be true because common sense says it’s true. But common sense itself is, of course, inherently limited; our common sense is the result of our individual and collective experiences, not something innate given to us by God or contained in our genes. Given the human cognitive tendency to assign explanations to every event, even those that are the result of random chance, this is a recipe for bad results, whether it’s the fawning over a CEO who had little or nothing to do with his company’s strong results or top-down policy prescriptions that lead to billions in wasted foreign aid.

Watts runs through various cognitive biases and illusions that you may have encountered in other works, although a few of them were new to me, like the Matthew Effect, by which the rich get richer and the poor get poorer. According to the theory behind it, the Matthew Effect argues that success breeds success, because it means those people get greater opportunities going forward. A band that has a hit album will get greater airplay for its next record, even if that isn’t as good as the first one, or markedly inferior to an album released on the same day by an unknown artist. A good student born into privilege will have a better chance to attend a fancy-pants college, like, say, Harfurd, and thus benefits further from having the prestigious brand name on his resume. A writer who has nearly half a million Twitter followers might find it easier to land a deal for a major publisher to produce his book, Smart Baseball, available in stores now, and that major publisher then has the contacts and resources to ensure the book is reviewed in critical publications. It could be that the book sells well because it’s a good book, but I doubt it.

Watts similarly dispenses with the ‘great man theory of history’ – and with history in general, if we’re being honest. He points out that historical accounts will always include judgments or information that was not available to actors at the time of these events, citing the example of a soldier wandering around the battlefield in War and Peace, noticing that the realities of war look nothing like the genteel paintings of battle scenes hanging in Russian drawing rooms. He asks if the Mona Lisa, which wasn’t regarded as the world’s greatest painting or even its most famous until it was stolen from the Louvre by an Italian nationalist before World War II, ascended to that status because of innate qualities of the painting – or if circumstances pushed it to the top, and only after the fact do art experts argue for its supremacy based on the fact that it’s already become the Mona Lisa of legend. In other words, the Mona Lisa may be great simply because it’s the Mona Lisa, and perhaps had the disgruntled employee stolen another painting, da Vinci’s masterpiece would be seen as just another painting. (His description of seeing the painting for the first time mirrored my own: It’s kind of small, and because it’s behind shatterproof glass, you can’t really get close it.)

Without directly referring to it, Watts also perfectly describes the inexcusable habit of sportswriters to assign huge portions of the credit for team successes to head coaches or managers rather than distributing the credit across the entire team or even the organization. I’ve long used the example of the 2001 Arizona Diamondbacks as a team that won the World Series in spite of the best efforts of its manager, Bob Brenly, to give the series away – repeatedly playing small ball (like bunting) in front of Luis Gonzalez, who’d hit 57 homers that year, and using Byung-Hyun Kim in save situations when it was clear he wasn’t the optimal choice. Only the superhuman efforts by Randy Johnson and That Guy managed to save the day for Arizona, and even then, it took a rare misplay by Mariano Rivera and a weakly hit single to an open spot on the field for the Yanks to lose. Yet Brenly will forever be a “World Series-winning manager,” even though there’s no evidence he did anything to make the win possible. Being present when a big success happens can change a person’s reputation for a long time, and then future successes may be ascribed to that person even if he had nothing to do with them.

Another cognitive bias Watts discusses, the Halo Effect, seems particularly relevant to my work evaluating and ranking prospects. First named by psychologist Edward Thorndike, the Halo Effect refers to our tendency to apply positive impressions of a person, group, or company to their other properties or characteristics, so we might subconsciously consider a good-looking person to be better at his/her job. For example, do first-round draft picks get greater considerations from their organizations when it comes to promotions or even major-league opportunities? Will an org give such a player more time to work out of a period of non-performance than they’d give an eighth-rounder? Do some scouts rate players differently, even if it’s entirely subconscious, based on where they were drafted or how big their signing bonuses were? I don’t think I do this directly, but my rankings are based on feedback from scouts and team execs, so if their own information – including how teams internally rank their prospects – is affected by the Halo Effect, then my rankings will be too, unless I’m actively looking for it and trying to sieve it out.

