Grocery.

If you’re here, you almost certainly know I’m a fan of Michael Ruhlman’s work, whether it’s his narrative non-fiction books like The Making of a Chef or his indispensable cookbooks like Ruhlman’s Twenty, Ratio, or Egg. He’s also become a potent voice in the drive to get American consumers, who know more about food than ever before but seem to cook it less for themselves, to reconnect with the sources of their food for the good of our health and our planet. He brings those concerns to his non-fiction work for the first time in his newest book, Grocery: The Buying and Selling of Food in America, a work that simultaneously a paean to the American grocery store and a lament over the importance that processed foods play in our diet (and, perhaps, many of our first-world health problems).

Ruhlman does this by revisiting a regional grocery chain from his youth, Heinen’s, which has survived as an independent business when national chains have been snapped up by multinationals. Heinen’s is still run by the grandchildren of its founder, but they take a progressive view of the business and have shown agility larger chains haven’t by being quick to offer organic produce, prepared foods, and craft beers to consumers. The overarching structure of Grocery begins with a brief history of the grocery store – I remember A&P, but had no idea it was once the biggest company in the world – an then takes us department by department, explaining not just what’s in them but how the food (or not-food) gets to the store and how the markets profit off them.

Heinen’s early forays into non-traditional areas for grocers mirrors the industry’s movement as a whole, sometimes foreshadowing changes (like prepared foods, which accounts for between 4 and 8 percent of sales for each Heinen’s store) elsewhere, sometimes lagging, as with organics. Ruhlman specifically cites the changes wrought by Whole Foods, which, depending on your point of view, either found unserved demand for organic items and higher-quality ingredients or created that demand by offering the goods and marketing themselves well; and Wal-mart, which became the country’s main food retailer the day they sold their first box of Cheerios. The industry-wide shifts have allowed medium-sized chains to add value by offering specialty products, like the Lava Lakes lamb Heinen’s offers (with Ruhlman enduring an interesting adventure on the sheep farm to tell us about it) or some artisanal cheeses from makers who could never service a large national account.

Ruhlman’s always at his best when he’s writing first-person accounts, and that’s true even here, as he spends days with various Heinen’s executives and suppliers, as well as going shopping with one of his personal doctors, Dr. Sukol, who has very strong opinions on what is and is not food. That particular chapter is one of several that points out just how much sugar is in processed foods – more on that phrase in a moment – and how eating these “not food” products, in Dr. Sukol’s eyes, may be compromising our health. She says something that has become a sort of mantra for Ruhlman – that food is not “healthy;” we are “healthy,” and food can be nutritious or it can be harmful to our health (or, I’d add, sometimes both). Some of her opinions are based in sound science and others on working hypotheses (e.g., that glyphosate residues harm our intestinal microbiomes, because that chemical targets the shikimate pathway found in microbial metabolism but not in humans). She buys organic to avoid glyphosate and antibiotics, but doesn’t believe GM foods are harmful in and of themselves. She also says something is not food if you look at the ingredients and couldn’t buy them all individually in a grocery store; by that definition, to pick one example, almond milk is not food, even though the unsweetened version is nutritious and is a godsend to people who can’t drink milk.

Heinen’s also employs a full-time doctor to oversee its “wellness” section, and in my view this is where the author could have cast a more skeptical eye, because this “Dr. Todd” sells a lot of bullshit. He’s light on the science, throwing appeals to nature at Ruhlman in between advocacy of useless supplements like turmeric (the tricky chemistry of which means it does nothing useful in the body despite positive results in the test tube). Heinen’s, like all grocery stores – including Whole Foods – makes millions off selling bottled panaceas, nearly all of which do nothing and get by the consumer with vague promises of “promoting” health but no scientific evidence that they do anything at all. Ruhlman does indeed mention their uselessness and his own skepticism of a supplement-based diet, but I would probably have been thrown out of Heinen’s for pointing out all of the woo that Dr. Todd was spinning.

I enjoy when Ruhlman lets a little snark penetrate his thoughtful tone, like when he was behind a shopper at the grocery store who was buying fat-free “half and half,” a product that, ontologically speaking, cannot exist. It’s okay to disdain such abominable food choices – but Ruhlman emphasizes that corporate marketing has contributed to consumer confusion over what’s good for us and even what certain products might contain. (The entire discussion reminded me of bread vendors who made high-fiber breads by adding wood pulp, which almost certainly wasn’t what consumers thought they were consuming.) And the media have contributed to this by jumping on single studies that appear to identify single culprits for all our food-related health woes, first fat, then cholesterol (poor eggs), then salt, and now – although this one may have some legs – sugar, which appears in products under a variety of pseudonyms, including evaporated cane juice, dextrose, maltodextrin, brown rice syrup, or tapioca syrup. They’re all sugar, and by separating them out in the ingredients, manufacturers can avoid telling you that the #1 component of a product is sugar.

Grocery tends to stick to the very common and widely accepted distinction of processed foods, what Ruhlman describes as being in the center of the store, and the other foods, like meat, dairy, and produce, that are found around the store’s perimeter. (If you’ve heard the advice to shop the edges of the grocery store, those are the departments where you’ll spend your cash.) And I may be overly pedantic on this, but almost everything we eat is processed somehow. Take yogurt: First, it’s processed by bacteria, fermenting milk into yogurt. And second, it’s further processed by man, at least to put it in plastic, but often to add sweeteners, fruits, sometimes gels or gums, and other ingredients. (True Greek yogurt is strained of whey and lacks additional thickeners, but many brands sell “Greek” yogurt that is thickened with pectin or other agents.) The meat you buy at the butcher counter is processed too – a process Ruhlman details, explaining how more of the butchering is done at central locations today rather than in-store as it was a few decades ago. Very little of what we eat is truly “unprocessed.” And there are processed foods in the middle of the store that are quite nutritious – oats, nuts, seeds, whole grains, alternative milks (if unsweetened), maybe even dark chocolate. So don’t tell people to avoid “processed foods,” but tell them, as this book encourages, to read the labels and try to understand what you’re buying.

If everyone in America read Grocery, it would cause a cataclysmic shift in our food system. There would still be a market for Oreos and Frosted Flakes, for fast food and donuts and bad coffee, but the book points out how consumer demand can reshape the food production chain, and how retailers can reshape neighborhoods in turn by bringing better food choices to “food deserts,” underserved populations without easy access to quality food. It’s a potent call to action, as well-written as you’d expect from the author of Soul of a Chef, that should change your approach to feeding yourself and your family.

Cookbook recommendations, 2015.

I rewrote this post from scratch last year, but since this year I only have a few titles to add, I’m retaining most of last year’s text underneath a top section outlining a few new books I like (and one I’m going to recommend sight-unseen because of who wrote it). So as with last year, I’ve grouped them into categories: The essentials, which any home cook regardless of experience level should own; the advanced books for expert home cooks; a few cookbooks from Top Chef-affiliated folks that I recommend; and bread-baking books, all by one author because I’ve never needed any others.

New for 2015

I was fortunate enough to get an advance copy of Hugh Acheson’s second cookbook, The Broad Fork: Recipes for the Wide World of Vegetables and Fruits, this spring, and it’s become a staple in my kitchen – one of the books I go to first when I am looking for a new idea for a vegetable dish, or when I bought something at the local farmstand despite lacking an actual plan for it. Acheson conceived the book in response to a neighbor’s question about what the hell to do with the kohlrabi he got in a CSA box, and the whole book works like that: You have acquired some Vegetable and need to know where to start. Organized by season and then by plant, with plenty of fruits and a few nuts mixed in for good measure, the book gives you recipes and ideas by showing off each subject in various preparations – raw, in salads, in soups, roasted, grilled, pureed, whatever. There are main course ideas in here as well, some with meat or fish, others vegetarian or vegan, and many of the multi-part dishes are easy to deconstruct, like the charred-onion vinaigrette in the cantaloupe/prosciutto recipe that made a fantastic steak sauce. Most of us need to eat more plants anyway; Acheson’s book helps make that a tastier goal.

