→ March 11, 2023
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Stick to baseball, 3/11/23.

Nothing new at the Athletic this week, although I should have 2-3 coming up this week as my travels continue. I did hold a Klawchat on Thursday.

For Paste, I reviewed the game Gartenbau, which combines very simple rules with tight decisions that make it a real challenge to play it well.

On The Keith Law Show this week, I had my annual Oscars preview episode with Chris Crawford. You can listen and subscribe via iTunes, Spotify, Stitcher, amazon, or wherever you get your podcasts.

I was going to send another issue of my free email newsletter this week but got tied up with some other writing (board game stuff, actually), so it’s still on my to-do list.

And now, the links…

  • The rash of anti-trans bills across the south and Midwest are the work of a network of religious-right groups that operated in secret while pushing their bigoted agenda, according to emails between those groups and South Dakota state Rep. Fred Deutsch (R) obtained by Mother Jones.
  • My wife and I watched the Oscar-nominated animated short My Year of Dicks, which is very funny and sweet, which led us down the rabbit hole of its writer Pamela Ribon, including this hilarious 2011 post from her now-defunct blog about how she might have become a new urban legend.
  • From January 2022: Ashli Babbitt, who some right-wingers want you to believe was a martyr, had a history of violent behavior prior to her participation in the January 6th insurrection.
  • Utah legislators have voted to change the law that made it nearly impossible for victims of sexual assault by doctors to sue their attackers.
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→ March 9, 2023
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Klawchat 3/9/23.

Keith Law: To the chair in the room where I live and breathe. Klawchat.

Joe: Did you post an article about your scouting trip in Minnesota?  Maryland fan here hoping the first hand reports were not as bad as the box score.
Keith Law: No, I’ll file something after this weekend – I wanted to wrap both trips up into one post since this one probably wouldn’t be enough for its own.

Guest: Have you heard anything about how Thomas Saggese looks at Rangers minor league camp? Is he opening at AA Frisco this year?
Keith Law: Minor league games haven’t begun yet. I assume he’ll go to Frisco since he finished there after spending nearly all of the year in high A – he’s not going back down and I see no reason they’d jump him to AAA.

JT: Tennessee just allowed denying interracial couples marriage licenses.

How the hell does the GOP have a single voter? #%#*%$#*
Keith Law: Because there are a lot of people in this country who agree with their policies. Although I admit that Tennessee, with more than half of its population living in/near cities, should be far less reactionary than its legislature is.

JT: The Blue Jays have a certain MiLB hitter killing it in ST: is the best reaction from Jays fans that it’s cool his heights include this and then stay the course?
Keith Law: Spring training stats do not matter. They just don’t, and we do this every year, and they still don’t matter. Jays fans should just remember the year Gabe Gross led ST with 8 homers.

Scott: You have been evaluating prospects for quite awhile. Are you able to get the sense from young players who might become a future MLB coach or manager? If so, can you provide some examples?

I’m curious if those skills are able to be seen at such a young age.
Keith Law: No, that’s not what I’m looking for when I go to the ballpark to see a player.

Chris H: Thoughts on Ronny Mauricio?
Keith Law: You can see my report on him in my Mets top 20 and org report.

Snapper Bean: Any insight on why its taking the Phillies so long to announce what exactly is going on with Andrew Painter?
Keith Law: I mean, they don’t exactly owe us an answer immediately, right? Some of the hand-wringing I’ve seen online is a bit much. They might be getting a second opinion, or discussing options with the player. My only complaint is that they promised an update and didn’t deliver – just don’t promise the update.

Benito: Keith! Are you watching any of the WBC? Excited to see a fellow paisan like, uh, Matt Harvey, pitching for Italy?
Keith Law: I’m not – I like the WBC as a way to market the sport but the majority of the players involved aren’t prospects for me to cover, so I never watch much of it.

Edward: I heard chatter from the hosts on MLB Network Radio this morning saying the pitch timer should be eliminated after the eighth inning.

As someone who (I think) supports the timer, do you think turning it off in late innings makes any sense?
Keith Law: I do support the timer and I do not support turning it off in late innings. Players will adjust to it soon enough and then this won’t be an issue any more.

Ryan: Hi Keith. I know you’ve said spring stats hold little value but is/has there ever been a situation where your thoughts on a prospect’s MLB readiness what changed by how they performed in the spring?
Keith Law: Nope. Performance in ST does not matter. It has no predictive value.

Sean: Suffering Tiger fan here. Reports out of spring are that – despite not getting many hits, Torkelson is hitting the ball hard. Have you heard anything about that? We still believe in Tork? Thanks.
Keith Law: I still think Torkelson will be a solid big leaguer. Didn’t he hit the ball reasonably hard last year in the regular season?
Keith Law: He did, actually. So I don’t know what we would take from him doing the same thing against worse competition in games that don’t count. (I understand they probably count for him, as he’s trying to prove he deserves a spot on the roster.)

Iohn T.: How worried should the Yankees be about Rodon?
Keith Law: I don’t love hearing about pitchers with forearm strains, regardless of health history. But he’s also had so much arm trouble, including a TJ, that it seems like worse news than for a pitcher with a clean track record?

matt: Griff mcGarry seems to falling off the prospect radars a bit, what kind of factors are influencing that?
Keith Law: I don’t agree with that at all.

Brett: What do you think about Encarncion-Strand? Seems like he may actually have a shot at the OD roster with Votto still on the mend?
Keith Law: Power over hit with a lot of chase. I don’t think he’s ready to hit MLB pitching. He was #17 on my Reds top 20: https://klaw.me/3xdfXZz

Radar: How has working at The Athletic changed — if at all — since it was acquired by The New York Times?
Keith Law: For me, it hasn’t. I can’t speak for anyone else.

Brent: Any planned visits to central Indiana for Max Clark?
Keith Law: Yes but probably later this spring when he’s got some games under his belt. I’m hoping to see the big 3 HS bats – him, Jenkins, Nimmala – as well as McGonigle and Eldridge since they’re near me. Otherwise I’m focusing more on college guys since it’s a college-heavy draft.

Ryan: The Cardinals seem set on starting Lars Nootbaar every day this year. What was your projection of him as a prospect and do you think this was the right direction to take during the offseason?
Keith Law: I don’t think I ever wrote him up – he was a big swing change guy and he’s very different now from who he was in college or even pre-pandemic in the minors, when he had no power and you couldn’t project him as even an up-and-down guy.

Guest: Is a catcher’s game calling ability something to consider in evaluation, or not at all?
Keith Law: I think it is.
Keith Law: But I do rely on others to tell me when a catcher is good/not at that. There’s no way I could infer that from watching even several games, not without knowing who’s really calling pitches and game-planning behind the scenes.

Chase: I’m going to my 1st Spring training game in Scottsdale at the Diamondbacks park in a couple weeks. Any recommendations on the stadium, food, or another team/park I should try to visit?
Keith Law: Beautiful park. Probably my second favorite in AZ after the Giants’ place, but Salt River is also much bigger and easier to get into/out of. It’s close to Soi4, a Thai place at Via de Ventura/Scottsdale Rd that I’ve liked for a decade; and Andreoli Grocer, an Italian market and sandwich place. But you’re also a stone’s throw from Old Town Scottsdale which has easily a dozen or more strong food and drink options (plus a Cartel Coffee).

Holly: Early reports are that big Jackson Rutledge is impressing in Nats camp.  Is he a guy who could be a fast mover now?
Keith Law: If he’s healthy and he throws strikes and we see more of a third pitch, sure.

