Stick to baseball, 11/10/18.

I didn’t have any new ESPN+ posts this week, with my free agent rankings going up on November 2nd and my trade market overview due to run this upcoming Monday. I did hold a Klawchat on Thursday, and did a Periscope video chat on Wednesday (and even played a little something on guitar).

My latest board game review for Paste covers the cute, competitive, asymmetric game Root, where cuddly forest creatures fight battles for control of the forest, and each player has unique pieces, abilities, and paths to victory. It’s quite clever.

Feel free to sign up for that free email newsletter I keep talking about and occasionally remember to send out.

And now, the links…

  • Longreads first: Undark exposes the conservative groups fighting climate chance education in Florida classrooms, as well as how they wage this war and their efforts to bring it to other states. The irony of failing to teach the reality of anthropogenic climate change in a state that might be the most adversely affected by it should not be lost on you.
  • Working conditions in the Tesla factory would make Upton Sinclair blush; medical staff are “forbidden from calling 911 without permission,” and five former clinic employees told The Center for Investigative Reporting’s writers that the on-site clinic’s practices are “unsafe and unethical.” One source was fired in August by the clinic, which she says is because she raised concerns about the clinic’s treatment of workers. Tesla’s pricing starts around $35,000 for its model 3 sedan to over $140,000 for its Model X P100D SUV.
  • Alexandria Ocasio-Cortez was still working in a Manhattan Taqueria when she began her campaign for Congress, and Bon Appetit spoke to her there about the intersection between food and politics. She points out that food is intertwined with climate change, minimum wage laws, immigration, health care, education, and more (I’d add trade policy/protectionism, other environmental regulations, and water rights to the list.)
  • Anti-vaccine PACs helped shape this week’s midterm ballots, as those groups fought to defeat Republicans who weren’t sufficiently anti-vax during primary races. Dr. Paul Offit, who helped develop the rotavirus vaccine, wrote about how he’d like to answer anti-vax loons who still argue that vaccines cause autism.
  • Ninety-eight year old Roger Angell penned this wonderfully angry essay on the power of voting for the New Yorker, which ran it the day before Election Day.
  • The deputy editorial page editor for the Washington Post writes that new acting Attorney General Matthew Whitaker is a crackpot.
  • Wisconsin Republicans are trying to strip the incoming Democratic governor of much of the office’s power right now, which is particularly sad given the mess the outgoing Scott Walker leaves in the state’s education budget. Most notable is that he gave Taiwanese company Foxconn up to $4 billion in subsidies and tax breaks, a deal that would have resulted in the state paying about $230,000 per job created … if it had even created the number of jobs promised, which it hasn’t. That money would have filled the education budget gap and then some.
  • If Brian Kemp wins the gubernatorial race in Georgia, his victory would need an asterisk, according to Prof. Carol Anderson, who has written a book on voter suppression called One Person, No Vote. I said in my Periscope chat this week that when leaders in less-developed countries steal elections, the citizens take to the streets in peaceful protests and workers strike. I never thought we’d need that here, but that may be the only response Georgians have here.
  • The Kansas City Star exposes the overconfidence and disorganization that sank Kris Kobach’s campaign and gave Kansas its first Democratic win for a statewide office in 12 years.
  • The Houston Chronicle has had to retract eight stories written by Austin bureau chief Mike Ward after discovering that he’d fabricated dozens of people he quoted in those articles.
  • Adam Serwer writes in the Atlantic that America’s problem is not tribalism, but base racism, given how one of our two major parties seems to rely on race-baiting and trafficking in stereotypes to rally its base. And it works.