The book I recommend but haven’t bought yet – I think Santa will be bringing me this one – is J. Kenji Lopez-Alt’s mammoth The Food Lab: Better Home Cooking Through Science, named for Kenji’s acclaimed and indispensable column over at Serious Eats. (Speaking of which, I’ll be spatchcocking my turkey this year, per Kenji’s column, with a salt rub the night before.) He’s shared a bunch of the recipes and essays from the book on various sites already and did a great too-short interview with the Sporkful’s podcast as well. His science-based thinking is kind of like a Mythbusters approach to cooking: People say you should do X, but does X actually work? And what’s the science behind it? Alton Brown has always argued that cooking is the science of applying heat to food; Kenji takes that to a new extreme in his writing, and assuming I can lift the 960-page tome (there’s a Kindle edition too) I expect I’ll use it heavily.

Also new to my shelves this year: Top Chef contestant Korean-American chef Edward Lee’s Smoke and Pickles, which offers his fusion of Asian (mostly Korean but occasionally other cuisines like Filipino) flavors with classic Southern dishes, like his fried chicken, which he partially poaches first in a Filipino adobo vinegar mixture, or his seasonal kimchi recipes to replace the boring cole slaw on your table … Kevin Gillespie, the runner-up to the Bros Voltaggio on Top Chef’s epic season 6, put out a new book this spring called Pure Pork Awesomeness, which a reader was kind enough to send along; it’s all about the pig, with a lot of big, heavy dishes that are probably best suited to feeding a crowd … April Bloomfield’s A Girl and Her Pig has the duck fat-fried potato recipe that got my daughter hooked on the dish, as well as a good selection of staple sauces, dressings, and starches to go along with the numerous meat dishes, including some offal recipes, one of which (made from minced pig’s heart and liver, with bacon, onion, and breadcrumbs) can’t be named here.

Essentials

There are now two cookbooks that I insist any home cook have. One is the venerable Joy of Cooking, revised and altered through many editions (I own the 1997, now out of print), but still the go-to book for almost any common dish you’re likely to want to make. The recipes take a very easy-to-follow format, and the book assumes little to no experience or advanced technique. I still use it all the time, including their basic bread stuffing (dressing) recipe every Thanksgiving, altered just with the addition of a diced red bell pepper.

The other indisputable must-have cookbook is, of course, Ruhlman’s Twenty, by the best food writer going today, Michael Ruhlman. The book comprises twenty chapters, each on a technique or core ingredient, with a hundred recipes, lots of essays to explain key concepts or methods, and photographs to help you understand what you’re cooking. It’s my most-used cookbook, the first cookbook gift I give to anyone looking to start a collection, and an absolute pleasure to read and re-read. Favorite recipes include the seared pork tenderloin with butter and more butter; the cured salmon; the homemade mayonnaise (forget the stuff in the jar, it’s a pale imitation); the pulled pork; all three duck recipes; the scrambled eggs with goat cheese (using a modified double-boiler method, so you get something more like custard than rubber); and the homemade bacon. I’m trying his weekday coq au vin recipe tonight, too. Many of these recipes appear again in his more recent book, Egg: A Culinary Exploration of the World’s Most Versatile Ingredient, along with more egg basics and a lot of great dessert recipes; and Twenty itself builds on Ruhlman’s Ratio, which shows you master formulas for things like doughs and sauces so you can understand the fundamentals of each recipe and extend as you see fit.

I’ve long recommended Baking Illustrated as the perfect one-book kitchen reference for all things baked – cookies, cakes, pies, breads, and more. It’s full of standards, tested to ensure that they will work the first time. You’ll need a scale to get maximum use from the book. I use their pie crust recipe, their peach pie recipe, their snickerdoodles recipe (kids love it, but moms seem to love it even more…), and I really want to try their sticky toffee pudding recipe. The prose can be a little cloying, but I skip most of that and go right to the recipes because I know they’ll succeed the first time. That link will get you the original book from the secondary market; it has been rewritten from scratch and titled The Cook’s Illustrated Baking Book, but I can’t vouch for it as I haven’t seen the new text.

If I know someone already has Ruhlman’s Twenty, my next gift choice for them is Nigel Slater’s Tender: A Cook and His Vegetable Patch, a book about vegetables but not strictly vegetarian. (There’s a lot of bacon here.) Each vegetable gets its own section, with explanations on how to grow it, how to choose it at the market, a half-dozen or more basic ways to cook it, and then a bunch of specific recipes, some of which are just a paragraph and some of which are a full page with glorious pictures accompanying them. The stuffed peppers with ground pork is a near-weekly occurrence in this house, and the warm pumpkin scone is the only good reason to buy and cook an actual pumpkin. I own but have barely cooked from his sequel on fruit, Ripe: A Cook in the Orchard.

You know, a lot of people will tell you go get Julia Child’s classic books on French cuisine, but I find the one I have (Mastering the Art) to be dated and maddeningly unspecific. Julia’s Kitchen Wisdom is a slimmer, much more useful book that focuses on the basics – her explanation of vinaigrettes is still the gold standard, and her gift for distilling recipes and techniques into simple little explanations shines here without the fuss of three-day recipes for coq au vin. Oh, that’s in here too, but she does it in two and a half hours.

Experts

The The Flavor Bible isn’t actually a cookbook, but a giant cross-referencing guide where each ingredient comes with a list of complementary ingredients or flavors, as selected by a wide range of chefs the authors interviewed to assemble the book. It’s the book you want to pull out when your neighbor gives you a few handfuls of kale or your local grocery store puts zucchini on sale and you don’t know what to do with them. Or maybe you’re just tired of making salmon the same way and need some fresh ideas. The book doesn’t tell you how to cook anything, just what else to put on the plate. Spoiler: Bacon and butter go with just about everything.

Yotam Ottolenghi’s Plenty is an outstanding vegetable-focused cookbook that uses no meat ingredients (but does use dairy and eggs), although Ottolenghi’s restaurant uses meats and he offers a few suggestions on pairing his recipes with meat dishes. The recipes here are longer and require a higher skill level than those in Tender, but they’re restaurant-quality in flavor and presentation, including a mushroom ragout that I love as a main course over pappardelle with a poached egg (or two) on top and my favorite recipe for preparing Belgian endives (a pinch of sugar goes a long way). As of this writing, the kindle edition is only $7.28, over 60% off the hardcover price.

Thomas Keller’s Bouchon Bakery is is easily the best baking book I’ve ever seen, but unlike Baking Illustrated, the recipes are written for people who are more skilled and incredibly serious about baking. Ingredients are measured to the gram, and the recipes assume a full range of techniques. It has the best macaron recipe I’ve ever found – close second is I Love Macarons, suggested to me by Richard Blais’ pastry chef at the Spence, Andrea Litvin – and the Bouchon book also the homemade Oreo recipe I made for Halloween (but you need black cocoa and real white chocolate to do it right).

Bobby Flay has an absurd number of cookbooks out there, but the one I like is from his flagship restaurant Mesa Grill, which includes the signature items (including the blue and yellow cornbread) and a broad cross-section of dishes. There’s no instruction here at all, however, just a lot of recipes, many of which have an absurdly long list of ingredients.

For the really hardcore, Harold McGee’s On Food and Cooking: The Science and Lore of the Kitchen is an essential kitchen reference, full of explanations of the chemistry of cooking that will make you a smarter cook and help you troubleshoot many problems at the stove. I haven’t read it straight through – it’s 700-plus pages – but I’ll go to the index and pull out some wisdom as needed. It also explains why some people (coughmecough) never acquired the taste for strongly-flavored cheeses.