John: Can Andre Lipcious push for playing time with the tigers this year?
Keith Law: Sure, although there’s no ceiling there for me. Unless his swing has changed, he’s a low-power bat who doesn’t play anywhere he could be a regular. Fine to give him a shot and see what you have, though.

Matt: Will the Yankees listen to Judge about Volpe staying on the parent club, or are they gonna stick him in the minors for control?
Keith Law: I’m not a fan of letting players pick who else makes the roster. I do like Volpe a ton but I do not see how a month or two in AAA hurts him, while it could also let them give Peraza an extended look at SS.

Mike: Who do you see making the biggest impact between Jackson Rutledge, Jake Irvin, and cole henry over the next few seasons?
Keith Law: Irvin has the lowest ceiling of the three. All of them have substantial injury histories or questions. I think I’d take Henry but man I don’t feel good about any of them making a big impact because of health.

Chris: Just got back from a week and a half in Ariz for my first ever ST there. Saw 6 ballparks in 9 days.  Couldnt get into Pizzeria Bianco (line was way out the door at 11am open!) but did go to MBB and CRUjiente on my last day in Scottsdale, thanks for the recs!
Keith Law: You’re welcome! I’m looking forward to a trip out there at the end of the month, for scouting and for food.

Ryan: With Willson Contreras signed long term, Should the Cardinals look to trade Ivan Herrera, similar to how they traded Carson Kelly, or should they hold on to Herrera as insurance/backup?
Keith Law: I would look to trade him – he’s good enough to start for someone.

Mike: Think Caleb Kilian can turn it around and be a post-hype sleeper?
Keith Law: Can, yes. Will? I don’t feel great about it. He was a real mess in the second half last year.

Laci: Luis Garcia – top 50 SP this season?
Keith Law: I feel like the way they use him makes that unlikely – he is a good enough pitcher to be a top 50 SP but probably won’t pitch enough innings to get there by total value, if that makes sense. Maybe a top 50 SP on a per-inning bases, but not on a WAR basis.

Mike: Do you ever listen to podcasts like Rates and Barrels, effectively wild, or any other baseball podcasts?
Keith Law: I don’t, but it has nothing to do with the podcasts themselves – when I’m in the car, which is my only listening time, I either listen to new music or to non-baseball podcasts. The job eats up enough of my time that I’m rigid about carving out space for non-baseball time.

Ken from Entertainment 720: If the Yankees have a prospect that they  grade at 45 but the Twins grade him at 55 and the Twins have a prospect they grade at 45 but the Yanks think is a 55, why arent trades like this done?  It would theoretically improve each farm system
Keith Law: That happens sometimes, but I do think there’s the fear that you’re wrong about the 45 and he goes somewhere else and becomes a 60 while the guy you thought was a 55 comes over and becomes a 45 and suddenly you’re a 0.

Mike: Cj abrams got 6 lbs heavier… i know you mentioned he needs to bulk up, but i’m guessing thats not nearly enough?
Keith Law: He needs to get stronger, which sometimes means bulking up but can just be more strength in his hands/forearms. He joked about how hard it is for him to gain muscle, so the 6 lbs is a big deal for him whereas for, say, Aaron Judge, it’s a rounding error. The proof will be in the exit velos.

John: Do you watch Ted Lasso?
Keith Law: Yes, we watched S1 and S2. I like it, but I’m glad it’s ending after S3. I felt the premise started to wear thin by the end of the second season. I think this is the ceiling for a feel-good TV show.

Romorr: How did you feel about the Frazier signing for the Orioles, vs. say, a Vavra/Urias platoon? Add on some other 2B prospects being close, still not a fan.
Keith Law: Didn’t like it for the reasons you mentioned (esp prospects coming) and also because any money they spend should be on pitching at this point. Their lineup is not the issue.

Leith Kaw: Do you think J Walker should start the season in St Louis? Cardinals writers seem split on if the team will keep him down for more OF experience or start him in MLB to hopefully gain a draft pick if he finishes top 3
Keith Law: They have other OF options to sift through. I won’t criticize it if he makes the team – he has handled every promotion so far, no matter how aggressive – but I see a baseball reason to try other players first.

Karl: Should Bryce Miller start the season in AA? Does he have the opportunity to make it to Major Leagues this year or is 2024 the more likely scenario?
Keith Law: I think he makes the team this year at some point.

Mike: does isaac paredes have a good offensive profile to you?
Keith Law: So he is almost the complete opposite of the player I thought he’d be. I thought he’d make a lot of hard contact and hit for average with doubles power, but struggle to play any position at an even average level. Instead, he was a plus defender last year and made a ton of weak contact. So I think the answer to your question is no, but also I have no idea what to make of him at this point.

Mike: Do we have permission to believe in a Kelenic breakout?
Keith Law: Granted.

Edward: Do you ever miss being on TV regularly?

I’m sure the reflexive answer is “no,” but there are few better ways to build your brand.
Keith Law: It’s no and yes. There are things I miss, and things I don’t. But I also recognize people don’t watch those shows anywhere near as often as they used to. MLB Network has been kind enough to have me on a few times a year, and I always say yes if I can. I’d rather have the evenings either to go see players or spend time at home.

Bob Pollard: Should the Mets just give Baty the 3B job and see what happens? Do you think they will, or will they start him in AAA?
Keith Law: I would give him the job.

Lois: What are the biggest things that have changed about the way you evaluate players versus 5, 10, and/or 20 years ago?
Keith Law: Far more data today, of course, and widely available video.

Maddie: How legit is Addison Barger? Someone to watch if Merrifield or Biggio struggles?
Keith Law: When hasn’t Biggio struggled? Barger is already the better version of that player.

Mike: How do you feel about mackenize gore heading into 2023
Keith Law: If he’s healthy I’m still a big fan.

Erik: Any chance of a JJ Bleday breakout after moving to a new organization?
Keith Law: Needs a big swing change.

James: As a “new to football” fan was the Super Bowl a crushing loss for you, or just more of an “oh well”?
Keith Law: It was a crushing way to lose, but what a tremendous season for the Eagles. I can’t be too disappointed.

Carlock: Can Strider repeat with only two pitches?
Keith Law: Yes.

G: The Ricketts family’s republican donations / values have killed my Cubs fandom. Putting us cubs fans on the left in a really weird spot. Are most MLB owners this right leaning and just the Ricketts publicly are?
Keith Law: Yes. The Kendricks might be even more so. Randi Kendrick has donated millions to right-wing causes, including attacks on public education.

Jake: I know you aren’t a huge Mervis fan, but he has to be a better choice than Hosmer, right?
Keith Law: I would go Mancini > Mervis > Bryan LaHair> Gary Scott > Kevin Orie > Hosmer.

Chris: for Chase, I just got back from a week and a half in Ariz, i thought Cubs and Dodgers/Rangers stadiums were also nice (in addn to Dbacks), Angels in Tempe is kind of a dump and right on a busy highway
Keith Law: I can’t stand the Dodgers stadium. You’re right in the sun the whole game if you’re behind the plate. I wish they could put the thing on a turntable and spin it around.

JD: Seems like kids of MLBers have higher rates of making the Show and of being stars, compared to non-legacies. Is that just confirmation bias, or a real phenomenon?
Keith Law: The bias is in opportunities – if you’re the son of a big leaguer, you’re probably (not certainly) growing up in a higher-income household, and you will always get more attention from coaches, scouts, etc.

Paul: Is there a reason Langford isn’t universally considered a better hitting prospect than Crews outside of the famous name? They seem to have similar contact and walk rates and Langford clearly has more power. Am I missing something?
Keith Law: Langford’s also a better runner, but Crews plays CF now while Langford plays a corner. Crews is definitely more famous and has been a GUY since he was a HS junior. There’s a comfort level with the longer track record. I have had several scouts come back to me to say they’d take Langford over Crews, though.