  • Trump mouthed off last week about making the Federal Reserve less independent; Venezuela’s experience demonstrates why that’s a foolish notion. Of course, Trump also blamed the three eastern Baltic nations for starting the war in Yugoslavia, so I don’t think we’re dealing with the brightest bulb in the chandelier here.
  • A giant supernova named Cow appeared without warning in June and has given scientists a rare look at the birth of either a black hole or a neutron star.
  • Oakland chef Charlie Hallowell, whose restaurant Pizzaiolo I visited and really enjoyed, is trying to come back to his old life after more than a dozen women came forward to say he sexually harassed them. He’s facing some backlash, but also getting frankly unwarranted support from other men in the business who seem to gloss over his behavior. The landlord for his newest restaurant, Western Pacific in Berkeley, is Lakireddy Bali Reddy, who pled guilty to human trafficking, bringing underage girls from India to the United States so he could have sex with them.
  • A mob of protesters gathered outside Fox News host Tucker Carlson’s house and threatened his safety. Reason argues it’s not just wrong, but actively harmful to the cause. I have zero sympathy for Carlson, who has chosen this life of fomenting bigotry for profit, but I agree with the column. Don’t threaten him or his family. You want to make him stop? Go after his advertisers. Cut your cable subscription. Ask public places you frequent to stop showing Fox News. But threatening journalist won’t help … although one protester says the reports of threats are highly embellished.
  • Dr. Christine Blasey Ford continues to face death threats, moving four times this year, while the man who assaulted her gets to sit on the Supreme Court and decide how the rest of us can live our lives.
  • A fake doctor in California who promises a “miracle cure” for cancer using baking soda was sued by a patient and hit with a $105 million judgment. The money seems tangential – the point here is that these charlatans prey on the desperate, and the law seems too slow or simply unequipped to stop them.
  • Dr. Devah Pager died earlier this month of pancreatic cancer at age 46. Her work helped demonstrate that being black in the job market was, in effect, as big of a negative as having a felony conviction was
  • Comedian Patrick Monahan (no, not the Train guy) wrote about Louise Mensch’s legendary tweet about Steve Bannon possibly getting the death penalty for New York magazine’s The Cut. I take no pleasure in reposting this.
  • New York beverage director, author, and bitters expert Sother Teague writes about how he uses his role to espouse important causes, as with his NYC bar Coup, where proceeds go to groups fighting the worst policies of this administration. I appreciated this quote in particular: “Diminishing language such as ‘stick to sports’ holds no place and only serves to display the ignorance of those who say it.”
  • In the last two years, two mental health professionals in Monterey County have taken their own lives, including David Soskin, who drove off Highway 1 at Hurricane Point in June. Less than two years previously, a colleague with whom Soskin had clashed, Robert Jackson, took his own life, having left his job with the county after accusing Soskin of creating a hostile work environment.
  • This (unrolled) Twitter thread shows the bonkers elections in Alaska from Tuesday, with ties going back 40-plus years. Don Young won re-election yet again; he’s been Alaska’s at-large Representative since 1972, before I was born, after losing the election but taking the seat because his opponent died before election day. Young is still just the fourth Representative in the state’s history, even though he refuses to hold town halls and holds many views best left in the 19th century.
  • My employer did a nice thing for longtime employees, shutting down the Magic Kingdom for a night to allow Disney cast members of 40-plus years of service to enjoy the park for themselves.
  • Finally, this magic trick won for the best close-up trick at the International Federation of Magic Societies’ 2018 World Championship of Magic, and it’s dazzling:

The Doxing of Elena Ferrante.

It was a bad weekend for American journalism, by which I mean it was kind of an atrocious weekend because the standard is already fairly low, with a TIME Inc. division firing its editor-in-chief for, apparently, hiring an adult film actress to write about sports, creating a fake columnist to argue with her, and then lying about the whole thing; and now a New York Post columnist saying Derrick Rose has made a bad first impression on Knicks fans with the “noise of a rape trial.” But all of that is sort of par for the course, especially in our little corner of the journalism world.

The real atrocity, however, was the soi-disant “premier literary-intellectual magazine in the English language,” the New York Review of Books, choosing to out pseudonymous author Elena Ferrante (whose best-selling novel My Brilliant Friend I reviewed this summer) by, among other things, combing through financial and real estate records. It was a malicious, tawdry exercise in placing money over integrity, the sort of yellow journalism we might expect from the Drudge Report or an alt-right site, doxing a woman who’d make it clear she wanted to remain out of the public eye.

The column, written by an Italian journalist, claims that Ferrante, by writing a quartet of bestselling novels, “has in a way relinquished her right to disappear,” while making no actual argument to support this claim, probably because the author – and the NYRB editors who must have died on the way to work that morning, given their abdication of their responsibilities by letting the piece run – can’t do so. There was simply no public need to know at work here. Ferrante is not a public figure, not a politician, not a businessperson seeking tax breaks or handouts, not claiming to be anything at all that she’s not. She’s a successful author who sought to speak through her writing, and to barely speak at all through any other medium.

Outing an author who sought anonymity for its own sake would be bad enough, but here a male reporter has chosen to reveal the identity of a female author who may have (or have had, I suppose) motivations for her secrecy that should, if nothing else, have kept this article from seeing the light of day. What if Ferrante is a victim of domestic abuse, hiding from her former partner? Or a rape or sexual assault victim doing the same? Whatever her reason(s) for choosing to write and remain behind a pseudonym, it is not for any of us to choose to unmask her, to decide that this reason isn’t good enough to maintain the veil … but a woman may choose to hide her identity out of fear of physical harm. This muckraker, with the help of a periodical that aspires to intellectual superiority, has put this woman on blast for no discernible benefit to anyone but the writer and the publication, with no apparent concern whatsoever for whatever physical or emotional consequences Ferrante herself might suffer. Ferrante appears to have been simply too successful for this man or the New York Review of Books to allow her to succeed in peace.

(As of 11 am on Monday, I haven’t heard any response, via email or Twitter, from NYRB. I will update if one appears.)

UPDATE: The woman outed as Ferrante has confirmed the account (in Italian), and has opened a Twitter account (same) to say she will never speak about Ferrante’s books and to call the revelation a “vulgar and dangerous … violation of privacy and norms.”

Spotlight.

I’m not a big movie guy in general, and the Academy’s leanings the last few years in Best Picture nods haven’t done a lot to bring me back to the fold – not that they’re choosing bad movies, but that they’ve favored a lot of movies I wouldn’t even want to watch. (I’m sure 12 Years a Slave was amazing. I just can’t watch that kind of cruelty.) I did watch Birdman, last year’s winner, and thought it was clever but lacked any sort of resolution to the main story, as if the screenwriter had a great idea for a movie script but couldn’t figure out how to finish it.

Spotlight (amazoniTunes), which of course won Best Picture earlier this week, appealed to me more than any recent winner I can think of. The story shows how a small group of reporters at the Boston Globe known as the Spotlight team conducted a months-long investigative effort that uncovered the scope of the abuse scandal within the Catholic Church, including the fact that the Archbishop of the Boston diocese, Cardinal Bernard Law (no relation), knew about it and did nothing beyond moving the pedophile priests around to new parishes. It’s a film that’s going to be talky – big on dialogue, light on action, highly dependent on everything from acting to directing to editing to make it a compelling film. The whole concept of a dramatic film that has no action, no sex, no romance, not even a proper antagonist (in the conventional sense of a ‘villain’), feels very British to me, just because their TV programs and films tend to be more story-driven in my entirely anecdotal experience.

Spotlight is an incredible film in the most old-fashioned sense: It tells a great story and never lets up until the end. The pacing was perfect, the performances were very strong, and no nonsensical subplots interfered with the unfolding of the main story. Only one scene rang a little false, one that felt like it was inserted so that there was a Big Dramatic Conflict to use on awards shows, but otherwise the screenplay was taut and efficient, wasting few words and even less time on irrelevant details.

I thought the performances were almost all excellent, yet none seemed likely to win an award – I was surprised to see the nominations the cast received, because these performances were all so understated. Liev Schreiber plays the new editor of the Globe, perceived as an interloper because he’s not from Boston and because he’s Jewish, with such restraint that it was hard to remember who was behind the glasses and facial hair. Mark Ruffalo, playing reporter Mike Rezendes, was just as unrecognizable with a little change to his hairstyle, a slight accent, and, aside from the one scene where he blows up at Keaton’s character, delivers a similarly spartan portrayal. A mediocre writer could have had him explode at the imperious file clerk who won’t give him access to public records that would prove damning to the Church, and a mediocre actor would have hammed it up, but instead, we get a scene that works because it’s so mundane.

