Stick to baseball, 5/20/17.

My one baseball post this past week was the annual ranking of the Top 25 MLB players under 25, which causes more “read the intro” violations than anything else I write every year. I also held a Klawchat on Thursday while in Minneapolis; I will do a quick eats post from there soon, but I’m about six topics behind here due to travel and lack of sleep.

For Paste, I reviewed the new puzzle game Shahrazad, which has a solo version and a two-player mode, both pretty clever with fantastic artwork and very few rules to learn.

My book, Smart Baseball, came out on April 25th from HarperCollins in hardcover, ebook, and audiobook formats. I traveled to Atlanta and the Twin Cities for readings/signings this past week, and am very grateful to all of you who came out to buy the book, have yours signed, or just say hello; we had 50+ folks at each event and Moon Palace Books sold out of the book Thursday night. Smart Baseball also got a very positive review from an unexpected source, the political site The Federalist.

I’m still sending out my email newsletter when I can, and the last edition, about some recent troubles I’ve had with my anxiety disorder and the medication I take for it, got the strongest response yet – so many replies and comments, in fact, that I haven’t been able to respond to the majority of them. I did see them all, though, and I really appreciate all the kind words.

And now, the links…

Anomalisa.

Anomalisa is the best depiction of depression that I’ve come across in any medium of fiction, even though it’s, of all things, made with puppets and stop-motion animation. It uses one incredibly effective gimmick to show us the main character’s illness without resorting to lengthy explanations, and then is carried forward by the three voice actors’ performances in a story that is at times heartbreaking yet often deliberately silly. (It’s also available on iTunes.)

Michael Stone, voiced by David Thewlis (a.k.a., Remus Lupin), is a successful author and public speaker on the topic of customer service, and he’s just landed in Cincinnati to give a talk on the topic. He’s also battling what we learn is a very longstanding case of depression, which is shown to us via his senses: He sees all other people as having the same face, and all their voices as identical as well. Male, female, child, adult, whatever, they all look and sound alike to him. (All of these characters are voiced by character actor Tom Noonan, who just moderates his pitch slightly for age and gender, nothing more.) Many of the people he meets are comically annoying, from the cab driver who gets him to the hotel to the bellman who just won’t leave, followed by a disastrous reunion with the girlfriend he left without explanation ten years earlier.

Later that night, he hears a different voice for the first time in years, Lisa (Jennifer Jason Leigh), a very insecure woman who drove in from out of town with her friend just to hear Michael’s talk. Michael pursues her, discovering that she’s lonely in her own way, and … things move from there, but I wouldn’t say they “progress,” so much as they stumble, because Michael is still depressed and Lisa – whom he dubs “Anomalisa” when she refers to herself as a sort of anomaly – is not the cure.

I have been there, so to speak, not for the length of time that Michael has apparently been depressed but for long enough stretches to recognize what he’s enduring, and I’ve described it as a sort of fog. Colors seem less bright, everything is darker, edges are less crisp, and memories are always less clear. You don’t even necessarily know what’s wrong until you’re out of it and realize that your perception of the world and everyone in it was warped by your condition. I never suffered from the sort of modified Fregoli delusion that writer Charlie Kaufman (Eternal Sunshine of the Spotless Mind, Being John Malkovich) gives Michael, but it works perfectly as a metaphor for depression in general. Your brain perceives the world without its details, so everything becomes less interesting or able to hold your attention, and you become overwhelmed with a feeling of sameness. (I assume the name Anomalisa also alludes to anomie, a sociological term that can refer to the loss of direction or purpose an individual might feel due to a sense of alienation or disconnect from society. Michael also stays at the Hotel Fregoli for another bit of Kaufman wordplay.)

Anomalisa also avoids showing depression as a one-dimensional disorder. Michael is depressed, but he can still function. He got on the plane. He’s given these speeches before and even written a best-selling book. He has fans. He’s supposed to be quite good-looking (for a puppet). Depressed is not dead. You can be depressed, or anxious, or even bipolar, and still lead a functional life – just not a fulfilled one. And for whatever reason, Zoloft, a very widely prescribed anti-depressant, doesn’t appear to have helped Michael. His foggy status could be a combination of the depression and the side effect of SSRIs that they tend to take the edges off your emotions, for better or for worse; at one point he mentions being unable to cry, something I’ve experienced on escitalopram (Lexapro) as well.

The film’s concluding sequence is somewhat jarring after the languorous pace of everything up to and including Michael’s encounter with Lisa, although it’s a logical series of events – it’s simply missing a few pieces, notably a last conversation between those two before Michael returns to Los Angeles, his miserable wife, and attention-starved son. Kaufman’s better at beginnings than endings; Being John Malkovich is a brilliant idea that crashes into the wall on the final lap, although I thought Eternal Sunshine ended well by returning to the beginning. Here, his script finishes with one final, beautiful flourish, a glimmer of hope in Lisa’s words and a visual trick you might miss if you’re not looking for it, that salvaged the slightly incongruous editing at the end.

If you’ve ever struggled to understand depression, perhaps because a friend or loved one has it, watch Anomalisa. All three voice actors are superb, especially Leigh, whose intonation reveals her character’s insecurity long before we understand her reasons for it. Kaufman’s script gives the disease an authentic, uncomfortable (quite so, at times) treatment for the serious, multi-dimensional story mental illness deserves. It’s a sad film, but never humorless, and left me wanting to see more.

Stick to baseball, 5/28/16.

My Mock Draft 2.0 Is now up for Insiders. You can also see my post from Tuesday ranking the top 25 prospects in pro ball. I’ll expand that list to 50 after the Futures Game in July.

I also held my usual Klawchat, this time on Friday morning on a flight from Birmingham to Baltimore.

And now, the links…

Saturday five, 10/10/15.

I visited the Dominican Republic for the first time this week, and saw Eddy Julio Martinez, six other Cuban defectors, and a handful of Dominican teenagers who will be eligible to sign in 2016 and 2017; Insiders can read all of my scouting notes on those players. I also wrote some preview/notes pieces on the American League and National League Division Series, although my Blue Jays in four prediction is already dead.

I held my regular Klawchat here on Thursday. I think the new software, despite some tiny glitches, is working out well; if nothing else it works far faster on my end.

And now, the links…