→ November 16, 2009
→ By

The Remains of the Day.

I’ll be on ESPNEWS on Monday afternoon right after the Rookies of the Year are announced at 2 pm EST, and then again at 2:40 pm to talk more about those winners and the awards to come over the next week-plus.

I’ve got a short take on Dan Uggla on Rumor Central.

I’m doing a daily wrap-up/links column each weekday this week in Buster Olney’s absence, so if you see any news story, rumor, or blog item that you think is worthy of a comment, please throw a link in a comment on this or any post this week, or shoot me an email.

Kazuo Ishiguro’s The Remains of the Day is a stunning novel, powerful and moving despite being understated at almost every turn – a quintessential English novel written by a man who was actually born in Japan but who has become one of the greatest English novelists of the last half-century. Very few books can contain so little action and yet carry such emotional weight, even with an inevitable finish that brings the curtain down on the protagonist/narrator in crushing fashion.

Mr. Stevens has been a butler for 30 years at Darlington Hall, most of that time serving Lord Darlington, a well-meaning nobleman who indulges his liberal worldview by dabbling in international politics between the world wars. Darlington is dead for three years at the novel’s start, but Stevens takes the reader through a series of flashbacks that gradually expose the nature and effects of his master’s efforts as well as his relationship with Miss Kenton, who oversees the female staff in the house and occasionally shocks Stevens with the strength of her will and with actions and words he can’t quite interpret. As the flashbacks deepen, helped along by some chance events on a six-day sojourn Stevens takes to visit the now-married Miss Kenton in her village, Stevens becomes more aware of what the last thirty years have truly entailed for him.

Although regret is, to my reading, the overwhelming theme of the novel, work/life balance also seems to play heavily in Ishiguro’s rendering of Stevens’ life and character. Through extraordinarily dedicated service and loyalty both to his master and to an independent ideal of “dignity” in work, Stevens has spent all of his energy on his vocation, letting it subdue or crowd out any person underneath his work-oriented exterior. This leads to the questions of regret which hang over the novel and come to the fore in the final section, but on its own, Stevens’ almost obsessive pursuit of dignity and the butlering ideal leave him out of touch with the people and actions taking place around him – sometimes deliberately, but other times inadvertently, and much to his loss in the long run.

The Remains of the Day isn’t all heaviness and sorrow, however; an English novel of manners should at least have a dose of comedy, and this one does, particularly Stevens’ inability to gel with his new American master, who expects a bit of a repartee with his head man but finds Stevens unequal to the task. Stevens recognizes that his boss wants a bit of “bantering” and applies himself to the task as if he were trying to learn to cook or to speak French, with comic effect.

I’ve previously reviewed (and loved) Ishiguro’s Never Let Me Go.

Next up: I’ve got about 120 pages to go in Stieg Larsson’s The Girl with the Dragon Tattoo (now 50% off at amazon), a pretty fast-moving detective novel that has become an international best-seller.

Filed Under: Literature Tagged With: , , , , ,
→ November 12, 2009
→ By

Cold Comfort Farm.

Klawchat today at 1 pm EST.

Stella Gibbons’ Cold Comfort Farm is the funniest book I’ve read this year and one of the funniest I’ve ever read. It combines the dry wit of vintage Wodehouse with the social commentary of Waugh and the literary satire of Henry Fielding. It is hard to believe it was Gibbons’ first novel, written when she was just 23, when it is so note-perfect.

Cold Comfort Farm tells the story of recently orphaned Flora Poste, whose parents were scarcely part of her life anyway, and who ends up staying with some distant relations in the south of England on the farm of the book’s title. Said farm is populated by a cast of ridiculous (and ridiculously named) characters, led by the mysterious Aunt Ada Doom, who stays in her room all but two days of each year and refers ad nauseum to the time when she was a little girl and “saw something nasty in the woodshed!” Aunt Ada keeps all her relations tied to the farm, threatening to go mad if any should leave, so everyone on the farm is horribly repressed in some way – most romantically or sexually, but some in other ways.

Gibbons was parodying the romantic rural novels of the time period, most of which have been forgotten even as her novel has remained popular, with Flora herself referring to them and joking about fearing finding two cousins with names like Seth and Reuben when she gets to the farm, which, of course, turns out to be the case. Gibbons even took aim at one of the leading lights of the literary establishment: the simpering, sex-obsessed Mr. Mybug stands in for D.H. Lawrence, seeing phallic symbols everywhere he looks and, of course, falling hopelessly for Flora without any provocation on her part.