The lesson of Spotlight the movie – as distinct from the scandal, which certainly gets its air time in the film but doesn’t need me to thinkpiece it any further – is that the drama in a good dramatic film doesn’t have to come from the screenplay. This story was inherently compelling: A small team of reporters, given unusual autonomy, discovers and reveals a massive, decades-long cover-up of sexual abuse by one of the world’s most powerful and most implicitly trusted authorities through hard work and ingenuity. I could give you a dozen places where someone could have Hollywoodized the script – a screaming confrontation between reporters and church officials would be the most obvious – but instead we get a simple, linear story, where the narrative greed comes from the piecemeal uncovering of the scandal. Even my short attention span was riveted for two solid hours, and when the story was over, the film is over, and if that last scene wasn’t real, well, I am going to pretend that that’s what actually happened the day the story finally ran.

The defunct Phoenix also did some great work on the story and does get a brief mention in the film, although there’s a debate over how much credit they deserve. The Globe certainly pushed the story much farther.

I’m going to watch a few of last year’s highly-rated films now that many of them are available digitally (legally – I won’t Torrent), so if you’ve got a favorite or two, nominated or otherwise, throw them in the comments. I will watch movies in any language, but I draw the line at Room, which I think I will find far too upsetting because I have a young daughter.

Proofiness.

Whew! I’m glad that’s over. For Insiders, my recaps of the drafts for all 15 NL teams and all 15 AL teams are up, as well as my round one reactions and a post-draft Klawchat.

Charles Seife’s Proofiness: How You’re Being Fooled by the Numbers is a beautiful polemic straight from the headquarters of the Statistical Abuse Department. Seife, whose Zero is an enjoyable, accessible story of the development and controversy of that number and concept, aims both barrels at journalists, politicians, and demagogues who misinterpret or misuse statistics, knowing that if you attach a number to something, people are more inclined to believe it.

Seife opens with Senator Joseph McCarthy’s famous claim about knowing the names of “205 … members of the Communist Party” who were at that moment working in the State Department. It was bullshit; the number kept changing, up and down, every time he gave a version of the speech, but by putting a specific number on it, the audience assumed he had those specific names. It’s a basic logical error: if he has the list of names, he must have the number, but that doesn’t mean the converse is true. He rips through a series of similarly well-known examples of public abuse of statistics, from the miscounting of the Million Man March to stories about blondes becoming extinct to Al Gore cherrypicking data in An Inconvenient Truth, to illustrate some of the different ways people with agendas can and will manipulate you with stats.

One of the best passages, and probably most relevant to us as the Presidential election cycle is beginning, is on polls – particularly on how they’re reported. Seife argues, with some evidence, that many reporters don’t understand what the margin of error means. (This subject also got some time in Ian Ayers’ Super Crunchers, a somewhat dated look at the rise of Big Data in decision-making that has since been lapped by the very topic it attempted to cover.) If done correctly, the margin of error should equal two standard deviations, but many journalists and pundits treat it as some ambiguous measure of the confidence in the reported means. When Smith is leading Jones 51% to 49% with a margin of error of ±3%, that’s not a “statistical dead heat;” that’s telling you that the poll, if run properly, says there’s a 95% chance that Smith’s actual support is between 48% and 54% and a 95% that Jones’ support is between 46% and 52%, with each distribution centered on the means (51% and 49%) that were the actual results of the poll. That’s far from a dead heat, as long as the poll itself didn’t suffer from any systemic bias, as in the famous Literary Digest poll for the 1936 Presidential election.