Where I wish Watts had spent even more time was in describing the implications of these ideas and research for government policies, especially foreign aid, most of which would be just as productive if we flushed it all down those overpriced Pentagon toilets. Foreign aid tends to go to where the donors, whether private or government, think it should go, because the recipients are poor but the donors know how to fix it. In reality, this money rarely spurs any sort of real change or economic growth, because the common-sense explanation – the way to fix poverty is to send money and goods to poor people – never bothers to examine the root causes of the problem the donors want to solve, asking the targets what they really need, examining and removing obstacles (e.g., lack of infrastructure) that might require more time and effort to fix but prevent the aid from doing any good. Sending a boat full of food to a country in the grip of a famine only makes sense if you have a way to get the food to the starving people, but if the roads are bad, dangerous, or simply don’t exist, then that food will sit in the harbor until it rots or some bureaucrat sells it.

Everything Is Obvious is aimed at a more general audience than Thinking Fast and Slow, as its text is a little less dense and it contains fewer and shorter descriptions of research experiments. Watts refers to Kahneman and his late reseach partner Amos Tversky a few times, as well as other researchers in the field, so it seems to me like this book is meant as another building block on the foundation of Kahneman’s work. I think it applies to all kinds of areas of our lives, even just as a way to think about your own thinking and to try to help yourself avoid pitfalls in your financial planning or other decisions, but it’s especially apt for folks like me who write for a living and should watch for our human tendency to try to ascribe causes post hoc to events that may have come about as much due to chance as any deliberate factors.

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→ September 6, 2016
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The Antidote.

We are inundated with messages and products that promise to tell us how to be happy. A quick amazon search for “how to be happy” yields books with titles like The 18 Rules of Happiness: How to Be Happy, How We Choose to Be Happy: The 9 Choices of Extremely Happy People–Their Secrets, Their Stories, and Be Happy! – How to Stop Negative Thinking, Start Focusing on the Positive, and Create Your Happiness Mindset. You can spend even more money to attend seminars like “How Positive Psychology Changes Our Lives,” “Happiness and its Causes,” and “The Happiness Habit.” All of this, as you might imagine, is just so much bullshit, and I fail to see how someone else taking my money for it is going to make me any happier.

In fact, as Oliver Burkeman argues in The Antidote: Happiness for People Who Can’t Stand Positive Thinking, much of this material is actually deleterious to our efforts to be happier. The feeling that we should be happy just makes us less so, and attempts to be happier by pushing out negative thoughts creates anxiety and, as you probably know, does nothing to keep those negative thoughts at bay. Burkeman approaches the happiness paradox – how those of us in developed countries, especially those of the west, seem to be so much less happy today even though our most basic existential needs are largely met – from a novel angle, instead looking at ways to find happiness through understanding and even embracing the things that tend to make us unhappy.

Burkeman begins the book at a rah-rah positive-thinking seminar held by Dr. Robert Schuller, at the time the leader of a megachurch in Texas, who would end up filing for bankruptcy a few months after Burkeman attended the rally. (Schuller died of cancer in 2015.) Schuller’s words – and those of President George W. Bush, who spoke briefly at the rally as well – appear to have been a lot of empty if not outright counterproductive advice, like banishing the word “impossible” from your vocabulary. Fortunately, this book isn’t just about knocking over mountebanks like Schuller; Burkeman instead explores seven avenues of finding happiness that not only seem to work (or at least to help) but also run counter to the “think positive” mentality that poisons everyone’s attempts to get happier.

Burkeman begins with the stoics, the ones from ancient Greece and the folks still practicing and teaching stoicism today, and moves along to Buddhism, to the secular aspects of Eckhart Tolle’s writings, and even to the Mexican tradition of celebrating death. He visits a museum of commercial product failures in Michigan and explains how our refusal to reconsider our failures leads us to make the same mistakes – as many businesses do, conceiving the same products repeatedly despite past evidence that they’re bad ideas.