Top Chef Division

Richard Blais’ Try This at Home has become a staple in my kitchen both for about a half-dozen specific recipes in here that we love (his sweet potato gnocchi are now a Thanksgiving tradition for us; the lemon curd chicken is at least a twice-a-month dish around here and perfect for guests) and for the creativity it inspires. Blais has lots of asides on techniques and ingredients, and if you actually read the text instead of just blindly following the recipes, you’ll get a sense of the extensibility of the basic formulas within the book, even though he isn’t as explicit about it as Ruhlman is.

Hugh Acheson’s first book, A New Turn in the South, and Top Chef season one winner Harold Dieterle’s Harold Dieterle’s Kitchen Notebook have both recently entered my cookbook rotation as well. Acheson’s book reads the way he speaks – there’s a lightly sardonic aspect to much of his writing so that it comes off more like you’re hanging out with the guy, talking food, rather than taking instruction. His bacon-wrapped whole fish recipe is unbelievable, more for the powerful aromatics (winner, best use of fennel) than for the bacon itself. Dieterle’s book requires a lot of harder-to-find ingredients, but his side essays on specific ingredients run from the mundane to the esoteric and drop a ton of knowledge on how to choose and how to use. My particular struggle with both books is that they use a lot of seafood, with Dieterle’s including a ton of shellfish; my wife is allergic to shellfish, so I don’t even bring that into the house any more, which requires some substitutions and means there are some recipes I just have to set aside.

Bread

I’ve owned and given away or sold a lot of bread-baking books, because nothing has been able to beat the two masterworks by baker/instructor Peter Reinhart, The Bread Baker’s Apprentice and Whole Grain Breads. Reinhart’s books teach you how to make artisan or old-world breads using various starters, from overnight bigas to wild-yeast starters you can grow and culture on your countertop. If that seems like a little much, his Artisan Breads Every Day takes it down a notch for the novice baker, with a lot of the same recipes presented in a simpler manner, without so much emphasis on baker’s formulas.

And finally, while it’s not a cookbook, Anthony Bourdain’s first book, Kitchen Confidential, is just $3.99 right now for Kindle, and it’s a riot regardless of whether you like to cook.

Cookbook recommendations, 2014.

I can never decide whether to copy and update last year’s post or to rewrite it from scratch, but this year chose the latter course of action to try to reflect how I’m cooking and using cookbooks right now in my (brand-new!) kitchen. I’ve grouped them into categories: The essentials, which any home cook regardless of experience level should own; the advanced books for expert home cooks; a few cookbooks from Top Chef-affiliated folks that I recommend; and bread-baking books, all by one author because I’ve never needed any others.

Essentials

There are now two cookbooks that I insist any home cook have. One is the venerable Joy of Cooking, revised and altered through many editions (I own the 1997, now out of print), but still the go-to book for almost any common dish you’re likely to want to make. The recipes take a very easy-to-follow format, and the book assumes little to no experience or advanced technique. I still use it all the time, including their basic bread stuffing (dressing) recipe every Thanksgiving, altered just with the addition of a diced red bell pepper.

The other indisputable must-have cookbook is, of course, Ruhlman’s Twenty, by the best food writer going today, Michael Ruhlman. The book comprises twenty chapters, each on a technique or core ingredient, with a hundred recipes, lots of essays to explain key concepts or methods, and photographs to help you understand what you’re cooking. It’s my most-used cookbook, the first cookbook gift I give to anyone looking to start a collection, and an absolute pleasure to read and re-read. Favorite recipes include the seared pork tenderloin with butter and more butter; the cured salmon; the homemade mayonnaise (forget the stuff in the jar, it’s a pale imitation); the pulled pork; all three duck recipes; the scrambled eggs with goat cheese (using a modified double-boiler method, so you get something more like custard than rubber); and the homemade bacon. I’m trying his weekday coq au vin recipe tonight, too. Many of these recipes appear again in his more recent book, Egg: A Culinary Exploration of the World’s Most Versatile Ingredient, along with more egg basics and a lot of great dessert recipes; and Twenty itself builds on Ruhlman’s Ratio, which shows you master formulas for things like doughs and sauces so you can understand the fundamentals of each recipe and extend as you see fit.

Baking Illustrated is the perfect one-book kitchen reference for all things baked – cookies, cakes, pies, breads, and more. It’s full of standards, tested to ensure that they will work the first time. You’ll need a scale to get maximum use from the book. I use their pie crust recipe, their peach pie recipe, their snickerdoodles recipe (kids love it, but moms seem to love it even more…), and I really want to try their sticky toffee pudding recipe. The prose can be a little cloying, but I skip most of that and go right to the recipes because I know they’ll succeed the first time.

If I know someone already has Ruhlman’s Twenty, my next gift choice for them is Nigel Slater’s Tender: A Cook and His Vegetable Patch, a book about vegetables but not strictly vegetarian. (There’s a lot of bacon here.) Each vegetable gets its own section, with explanations on how to grow it, how to choose it at the market, a half-dozen or more basic ways to cook it, and then a bunch of specific recipes, some of which are just a paragraph and some of which are a full page with glorious pictures accompanying them. The stuffed peppers with ground pork is a near-weekly occurrence in this house, and the warm pumpkin scone is the only good reason to buy and cook an actual pumpkin. I own but have yet to cook from his sequel on fruit, Ripe: A Cook in the Orchard.

You know, a lot of people will tell you go get Julia Child’s classic books on French cuisine, but I find the one I have (Mastering the Art) to be dated and maddeningly unspecific in its directions. Julia’s Kitchen Wisdom is a slimmer, much more useful book that focuses on the basics – her explanation of vinaigrettes is still the gold standard, and her gift for distilling recipes and techniques into simple little explanations shines here without the fuss of three-day recipes for coq au vin. Oh, that’s in here too, but she does it in two and a half hours.

Experts

The Flavor Bible isn’t actually a cookbook, but a giant cross-referencing guide where each ingredient comes with a list of complementary ingredients or flavors, as selected by a wide range of chefs the authors interviewed to assemble the book. It’s the book you want to pull out when your neighbor gives you a few handfuls of kale or your local grocery store puts zucchini on sale and you don’t know what to do with them. Or maybe you’re just tired of making salmon the same way and need some fresh ideas. The book doesn’t tell you how to cook anything, just what else to put on the plate. Spoiler: Bacon and butter go with just about everything. I gave a lot more detail on this book in last year’s guide.

Yotam Ottolenghi’s Plenty is an outstanding vegetable-focused cookbook that uses no meat ingredients (but does use dairy and eggs), although Ottolenghi’s restaurant uses meats and he offers a few suggestions on pairing his recipes with meat dishes. The recipes here are longer and require a higher skill level than those in Tender, but they’re restaurant-quality in flavor and presentation, including a mushroom ragout that I love as a main course over pappardelle with a poached egg (or two) on top and my favorite recipe for preparing Belgian endives (a pinch of sugar goes a long way). As of this writing, the kindle edition is only $2.99, over 90% off the hardcover price.

Thomas Keller’s Bouchon Bakery is is easily the best baking book I’ve ever seen, but unlike Baking Illustrated, the recipes are written for people who are more skilled and incredibly serious about baking. Ingredients are measured to the gram, and the recipes assume a full range of techniques. It has the best macaron recipe I’ve ever found – close second is I Love Macarons, suggested to me by Richard Blais’ pastry chef at the Spence, Andrea Litvin – and has the homemade Oreo recipe I made for Halloween (but you need black cocoa and real white chocolate to do it right).

