Casey Cep’s Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee is more like three non-fiction novellas in one package, tied together by overlaps in the stories but not by any significant theme, so the inclusion of all three in a single tome feels a bit forced. Each of them is interesting and tightly told, none more so than the first of the three, as Cep has done substantial research, although ultimately she can’t create a conclusion where none exists.
Harper Lee did not write another book after the runaway success of the novel she would refer to as “the Bird” for the rest of her life, and barely wrote any words at all for publication, leading to a popular myth around her that she had said all she wanted to say – a myth into which her famously reclusive nature also played. Lee did try to write another book, however, about the story Cep unfurls in Furious Hours, that of the Reverend William Maxwell, a black preacher and timber worker in Alabama in the 1960s and early 1970s who took out numerous life insurance policies on family members, including two wives, and then killed at least five of them to collect the payouts. He was arrested and charged with one murder but acquitted mostly due to the lack of direct evidence, and the killings only stopped when the uncle of his last victim executed him point-blank at the funeral service. Lee heard about this story and spent years researching the Maxwell case, interviewing the man’s killer and Maxwell’s longtime attorney, Tom Radney, among others, but for reasons Cep tries to address in the final third of the novel, she was never able to finish it – or even submit part of a manuscript.
Maxwell spent a lot of time over those eight years in court, sometimes defending himself against murder charges but more often fighting insurance companies that tried not to pay him for deaths they thought he’d caused. His lawyer through all of those cases was a white man, Tom Radney, formerly an idealistic state legislator who came home to open up a private practice and made good money off Maxwell, since he was so frequently at war with the law. Radney’s story makes up the middle third of the book and it’s the weakest by far; he’s not as fascinating a character as Maxwell or Lee, nor is any part of his life as interesting as what they both did, but there’s also a reliability problem with Radney’s story that isn’t present in the other two – he helped Lee in her research, which then became part of Cep’s. History is told by the survivors, and Radney outlived Maxwell by over 30 years, while Lee was alive but chose silence.
The third section tells Lee’s story, not just the story of her work on the never-submitted book she titled “The Reverend,” but her whole biography – no small task given the author’s disdain for media attention and her nearly half-century of self-enforced silence. Cep does her best work here, because there is so much in the Lee section that I never knew about her – details from her childhood and adolescence, the extent to which she worked with Truman Capote on In Cold Blood (and perhaps wrote, or rewrote, parts of it), her reactions to the book’s enormous and almost immediate success, and some of the real explanations for the writer’s block that kept the world from ever seeing “The Reverend,” or anything else, in print. (The book that was released a year before her death, Go Set a Watchman, was her first manuscript, which multiple publishers rejected before J.B. Lippincott responded favorably but asked for major revisions; the revised book is the one we know.) Perhaps there isn’t enough material for a full-length biography of Lee, who wrote numerous letters but was obviously very protective of her privacy, but this is a very good use of the limited material that is available.
So Furious Hours is a good read – three good reads, really, or at least two, and the middle one is fine – but a disjointed one. The first section is a true crime story with lots of drama and salacious details; the last one is a thorough if short biography of a pivotal figure in American literature who, herself, was a flawed, regular human whose success contributed to her undoing. The through line of Furious Hours is a tenuous one: it’s the Maxwell case, but without Maxwell there, the connection feels forced. If you approach this book as three distinct reads that share a particular connection, it’s probably going to be far more satisfying than the series of loose ends left by trying to into the three a single narrative that isn’t quite there.
Next up: Sadegh Hedayat’s novella The Blind Owl, in its first translation.