Zooloretto.

The board game Zooloretto won the Spiel des Jahres award in 2007, beating out four games I’ve never heard of, although I suppose that’s not automatically a bad thing. It’s a fun game, on the lighter side of the German-style games we’ve played, more at the level of Ticket to Ride than, say, Stone Age or Puerto Rico, but it brings the benefit of being very easy to pick up and quick to play.

Each player in Zooloretto has a small board that represents his zoo, with three separate enclosures containing spaces for four, five, and six animals respectively, as well as a barn and several places for vending stalls. Each turn involves drawing tiles from the pool, with tiles including animals of eight different species, vending stalls, and coins that can be used to purchase the right to move animals or stalls around your board, expand your zoo to add one more enclosure, to discard an animal you can’t place, or to buy an animal from another player’s barn. The goal is to maximize the number of victory points for your zoo at the end of the game, with the biggest bonuses coming for filling any enclosure (with the limit of one animal type per enclosure) and other points coming from placing more animals and stalls, but two-point penalties for animals in your barn, which is where you stash any tile you can’t place until you can either place it somewhere or discard it.

The one major twist is that players do not draw tiles directly, but instead must place them on one of several delivery trucks, each with space for three tiles, placed in the center of the table. There’s one truck per player, but no player owns any single truck, and on your turn, you may choose to take one of the trucks (even if it’s only partially filled) instead of placing another tile. So when placing tiles on trucks, you have to consider whether another player will grab the truck you’ve so carefully filled for your own purposes, and sometimes may draw a tile an opponent doesn’t want and thus choose to place it on a truck to discourage him from taking it (or to screw him if he does). There are also some animal tiles labeled with a gender, and if you get a male and a female of the same animal type in an enclosure … wait for it … you get a baby animal tile, free, so you can fill the enclosure faster. There are also coin bonuses for filling your two smaller enclosures as well as the expansion enclosure, and for a single coin you can swap any two groups of animals, which offers opportunities for more points and to potentially duplicate coin bonuses (making it a nearly zero-risk investment if done correctly).

The game is sold as a 2-5 player game, but the two-player version is explicitly listed as a variant in the rules, and the dynamic changes dramatically. The two players use and fill three trucks instead of two, and so instead of competing with other players for a specific animal type, the only constraint is the fact that in each round, one or more tiles will be removed from the game because they were on the truck that neither player chose. Filling enclosures is much easier, there’s less need to buy an animal from the other player’s barn (I think we’ve done that twice in five games), and just generally less tension because you know in all likelihood you’ll get the tiles you need.

I did manage to play this as a simple matching game with my three-year-old daughter, using four animal types for the two of us, just two trucks, no money or stalls, and using the one-type-per-enclosure rule. She thought it was great and even understood when I switched two of her animal types to make room for her to add another panda* to her zoo. My daughter thinks it’s important for everyone to finish whatever game we play, and she’s not concerned about who finishes first and has no concept of points, so it really boiled down to matching and counting. Heck, even stripped down to these simple rules it’s still a better game than Candyland.

*So for some reason, my daughter was pronouncing panda “ponda,” as if she was English. We have no idea where it came from, and while it cracked us up, we did tell her it was pronounced “panda” and, after a few days, she dropped the British accent. The first time she said it correctly, I told her, “You know, you used to say ‘ponda’ bear.”
Her response? “When I was a baby?”
“No, sweetheart. Yesterday.”

I’d definitely recommend this as a starter game for anyone interested in playing better board games but a little wary of the heavier strategy entrants in the field. Ticket to Ride and Carcassonne are more challenging, but Zooloretto’s concept and look put it ahead of Carcassonne, and the scoring in Zooloretto is more intuitive than Carcassonne’s bizarre yet critical farm scoring scheme. I would also guess that this game would be the easiest of all of the games I’ve reviewed here for a child to learn to play well; Ticket to Ride is just as simple to play, but there’s more advance planning required than there is in Zooloretto. And who doesn’t love panda bears?

Stone Age.

Santa was pretty good to me in the board games department this year, and our favorite so far is Rio Grande’s Stone Age, a 2-4 person game with some shades of Settlers of Catan but without the initial-placement phase that plays such a huge role in determining who wins in Settlers.