Bobby Flay has an absurd number of cookbooks out there, but the one I like is from his flagship restaurant Mesa Grill, which includes the signature items (including the blue and yellow cornbread) and a broad cross-section of dishes. There’s no instruction here at all, however, just a lot of recipes, many of which have an absurdly long list of ingredients.

For the really hardcore, Harold McGee’s On Food and Cooking: The Science and Lore of the Kitchen is an essential kitchen reference, full of explanations of the chemistry of cooking that will make you a smarter cook and help you troubleshoot many problems at the stove. I haven’t read it straight through – it’s 700-plus pages – but I’ll go to the index and pull out some wisdom as needed. It also explains why some people (coughmecough) never acquired the taste for strongly-flavored cheeses.

Top Chef Division

Richard Blais’ Try This at Home has become a staple in my kitchen both for about a half-dozen specific recipes in here that we love (his sweet potato gnocchi are now a Thanksgiving tradition for us; the lemon curd chicken is at least a twice-a-month dish around here and perfect for guests) and for the creativity it inspires. Blais has lots of asides on techniques and ingredients, and if you actually read the text instead of just blindly following the recipes, you’ll get a sense of the extensibility of the basic formulas within the book, even though he isn’t as explicit about it as Ruhlman is.

Top Chef judge Hugh Acheson’s A New Turn in the South and season one winner Harold Dieterle’s Kitchen Notebook have both recently entered my cookbook rotation as well. Acheson’s book reads the way he speaks – there’s a lightly sardonic aspect to much of his writing so that it comes off more like you’re hanging out with the guy, talking food, rather than taking instruction. His bacon-wrapped whole fish recipe is unbelievable, more for the powerful aromatics (winner, best use of fennel) than for the bacon itself. Dieterle’s book requires a lot of harder-to-find ingredients, but his side essays on specific ingredients run from the mundane to the esoteric and drop a ton of knowledge on how to choose and how to use. My particular struggle with both books is that they use a lot of seafood, with Dieterle’s including a ton of shellfish; my wife is allergic to shellfish, so I don’t even bring that into the house any more, which requires some substitutions and means there are some recipes I just have to set aside.

I’ll mention here that several readers have suggested Edward Lee’s Smoke and Pickles to me as one of the best of the many Top Chef contestant books out there, but I do not currently own it.

Bread

I’ve owned and given away or sold a lot of bread-baking books, because nothing has been able to beat the two masterworks by baker/instructor Peter Reinhart, The Bread Baker’s Apprentice and Whole Grain Breads. Reinhart’s books teach you how to make artisan or old-world breads using various starters, from overnight bigas to wild-yeast starters you can grow and culture on your countertop. If that seems like a little much, his Artisan Breads Every Day takes it down a notch for the novice baker, with a lot of the same recipes presented in a simpler manner, without so much emphasis on baker’s formulas. His pizza dough recipes are fantastic, and unlike a lot of the crap I’ve found online or in other books, you don’t need any sugar to make them.

And finally, while it’s not a cookbook, Anthony Bourdain’s first book, Kitchen Confidential, is just $2.99 right now for Kindle, and it’s a riot regardless of whether you like to cook.

Ruhlman’s Egg.

Chris Crawford and I posted a (too-early) ranking of the top 30 prospects for the 2015 MLB draft, plus some honorable mentions. This isn’t a mock draft or projection, which I won’t do until May of next year. It’s just a ranking. And it’s too early to get all twitchy about it. But please read it anyway.

When Michael Ruhlman publishes a cookbook of any sort, I pay attention. My favorite food writer not only writes beautifully but approaches cooking methodically, thinking in ratios and master formulas, approaching food from standpoint of science. If, like me, you were reared in the kitchen on the shows of Alton Brown, you need to read the works of Michael Ruhlman as the next step in your culinary education.

Ruhlman’s Egg: A Culinary Exploration of the World’s Most Versatile Ingredient came out earlier this year, and it is devoted to that one indispensable ingredient, the one item in your fridge that really ties the whole room together. He approaches the egg from every angle, all the different ways you can prepare it on its own or use it as a building block in other recipes. That means you get instructions for all of the basic egg dishes – fried, poached, scrambled, hard- and soft-boiled, shirred, baked, and more. Ruhlman’s poaching technique is one I haven’t seen before, and it is easier to anything I’ve tried before, with better results.

The real value in the book, though, is the long list of techniques and recipes that use the egg as a building block. You’ve got the ones you’d expect – the hollaindaise (traditional and blender), the mayonnaise, the meringue, the custards – but also a huge series of dishes, especially cakes and desserts, that all rely on the egg for structure, emulsification, leavening, or cohesion. So while the book is about the egg, both how it works and how to use it, you’re getting a slew of useful recipes to put them to immediate use.

I’ve tried a handful of recipes already, with the typical high rate of success I’ve had from every Ruhlman cookbook I own. I posted a photo the other day of the corn-red pepper fritters I made from this book, a recipe that depends on the proteins in the egg to hold the batter together. Ruhlman’s a big fan of frying – responsibly, of course, working fast at a high temperature and getting the goods out before all the moisture is gone and they become sponges for oil. These fritters use a small amount of flour…

The dipping sauce is a chipotle-lime mayonnaise that you can make with store-bought mayo or with Ruhlman’s very simple homemade mayo recipe, which takes two minutes of whisking and will change everything you ever thought about mayonnaise. (I hate the stuff in the jar, but homemade is a sauce.) It’s also a great base for a long list of spreads or dips, many of which Ruhlman suggests.

The biggest hit in the house was the rum-soaked cherry and almond bread, even though I had a few small issues with the execution. You soak dried sour cherries in rum (!), then mix the dry ingredients except the baking powder with the wet and let it sit overnight. Then you add the baking powder and the cherries, drained and dusted with flour, and top the loaf with a streusel of sugar, butter, and a mix of flour and almond meal. The flavors are great, with cherry and almond a natural combination, but despite the flouring the cherries sank to the bottom of the loaf, and the streusel didn’t brown properly – in fact, some of the batter puffed up through it and pushed it out of the pan. We still loved the taste and the quick-bread texture with the crisp crust; next time I’ll try it without the overnight rest.

A close second: the potato-onion frittata, easily the best frittata I’ve ever made and probably the best I’ve ever eaten. The technique is simple, but Ruhlman’s instructions are precise, and the contrasting textures between the potato and egg made it something between a frittata and a Spanish tortilla. It’s a highly extensible recipe – swap out the vegetables, the cheese (his recipe called for cheddar, but I used gruyère), the herbs, whatever. If you have six eggs and a good skillet, you can figure the rest out.

Ruhlman also includes a duck hash recipe that calls for a poached duck egg, a delicacy I have not yet spotted at any farmer’s market here or at Whole Foods. The hash itself is glorious – chopped duck confit (or braised duck legs if you prefer) with potatoes and onions and some herbs to finish it. It’s also extensible; hashes are, by nature, a way to use what’s left over in the fridge.

What I have not yet gotten to try from Egg is the lengthy list of desserts, some rather decadent. You’ve got your profiteroles and your brownies, of course, but you’ve also got chocolate/mocha cake, coconut cream cake, mango-lime semifreddo, bourbon brioche bread pudding, île flottante, and chocolate espresso Kahlua souffle. There’s also yet another recipe for homemade marshmallows, this one using honey rather than liquid glucose, which I assume is to keep the sugar syrup from crystallizing while you cook it to the soft-crack stage. So, needless to say, I still have some work to do.

If you don’t have Ruhlman’s Twenty, I’d suggest you get that before you pick up Egg, but really you should own both and Ruhlman’s Ratio too.