Several of those philosophies revolve around the fact that trying to avoid negative or unwanted thoughts makes them harder to get rid of (demonstrated in the white bear experiment). Thinking about the worst-case scenario – when it’s extremely unlikely to occur, that is – can in fact reduce your anxiety about bad things that are likely to occur, because you’ll better understand that they too shall pass. If you’ve practiced mindfulness, or traditional meditation, you know that you are not supposed to suppress negative thoughts when they occur because it doesn’t work; you are supposed to observe them “without judging” and let them float on by. If you’re obsessed with things going wrong, simply saying – or having someone tell you – that they won’t go wrong isn’t helpful. You have to acknowledge those possibilities and put them in the proper context before you can get around them, and then, perhaps, you can be happier.

Along the way, Burkeman demolishes a lot of happiness and productivity myths. Setting goals does not, in fact, make you more likely to achieve them, but it does make you less happy when you fall short. The management scholar Chris Kayes coined the term “fatal magnetism” when analyzing the 1996 Mount Everest disaster, where many climbers who should have known better continued toward the summit in conditions that all but guaranteed they’d die on the way down. Kayes argues that these climbers were so hellbent on achieving their goals that they couldn’t think rationally about failing to do so, an extreme example of how goal-setting can distort our thinking. Burkeman also discusses “security theater,” Bruce Schneier’s term for how we enact visible efforts to stop terrorist attacks – think metal detectors at baseball stadiums – that don’t make us any safer but do impose significant costs on us in time and money. So while The Antidote is ostensibly about happiness, it covers a lot of other areas of life where we go wrong, including obstacles to productivity, inability to properly assess danger (of the physical or financial kinds), and our susceptibility to the placebo effect.

I learned quite a bit from Burkeman’s book, much of which will directly change how I go about my daily life and my work. I am fortunate in that, by nature, I’m a happy, optimistic person; my anxiety disorder is not about dwelling on what might go wrong, but more about reacting badly when things do go wrong, as well as the ongoing static in my brain that didn’t abate until I started a low dose of medication. But like most people, happy or not, I have sources of stress – myriad work responsibilities, like that whole writing-a-book thing right now, and the challenge of balancing work, family, personal interests, and being a homeowner, to pick a few examples – and The Antidote explains how to change your mindset around these questions. Burkeman also gets repeated counsel from the people he interviews or sources he consults about living more in the present; we worry too much about the future and we probably dwell too much on the past, which is why we don’t appreciate what we have now enough to enjoy it. There is no single key to happiness, nor are there 18 steps to take you there, but I think The Antidote can at least help you realign your thinking so you have a chance to be happier.

Next up: I’ve been reading faster than I can write reviews, but I expect to finish Connie Willis’ Hugo and Nebula Award-winning novel The Doomsday Book today.

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→ February 10, 2016
→ By

Quiet.

My ranking of all 30 MLB farm systems is now up for Insiders! The top 100 prospect list goes up in the morning, and I’ll hold a chat here at 1 pm ET.

Susan Cain’s Quiet: The Power of Introverts in a World That Can’t Stop Talking felt, at first glance, like a fluffy self-help book. It certainly opens that way, as if the book’s purpose is to make introverts feel better about their introversion in a world that does indeed reward and revere the gregarious and the garrulous. But there’s a modicum of science behind Cain’s arguments and a lot of insight from experts that allow her to present the case that introverts can be just as important and productive and happy as extroverts can, as long as we allow them to be who they really are.

Cain starts out on the wrong foot, talking about the history of extroverts and introverts, explaining how we got to this point where extroverts are lauded as, essentially, better people. It helps create a narrative, but feels like padding when there’s real insight coming shortly afterwards, like the third chapter, where Cain goes into the evidence (some anecdotal) on how extroverts working together come up with inferior results to introverts working alone, and how forced teamwork can subvert the creativity of introverts by muting them and putting them in a space where they can’t produce. Not only is it well-presented and well-argued, but it’s insight with a specific call to action for employers, teachers, group leaders, anyone who is responsible for overseeing a team or collection of people in pursuit of a common task or goal.