Candler: Speaking of Luis Garcia, any indications that the Nats’ Garcia will take a leap forward this year? Still only 22 years old.
Keith Law: I don’t know of any reason to think so.

Juwan: Is Skenes a viable candidate to go top 3? Do you like his secondary offerings enough for that type of ascension assuming he stays healthy and continues performing well?
Keith Law: Yes, he’s on track to pass Dollander at this point.

James: If you were Rizzo, would you shy away from taking a Wyatt Langford second overall because of the prospect pool already accrued or would you leap at the opportunity to add another high end prospect in that area to give yourself a better chance of assembling your outfield of the future? Question’s really a resource allocation consideration.
Keith Law: Best player available.

Mike E: Thanks for sharing your anxieties on the airport in the newsletter. I also don’t have any fear in the actual flying part but the process of going through the airport can give me anxiety days in advance.
Keith Law: Thank you for reading. You can sign up for my free email newsletter here.

Brian: Is there a breakouts article forthcoming?
Keith Law: I have written one every year for as long as I can remember.

Matthew: Any hope for Forrest Whitley making the majors at this point?  Even as a reliever?
Keith Law: Yes.

Guest: FYI on the Tennessee marriage bill: it only allows people to refuse to “solemnize” a marriage; in other words, perform it. It does not allow county clerks to refuse to issue licenses, which is purely ministerial
Keith Law: There’s some disagreement over this.

Pat: Correction- The Tennessee HOUSE passed a bill that allows county clerks to ban interracial (& same-sex & interfaith) marriage. It still needs to pass the Senate & the Governor has to sign it.
Keith Law: Thank you. The Tennessee Senate is 81% Republicans, and the Governor is a Republican, so I think the odds are in the bill’s favor.

JD: Any guesses what will come out of the totally-not-about-Steve-Cohen baseball economics committee?
Keith Law: A bunch of complaining about players making too much money.

Jake: The Cubs are considering Madrigal at third. Can any team win with a lineup that doesn’t have one player projected to hit more than 25 HR’s and most under 15?
Keith Law: I suppose it’s possible, but you’d better prevent a lot of runs.

Danny: I’m going to Scottsdale for the first time next month- is Pizza Bianco easier to get into for lunch? Any other pizza reccos for Scottsdale/Phoenix?
Keith Law: Try the second location near the Biltmore. The crowds have been crazy at both spots, but especially the tiny original location, since the Netflix show about it aired.

Matt: Are velocities expected to come down with the pitch clock? Seems like it’s gonna be hard to tbeo
Keith Law: I think BA had a piece that the velocities didn’t come down in the minors last year with the pitch clock?

Kevin: Does Brandon Walter have a chance to be a mid rotation starter or is he destined to be a bullpen arm?
Keith Law: I think he’s most likely a reliever. Just watch some video of him to get some idea.

JR: As a Mets fan, which trade is going to end up “hurting” the most, Kelenic or PCA?
Keith Law: I feel like PCA at this point, although I refuse to give up on Kelenic.

Ben: What roasters are you buying from these days? You recommended Archetype a few years ago, and it’s become one of my favorites. Thanks!
Keith Law: I buy when I travel, mostly, Hoping to hit Foxtail when I go see the Rays’ kids next week and Cartel of course when in Phoenix. But I try to mix in some new places when I go to other cities.

Matt: Any idea what Sarah Huckabee is doing allowing 9 year olds to work? It sounds insane, even for the GOP.
Keith Law: Cheaper for employers than raising the minimum wage!

James: Is there an offseason for college pitchers? From the regular season to Summer league to Fall ball…. it seems like college pitchers have no break from throwing. I wonder if that has anything to do with these college injuries?
Keith Law: More college pitchers take the summer off every year to rest.
Keith Law: It’s hurt a lot of summer leagues’ caliber of competition but it’s better for the pitchers’ arm health.

Ike: Any reason to hold out hope on Nick Pratto? What do you see his role being in a year?
Keith Law: Yes, I still think he’s a potential starter, although he may need to do it somewhere else.

Matt: How concerned are you about Chase Dollander’s inability to find his slider this year? It looked like a legit plus plus pitch last year and now it’s just disappeared. Would an MLB team feel confident that they could help him get it back after they drafted him?
Keith Law: I get more concerned each week. Is it health? Hard to think of a comparable example of a guy going from a 70ish breaking pitch to a wildly inconsistent pitch that’s mostly a 45 without an injury.

Henry: If you’re Andrew Friedman do you stick with Miguel Vargas at SS, and hope to get someone before trade deadline? I feel awful for Gavin Lux.
Keith Law: Vargas at SS seems like a huuuuge stretch.

Jake: What do you expect to be the fastest pitcher eventually? When we were young, 100 mph seemed like a unicorn and now there are hundreds of people who can do that with of course varying results. Reminds me of the 4:00 mile but even that eventually plateaued.
Keith Law: I think the 104-105 range is the ceiling. I feel like there was some research on this maybe ten years ago that argued that 105ish was the absolute maximum given human anatomy. Maybe I’m remembering wrong?

JP: what do you expect from Brayan Bello this year?
Keith Law: League-average or better starter.

Isaac: Have you seen Jacob Misoroski live? The reports sound promising. Do you feel he can add a 3rd pitch and be a #2/3 type?
Keith Law: No, he’s only pitched in juco and then instructs last fall, before I got to AZ. Adding a third pitch is certainly possible but not a small thing.

JR: March Madness fan at all? Do you fill out a bracket (even if it’s just for a friendly competition with family/friends?)
Keith Law: No, basketball has always been my least favorite sport, and since I went to a college that rarely makes the tournament (and where athletics in general weren’t a huge part of campus life) I never got into it that way either.

GlennMo: I haven’t heard really any hype on Mikey Romero, which is odd in that market. Is he someone to be excited about possibly added some strength?
Keith Law: I like Romero as a potential solid regular at 2b or above-average one at SS.

SadinLa: Any hope for Jo Adell? Still looks enticing, but maybe I’m just fooling myself
Keith Law: I don’t know how you undo the damage done by the over-aggressive promotions. He didn’t belong in AAA and then he didn’t belong in the majors, offensively or defensively. He’s never recovered. When I talk about sending a player like Walker or Volpe or (pre-injury) Painter to AAA for a month rather than rushing him to the majors, this is what I’m talking about. You don’t want to derail a kid over what amounts to a few extra weeks of games in the big leagues. There’s very little downside to being conservative with a player who has little to no AAA experience or success.

Josh: Is Manzardo a guy you could see making a singnificant impact in the majors? Your write up was glowing, but seems like he may have been dinged for being relegated to 1st.
Keith Law: I think he’s the only true 1B on my top 100, no? That should tell you that I believe in his bat – I do ding those no-position guys quite a bit.

SadinLa: Does Will Benson get a fresh start in cincy? Watched him many times in A ball , he looked like a man among boys. Physical phenom back then
Keith Law: Gets a fresh start in a ballpark that rewards guys with power, even if the hit tool is lacking, but I think he’s got a long way to go with the bat still.

Trevor: This season may be the most I’ve looked forward to going to games and it’s all bc of the pitch clock
Keith Law: It removes so much dead time from the game that the experience of watching is just much better.