Seife shifts gears in the second half of the book from journalists to politicians and jurists who either misuse stats for propaganda purposes or who misuse them when crafting bad laws or making bad rulings. He explains gerrymandering, pointing out that this is an easy problem to solve with modern technology if politicians had any actual interest in solving it, and breaks down the 2000 Presidential vote in Florida and the 2008 Minnesota Senate race to show that the inevitable lack of precision even in popular votes and census-taking mean both races were, in fact, dead heats. (Specifically, he says that it is impossible to say with any confidence that either candidate was the winner.) Seife shows how bad data have skewed major court decisions, and how McCleskey v. Kemp ignored compelling data on the skewed implementation of capital punishment. (Antonin Scalia voted with the majority, part of a long pattern of ignoring data that don’t support his views, according to Seife.) This statistical abuse cuts both ways, as he gives examples of both prosecutors and defense attorneys playing dirty with numbers to claim that a defendant is guilty or innocent.

For my purposes, it’s a good reminder that numbers can be illustrative but also misleading, especially since the line between giving stats for descriptive reasons can bleed into the appearance of a predictive argument. I pointed out the other day on Twitter that both Michael Conforto and Kyle Schwarber were on short but impressive power streaks; neither run meant anything given how short they were, but I thought they were fun to see and spoke to how both players are elite offensive prospects. (By the way, Dominic Smith is hitting .353/.390/.569 in his last 29 games, and has reached base in 21 straight games!) But I’d recommend this book to anyone working in the media, especially in the political arena, as a manual for how not to use statistics or to believe the ones that are handed to you. It’s also a great guide for how to be a more educated voter, consumer, and reader, so when climate change deniers claim the earth hasn’t warmed for sixteen years, you’ll be ready to spot and ignore it.

Next up: I’m way behind on reviews, but right now I’m halfway through Adam Rogers’ Proof: The Science of Booze.

Write More Good and Edwurd Fudwupper Fibbed Big.

So The Bureau Chiefs, the geniuses behind the Twitter account @FakeAPStylebook (and now @FakePewResearch), sent me a copy of their first book, Write More Good, earlier this year. It’s almost all fresh material rather than a compendium of tweets, combining a fake writing stylebook with a fake self-help book for would-be journalists. And it is hilarious, especially since I do write for a living.

Each chapter covers a different area of journalism, some on specific sections of a newspaper, others on fundamentals like grammar or not getting yourself sued into oblivion. (To wit, the glossary entry on Scientology is simply “Our legal department informs us that Scientology is just swell.” Although the entry on Clear Channel – “see: Skynet” – might ruffle some feathers.) Freed from the constraints of 140 characters per joke, the writers stretch out to entire paragraphs before returning to 140-character jokes in the form of bullet points and glossary entries, although the book is surprisingly short on footnotes.

If you’ve read the @FakeAPStylebook feed, you know the writers (there are many, or just one with many personalities) can veer from crude humor to subtle satire from one tweet to the next. That style worked better for me on the printed page, which surprised me, but the constant careening between styles of humor kept me off balance the way an episode of Parks and Recreation does. The section on how to write about global warming, for example, includes bullet points about how your editor is going to put a picture of a sad polar bear next to the article, how you are obligated to mention in an article on a climate-change conference that it is currently cold somewhere in the world, how you should quote pundits who criticize celebrity activists who drive SUVs, and “We’re not saying not to mention cow farts when talking about climate change, but, dude: cow farts. That’s hysterical.” (Followed by a table of suggested “storms of the century names” that reminded me of this e-card.)

The sports chapter was, of course, a particular favorite, including thoughts on dealing with angry fans on the Internet, followed by references to Mario Mendoza, Darko Mlicic (RIP), Gerry Cooney, and, for no apparent reason, jai alai. The book is loaded with references to films, literature, and historical figures and events that more than once sent me to the computer to figure out what I’d missed. And the unconventional format means that if you didn’t like (or get) one joke, just keep reading, because there are ten more on the same page. It’s less a labor of love than the fruits of frustration for journalists who have seen journalism from the inside and are still undergoing intensive therapy to try to forget it.

If, however, you’re looking for something you can share with your little one(s), I just bought another of Berkeley Breathed’s children’s books, since Mars Needs Moms! was such a hit with my daughter. (Too bad the movie got such awful reviews.) This one, Edwurd Fudwupper Fibbed Big, isn’t as sentimental as that book, with more outrageous humor and hints of the snark that made Bloom County such a big part of my 1980s memories.