(This is probably where I should step in and reveal myself as something of an introvert. I fell right in the middle of the twenty-question quiz Cain presents, which would make me an “ambivert” – kind of like Pat Venditte – but my introvert tendencies are very strong. I enjoy solitude, I do my best work on my own – this isn’t even close – I like celebrations to be small and intimate, and so on. I was very shy as a kid, and I still have a lot of shyness even today. I can get on a plane, read one book for five hours, speaking to no one but the flight attendant, and call it an afternoon well spent. Or on that same flight, I can sit down and write four articles or dish posts in a row like it’s nothing, because I get focused and thrive in an environment without interruptions. I can also sometimes come across as aloof or diffident, have people think I don’t like them when that’s very rarely the case, and I get lost in my own thoughts at least once a day. Prior to taking anti-anxiety medication, I was very sensitive, not just emotionally but even physically, being oddly jumpy when hit or touched. It’s just who I am, and big chunks of this book spoke very directly to my sense of self.)

Cain takes advantage of recent fMRI studies, without which I think the entire subgenre of pop-science books may not exist, in this case showing neurological responses like extroverts having more active dopamine pathways, so they get a faster reward response from activities like stock-trading or gambling, whereas introverts get less of a buzz and thus are better able to regulate their activities. She also discusses the relationship between the amygdala, an ancient part of the human brain found even in primitive mammals, and the relatively new prefrontal cortex, which helps regulate the high-reactive features of the amygdala. When you learn a fear or anxiety, your amygdala holds on to that pretty much forever; your prefrontal cortex is where you learn that, hey, you’re really not bad in crowds, and you’re totally fine to give that speech. Extroverts work better in situations with distractions like loud noises. Introverts are more sensitive and thus more empathetic.

Where Quiet gets really interesting is when Cain looks at introverts in marriages and in the classroom. She examines conflicts between couples comprising one introvert and one extrovert, dismantling the inane axiom about Venus and Mars and pointing out how two people of such different personality types can argue right past each other and end up with one partner feeling like the argument was productive while the other is deeply wounded. She also looks at introverted kids in the classroom and how the growing emphasis on group learning may leave those kids behind. My daughter, who is quite extroverted, is in a Montessori school, where most activities are done collectively; it’s a great fit for her, but would have been a total disaster for me.

I may have felt the greatest connection with Cain’s book in chapter 9, “When Should You Act More Extroverted?,” which looks at introverts who have to gear up to play the extrovert, often for work. I go on television a few dozen times a year, often for an hour at a clip, as part of my job. Doing so, especially when it’s two hourlong shows in one night, is absolutely exhausting. It is not physically demanding – although standing for an hour in dress shoes is no picnic for my joints – but the physical exhaustion is quite real, because I have to shift modes to become the extrovert on TV. (It turns out that I am a “high self-monitor,” a term that relates to how people behave around others and whether such behavior is dictated by internal controls or social cues.) As it turns out, what I do – playing the extrovert in my work life – is quite normal, but it’s also legitimately taxing, and playing someone you’re not too often can have physical consequences. Too much TV really might be bad for my health. (It probably doesn’t help that my TV work often ends at 1 or 2 in the morning.) Going to games, on the other hand, where I am often working alone and rarely talk to more than a couple of people, is quite relaxing even though it’s every bit as much an evening at the metaphorical office as a night in Bristol.

Cain’s book may have just been marketing incorrectly – or maybe marketed well, for more sales to a wider audience, when in fact she has crafted a scholarly work on a topic that generally doesn’t get such serious treatment. You might wish for more science to back up some of her theories, but she does include quite a bit of research and brings in a number of scientists and researchers to discuss their ideas. It’s also a book with a number of clear calls to action, for parents, bosses, teachers, and introverts themselves looking to find a bit more self-assurance in a society that tends to praise the things they’re not.

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→ October 9, 2015
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Man’s Search for Meaning.

I have a scouting blog up on Cuban free agent Eddy Julio Martinez and other Cuban and Dominican prospects for Insiders; Martinez has reached an agreement to sign with the Cubs pending a physical. I also held my regular Klawchat yesterday.

A friend of mine who works as a therapist, dealing in particular with trauma victims, has been recommending Viktor Frankl’s short book Man’s Search for Meaning, which comprises a long essay he composed while in concentration camps in World War II as well as a shorter piece on logotherapy, his concept and program for working with psychiatric patients. I’m rather unqualified to ‘review’ this book in any meaningful way, but since the book is so highly regarded and often cited in polls where readers name the most influential books they’ve read, I’ll offer a few thoughts.