The introduction to the current edition of Cold Comfort Farm features an introduction by Lynne Truss that does an excellent job of breaking down the novel’s power to amaze even readers who aren’t familiar with the saccharine novels Gibbons was satirizing:

Flora finds at Cold Comfort Farm a group of people who have been reduced to novelistic clichés – rather like the curvy cartoon-figure Jessica Rabbit in the film Who Framed Roger Rabbit?, who famously drawled her existential plight, “I’m not bad, I’m just drawn that way.”Flora helps each character out of his or her difficulties and they quickly find happiness. She is a character in a novel who reads the other characters as characters and rewrites them as people. It’s the ultimate narrative miracle

Think of it as a precursor to Jasper Fforde*, where, instead of the protagonist ‘jumping’ into a novel, she simply lives it, and takes the stock characters she meets and gives them each a third dimension (or, in the case of Seth, simply discovers it and opens it up to the world), working as an extension of the novelist within the book.

*Gibbons even dabbles a little in Ffordian futurism (if you’ll excuse the chronological error) in the book, continuing the parallel with Fforde, setting the book about 15-20 years after the year in which it was published, mentioning video-phones and air mail and and an Anglo-Nicaraguan war in 1946.

As Flora fixes or fills out each character, Gibbons exposes the stereotypes or just flimsy drawings through humor. The ancient Adam Lambsbreath is supposed to be simple and rustic, cleaning (“clettering”) dishes with a twig, and yet Flora wins him over by treating him as more than a prop. Even the farm’s bull, Big Business, is just looking for a bit of a release, and gets it in a passage where Gibbons seems to be having fun with us by channeling her own inner Mybug/Lawrence. And when someone finally replies to Aunt Ada’s cries of “I saw something nasty in the woodshed!” … well, I won’t spoil the book’s funniest line, a brilliant four-word riposte that turns the old bat’s story on its head.

Next up: Almost done with Kazuo Ishiguro’s The Remains of the Day, a book good enough that I’m holding off on the revised Klaw 100 until I finish it.

Filed Under: Literature Tagged With: , , , , ,
→ November 11, 2009
→ By

The Case of the Missing Books.

I’m back and online again. I’ll be on ESPNEWS today at 3 pm EST (and maybe again later that half hour) to discuss the NL Gold Glove Award winners. There’s at least one awful oversight on par with Franklin Gutierrez from the AL awards. Klawchat is on for tomorrow at 1 pm EST.

Ian Sansom’s The Case of the Missing Books is the first in the “Mobile Library” series of pseudo-detective novels, but wasn’t good enough to get me to attack the second book (which one of you mentioned in the comments on the last post was unreadable anyway). The story revolves around sad-sack librarian Israel Armstrong, a Jewish vegetarian from London who takes a librarian job in a rural Irish town, sight unseen, only to find that the job has changed to one overseeing a mobile library, and that all fifteen thousand books have gone missing. This leads Israel to play detective – badly – to try to find them.

For the most part Sansom just borrows gags from other writers or, in the case of all the bathroom humor, from time immemorial. The vegetarian-served-a-meal-of-meat gag? (Saw that in Everything is Illuminated, and it wasn’t funny then, either.) The blue-collar guy with an unexpected interest in classic literature? The driver who can’t seem to keep his car on the road? Jokes about Israel’s name? There was very little original humor in the book, and with a pretty thin plot – halfway through the book, Israel is barely settled in the town of Tundrum, and I wouldn’t say he makes any progress in the case until the final 50-60 pages – there’s nothing left to sustain the book. It’s a quick read because of all the dialogue, and some of the dialogue is quick and snappy, but it raises the question of whether Sansom can write decent prose, and some of the dialogue brings an unnecessary level of detail around ordinary events in Israel’s day.

Next review will be much more positive, though – Stella Gibbons’ Cold Comfort Farm.

Filed Under: Literature Tagged With: , , ,
→ November 4, 2009
→ By

Tree of Smoke.

I know the site’s been flaky today. The server is fine but WordPress is hanging up and I’ve had to have hosting company restart it twice.

I’ll be on Mike & Mike in the Morning on Wednesday at 7:40 am EST, after which, I’m going on vacation for a week, so this will probably be the last post here till Veterans’ Day. And – in case that wasn’t clear enough – there will be no Klawchat this week.