As a side note, amazon (to whom I always link, as their affiliate program provides nearly all the income I earn from this site, because I don’t and won’t belong to any ad services) is in a lengthy dispute with Ruhlman’s publisher, Little Brown/Hachette, over ebook pricing. You can buy the Kindle edition for $15, but if you want an indie bookstore option, you can buy Egg through that link, which uses a pretty new independent bookstore affiliate program I’m trying out. I’m still pretty pro-amazon in general, but if you who want to go a different route for ethical reasons, here’s an option.

Cookbook recommendations, 2013.

I’ve only made small edits and additions to this post, which first appeared in November of 2012. The most significant change is the inclusion of two new books, including Richard Blais’ first cookbook, which I review towards the end of the post.

If you want the quick-and-dirty shopping list version, here are three cookbooks I am always buying as gifts, especially for newlyweds who tell me they don’t really know how to cook:

  • Ruhlman’s Twenty: 20 Techniques, 100 Recipes, A Cook’s Manifesto
  • Joy of Cooking (1997 edition)
  • Baking Illustrated
  • I’m often asked to recommend a cookbook for readers – maybe for a novice, maybe as a wedding gift for someone, maybe for someone changing his/her diet – but I haven’t done an omnibus cookbook post in two years. With a few really strong new ones entering my collection this year, it seemed like a good time to revisit the subject.

    Just for background, I’m mostly a self-taught home cook. I’ve never taken a cooking class. When I was in grad school, I was free every day around 2 or 3 pm, while my wife, a preschool teacher at the time, would get home at 5:30 and be exhausted, assuming she hadn’t caught one virus or another from the kids, so I took over the cooking. At first, I was pretty awful at it, both in terms of the end product and in my capacity to injure myself through fire or blade. I must have really enjoyed the process, though, because as opposed to my usual habit of giving up on anything I wasn’t good at the first time, I decided to figure out how not to suck at cooking.

    My two main sources of early cooking instruction were Alton Brown’s Good Eats TV series and the 1997 edition of the classic American cookbook Joy of Cooking. With Good Eats airing in repeats on the Food Network and the Cooking Channel, you can just set up your DVR to record them rather than buying the overpriced DVD sets, but the companion books, starting with Good Eats: The Early Years, are worth owning for the revised (usually re-tested) recipes and the commentary on each episode. Brown’s techniques always revolve around sound science and increased efficiency, whether it’s a faster way of doing something or a way to reuse an existing kitchen tool for a new purpose. He’s goofy – belching yeast sock-puppets are just never not funny – but always educational. And of all of his recipes that I’ve tried (more than I can count), only one, the squash dumplings, didn’t work for me, and that was fixed in the companion book.

    Joy of Cooking is always my first recommendation for people who are either just learning to cook or who are looking for one cookbook to rule them all. There are many editions available and there are some wide variations from one to the next, but the ’97 version has served me extremely well for its tremendous breadth of recipes – that’s still my go-to book even for Italian classics like pesto Genovese or shrimp scampi – and for the clear, logical recipes. For this edition, the publisher hired food writers to rewrite most of the recipes in the book, losing the folksy prose that charmed readers of earlier editions, but ensuring that the recipes were easy to follow and worked properly. Each recipe in Joy lists the ingredients in bold face at the point in the recipe where they’re used, rather than listing them all at the top. If you don’t succumb to the temptation to skip your mise en place – prepping and measuring ingredients before you start any cooking – this makes it much easier to follow the recipes and reduces the odds that you’ll skip an ingredient.

    If you’re interested in preserving fruits or vegetables, I have used Joy of Cooking: All About Canning & Preserving for nearly a decade. It’s out of print but amazon has used copies for $4 and up at that link.

    The new essential cookbook that I recommend to readers of any experience level is Ruhlman’s Twenty: 20 Techniques, 100 Recipes, A Cook’s Manifesto, a book I own myself and have given away as a gift. Its recipes require a slightly higher skill level than Joy, but Ruhlman’s twenty section essays – on basic techniques like poaching, braising, and frying, or core ingredients like onions, eggs, and salt – build up your knowledge on each subejct from the ground up. It’s the kind of book that might intimidate a rookie but, if you try some of the recipes, will leave you impressed with your own capabilities. I reviewed Ruhlman’s Twenty in full last November.

    (I should say I’m a firm believer in the adage that if you can read, you can cook. Cooking is not an innate skill that some of us have and some of us lack. It takes attention, it takes patience, it helps if you understand some basic math and science, but at its heart, cooking is about following instructions. Follow those, and you’ll produce something worth eating.)

    Ruhlman’s earlier book, Ratio: The Simple Codes Behind the Craft of Everyday Cooking, is another must-have but is for intermediate home cooks and above because it makes assumptions about the reader’s experience and comfort level with certain techniques or foods. The book’s recipes are largely presented as ratios that can be scaled up to produce the desired quantity. If you want to make biscuits, you need 3 parts flour to 1 part fat to 2 parts liquid. The specifics are largely up to you, and there are brief discussions of your options, but again, Ruhlman is largely assuming you know how a biscuit or a Hollandaise or pâte à choux and is describing each recipe in terms of its foundation.

    For anyone looking to eat more vegetables, whether or not you’re a vegetarian, I now have two strong recommendations. One is Yotam Ottolenghi’s Plenty, which I reviewed in September. Ottolenghi isn’t a vegetarian but every recipe in this book is, with vegetables always the star ingredients, often augmented by butter and/or cheese, but mostly prepared in ways that evoke the essential flavors of the central vegetable. Cutting and browning endives in butter and a little sugar before coating them with cheese and bread crumbs and baking them helps bring out some of this chicory relative’s sugars while taming its strong bitter flavors to a point where the cheese (gruyere or talleggio) can at least compete for your attention. I’ve also found his mixed sauteed mushroom recipe, with soft goat cheese used in lieu of sour cream, to be a great hearty sauce over fresh whole-wheat papparedelle for a warm winter main course.

    The other vegetable-centric cookbook is Nigel Slater’s Tender, easily the most beautifully shot cookbook in my collection. Slater is a very famous food writer in England who has just a small cult following here, but Tender deserves a much wider audience for its focus on vegetables from seed to table. His gardening advice hasn’t helped me much because you can’t get a much wider gap between soil types than England and Arizona, but his dishes, many of which do contain meat but still accentuate the vegetables, are subtle showstoppers, turning some very ordinary veg – the more mundane and kid-unfriendly the plant, the more Slater seems to adore it – into warm, glowing, gorgeous dishes. Tender is the book that got me to buy and cook an actual pumpkin (not from a can), a process that, with about a tablespoon of added brown sugar led to this:

    For the advanced home cook – or even the professional – in your life, go for The Flavor Bible, which isn’t a cookbook at all. The authors, Karen Page and Andrew Dornenburg, interviewed dozens of professional chefs about what ingredients went well together, and tabulated the results in this book. Look up an ingredient in The Flavor Bible and you’ll find a long list of good partners, with ingredients that were mentioned more often earning bolded entries. For example, parsnips are in season right now in much of the country, and the parsnip entry first says they should always be cooked, and work well when baked, boiled, braised, fried, grilled, mashed, pureed, roasted, or steamed. When the authors asked chefs about parsnips, the most-mentioned ingredients were butter (including browned butter) and nutmeg, both appearing in bold, capital letters. Bolded entries, mentioned less often than those two ingredients, include apples, chives, cream, curry, garlic, ginger, maple syrup, olive oil, parsley (a relative of parsnip and carrots), pepper, potatoes, sage, salt (duh), brown sugar, thyme, and root vegetables. The entry also includes about fifty other ingredients that work well with parsnip and were mentioned at least once by the interviewed chefs, and then concludes with five “flavor affinities,” combinations like parsnips + honey + mustard or parsnips + butter + cream + potatoes. Some entries have “Holy Grail” pairings, marked with an asterisk and mentioned by a large portion of the chefs they interviewed, like plums and Armagnac or lamb and rosemary, and some entries have “avoid” sections, like parsley and dessert. There are even sections for national cuisines – if you want to know what flavors work well in Afghan or Eastern European cuisines, for example, they’ve got you covered. What The Flavor Bible doesn’t do, however, is tell you what to do with these pairings. There are assorted quotes from celebrity chefs describing specific dishes, but the book contains no recipes. They assume you have the recipes and techniques and are looking for inspiration.