As you might imagine, the first part of the book, where Frankl details much of the suffering he saw and endured at the hands of the Nazis – his entire family, including his pregnant wife, was killed during the Holocaust – is somewhat difficult to read, even though Frankl takes a fairly neutral tone. He received some slightly favorable treatment because he had a medical background and could take on tasks other prisoners couldn’t, but that is a drop in the ocean compared to the misery of his situation. Frankl’s point in writing this brief memoir is to explore the ways in which the human mind can survive suffering and find reasons to continue to live even in hopeless situations. Although he gives his ideas on the meaning of life, the book delves more into the specifics of the title – the search itself, the refusal to give up, and the physical consequences he witnessed when a fellow prisoner lost his will to live.

Finding meaning in suffering is a longstanding subject of debate and expostulation in religion and philosophy, with Frankl taking a particularly pragmatic view of the matter. In his view, there is less point in asking “why” than in finding new reasons for hope or optimism even in apparently hopeless situations. Prisoners who could find meaning in helping others, or in sustaining themselves on the chance they’d one day be released and reunited with loved ones, fared better mentally and physically than those who gave themselves up to the awful reality of their lives in the camps. This forms one of the key parts of his program of therapy – helping patients understand why they do have meaning in their lives, often more than they realize.

Several passages describe the presence of a senior group of prisoners who in some ways helped run the camp in exchange for special privileges or favors like cigarettes, liquor, or additional food. We often refer to the Stanford Prison Experiment to explain such brutal behavior, but is there a more stark example of this awful capacity of our personalities, to join with those who would enslave, torture, and kill our relatives, friends, countrymen, fellow worshipers, just to save our own skins?

The foreword to the current edition available on Kindle was written by the rabbi Harold Kushner, author of When Bad Things Happen to Good People, who calls Frankl’s book “a profoundly religious book.” I agree to an extent that the book has a spiritual core, although it is not limited to any specific religion, and I think the book can be read, understood, and appreciated by a secular audience. Frankl does not rely on a deity or an afterlife to make his arguments that life here can have meaning even when meaning has left the building; his arguments rely on emotion and psychiatric tenets, none of which requires religious belief or background to follow, which means Man’s Search for Meaning is a book for anyone interested in fundamental questions of why we are the way we are, and how to find that meaning even in situations that appear devoid of it.

Next up: I’m a bit behind on reviews yet again, having finished Anthony Doerr’s All the Light We Cannot See, this year’s Pulitzer Prize for Fiction winner, on the flight back from Santo Domingo, and am now reading Vladimir Sorokin’s very odd novel Day of the Oprichnik.

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→ June 22, 2015
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Inside Out.

Pixar’s latest movie, Inside Out, lived up to all of the hype and praise it’s received so far, a visually stunning film that hits all of the bittersweet notes that have made Pixar’s best films – especially WALL-E and the Toy Story trilogy – masterpieces not just of animation but of cinema. It’s also, in many ways, one of Pixar’s riskiest ideas, thanks to one of its least conventional plots yet, making the ultimate success of the film even more remarkable. (Full, if obvious, disclosure: Disney owns Pixar and ESPN.)

Inside Out is a metaphysical coming-of-age story that manages to encapsulate a buddy comedy, a psychological thriller, and an Arthur Clarke-style sci-fi story all set inside of the head of eleven-year-old Riley Anderson, whose family has just removed her from her idyllic life in Minnesota so her father can work for a startup in San Francisco. Riley’s personality is determined by a pastel-colored world run primarily by five emotions: Joy, Sadness, Anger, Disgust, and Fear, each voiced and drawn in distinctive fashion (and helpfully color-coded). Riley’s memories each bear one of those five colors, although we learn early on that Sadness (Phyllis Smith) can turn any memory blue (her color) with a touch, a sort of King Midas meets The Old Guitarist-era Picasso. When Joy and Sadness are inadvertently tossed from Headquarters, where the five emotions live and work, along with Riley’s core memories, her whole personality starts to crumble into depression and negativity. Joy and Sadness have to try to find their way back from the archives of Long-Term Memory while the other three emotions try without success to steer the ship.