So, Tree of Smoke … 614 pages, read the whole damn thing, still have no idea what the point was, why I care about any of the characters or who the main character even was, what any of the threads had to do with each other, and why author Denis Johnson’s prose was so disjointed, mixing florid descriptions with poorly used profanity. (In fact, given that most of the novel is set in Vietnam during the war, I actually expected more profanity.) There’s no plot. Stories don’t start and end; we get the middle, sort of, and then somebody dies, and it’s over. The novel is full of allusions to the Bible, and a few references to other religions, but none of them made any sense to me on their own or in clarifying the point of the book. I thought I caught a few continuity issues in some of the subplots, but it’s possible that I was too bored to remember what was going on.

I could probably do a better job of taking this novel apart, but by the time I finished last night I wanted nothing more to do with it, and besides, this review from the Atlantic does a much, much better job than I could have hoped to do, even if I’d started the book with the intention of verbally lighting it on fire.

Anyway, I actually just finished the audiobook version of SuperFreakonomics, which was fantastic, but that review will have to wait till after the vacation. I will say that the brouhaha over the global warming chapter seems misplaced, and I’m guessing the critics haven’t read the entire chapter.

The reading list for the vacation – I probably won’t read all of these, but I have a minor phobia of running out of books – includes The Girl with the Dragon Tattoo, The Remains of the Day, The Case of the Missing Books, Cold Comfort Farm, and And a Bottle of Rum.

Filed Under: Literature Tagged With: , , , ,
→ November 2, 2009
→ By

TV + an ABA article.

I’ll be on ESPNEWS today at 2:40 pm EST.

Also, I wrote a fun piece on the American Basketball Association, focusing on some of the weirder and quirkier stories coming from the league’s history, for mental floss.

Filed Under: Uncategorized
→ October 29, 2009
→ By

Sear-roasted chicken breasts with orange-brandy sauce.

Chat today at 1 pm. Yesterday’s hit on the Herd is now online (and already out of date!).

—

I’ve adapted this recipe from the February 2009 issue of Fine Cooking – my favorite cooking magazine, and the only one I’ve received over the last five years – with a few tweaks and fixes, although the core concept is the same. It helps to brine the chicken ahead of time, but I don’t think that’s strictly necessary, since the sauce itself has so much flavor. The dish is excellent over couscous (we use whole wheat), which soaks up any excess sauce on the chicken. With about five minutes to go in the oven, I’ll throw some asparagus spears, sliced into two-inch lengths, into the pan and toss to coat in the pan juices and rendered chicken fat, then let the asparagus finish roasting with the chicken.

The recipe would also work great with salmon; skip the brine, sear 3 minutes on the flesh side, then flip and roast until cooked through.

1 whole bone-in, skin-on chicken breast, split into two halves*
1 cup freshly squeezed orange juice (navel or Valencia)
3 Tbsp salt
1 cup water

1 medium shallot, minced (about 1/4 cup total)
3 Tbsp butter
2 Tbsp brandy or cognac
1 (more) cup orange juice
1/2 cup reduced-sodium chicken broth
1 Tbsp chopped fresh parsley
1 orange, peeled and sliced into segments

*Yes, your butcher can split this for you, but if you own a chef’s knife, just flip the whole breast over and do it yourself to save a few dimes.

1. Combine 1 cup orange juice, 1 cup water, and salt, stirring until dissolved. (You can also heat 1/2 cup of water, dissolve the salt in it, then cool it down with ice to end up with a cup of water.) Place the chicken breasts in the brine for one to two hours.

2. Preheat the oven to 400 degrees. Remove the chicken breasts from the brine and pat dry. Season with salt and black pepper. In an oven-safe skillet or saute pan, heat about 1 Tbsp olive oil until hot but not smoking, and sear the chicken, skin side down, until well browned, 4-5 minutes. Flip and sear on the second side until lightly browned, 2-3 minutes. Place entire skillet in the oven and roast until 160 degrees in the center, 15-20 minutes.

3. Remove the skillet from the oven and place on a stove burner. Take the chicken out of the pan and place on a plate, under tented foil, to rest. Drain all fat from the pan and add 2 Tbsp butter and the shallot to the pan. Cook over medium heat, scraping the bottom of the pan (I use a wooden spatula) to remove all browned bits.

4. When the shallots have softened, turn off the heat and add the brandy. Return to medium heat and cook until most of the brandy has disappeared from the pan. Add 1 cup orange juice and cook over medium-high at a brisk simmer until thickened and reduced by half, then add the chicken broth and cook until thickened again.

5. Turn off the heat and add the parsley, 1 Tbsp butter, and orange segments, swirling to mount the butter in the sauce. Season to taste with salt and pepper. Serve sauce over sliced chicken.