Isaac: Would you keep Harry Ford at catcher? Can he be a top 20 type prospect by years end?
Keith Law: I’d try to keep him at catcher until he either shows he can’t handle it or the bat turns out to be way more advanced than the glove (like Bryce Harper or Wil Myers) so moving him is the right developmental move.

foolsgold1971: Gavin Stons’s changeup is even better than advertised.  Am I overreacting?
Keith Law: It’s pretty good. Freaking Dodgers, man.

David: Have you read any books by JG Farrell?  I just finished Troubles and thoroughly enjoyed it.
Keith Law: No but I’ve sort of been working through the list of Booker Prize winners so I’ll likely read that and/or The Siege of Krishnapur.

Isaac: Evan Carter, crow-armstrong or Robert Hassel? Seem like similar players. A year ago it seemed like Hassell then a huge gap to the other 2, but I’m guessing that’s closed or reversed. Thanks as always!!!
Keith Law: Carter probably has the highest ceiling, PCA is the best prospect of the three because he has a high floor but also some ceiling.

AWC: Just when MLB inserts changes to make their games more watchable… They can’t reach an agreement with YouTube TV to carry MLB Network so their games are literally unwatchable. Make it make sense!
Keith Law: I feel like that might get worked out in time.

Not a cow: M.Bleis and de Paula have been getting a ton of helium. Are they elite talent type prospects?
Keith Law: Bleis was on my top 100 for that reason.

Ken: The guardians lack thump in their outfield. As much as we love watching Kwan and straw and etc, is valera an instant upgrade as soon as he’s ready? He seems to suffer from prospect fatigue, does he still have that impact upside?
Keith Law: Still has impact upside but definitely needs to improve some of his contact rates before he’s ready.
Keith Law: That’s all for this week. I’ll be traveling a lot this month so I don’t know when the next chat will be, but I will post a few scouting blogs as I see players, both amateur and pro, including one on Monday or Tuesday about some draft guys. Thanks as always for reading and for all of your questions!

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→ March 8, 2023
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Broker.

Hirokazu Kore-eda’s 2018 film Shoplifters was my #3 film of that year, and was nominated for the Academy Award for Best Foreign Language Film, depicting a cobbled-together family of thieves who come together because the world beyond hasn’t provided them with the structure they desire. It’s a simple story where nothing substantial happens, deriving its huge emotional power from small interactions and gradual revelations about the five core characters.

Kore-eda’s most recent film, Broker, is his first Korean-language movie, and stars Song Kang-ho of Parasite as one of two baby ‘brokers’ who sell abandoned babies, illegally, to couples looking to adopt. It shares a core theme with Shoplifters, as we see five people come together to form another would-be family, one even closer to the dynamic of a biological family, but does so with more plot and more suspense than Shoplifters, counteracting the familiarity of the earlier film. (You can rent Broker on Amazon, iTunes, etc.)

Song plays Ha Sang-Hyeon, owner of a laundry business who also volunteers at a church where there’s a baby box, a place where anyone can leave a baby they wish to give up for adoption. He and his friend Dong-soo (Gang Dong-won) steal some of these babies to sell them on the black market for a few thousand dollars, which they also justify to themselves as saving the babies from going to an orphanage. This all goes awry when one mother, Moon So-young (Lee Ji-eun, a K-pop singer who records as IU), comes back after abandoning her baby, and ends up accompanying the two men on their visits to would-be buyers. They’re pursued by two policewomen, Detectives Lee and Soo-jin, who have been trying to catch the baby brokers in the act of selling a child so they can arrest the two men, although it turns out that Soo-jin (Bae Doona) has additional motives for her ardor in this search.

The brilliance of both of these Kore-eda films lies in the telling, in the dialogue and the small moments and the way his characters reveal themselves through their interactions with each other and the world around them. All three of the main characters have elements in their histories that we learn as the film progresses that further explain their motivations, but more importantly just reveal more about who they are. The script is smarter than just connecting A to B, than saying that one character does something specific because some other thing happened in their past; it uses those past events to provide depth and definition to all three of the main characters, and even to a couple of the secondary characters as well.

Song earned the Best Actor award at Cannes in 2022 for his work in Broker, becoming the first Korean actor to win the honor there, continuing the rise in global acclaim that began with his work in Parasite, although he already had a few cases’ worth of honors in South Korea and elsewhere in Asia going back a quarter of a century. He’s the core of this transient family, and his understated performance in Broker gives the film the anchor that allows some of the other actors to go bigger with their individual characters. This is just Lee Ji-eun’s second major film role, and she’s a revelation – I doubt anyone would guess she was a singer by trade from watching her nuanced, affecting performance as a mother who has her reasons for wishing to give up her baby but is also determined to see him go to the right family. Just about every character here is damaged in some way, but none of the performances, even the side ones, are showy or loud.

I adored Shoplifters, and I think that colored my experience with Broker. Both revolve around makeshift families, and both understand that families can be what we make of them. Many people do not have the privilege of strong biological ties, of two parents or siblings or extended relations who are present in their lives, but both of these films explore the ways in which some people forge those relationships on their own – perhaps unwittingly, because we need that sort of connection in our lives. Broker is an excellent film, and is different enough from Shoplifters thanks to some of the suspense in the second half to stand on its own, but I also think I loved it a little less because it treads some ground familiar to me from the earlier film.

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→ March 7, 2023
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The Fortune Men.

I may have mentioned a few times that my in-laws are Welsh, as in born in Wales, so I’ve explored a bit of Welsh culture in the last few years while dabbling in the language as well. I discovered quite recently that Llenydiaeth Cymru (Literature Wales) has its own annual prizes under the Wales Book of the Year banner, and the most recent Rhys Davies Trust Fiction Award went to Nadifa Mohammed for her latest novel The Fortune Men. It’s based on the true story of Somalian immigrant Mahmood Mattan, the last man hanged in Cardiff, whose 1952 trial and execution for the murder of Lily Volpert were a tragic miscarriage of justice. His conviction was quashed 45 years later, followed by a payment to his family of over £700,000 and then a police apology in 2022, although by then his widow and three sons had all died.

Mohammed reimagines the time from just before the murder through the crime, arrest, and sham trial, where Mattan barely received a defense and, in the retelling, the police misconduct was appalling. There were no witnesses to the murder, and the only two people who were certain to have seen the assailant, the victim’s sister and niece, both said Mattan didn’t match their recollection. A Black man came to the door of Lily’s shop after hours, but as a moneylender as well as a seller of fabric and other odds and ends, she was accustomed to such visits. Her sister closed the door between the shop and the family’s dining room, but about twenty minutes later, someone knocked to say that her sister had been found dead, her throat slashed, and £100 taken from the safe. A combination of racism, police incompetence, and coincidence put Mattan at the center of the investigation, and once the authorities had settled on him as their man, very little could stop the wheels of justice from crushing him under their weight.

Mattan receives a fascinatingly open portrayal in this novel, as Mohammed does not canonize her subject, depicting him as a dissolute gambler and a bit of a layabout. He was a sailor who fled a suffocatingly predictable life in what was then British Somaliland, eventually taking to the seas, settling in Cardiff, and marrying Laura over her family’s objections, only to jump back on a ship almost immediately after their wedding. He’s largely out of work at the time of his arrest, only half-heartedly looking for jobs, spending what little he gets in public assistance at the horse tracks. He doesn’t pay the people who lend him money back, at least not promptly. He’s also prone to verbal outbursts that come back to bite him at the trial. Yet he’s also quite clearly innocent of the crime in question, and a loving if sometimes inattentive husband and father to three sons.