    The best book I’ve found for desserts, and one of only two America’s Test Kitchen books I own, is Baking Illustrated, which has most of the basic desserts you’d want to make, including a pie crust (for lattice tops, like the one in my Twitter avatar, but functional in any pie) that works as reliably as any I’ve ever tried. The writing can be cloying, especially when they go into more detail on failed kitchen experiments than I ever needed (if you’re going to describe something that didn’t work, at least make it funny), but the recipes work and their pumpkin pie is bar none the best I have ever tasted, one I make at least once every year.

    For bread baking, I am an unabashed acolyte of Peter Reinhart and own several of his books, including The Bread Baker’s Apprentice, Whole Grain Breads (most of the same breads as the first book, but in whole-wheat, multi-grain, and 50/50 variations), and the more accessible Artisan Breads Every Day. His pizza doughs are pretty foolproof; I add a tablespoon of vital wheat gluten to his 100% whole wheat pizza dough and it’s strong enough to stretch it to translucency without tearing. (Sometimes I tear it anyway because I’m clumsy like that.) His pain a l’ancienne white-flour baguettes from The Bread Baker’s Apprentice are absurdly easy if you have a stand mixer or food processor (this $100 Cuisinart model is the current version of the one I’ve used for fifteen years) and never fail to get raves when I bring them to friends. I’ve made his focaccia, his cinnamon rolls, his struan, his challah, his pitas, and his wild yeast starter, which I kept going for about a year and a half until we packed up the house in Massachusetts. His books even have recipes for international breads like pumpernickel, panettone, hutzelbrot, and stollen, as well as Ethiopian injera and crackers like lavash and graham. Go with Artisan if you’re a bread-baking rookie, or the others if you have more experience or want books that will focus on baker’s ratios and allow for more ingredient substitutions. I reviewed the first two books at length back in 2009.

    Three more quick recommendations:

    * If you’re adventurous in the kitchen, or if like me you’re a Top Chef fan, I highly recommend Richard Blais’ Try This at Home: Recipes from My Head to Your Plate, which I reviewed earlier this year. Blais’ style in his two runs on the show was highly inventive and sometimes just plain strange, but in a good way, and the cookbook mirrors a lot of that style. Our two favorites by far are his lemon-curd roast chicken (which later becomes a pressed chicken terrine, also found in the book) and his sweet potato gnocchi, the latter of which is the only way my daughter will eat sweet potatoes – and which she loves to mix and roll out with me. There’s also an extensive seafood section that I haven’t explored due to my wife’s allergy to shellfish, and Blais also starts with a number of condiments and side items like various pickled vegetables, sauces, vinaigrettes, and smoked items that you wouldn’t normally smoke, including aioli (mayonnaise). It’s a lot of fun but does assume at least a moderate skill level in the kitchen.

    * If you have a slow cooker, go with ATK’s Slow Cooker Revolution. I don’t own the full book, but have a magazine version they sold when the book first came out, including about a third of the main book’s recipes, and they’ve all worked on the first try, including a surprisingly flavorful bolognese sauce that makes enough to freeze for one or two future meals (you lose a little texture, but the flavors remain strong), a beef burgundy stew that gave us about three dinners’ worth, and a white chicken chili that is surprisingly low in fat.

    * I’ve recommended Julia Child’s slim $11 book Julia’s Kitchen Wisdom, which does, indeed, include wisdom from the woman who introduced America to French cooking, in the past because Child was so influential and important that she belongs on this list, but her most famous cookbooks are already dated. This book focuses on the bare essentials in the kitchen, including the basic vinaigrette formula I’ve been using for years, mother sauce formulas, simple instructions for roasting or braising major cuts of meat, souffles, breads, custard, and even baking-powder biscuits so you can make strawberry shortcakes.

    * A cookbook I’ve owned for a few months but haven’t been able to use much yet: Lucid Food: Cooking for an Eco-Conscious Life, by the Persian writer Louisa Shafia. Focused on seasonal, plant-based recipes, it’s more useful for side dishes than mains, and the flavor profiles tend toward the Mediterranean, Middle Eastern, and Persian ends of the scale, although she does include a number of east Asian ingredients including tofu, yuba, and agar-agar. Shafia also includes side notes on gardening, avoiding processed foods, and sustainable eating. If you’re concerned about matters like your carbon footprint or reducing your meat intake, it looks like an ideal book – but with the caveat that I have yet to begin my attack, starting with the Winter section.

    * Finally, two non-cooking books that are about food, written by very highly-regarded chefs: Yes, Chef by the Ethiopian-born, Swedish-raised chef (and Top Chef Masters winner) Marcus Samuelsson; and Blood, Bones, and Butter, by self-taught chef/entrepreneur Gabrielle Hamilton, one of the best non-fiction books I have ever read.

The Making of a Chef.

Today’s Klawchat transcript is up. I am planning to go to tonight’s Mets/D-backs game and hope to file something off it tomorrow.

The Culinary Institute of America has become the most prestigious cooking school in the country, expanding from a small, all-male class when it opened 66 years ago in New Haven, to a large campus in Hyde Park, New York, featuring four restaurants and a rolling calendar where a new set of students matriculates every three weeks. For the CIA’s 50th anniversary in 1996, writer Michael Ruhlman went through the curriculum as a student, albeit at an accelerated rate and without the required restaurant externship, and wrote a book about this first-hand experience. The Making of a Chef: Mastering Heat at the Culinary Institute of America became a best-seller and established Ruhlman as one of the top food writers in the business, succeeding both because of its lively, energetic prose and because Ruhlman absorbed so much food knowledge while working his way through his classes.

Ruhlman refers to himself as an “undercover” student, although the faculty are aware of his presence and role, and he cooks right alongside the students, finding himself judged and graded as they are – and often defending himself when he’s not happy with the results. These classes range from basic knife skills to butchering to sauces to pastry, concluding with a 15-week run through the four on-campus restaurants run by the CIA, which range from family dining to formal and assign each student to a different station each day, forcing them to draw on all of their prior education.

Ruhlman’s great trick in this book is finding and conveying drama in what otherwise might seem the most mundane of tasks: The preparation of food. From early classes where the object is to beat the clock and achieve a good enough result for a demanding professor to later work in the restaurants, where students’ work is served to paying customers (and, occasionally, the school’s president or a visiting celebrity chef), Ruhlman manages to evoke a sense of urgency in the reader, turning dry material into compelling prose. He achieves this primarily through dialogue, letting his fellow students (and, often, himself) communicate their rising stress levels, rather than trying to explain it directly in a way that would likely sound trite to anyone who’s never spent time in a restaurant kitchen. There’s a recurring theme in the book about the need for chefs to push themselves harder and faster than they thought possible, something hard to imagine if you’re in a job that doesn’t have the same kind of time pressures.

He also uses the open question of what type of roux (a cooked combination of flour and fat, used as the base for many major sauces, as well as for gumbo) one should use to make the poorly-named “brown sauce,” which also relies on veal stock, aromatics, and tomatoes (usually as a paste) for flavor and then itself becomes a foundation for countless other sauces. There are two answers to the question, blond or brown, but the way in which each instructor answers the question reveals much about his/her philosophy of food and, perhaps more importantly to this book, philosophy of teaching about food. The lengthy discussion of the making of consomme follows a similar path – it is not sufficient to know what consomme is or how to make it; one must understand why making it so clear that the instructor can read the writing on a dime at the bottom of a gallon of this clarified meat stock matters.