The five emotionsJoy, voiced by Amy Poehler, is in essence a yellow-skinned, blue-haired, fuzzy Leslie Knope, full of enthusiasm and as much of a leader as the quintet of emotions can have; she was there first, Sadness second, and there’s an uneasy (but not antagonistic) relationship between the two. Their pairing in exile isn’t an accidental bit of plotting, as the film needs the two to play off of each other, even when they run into Riley’s largely-forgotten imaginary friend Bing Bong (Richard Kind) and end up in a series of misadventures as they try to get back to headquarters. (My favorite: their trip through abstract thought, where the three are transformed into cubist images, then deconstructed.) Some of the resolutions are a little obvious – Pixar writers have always taken the maxim of Chekhov’s gun very seriously – but the three writers do an excellent job of managing three disparate plot strands: the Joy/Sadness journey, the three knuckleheads still in HQ, and Riley’s real-world interactions with her befuddled (but never distant or cliched) parents.

The Joy/Sadness adventure – and that’s what it is, a buddy comedy with serious consequences for the other storylines – is the primary plot thread of the movie, and the relationship between the two characters, matched in Poehler’s and Smith’s voicing, is more oil/water than acid/base: Sadness doesn’t want to bring anyone down, but she can’t help it, while Joy remains indefatigable in the face of unfathomable odds. Sadness wants to be more like Joy, while Joy looks on Sadness as a well-meaning nuisance, so you can see who’s going to learn what lesson in the end. It’s how we get there that makes most Pixar movies such memorable experiences for the viewer – if you have a kid, you’ll probably get a little weepy, as I did at a few points during Inside Out – and such great art. The ending is happy, happier than, say, Toy Story 3, but it’s yellow with a few spots of blue.

The great achievement of Inside Out‘s plot isn’t the ending, or the adventure in Long-Term Memory, but the fact that the film works so beautifully without an antagonist. There’s no villain, no Big Foozle, no evil queen, hell, there’s no princesses (not that I’m anti-princess but a change of pace is always welcome). Sadness, Anger, Fear, and Disgust are not set in opposition to Joy, but are depicted as essential elements of human personality. We don’t get the Dragon of Solitude or the Alienation Wraith; when Riley’s emotions have to fight their way back, they’re fighting something fundamental, not an artificial plot-contrivance bad guy whom they have to kill to get to their goal. Inside Out‘s tension is built around time, not threat, yet the film never drags for the lack of a foil for our twin heroines.

Inside Out is full of Easter eggs, as most Pixar flicks are; I only caught a few of them, including the music in the nightmare, the Chinatown reference, and the homage to Steve Jobs’ “reality distortion field.” I didn’t realize the two jellybean-like things guarding the subconscious were actually voiced by Frank Oz and Dave Goelz, longtime Muppet performers. There are apparently several I missed in the classroom scene, although I’m not sure I would have caught any without a remote control in my hand to pause it.

I’m kind of bummed that my daughter is too old for the Inside Out Box of Mixed Emotions, five books, one per emotion, aimed at 3- to 5-year-olds. It looks like Driven by Emotions is more age-appropriate; I’ll report back if we read that one.

Lava, the short animated feature that preceded Inside Out, is a cute but insubstantial love story, remarkable mostly for the quality of its animation (especially the landscapes on the sides of the two volcanoes) and the film’s song, which reminded me of the late native Hawai’an singer Israel Kamakawiwo’ole. Known as Israel K., his cover of “Over the Rainbow” is the only version of that song I can stand, and Lava‘s main voice-over actor, Kuana Torres Kahele, even sings in a similar fashion to Israel K.’s style.

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→ May 16, 2015
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Saturday five, 5/16/15.

My Insider content this week includes my redraft of the 2005 class as well as a recap of the first round picks who didn’t pan out. I also held my weekly Klawchat on Wednesday. My first mock draft will go up on Tuesday.

And now, this week’s links…saturdayfive

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