We see Mattan as a whole person, rather than just a victim of a racist society, or even just a man in the wrong place at the wrong time. He has a childlike faith that the truth will set him free in a literal sense, until it becomes clear that the British justice system is not interested in justice. Flashbacks to his childhood also lay bare the irony of a man leaving a predictable but relatively safe life in Somaliland only to move to the supposedly more enlightened colonizer country to face racism, poverty, and ultimately murder at the hands of the state.

The story, and the end, are already known, so Mohammed’s challenge is to make this story with a defined arc and conclusion interesting, which she does, while generating empathy in the reader for a relatively unsympathetic main character. Being condemned isn’t a character trait, so Mohammed fleshes out Mattan in a fascinating way to make him real and expand him beyond the common tragedy of an innocent man sent to his death. It’s a serious novel in multiple senses of the term, with a topic that seems contemporary despite the setting seventy years in the past.

Next up: Khadija Abdalla Bajaber’s The House of Rust, winner of the inaugural Ursula K. Le Guin Prize.

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→ March 5, 2023
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Minneapolis eats, 2023 edition.

I spent the weekend in Minneapolis at the Cambria College Classic to scout potential first-round picks Jacob Gonzalez (Mississippi), Matt Shaw (Maryland), Enrique Bradfield, Jr. (Vanderbilt), and Hunter Owen (Vanderbilt), along with the enigmatic right-hander George Klassen, who was bounced from Minnesota’s rotation after two starts where he averaged two walks per inning, but hit 99 in a relief appearance on Saturday night. Anyway, that’s a different post. This is a roundup of what I ate.

I met friends for dinner at Tullibee, a fine-dining restaurant in the Hewing Hotel right downtown, which was certainly the meal of the trip. We shared a few small plates and then I got one main, which was the only dish that wasn’t excellent. The caraway potato rolls come warm, with butter soft enough to drink (I don’t recommend this), although the presentation in a wooden box with a sliding glass lid is a bit silly. If I’m going to pay for bread, this is the quality I expect. The kale & date salad with almonds, celery, midnight moon (a Dutch goat cheese), and an orange vinaigrette was a solid take on the rather played-out kale salad, although I confess I still like kale salad quite a bit and find it very satisfying for something that’s extremely healthful. Midnight moon is one of my favorite cheeses, so that didn’t hurt. The wood-fired carrots with a scallion labneh beneath and a brown butter-sage finish were probably the best thing I tasted there, with that perfect taste of the fire to contrast with the sweet earthiness of the rainbow carrots. The one slight disappointment was the cassoulet, which I love because it contains duck confit, and if I see duck confit on a menu, I’m getting it. I don’t care what else is on the menu, just take it, I’m getting the duck confit please and thank you. Unfortunately, it was a little overcooked – since that’s cooked ahead of time (that’s what the confit process is, poaching the duck legs in duck fat for up to 24 hours at a very low temperature, so overcooking is more or less impossible), I assume they heated it too much or for too long to serve it. I also thought the sausage, which came whole, was too salty. I ordered their house Negroni, which replaces the Campari with the French herbal liqueur P31, so the drink is the color of mouthwash. It’s less sweet and less overtly bitter than a traditional Negroni, so while I wouldn’t say I like it better than the classic, it worked on its own merits.

My other dinner on the trip was at Billy Sushi, which is a very trendy restaurant that hides some very good quality fish under the veneer of what is basically tourist sushi – bizarre rolls with too many ingredients, wacky starters, and, in this case, way more Wagyu beef than any sushi restaurant should have on its menu. (They have at least two items that come with raw Wagyu that’s torched right before serving. It’s very showy.) The red snapper was probably the best of the six types of nigiri we tried, impeccably fresh and tasting of the ocean, while the bluefin tuna was about as soft as the butter in that bread dish at Tullibee. (I don’t typically order bluefin, since it’s being fished out of existence, but it came in the combination plate we ordered.) Of the non-nigiri food we tried, the shrimp po’ boI, which is actually just diced shrimp breaded, quickly fried, and tossed with masago, plum sauce, and a Thai chili aioli, was the best item, as the shrimp is just barely cooked, which is the opposite of what I associate with fried shrimp at just about any place you get it. The dish was perfectly spiced for me, with the occasional big hit of chili to remind you it’s there. The hot si-fu salad, which is cold but is supposed to be spicy, was perfectly fine but not spicy, and I’d rather try something else from the extensive menu – or just get more raw fish.

Vivír is an all-day bakery, market, and café attached to Centro in northeast Minneapolis, serving Mexican and Mexican-inspired dishes for all three meals. I got the chilaquiles verde, which is one of my favorite breakfast dishes to get anywhere, and their version comes with tortilla chips that have softened slightly from the spicy salsa verde, along with shredded chicken, radishes, queso fresco, and tangy crema. I would have gone lighter on the crema, which overpowered the other flavors in the dish, since the fat in it tends to mute the effects of chili peppers on the palate (which I assume is why it’s there). I’d love to go back and try several other things on the menu – they have duck carnitas tacos on the lunch menu, and as stated above, I can’t pass that up.

Farmers Kitchen and Bar was my lunch stop on Friday, walkable from U.S. Bank Stadium and next to where the Mill City Farmers Market is held on Saturday. Their fried walleye sandwich, called “The Shore Lunch,” was incredibly light for a fried anything, with the fish still flaky and moist. The sandwich comes with tomato, cucumbers, tartar sauce, and pickles on the side, while the menu said the roll was ciabatta but I think it was different the day I went, as I thought it was brioche or some similar enriched bread. It’s an all-day café that does breakfast and weekend brunch as well as a full coffee bar.

Speaking of coffee, I tried Spyhouse, one of the two main third-wave roasters in the Twin Cities, since I’d already been to Dogwood before. Spyhouse has seven cafés, one in Rochester and the others in Minneapolis or St. Paul, and I went to two of them – the one in the Emery Hotel downtown and the one in Northeast Minneapolis on Broadway. The first one is charmless because of the hotel, but the second has the vibe I want in a bustling coffee shop, with plenty of space to work and hang out. I tried their Gisheke drip coffee from Rwanda and the Finca Monteblanco from Colómbia, buying a bag of the latter to bring home; I liked both but the Gisheke was so hot when I got it that I missed out on some of the typical characteristics of Rwandan beans (they often taste of stone fruit, with light acidity that’s less than Ethiopian/Kenyan). The Finca Monteblanco is very smooth with some chocolate and caramel notes, enough so that I’ll run it through the espresso machine too at some point.

I did revisit two places I’d been to on previous trips. I first ate at Hell’s Kitchen in July of 2006 and have been back at least twice since then, and it’s still excellent, although when I went on Friday they were struggling with service despite very few customers. (I assume they’re short-staffed, like most places, but on this morning there seemed to be plenty of people on the floor.) I got what I always get, the regular waffle with coarse cornmeal mixed into the batter, and the maple pork/bison sausage, and while I concede it would be rather hard for any dish to hold up to memories from nine years earlier, the waffle came pretty close. Due to some confusion in the kitchen, I got to try the lemon-ricotta waffle as well, but I think I just don’t like that flavor combination – there was nothing wrong with it, and I know most people love lemon-ricotta breakfast dishes. I also went to do a little writing at Patisserie 46, about 15 minutes south of downtown, to work for a bit, and that place hasn’t changed a bit – it’s a real French patisserie and boulangerie, and since I was one of the very last customers as they closed, they gave me (and a few other lucky guests) a free baguette they would otherwise have had to toss.

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→ March 4, 2023
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Stick to baseball, 3/4/23.

I posted an early draft ranking of just 30 names, enough for a typical round, for subscribers to The Athletic. I’ll expand that list a few times and eventually get to 100 by May or so, but I’d like to at least see all the high school players get started.