Filed Under: Cooking, Food Tagged With: , , ,
→ October 27, 2009
→ By

Revolutionary Road.

I’ll be on 1080 the Fan in Portland Oregon tonight around 5:40 local time, and on AllNight with Jason Smith in the small hours. Tomorrow I’ll be on the Herd at 12:10 pm EDT. Look for my World Series preview piece on ESPN.com around midday.

—

Richard Yates’ Revolutionary Road, which made the TIME 100, portrays the fraying marriage of Frank and April Wheeler in mundane detail, highlighting their mutual contempt and the cruel manner in which they treat one another (and ignore their kids), until an unexpected event accelerates their downward spiral into an inevitable (and, I thought, rather predictable) climax.

The Wheelers have recently moved to a Connecticut suburb from which Frank commutes to an unchallenging, uninteresting job in Manhattan, and the move further away from city life and culture has only widened the cracks that were already appearing in their relationship. When April appears in a community theater production – which is, individually and collectively, a small disaster, a symbol of the thriving city culture they’ve abandoned for the superficial yet hollow suburbs – her contempt for her husband surfaces in her language and tone:

“Well,” he said, “the thing is, I already said we could. I mean I just saw them out there and I said we would.”
“Oh. Then would you mind going out again and saying you were mistaken? That should be simple enough.”
“Look,” he said. “Don’t start getitng this way. The point is I thought it might be fun, is all. Besides, it’s going to look kind of rude, isn’t it? I mean isn’t it?”
“You mean you won’t.” She closed her eyes. “All right, I will, then. Thanks a lot.”

Very little happens in Revolutionary Road; Frank has an affair, but it’s almost preordained, and the other significant events that have shaped the Wheelers’ lives exist only in flashbacks, until the Big Thing that leads to the book’s conclusion. The novel is instead driven forward by dialogue and Yates’ clever, meandering prose:

It looked, as John Givings had once said, like a place where people lived – a place where the difficult, intricate process of living could sometimes give rise to incredible harmonies of happiness and sometimes to near-tragic disorder, as well as to ludicrous minor interludes (“That’s All, Folks!”); a place where it was possible for whole summers to be kind of crazy, where it was possible to feel lonely and confused in many ways and for things to look pretty bleak from time to time, but where everything, in the final analysis, was going to be all right.

Yates appears to have taken his nomenclature seriously. Frank is excessively so, candid to the point of speaking against self-interest, as if his internal censor has been shut off permanently. April’s name is more ironic, as she feels like she should be in the springtime of her life but is trapped by an unwanted marriage and two children for whom she feels no affection. They live on the Revolutionary Road of the book’s title, referring both to the sexual revolution (which only accelerated after the book’s publication in 1960) and the economic revolution of postwar America, including the flight to the suburbs that ensnares the Wheelers and intensifies their alienation from each other and from society.

The ending to Revolutionary Road was, as I said above, quite predictable – Yates foreshadows the hell out of it – and I always find it hard to read about marriages of contempt and cruelty. I’m sure this relationship exists all over the place, and I have seen married couples speak to each other as Frank and April do, without love or tenderness, through gritted teeth meant to barely disguise the lack of respect, but it remains very hard to take even when it’s well-written.

Next up: I’m more than a third of the way through Tree of Smoke and I’m still not quite sure what the point of it is.

Filed Under: Literature, TIME 100 Tagged With: ,
→ October 22, 2009
→ By

The Greatest Thing Since Sliced Bread.

The title of Don Robertson’s The Greatest Thing Since Sliced Bread may make you think it’s the story of Matt Wieters, but it’s actually a remarkable coming-of-age novel set in Cleveland in 1944 on the day of the Cleveland East Ohio Gas Explosion.

The protagonist, nine-year-old Morris Bird III, decides to break with his quiet, slightly nerdy childhood routine one day to go visit a former schoolmate of his who moved to the other side of town. He comes up with a rather sophisticated plan to walk there, unwillingly taking his six-year-old sister with him, only to run into one of the largest industrial disasters in American history. What happens next, in maybe the last quarter or fifth of the book, is absolutely amazing, a brilliantly rendered portrait of heroism writ small against an unspeakably large tragedy. Robertson focuses on the little details – what Morris does, while heroic, isn’t huge or unrealistic, but still important, and Robertson imbues him with just one “super” power: the ability to think clearly in a crisis.