In Stone Age, each player has a small civilization and has to use his five “meeples” to gather resources (food, wood, brick, stone, or gold), build tools to improve resource production, develop agriculture so he gets additional food “free” on each turn, or make more people (but you have to deploy two of your people to that space to make another person – dedicated Stone Age players call it the “love shack”). The goal in Stone Age is to accumulate as many “victory points” as possible through constructing buildings, which you buy through the four non-food resources, and through game-end bonuses for the number of people in your civilization (you start with five and can end up with ten), your food production rate, the number of tools you have, or additional bonuses for your buildings. Of course, you have various constraints at work, including the need to feed your people each turn, the limited number of people you have, and other players competing for the same resources. On each turn, only one player can occupy each of the spaces that add to free food production, make a new person, or build a new tool, and later in the game there’s competition for buildings with high point values or “civilization cards” that increase game-end bonuses while also offering immediate benefits like free resources. There are also only seven spaces on each of the four non-food resources, and since each player has five meeples at the start of the game, it’s possible that you’ll end up boxed out of a resource you want to produce on a specific turn.

Because of the game-end bonuses for tools, farming, and meeples – in a 4-person game where 200-250 is a typical winning score, you can earn 96 extra points if you max out on tools and bonus points, 70 points on people, and 70 points on food production – as well as the potential bonus of 9 bonus points per building (we’ve never had a player reach 10 buildings, although it is theoretically possible to do so), there are a few basic strategies for winning at Stone Age, although competition in 3- and 4-player games will usually require each player to adopt a hybrid approach. All strategies require players to collect civilization cards, which can be purchased for 1-4 resources but must be claimed with meeples that can’t be used to produce any resources on that turn, creating an additional arena for competition on the board. Some cards represent civilization “skills” like art, weaving, or transportation that have no function within the game but add bonus points at the game end, with each player receiving points equal to the square of the number of unique skills he has, with a max of 64 points. There is a so-called “starvation” strategy that involves avoiding food and taking point penalties for doing so – you don’t lose any meeple for failing to produce enough food – although it seems to be a the consensus among fans that this is a flaw in the rules rather than a legitimate strategy.

Although the number of main strategies is finite, each turn presents the player with myriad decisions. The first is where to place the meeples – on production spaces, on any of the three “special” spaces to produce tools/farms/meeples, on buildings, or on cards. The second is the order in which to resolve each of the meeples’ spots – do you roll for gold or wood first, or buy a card that might earn you an extra resource? The third is when to use your tools to round up die rolls on resources, although this becomes easier as the game goes on if you’re accumulating lots of tools as your core strategy. You also have the option to play a limited amount of defense by blocking opponents from resources they might need or buildings/cards they might want, and since one condition for ending the game is the exhaustion of any of the piles of buildings for purchase, you might place a meeple on a building but pass on buying it simply to keep the game going another turn or two.

There’s a modest amount of luck in the game, but it’s still a strategy game at its core. Players roll dice to determine resource production, so it’s possible to place several meeples on a resource (especially stone or gold) and walk away with little to no output, although a player can use more meeples on a resource and/or deploy his tools to smooth that out a little and largely eliminate the risk of a zero-output roll. The order of civilization cards and buildings that appear for purchase is also random, and there are certain cards (especially those that permanently add one farm or one tool) that are more attractive than others. It’s enough randomness to keep the game different each time out, like Settlers of Catan, but the fundamental strategies are always the same and you’re not completely at the mercy of the dice. The main benefit of the random element is preventing a player from having a fixed strategy before the game starts – seeing the first set of cards and what spaces you can occupy in the first few turns helps determine which strategies will be most effective in that particular game.

Stone Age is more family-strategy than hardcore-strategy; what you’re producing is generic, with no purpose to buildings or skills beyond the points they provide at the end of the game. A typical game takes just over an hour once every player knows the rules, and we found that after one game everyone was up to speed on the rules and concepts to play competitively. My wife insists that I mention that the artwork is excellent, with vivid colors and great detail – this will be more relevant after I post one of the upcoming reviews. And outside of Settlers and Ticket to Ride I don’t think we’ve been as into any game right out of the box as we have been with Stone Age.

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