No podcast this week as the guest I had lined up had to reschedule. Feel free to sign up for my free email newsletter, as I’ll be sending another one out this week.

And now, the links…

  • Longreads first: The Financial Times has a deep dive into how Putin blundered into Ukraine and has continued isolating himself from would-be advisers who might have helped him out of this mess. The writer posits that Putin may try to hold on until January of 2025, hoping we elect a Republican as President and thus pull our military support of Ukraine.
  • Anything Elizabeth Kolbert writes is a must-read for me; her latest piece in the New Yorker covers how our mining of too much phosphorus and subsequent waste of much of it is choking our oceans while leading towards a bottleneck that threatens our food supply. The article also describes the world’s longest conveyor belt, a 61-mile track in the illegally annexed territory of the Western Sahara.
  • A former employee came out with claims about malfeasance at a St. Louis medical center that treats transgender youth, telling her story to a newsletter author who doesn’t engage in any sort of fact-checking of stories. The Missouri Independent and the St. Louis Post-Dispatch both investigated and found no corroboration, finding instead that parents had nothing but praise for the center and the treatment their children received. Newsletters are fine for some types of content, but not for actual news.
  • The New Republic profiled Dr. David Gorski, who has also blogged as Orac, and his battle against pseudoscience, quackery, and so-called “alternative” medicine online. (There is no such thing as “alternative” medicine. If it works, it’s medicine.)
  • I enjoyed this Slate story on the 25th anniversary of Neutral Milk Hotel’s In the Aeroplane Over the Sea and the bizarre, cultlike fandom that album has generated. The title track from that record remains one of my favorite songs to play & sing.
  • The cesspool of Twitter had a debunked conspiracy theory trending earlier this week about Arizona Gov. Katie Hobbs. It’s just one of several that Republican legislators there continue to push as they’ve seen the state turn increasingly blue.
  • There is no “lab leak theory.” There are a bunch of conspiracy theories, but no single, testable theory of how COVID-19 was supposedly engineered in and escaped from a lab in Wuhan, China. And the available evidence points to a zoonotic (natural) origin.
  • If you saw anything about Washington, D.C., attempting to update its criminal code this week, with hysterical tweets about reducing penalties for certain crimes like carjacking, there’s a lot more to the story. Most of this would be solved by just making the district a state with the same autonomy as the other fifty have.
  • Arkansas’ new education plan, which includes an extremely broad voucher program, is full of sops to banks and charter-school operators, and it’s also likely to gut public education in the state while favoring higher-income families. Sounds great!
  • Tennessee jumps on the bandwagon by banning drag shows. There is no evidence any drag show has ever harmed anyone. There is, however, copious evidence that guns have. The choice to ban harmless entertainment should tell you everything about this legislature.
  • Board game news: Restoration Games announced that they’re retiring the first two Unmatched sets, Cobble & Fog and Robin Hood vs. Big Foot, later this year, with no plans to reprint them.
  • The Gamefound campaign for Huang, a new game from prolific designer Reiner Knizia, is fully funded with five days to go.
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→ March 2, 2023
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Music update, February 2023.

February spawned a lot of great music, as it turns out, enough that I have 82 minutes of new tracks for you here. As always, if you can’t see the Spotify widget below, you can access the playlist here.

Temples – Cicada. I seem to like whatever Temples puts out, at least for their singles; their take on psychedelic rock, often with the kind of influences from Asia and north Africa that gave us Led Zeppelin’s “Kashmir.” I love the interplay between the guitar and vocals in the frantic chorus here.

Fucked Up – Cicada. What are the odds of two great songs called “Cicada” dropping in the same month? Technically this came out in late January on these Canadian punk/post-hardcore stalwarts’ sixth album, One Day, and if you told me this was a lost track from Hüsker Dü I’d believe you.

Geese – Cowboy Nudes. This is the first new song from this young Brooklyn band (including Mets fan Dominic DiGesu on bass!) since their standout debut album Projector, and it sees them expanding their sound substantially. It’s less dissonant, better produced, and definitely more art-rock than anything on Projector, which was an incredible throwback to the heyday of post-punk.

CHVRCHES – Over. A one-off single from the Scottish trio, who just signed a new deal with Island Records, “Over” goes back a little in time, with a sound reminiscent of “Clearest Blue” from Every Open Eye.

Altin Gün – Rakiya Su Katamam. I didn’t know Anatolian rock, also called Turkish psychedelic rock, was a specific subgenre, but I’m extremely into it after stumbling on this track by this Amsterdam-based outfit. The “i” in the song’s title should be the Turkish character ?, without the dot on type, but I don’t think it’ll display properly.

Brooke Combe – Black is the New Gold. Combe is just 22, from Midlothian, Scotland, and this is the title track from her forthcoming mixtape. The hook was stuck in my head for days, and I like both her singing voice and the slight syncopation (here, stress on the third beat of each measure) that gives the track its subtle groove.

Caroline Polachek – Blood and Butter. Polacheck was half of Chairlift, who produced two of my favorite tracks of the last decade (“I Belong in Your Arms” and “Ch-Ching”), but her solo stuff has left me pretty cold. This is my favorite of her songs since Chairlift broke up, as it has a much stronger melody while still showcasing her impressive voice.

John-Allison Weiss – Tell Me to Go. Another strong single from The Long Way, Weiss’ first album in over seven years and their first since coming out as trans and non-binary.

Bartees Strange – Tisched Off. One of two tracks on a double-sided single from Strange as part of Sub Pop’s singles series, along with a song featuring Daniel Kleederman.

STONE – I Let Go. The first new song from STONE after their 2022 EP Punkadonk is a raucous rocker that’s less punk and more hard-edged rock-and-roll.

bdrmm – It’s Just a Bit of Blood. This British act takes an experimental approach to post-punk and shoegaze, releasing this as the lead single ahead of their second album, I Don’t Know, due out in June.

Squid – Swing (In a Dream). Squid are even more experimental, with a post-punk underpinning but a very definite bent towards the dissonant and the offbeat, but the chorus here is a complete earworm.

wilt – puberty. wilt are an LA-based quartet who’ve released just three songs so far, including this most recent one, which has a slow burn to a big finish with giant guitar riffs that reminded me of the band Hum.

beabadoobee – Glue Song. A cute two-minute acoustic number from beabadoobee, not one of my favorites from her but a solid showcase for her voice.

Beck – Thinking About You. I generally do not love Beck’s slower acoustic tracks, even though they tend to garner him more critical acclaim. I also didn’t like this song the first time I heard it, but then I went back, and I liked it more the second time, and even more the third time. So here it is.

Black Honey – OK. I include just about every single Black Honey puts out at this point. Their third album, A Fistful of Peaches, comes out on March 17th.

Girl Ray – Everybody’s Saying That. A North London trio that started out as an indie act and pivoted towards pop around 2018-2019, Girl Ray just released this funk-tinged pop track right at the start of February, with a great hook in the chorus and a prominent bass line that makes this a hell of a dance song too.

swim school – delirious. swim school describe themselves as “Tesco-value Wolf Alice,” which isn’t that apposite to this particular track, which is way more shoegaze than Wolf Alice’s cheerier indie-pop/rock style.

Inhaler – Just to Keep You Satisfied. Inhaler released Cuts & Bruises, their second full-length, two weeks ago, and I think they’ve stalled; this is more of the same from the Irish quartet, but even a step back in the quality of their melodies. Inhaler has a sound, and that only gets you so far without some hooks like their first album had.