Robertson switches back and forth between narrative styles, from a straightforward prose/dialogue format to an almost modernist style where he shifts scenes and characters without so much as a paragraph break. These latter digressions are short, short enough that they didn’t drive me nuts, and the way he works in the creeping gas leak – as if the gas itself is just another character, wending its way through the gutters on its daily rounds – mimics the insidious nature of the threat, to which all the actors in the drama are oblivious until the explosion occurs.

Anyway, I know a few of you read this along with me, so rather than monopolize the topic, I’ll offer some discussion points. Feel free to add your own.

* Morris’ parents are little more than ciphers in the book; his father really only appears as a disembodied voice (a God symbol?) and his mother appears rather ineffectual in her brief cameos. Why?

* I thought of the red wagon as a symbol of Morris’ innocence, both for how it’s destroyed and, although this might be a bit cynical, how it’s obtained (or hard-earned).

* What’s the significance of Morris’s name? Morris, without a diminutive, is certainly a “grown-up” name. Does “Bird” just symbolize his flight across town, or is there more to it? And why would Robertson make him a “the third?”

* Am I the only one who found it odd that Edna Frost couldn’t think of an alternate spelling of Morris’ last name? It was the one off note in the book for me.

* Stephen King has apparently called Robertson one of his three greatest influences. For those of you who’ve read King’s work, did you see echoes of King in Sliced Bread?

—

Up next: I finished Revolutionary Road today, and I’m starting Denis Johnson’s Tree of Smoke (on sale for $6.40 at amazon.com) tonight.

Filed Under: Literature Tagged With: , ,
→ October 21, 2009
→ By

Hangover Square.

Sorry for the disappearing act, but it was a long and hectic week in Arizona. I’ll be on the Herd at 11:10 am EDT on Wednesday, and on Mile High Sports 1510 in Denver at 8:25 am MDT.

He walked through Castle Square to the sea. When he reached the sea he saw that dawn was breaking over it, dimly, bluely, feebly, amidst the torn clouds of rain. He smelt the air and felt better. He was glad he had done this. He felt like a walk. He was doing the best thing.
And then he felt a curious snap in his head.

Patrick Hamilton’s Hangover Square, part of the Bloomsbury 100, is an overlooked work from the playwright behind the movies Rope (famous for director Alfred Hitchcock’s use of long takes with disguised cuts) and Gaslight, a psychological novel of a different sort: The protagonist is suffering from what we’d now call dissociative identity disorder*, and one of his personalities wants to murder the woman his other personality loves.

*Dissociative identity disorder is, according to one theory, a reaction to childhood trauma, such as abuse, but Hamilton depicts Bone’s split personality as something he’s had from birth.

George Harvey Bone’s primary personality is the saddest of sacks, a social outcast who spends his time following a group of libertines who abuse him verbally but are all too happy to take advantage of his occasional flush periods. The group includes Netta, an aspiring actress who is neither that talented nor that driven and is primarily hoping for luck or fate to hand her a big break. Bone is in love with her – or perhaps with the idea of her – and she plays with his emotions in a cruel, sadistic manner. Bone’s secondary personality is monomaniacal in its drive to kill Netta, realizing that she is the obstacle to Bone (or his primary personality) getting on with his life.

Hamilton was criticizing the seemingly impermeable barrier between social classes in interwar England, with Netta and her friends exploiting Bone when it suits them but refusing him full entry into their social circle. (Of course, part of their disdain for Bone is what they call his “dumb moods,” when he has actually clicked over to the secondary personality.) That subtext was obvious, but I’ve read several references to Hamilton also depicting fascism through the story, and I just don’t see it. It’s a good thriller, one where Bone’s murderous desires are made a little morally ambiguous by the rotten treatment he receives at the hands of the heartless Netta, and creeping fascism does receives its mentions (through Netta’s sort-of beau, Peter), but I’m hesitant to put more metaphor into the story than Hamilton intended.

The version of Hangover Square currently in print is full of unfortunate typos, and I’m not sure whether they’re from the original text or just sloppy editing by the new publisher. Some errors were unintentionally funny, like roadside “sinposts” (I assume you find those on the Highway to Hell) or, after a phone has been ringing for a while, “at last there was an answering dick,” without actually explaining who the dick was. (Sam Spade, perhaps? Philip Marlowe?)

Next up: I finished The Greatest Thing Since Sliced Bread while in Arizona; is anyone still reading it, or should I post a writeup with some discussion questions for those who already did? I’ve since moved on to Richard Yates’ Revolutionary Road.

Filed Under: Literature Tagged With: , , , ,
→ October 8, 2009
→ By

Washington DC eats.