Although Making of a Chef is a book about cooking, it’s not a cookbook – there are no recipes, nothing more specific than a general description of some fundamentals like brown sauce. The story is full of unusual characters, instructors and students, but none becomes a central figure and some of the students blink in and out of the story as they leave campus for their externships at high-end restaurants – a requirement for graduation at the CIA. It’s a book about an idea, that cooking, only recently seen as a highly respectable profession in the United States, can be codified and taught to the inexpert so that they can enter the world of haute cuisine and develop their own culinary concepts. It also details Ruhlman’s own intellectual evolution from someone who enjoys food to someone who understands it, appreciates it, and, fortunately for us, can write about it in an informative and eloquent way. For a book that would seem, on its face, to lack a compelling hook, it was very hard for me to put down.

I own four other books by Ruhlman, none better or more heavily used than Ruhlman’s Twenty, an absolutely essential cookbook that I reviewed in November. It goes through twenty ingredients or techniques that are key for any home cook, with numerous foolproof recipes that often include step-by-step instructions and photographs to help the less experienced reader.

Ruhlman’s Twenty.

(Edit, 5/9/12: Ruhlman’s Twenty just won the James Beard Award for Best Cookbook, General Cooking. Not that it needed the validation.)

I’ve mentioned Ruhlman’s Twenty: 20 Techniques 100 Recipes A Cook’s Manifesto a few times already, having talked to the author on the November 11th podcast, but held off on a full review until I’d had a chance to cook a few things from the book. I’ve tried five recipes so far, all hits, and given how informative and readable the surrounding text is, this has quickly become one of the most essential cookbooks I own.

The “Twenty” of the book’s title refers to twenty chapters, each revolving around a core cooking technique or, in a few cases, a critical ingredient such as salt, eggs, or onions, mastery of which is critical for success in the kitchen. I can’t think of anything a home cook would need to know that’s not covered somewhere in this book, and he runs from basic steps to advanced home-cooking techniques such as building egg white foams, mounting sauces with butter, and making confit with duck or lemons. But what has always set Ruhlman apart, aside from his conversational writing style, is that he drills down to the fundamentals behind a recipe. Each section has several pages of explanation, peppered with anecdotes or even quotes from chefs Ruhlman has worked with, and each recipe has more commentary. The one stir-frying recipe explains why restaurant stir-fries are different than anything you can produce at home, then gives six key tips for producing the best stir-fried dishes possible on your consumer-grade stove.

For Thanksgiving, I used two of the book’s three recipes involving duck, one in the chapter on acid (seared duck breasts with cranberry gastrique), the other in the chapter on braising (braised duck legs), and both were straightforward with excellent results. The legs couldn’t be easier – salt them the night before, sweat some aromatics in a pot, add the duck, white wine, thyme, and water just to cover, and braise in a 300 degree oven for three hours; I managed to keep one leg together for the photograph but the other was so tender that the meat fell off the bone when I tried to extract it from the pot. I brined the breasts overnight to keep them moist, since I tend to prefer duck breast closer to medium than the recommended medium-rare (it gets dry and tough when overcooked, and the brining at least slows down the drying-out); Ruhlman’s recipes should hammer home how easy it is to make duck at home, because searing the breasts requires nothing more complicated than cross cuts on the skin and heating up a single heavy skillet. Even the sauce was simple and produced a bright-red result with the sweet/sour profile that pairs extremely well with the lean, dark breast meat. (Mistral in Boston also serves a cranberry gastrique with its signature duck dish, although they roast a half-bird rather than braising the legs separately.) Using both recipes also allowed me to render about ¾ cup of fat from the two dishes, which I’ll deploy today or tomorrow on some Yukon Golds. The only hitch was that the sauce made by reducing the braising liquid from the legs, boosted with sherry vinegar and fish sauce (for umami), didn’t do much for me – and the leg meat didn’t need any help anyway.

I joked with Ruhlman that cooking scrambled eggs over simmering water, instead of directly over the heat source, was “crazy talk,” but the science behind it is pretty sound – it’s the same way you melt chocolate on the stovetop or make zabaglione (a thick custard of eggs and sweet marsala, beaten while sitting over simmering water). This method heats the food gently and slowly, preventing overcooking or scorching, and in the case of the eggs keeping the finished product soft. You have more time to develop curds, and unless you walk away or crank up the heat on the water, you’ll end up with a pile of soft, custardy eggs with a built-in sauce that is incredibly rich, with the texture of a dessert dish in a normally pedestrian breakfast food.

Ruhlman’s pan-roasted pork tenderloin uses one of my favorite techniques, what I learned as the “sear-roast” – sear it on the stovetop, finish in the oven – but boosts it through aggressive seasoning and frequent basting with a butter-garlic-thyme sauce that builds in the pan as you cook the meat. Pork tenderloin has become more popular (and more expensive) in recent years because, as the name implies, it’s naturally tender, since the muscle does virtually no work while the animal is still oinking. The downside is that it’s lean and dries out easily, so boosting it with butter as Ruhlman does makes perfect sense, while the sear-roast technique gives you substantial flavor from the Maillard reaction while allowing you to slow the cooking of the interior in the oven. One thing worth mentioning about the book that appears in this recipe is that Ruhlman assumes some basic familiarity with many ingredients – for example, he explains here that you might want to deal with the tapered end of the tenderloin to prevent overcooking, but doesn’t discuss trimming the tough and extremely annoying silverskin, which can cause the meat to curl during cooking. I don’t see that as an oversight, but it might make Ruhlman’s Twenty a bit intimidating as a first cookbook.

The flip side of that assumption is that Ruhlman also assumes some intelligence and aspirations on the part of the reader. The recipes work if you follow them step-by-step, but when you read the text around them and at the head of each chapter, you build your understanding of the twenty techniques to the point where the recipes become guidelines; in that respect, this book has more in common with his slim but essential volume Ratio, which distilled numerous recipes for baked goods, stocks, and sauces to ratios of core ingredients to allow for endless improvisations.

One great example of that is the two-step pan sauce for roasted chicken, which starts with a basic “rustic” sauce using just white wine, onion, and carrot (the last two are “aromatics”), then adds a second step if you want a “refined” sauce that uses butter, shallot, and herbs, finishing with the optional lemon juice and/or mustard. You can build almost any pan sauce from that framework; the only essential ingredient is the butter, and perhaps the shallot, but you can substitute or add aromatics or herbs, or use a different deglazing liquid. I did it straight, just switching around some herbs based on what I had in the house, and it was among the best pan sauces I’ve ever made, in part because Ruhlman has you deglaze and reduce multiple times to intensify the flavors in the aromatics. Do it his way once (and read the surrounding text) and you’ll understand the reasons behind each step, making you the master of the recipe the second time around.

I should also mention that the photography in Ruhlman’s Twenty is off the charts – these are photographs that will make you want to head for the kitchen, right from the first recipe, sage-garlic-brined pork chops (breaded, pan-fried, and finished with a butter-caper sauce, with the rest of the recipe on page 315). The braised lamb shank photo is beautiful enough that I thought briefly about eating lamb again – and that recipe includes eighteen clear photos to take you through the recipe step by step.

Podcast and Michael Ruhlman’s books.

I did a solo Baseball Today podcast today, featuring Joe Sheehan talking free agency with me (including a diversion on the way teams view the catching position) and Michael Ruhlman talking food.

Michael’s newest book is Ruhlman’s Twenty: 20 Techniques 100 Recipes A Cook’s Manifesto, an absolute must-own (I say that having owned it for inside of 24 hours). It’s a cookbook, but it’s more like an instruction manual for your kitchen, emphasizing fundamental techniques that will make everyone a better cook.