Depeche Mode – Ghosts Again. I mean, if you want to go back to the sound of the ‘80s, you could just listen to one of the bands that made that sound. This is the first song from Memento Mori, the band’s fifteenth album and their first since the death of longtime band member Andy Fletcher. The album drops March 24th, and it sounds like it will be a melancholy affair, which isn’t really my favorite flavor of Depeche Mode.

San Cisco – Lost Without You. The first new song from this Australian trio since their 2020 album Between You & Me is a typically bouncy alt-pop track with witty lyrics that offer a dark contrast to the music. The video, which stars the three in a Sting-like gangster film, is worth a watch.

Demob Happy – Voodoo Science. I was unfamiliar with Demob Happy, who’ve been around for fifteen years, before hearing this track, but I love the guitar riffing here, which reminds me of Porcupine Tree’s heavier moments.

shame – The Fall of Paul. This London-based post-punk band’s Food for Worms dropped last month and the highs (“Fingers of Steel,” “Six-Pack”) are high but there’s too much filler where the band sound like they’re just fucking around, unfortunately.

slowthai – Feel Good. British rapper slowthai’s third album, UGLY, which supposedly stands for “U gotta love yourself,” drops on Friday. I find his music more interesting than appealing, as he’s crossing and mashing up a lot of genres but his technical skill as a rapper isn’t his strength. This is one of the better songs of his that I’ve heard.

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→ March 1, 2023
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The Seven Moons of Maali Almeida.

Shehan Karunatilaka won this year’s Booker Prize for his novel The Seven Moons of Maali Almeida, a fascinating work of magical realism that might as well be called Maali Almeida in the Bardo, as its protagonist is dead from the moment the book begins. Set in Sri Lanka in 1989, in the early years of what would be a 36-year civil war between the governing Sinhalese majority and Tamil rebels, the book follows the title character, a photographer who took many photos of victims of the war, through his seven days (moons) in purgatory as he tries to figure out who killed him and how.

Maali Almeida is dead, and finds himself in a bureaucratic afterlife where multiple entities try to coax him into different directions, one of which is “the Light” and promises some sort of salvation, while another might give him the chance to communicate with the living to try to direct them to solve the mystery of his death by retrieving an important set of incriminating photographs he’s hidden. One possible explanation is that his work for a shadowy non-governmental organization or his freelance work for the AP and other journalistic outlets covering atrocities committed by both sides during the war. Almeida photographed corpses, but also murders and murderers, and any number of people might have wanted him dead.

Almeida was also gay in a society that was not particularly hospitable to gay people, although in his tales of his life there were closeted gay men all over Colombo (the capital of Sri Lanka). He lived with two friends, Jaki, who was supposed to be his girlfriend; and Dilan, known as DD, who was one of those closeted men and becomes Maali’s lover, although the photographer is serially unfaithful to him. DD’s father is the powerful businessman and politician Stanley, who would strongly prefer that his son not be gay and join his business rather than working for an environmental activist group, and who is emblematic of the byzantine connections across Sri Lankan society at the time, where even the “good” guys could be tied to one side of the civil war or the other.

The Seven Moons of Maali Almeida is a richly layered novel that explores themes beyond just that of the civil war, which ended in 2009 with the defeat of the main Tamil rebel group, the Liberation Tigers of Tamil Eelam, and the death of their leader. Maali is a complicated protagonist, part hero and part anti-hero, a drunk, a philanderer, a degenerate gambler, an atheist, and more. He professed to just taking photographs as a job, although of course he took photographs as a hobby as well; he’s not explicitly political, but hoped to take pictures that could end wars and bloodshed. His multifaceted character opens up all kinds of thematic possibilities, from discrimination to morality to how we cope with our own mortality, and Karunatilaka explores all of these, some more successfully than others.

Of course, because of the photographs Maali took, the authorities become very keen to find this missing stash – more keen than they are to find out who killed him, even with pressure from his family, from Jaki and DD, even from Stanley at one point. This creates two parallel narratives and a real sense of time pressure, as Maali tries to direct his friends to get to the photographs so they can expose the atrocities of both sides, while the authorities are trying to get the photos for themselves, and there’s an inherent tension from the question of who’ll get to the photos first – or whether the authorities will get to Jaki and DD before anyone finds the cache. There’s also the clock of the seven moons, referring to seven days before which Maali must decide whether he’s going to move into the Light or follow one of the other shades offering a different experience in the afterlife.

Karunatilaka seems to be well-versed in the history of this sort of political satire with elements of magical realism, from The Master and Margarita to One Hundred Years of Solitude. This novel isn’t at the level of those two masterpieces, but it’s an heir to their legacy, drawing heavily on the former’s sense of the absurd and fantastical, and on the latter’s sense of outrage, especially outrage at the lack of outrage. Both of those earlier novels targeted authoritarian regimes that would torture and disappear opponents, which is exactly what the Sinhalese government in Sri Lanka did during the civil war. So much of this novel takes place in the afterworld – an especially ridiculous one, with bureaucrats, flunkies, and talking leopards – that it shields the reader from some of the worst horrors of the civil war, allowing Karunatilaka to push forward with a narrative that might otherwise have been unreadable.

I haven’t read any of the other longlisted novels for last year’s Booker Prize, although Percival Everett’s The Trees is on my to-read shelf right now. As Booker winners go, though, this is one of the better ones among the 40 I’ve read, and I hope it signals a return to the peak the prize had from 2008 to 2018, with just one dud in those eleven years and several of my all-time favorite novels winning during the span.

Next up: Nadifa Mohamed’s The Fortune Men, which won the Wales Book of the Year award in 2022 and was shortlisted for the Booker in 2021, losing to Damon Galgut’s The Promise.

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→ February 28, 2023
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Nope.

Nope is the third feature film from writer-director Jordan Peele, who won the Oscar for Best Original Screenplay for the outstanding Get Out, which was a biting satire wrapped in a smart horror film. For some reason, the studio behind Nope tried to pitch it more as another horror film, but that’s not just underselling it, but also probably misrepresented it. This is much more of a sci-fi mystery with a surprising moral to it, another smart film from Peele but in a completely different vein from his debut. (I haven’t seen Us, his second film.) You can stream Nope on Peacock or rent it on amazon, iTunes, etc.

Daniel Kaluuya and Keke Palmer star as the siblings OJ and Em Haywood, who run a horse farm where they train the animals for roles in film and television. As Nope begins, their father, Otis Sr. (Keith David), is killed by metal debris that falls from the sky, with a nickel impaling him in the eye and a key embedded itself in the horse he was riding. They assume these fell from an airplane and eventually they try to pick up more business, but when they find it’s lagging, OJ sells some of his horses to the nearby western theme park Jupiter’s Claim, run by Ricky “Jupe” Park (Steven Yeun), a former child star whose TV series ended in tragedy when the chimp who starred on the show became violent to several of the cast members – but not to Jupe. When the electricity starts going off on the Haywoods’ farm without explanation, and the horses start reacting badly to some unseen force, the siblings decide to invest in some high-tech cameras to try to figure out what’s going on.

Nope is a slow burn, similar to Get Out, but not quite the same – where Peele’s first film was sinister until the big reveal, this one unfurls its mystery by degrees, with more misdirection that allows you to experience the perspectives of multiple characters. It was also easier to figure out what was happening in Get Out, or at least get the sense, than what’s happening in Nope. The obvious answer would be that it’s a UFO, which, of course, most of the characters think is the answer, including the Fry’s Electronics employee Angel (Brandon Perea), who realizes from the start that something weird is happening out at the ranch and invites himself to be a part of the investigation. What they find is much more interesting on a literal level and a thematic one.