Chat today at 1 pm EDT. Baseball Tonight on ESPN Radio at 10:27 pm EDT (if your local affiliate isn’t carrying the late game).

All right, I’ve been promising this for two weeks but playoff writing took precedence. I had two full days in DC plus a half-day, which turned into five different restaurants plus what I ate at the ballpark. All of these places but one are in the McPherson Square/Farragut area.

Breakfast both mornings was at Teaism, a tea salon that serves a full breakfast with a limited menu, although it was diverse enough for me. The best item – besides the tea, which is loose-leaf and served in ceramic pots – is the ginger scones, crumbly and faintly sweet with chunks of crystallized ginger in the scone and castor sugar on top. Two of those plus the cilantro scrambled eggs – cilantro and diced green bell pepper in eggs, little light on the salt and probably cooked 30 seconds past perfect – was more than enough food, since the egg platter comes with a small fruit salad and triangles of grilled whole-wheat naan. I also tried the tea-cured salmon, which had great flavor (a little sweet, a little savory, like a cup of a mild Indian black tea with a half teaspoon of sugar) and was obviously very fresh (they say they do the curing themselves) but had a chewier texture than good smoked salmon. Teaism’s only real drawback is that it’s not cheap, running $15+ each day including tip.

Worst meal of the trip, by far, was at Kaz Sushi Bistro, an overpriced Japanese restaurant where the focus is definitely not on the food. The fish itself was completely tasteless; the seaweed salad came with a mayonnaise-based dressing; everything was overpriced; and the two people serving as hosts were rude to each other and to at least one group of customers.

Casa Blanca is a small Peruvian (or Peruvian-plus) place on Vermont Ave that is an anti-Kaz in that the focus is on the food and definitely not on the decor or ambience. I ordered chicharrones (fried chunks of pork shoulder) with fried yucca, which was, of course, a bit on the heavy side but crispy and salty with a little bit of a peppery kick. Their homemade tamarind juice is good, a little too sweet for me but given the tangy taste of tamarind, I imagine this is how most people prefer the drink. They apparently also make great empanadas, although those appeared to be for takeout customers and weren’t on the menu. Service is a bit indifferent, and remained so even when I ordered in Spanish. Cash only.

I left the area once for lunch and headed over to Eastern Market to try Market Lunch, where folks apparently line up in great numbers on weekend mornings for pancakes. I had read that Market Lunch had one of the top crab cake sandwiches in the city, and their fries are hand-cut, which sold me. The crab cake was above-average, mostly crab, all lump, lightly seasoned so that the primary taste is of the crab meat, but the crab cake itself wasn’t fresh or even hot, just lukewarm, as if it had been sitting for five minutes. I understand they’re trying to keep people moving, but crab cakes should, at worst, be kept hot if they have to be held at all. The fries were on the greasy side. I suppose if you work in the area and need something fast, this is a great option, but I’m not sure it was worth the Metro* trip.

*Seriously, another city with a crappy subway system. Philly’s system is cash-only and is filthier than Rome’s. Washington’s takes credit cards, but the cost of your ride depends on exactly where you’re boarding and exiting, instead of the single-price system used, oh, everywhere else in the country. And is there a reason the stations are all so dark? You could grow white asparagus down there.

As for Nationals Park, it’s nice, clean, big, and kind of boring. It has forced character, not actual charm. And I’m sorry, you don’t get to put up posters of great players who didn’t play for your franchise – you can take the Senators’ history, by all means, but Honus Wagner is not yours. They get big props for Teddy’s Q stand out in right field. They smoke the meat right there, in a smoker that’s at the edge of the tent, and both items I had were solid. The pulled pork sandwich wasn’t too dry and only needed a little sauce for flavor, while the beef (short) rib was perfectly smoked with plenty of well-browned edges. I’m not sure what’s in the beef rub, but it’s sweet without any heat – a little pepper would balance out the sweetness well. Two quibbles: At $14, the rib should come with something on the side, even the tiny cole slaw that comes with the sandwich; and it seems odd that you have to go to another stand to get a starch like French fries. The Nats also get props for the kosher-food cart across the aisle from the Q. The knish was excellent, smoking hot (not just made, but they had the sense to keep it hot), and the three people working at the cart are animals – everything moved quickly, and when the line started to build up, they moved faster. I saw a little gelato stand up the first base line and wanted to try it, but I was so full from the Q each night that I never had the chance.

Filed Under: Food Tagged With: , , , , , ,