His previous cookbook, which also gets at fundamentals, was the indispensable Ratio: The Simple Codes Behind the Craft of Everyday Cooking, which I reviewed early last year.

Michael first entered the world of food writing not as a cookbook author, but as a writer of food stories, especially those around chefs and chef culture, including The Soul of a Chef: The Journey Toward Perfection (reviewed here) and The Making of a Chef: Mastering Heat at the Culinary Institute of America, the latter of which is the book Michael mentioned on the show that had him shadowing students at the Culinary Institute of America and eventually cooking alongside them.

And, of course, Michael has co-authored several cookbooks with uberchef Thomas Keller, including the cookbook for Keller’s flagship restaurant, The French Laundry Cookbook. I’ve never seen this book myself, although there are several recipes from it in the back of Soul of a Chef that look amazing and intimidating all at once.

Finally, I recommend Michael’s blog for frequent recipes and ramblings on cooking, restaurants, and how we think about food.

The Soul of a Chef.

Michael Ruhlman’s Ratio remains one of the most essential cookbooks in my kitchen for its reliance on basic formulas rather than completed recipes – the core idea is that once a moderately experienced cook has the underlying ratio of a recipe, s/he can build up or embellish from there on his/her own. But Ruhlman first came to prominence as a food writer for a series of narrative non-fiction books on the American culinary scene as depicted through its chefs; one of those books, The Soul of a Chef: The Journey Toward Perfection, combines three mini-books into one volume that explores three different corners of this world.

Part one takes us through the Certified Master Chef exam, a controversial test that runs participants, most of whom are successful chefs but none of whom (at least in this telling) are celebrities, through the gamut of cuisines with a particular emphasis on French classical cooking; each candidate must pass every part to earn certification, although s/he can fail one section and retake it after the rest of the test is completed. Ruhlman weaves together the individual candidates’ experiences – mostly struggles – with discussions of the food and cuisines covered and some mentions of the disdain held for the exam in parts of the industry. Part two jumps to Michael Symon, at the time a rising star in Ruhlman’s native Cleveland but now a bona fide national celebrity who’s one of the Iron Chefs on Iron Chef America, taking us through a few weeks at his flagship restaurant, Lola, with a window on the beginnings of his emergence on the national food radar. (I’ve been to Lolita, a more casual restaurant Symon opened in Lola’s original space, and was very impressed, but clearly I need to get back to Cleveland to try Lola proper.) Part three is an inside look at Ruhlman’s work with French Laundry chef-owner Thomas Keller on the first of several cookbooks they would write together, probably the section with the least narrative greed but the most interesting food, as Ruhlman gets as far into Keller’s mind as anyone short of Dom Cobb could. (Also interesting was the name of one of the young chefs in Keller’s kitchen: Grant Achatz, today famous for his wildly inventive food at Alinea and for his battle with tongue cancer, about which he wrote in Life, on the Line.) Best of all, The Soul of a Chef concludes with recipes from all three of the primary chefs profiled in the book, including Symon’s signature corn crepes with BBQ duck confit and several of Keller’s best-known dishes from The French Laundry.

Ruhlman’s gift as a food writer is the way he combines strong storytelling with passion for and knowledge of great food. He went through the Culinary Institute of America’s program when writing The Making of a Chef and thus understands the fundamentals of professional cooking but also areas of cuisine now considered esoteric outside of the great restaurants, like forcemeats and terrines or offal, and can make these foods or techniques accessible to the lay reader. He will have you rooting for candidates in the CMC exam, and rooting for Symon to earn his restaurant, successful locally, more national notice that will boost him personally but also the Cleveland restaurant scene as a whole.

If there’s any real weakness to The Soul of a Chef – aside from the proofreading, which, while I am a huge Ruhlman fan, I must admit is not his strength – it’s the lack of any real tie between the three sections. They’re all chefs, they are all dedicated to their craft in a way that straddles the line between admirable and obsessive, and they do sit at three separate places on the scale of culinary celebrity (which I would not conflate with culinary success). But this book read like three non-fiction novellas, three very good ones that told compelling stories (Ruhlman infuses the visit to Lola by an influential national food writer with a ton of tension, almost as much as occurs naturally in the CMC section) and expanded my knowledge and/or understanding of food. I’m not even sure that that disconnect between the three sections is a flaw, but enter this book expecting a collection of very strong essays rather than a single 300-page narrative.

* Ruhlman now has a new cookbook out, called Ruhlman’s Twenty: 20 Techniques 100 Recipes A Cook’s Manifesto, but I haven’t seen it yet and probably won’t until deeper into the offseason. I’m just now working through Bobby Flay’s Mesa Grill Cookbook, which I bought after seeing it included recipes for everything I’ve had and liked at the restaurants of that name.

Michael Ruhlman’s Ratio + whole wheat pancakes.

Ratios liberate you – when you know the ratio and some basic techniques, then you can really start to cook.

That’s the final line of Michael Ruhlman’s Ratio: The Simple Codes Behind the Craft of Everyday Cooking, a cookbook that’s also part anti-cookbook in the way it attempts to separate you from your 1/8-tsp-this-and-1/2-cup-that recipes by addressing the underlying relationships between ingredients that make the recipes work. It’s worth buying even if you never get out of the Doughs and Batters section that opens the book, including master formulas for bread, pasta, pie crust, biscuits (his are rolled, but unrolled they are as tender as can be), cookies, pâte à choux, pancakes, muffins, fritters, crepes, and more. I’ve adapted his master pancake recipe to use 100% whole wheat flour* below, but if you do decide to buy the book, I suppose you might want to delve into later sections on stocks, roux, brines, vinaigrettes, hollandaise, and custards. I’m just saying the first section is the part I’m wearing out.

*I love white-flour pancakes, but let’s face it – you feel like crap after eating a whole stack of them. Pancakes have a high glycemic load, and good ones contain a fair amount of fat, so to me, they function more like dessert than breakfast. If I’m making pancakes for the family for breakfast, it needs to be a kind that won’t put us all in a food coma for the rest of the day. It reminds me of a line in the very silly too-good-to-be-true travel memoir Pasquale’s Nose, where a crazy old man has just one sentence to say: “Nobody ever feels good after eating pancakes.”

Whole wheat pancakes

Ruhlman’s recipe is identical to this one save an extra half-ounce of flour, since he’s using white all-purpose flour instead of whole wheat. These freeze and reheat well – cool completely on a rack, freeze in a flat layer (if you stack them in a bag before they freeze, you’ll need a jackhammer to separate them), then reheat in the microwave for about 40 seconds, or reheat for 30 seconds, top with cold syrup, and give it another 10 seconds to heat it through.

Wet ingredients:
8 ounces milk (anything but skim)
2 large eggs
2 ounces (1/2 stick) butter, melted
1 tsp vanilla extract

Dry ingredients

7.5 ounces (by weight) whole wheat flour
2 Tbsp sugar
2 tsp baking powder
1 tsp salt

1. Preheat your griddle. It has to be completely hot or the first batch of pancakes won’t brown.
2. Whisk the wet ingredients together in a bowl, making sure the egg is thoroughly broken up.
3. Whisk the dry ingredients together in a second bowl.
4. Pour the wet ingredients into the dry and stir briefly to fully hydrate the flour and eliminate any huge lumps. Small lumps are okay.
5. Lightly grease the griddle and immediately begin pouring the batter on to the griddle once any sizzling (of butter or bacon fat) has stopped.
6. When the bubbling on the top becomes firm and the bottom is nicely browned, flip and cook for roughly half the time it took for the first side to cook.

These pancakes are strong enough to handle anything you’d fold into ordinary pancake batter, but I haven’t found a better partner for the nutty, grainy, slightly cardboardy taste of whole wheat than sweet blueberries.