The cast is fantastic across the board. Kaluuya has never missed for me, right down to his pre-fame appearance on Doctor Who (where we get to hear his British accent for once). The steely reserve that made him so menacing in Widows here works in a different direction, as his character is so tightly wound that he feels like he’s about to combust. Yeun probably needed more to do, but he’s excellent, as always, as a huckster and entrepreneur trying to squeeze every dollar he can out of the limited assets he has. Perea is a scene-stealer in a comic relief character that’s actually well conceived and well written – he’s hilarious, but also plays important roles in the plot and helps illuminate the relationship between the siblings and also later provide some connection to a fourth character who helps them try to unravel the ultimate mystery. If there’d been any awards attention for this movie, he would have been worthy of a Best Supporting Actor nomination, as well as a potential Original Screenplay nod for Peele. Wrenn Schmidt is a little wasted as Jupe’s wife, while Barbie Ferreira is even more wasted in a cameo as Angel’s co-worker, but I did enjoy the cameo from ‘80s prime-time soap star Donna Mills.

There’s one overarching theme to the story here that I might spoil by discussing, so if you haven’t seen Nope and intend to, you may wish to stop reading. The throughline that connects Jupe and the Haywoods is the use of animals for entertainment, with the implication that how we treat these animals in turn affects how they will treat us, or even what sort of animals they will become over time. OJ shows respect for their horses, and when he’s trying to show one horse, Lucky, for a commercial, he bristles at any suggestion from the director that might distress the animal, even telling a crew member not to make eye contact with Lucky for fear it will upset him. While we don’t see Jupe’s chimpanzee colleague being openly mistreated, the flashbacks – the one bit of the film where there’s some actual violence on screen – strongly imply that the chimp was being exploited, and that his rampage was the result of this treatment. (If you want to go down a rabbit hole about this, several critics and writers have noted that this subplot mirrors the actual story of Travis the chimp, who was separated from his mother at three days old and sold to a couple who kept him as a pet, only to have him turn violent one day, mauling and disfiguring a family friend.) All of this comes together in the film’s resolution, which also features some spectacular visual effects, to make it clear that the story is at least trying to make us realize the extent to which we are exploiting other creatures – and perhaps, on some level, other people – for no purpose beyond our entertainment. The characters who don’t understand this end up dead; the others survive. I don’t think you could make the moral much clearer than that.

Right now, I have Nope in my top ten for the year, although it could end up pushed out as I see more foreign-language films, since several of the most acclaimed non-English language movies, including two Oscar nominees, still aren’t available digitally as of February 27th. (Here’s hoping I wake up to find The Quiet Girl is rentable.) Regardless of its exact ranking for me whenever I wrap this cycle, Nope is excellent, another cerebral, thoughtful undertaking from Peele, even if it’s not quite up to the high bar he set for himself with Get Out.

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→ February 27, 2023
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Blonde.

Blonde isn’t just the worst movie I’ve seen from 2022, by a long shot; it’s one of the worst movies I’ve ever seen. It’s a patched-together collection of scenes that barely connect to each other, jumping through aspect ratios and shutter speeds and even from color to black and white with neither rhyme nor reason, like a teenaged filmmaker’s limited understanding of what it means to be experimental. It also fails at its most important task – giving the audience an interesting, three-dimensional portrait of its lead character, Marilyn Monroe.

The film tries to do a cradle-to-grave story, although the script, based on Joyce Carol Oates’ novel of the same name, isn’t going for any sort of accuracy – most of what’s in this film is made up, often leaning towards the lurid, which you could probably guess quickly by how much time Monroe (Ana de Armas) spends topless for no apparent reason. We see her abusive childhood with a mentally ill mother (Julianne Nicholson, giving maybe the only decent performance in the movie). When she’s removed from her mother’s care to an orphanage, the film jumps forward to her pin-up years, then to a meeting with a studio head who rapes her almost the minute she’s done reading, then through a meandering story that sideswipes the films she made while spending far more time on her tabloid romances, one of her miscarriages, and an abortion that apparently never happened. She meets and marries Joe DiMaggio (played by some actor doing a bad Bobby Cannavale impression), then meets and marries Arthur Miller (Adrien Brody), with no chemistry between her and either of these men, and in the case of Miller, no explanation at all of why they ended up together. An ongoing subplot where Monroe receives letters from a man purporting to be her father, whose identity she never knew, ends ridiculously, leading Monroe to take her own life with barbituates.

There is no defending this movie. It’s badly shot, looks bad, poorly acted, and incredibly poorly written, from character to dialogue to pacing. The opening story with Monroe and her mother, which recalls a better-done scene involving Mitzi in The Fabelmans, is disjointed, dark, and features her mother using stilted, bizarre vocabulary that wouldn’t make sense for an adult talking to another adult, let alone a parent talking to a preteen child. The flips between color and black-and-white photography happen without reason, and add nothing to the film. Monroe’s character jokingly asks if she’s just “a piece of meat,” but that is exactly how this movie treats her – she’s a bag of flesh and bones to be passed around or discussed or ogled, but she has no agency, no depth, no explanation beyond these idiotic Freudian notions that she has daddy issues or desperately needs to be a mother. Even the idea that she wanted to be taken more seriously as an actor is only brought up in passing, where the script just sort of waves to the notion as is drifts on by. Marilyn Monroe in Blonde is nothing but a victim of the world. I can’t think of a less generous interpretation of her life.

There are two rape scenes in Blonde, the second of which is unspeakably gross and degrading, even beyond what a complete fabrication that particular scene is. The camera focuses its male gaze on de Armas’s face while she is performing oral sex and trying not to gag, and stays there for something like two minutes. It has no artistic intent or merit; it exists to shock. I guess it worked, but it also underscored just how terrible this movie is from conception to execution. I doubt I would ever defend the existence of an on-camera rape scene in any film, but this film’s version is the worst of the worst.

De Armas does a dutiful impersonation of Monroe, although she can’t entirely lose her Cuban accent (and she’s a lot smaller than Monroe was, which seems a very odd choice given all the efforts to otherwise make people in this movie look like their real-life counterparts). It’s just a dead character, and she isn’t capable of infusing any life into it. Her brief role in No Time to Die highlighted how ebullient and energetic she can be on screen; Blonde shows that a bad script can leave her a walking doe-eyed corpse. You could argue this isn’t her fault, but giving this performance an Oscar nomination for Best Actress is more an acknowledgement of the fact that she had to suffer through this awful film – as did everyone who voted for her – than a measure of actual quality. Giving de Armas a nod over Tilda Swinton (The Eternal Daughter) is a giant farce, and should have garnered way more controversy than the Andrea Riseborough one did. I can think of at least five other lead performances by actresses that would have been more worthy, and I’ve only seen about 36 films from the 2022 Oscar cycle.

(In no order: Emma Thompson from Good Luck to You, Leo Grande; Jennifer Lawrence from Causeway; Ruth Wilson from True Things; Florence Pugh from The Wonder; and Frankie Corio from Aftersun.)

No one else fares much better, although there’s a mercy in how many characters we see in that none of them is on screen for very long. The two actors playing Cass Chaplin and Eddy Robinson are the most cringe-inducing, as they’re both doing some kind of impersonation of Skeet Ulrich’s character from Scream, right down to the hair (wrong decade, guys), in yet another complete fabrication that in this case informs the movie’s incredibly ill-conceived climax.

Blonde barely qualifies as a movie. It’s an absolute mess. I admit that having not read the book, I may have been unprepared for how far it diverges from history. If I set that aside, however, this movie is still garbage. Norma Jean deserved so much better.

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