Told by Edwurd’s little sister, Fannie Fudwupper, Edwurd Fudwupper Fibbed Big is the story of a little liar who spins some pretty tall tales until, one day, he breaks a ceramic pig dear to his mother and, rather than taking responsibility, comes up with an elaborate fib so big that the Army and Air Force get involved, as well as some sort of space monster whose head is as big as the Earth and who has an eye on the end of his nose. These unforeseen consequences (piled on an earlier, funnier fib) lead to a surprisingly sweet resolution as well as a lesson on lying – I think. The meter and wordplay seem like a cross between an homage to and parody of Dr. Seuss, while the exaggerated drawings call to mind the best Bloom County Sunday strips.

And, of course, my wife’s Etsy shop, featuring earrings and necklaces she’s designed, remains open for business. Enter coupon code “TWELVE” to get 12% off (note: entering “FIFTY” will not have the analogous effect).

Taking on the Trust.

There is no one left: none but all of us … The public is the people. We forget that we all are the people; that while each of us in his group can shove off on the rest of the bill of today, the debt is only postponed. The rest of us are passing it on back to us. We have to pay in the end, every one of us. And in the end the sum total of the debt will be our liberty. – Ida Tarbell, The History of the Standard Oil Company

Taking on the Trust: The Epic Battle of Ida Tarbell and John D. Rockefeller is Steve Weinberg’s short biography of Tarbell, perhaps the first true investigative journalist in American history and one of the original muckrakers, set off against snippets of the biography of Rockefeller. It’s a good read, but it’s not the story of the battle between these two individuals, who in fact, only met once and had no direct contact even as Tarbell was laying bare the unethical practices of Standard Oil.

Tarbell’s magnum opus was the book quoted up top, an 800-page tome first published in installments in McClure’s magazine, which at the time was an intellectual rag that combined serious (if muckraking) journalism with pieces of short fiction. Tarbell’s father had been involved in the western Pennsylvania oil boom, but also saw his fortunes derailed by the monopolistic practices of Rockefeller’s firm. Weinberg presents the thesis that Tarbell’s drive to expose Rockefeller’s dirty pool, although her earlier work indicates a passion for reformist journalism, with Standard Oil as a likely target of any dogged reporter of the time. What set Tarbell apart was her willingness to work to unearth new sources, including first-person accounts that had not previously come to light, but also documents and letters that other journalists had not bothered to find. She made great use of court documents and filings from the small towns where Standard Oil set up shop, often via shell companies, and identified people who’d had contact with Rockefeller or his minions during Standard Oil’s rise to domination.

Unfortunately, we don’t get much on the direct impact of Tarbell’s book, which only merits a chapter and a half towards the end of Taking on the Trust. Standard Oil was broken up via court ruling a few years afterward, but how direct is the link between Tarbell’s work and that legal decision? And how did Tarbell’s groundbreaking efforts affect the world of journalism afterwards? I imagine that later investigative reporters would have given her at least some credit either for directly inspiring them or for opening doors through which they could walk, but Taking comes to a fairly abrupt end once the narrative reaches the breakup.

I may post something over the weekend, but I’ll be on vacation from Sunday to Saturday and probably won’t post anything next week. I’ll keep an eye on the comments, as always.

The Boston Herald/Spygate affair.

So, as a friend of beleaguered Boston Herald writer John Tomase, I’ve been wrestling with how I might address the topic without coming off as too biased on John’s behalf. Seth Mnookin spared me the trouble with his excellent post on the subject today:

But the vitriol and derision being directed at Tomase is over-the-top. (And getting angry at him or at the Herald is a bad way to displace frustration/anger over the Pats slightly-less-than-perfect season.) He had what he thought was a big story, and he thought he had made the limitations of his story clear in the piece itself. The allegations contained therein logically followed from what was already known. And nobody he interviewed would say, flat out, that the piece was wrong.

This was, more or less, going to be my main point. The calls for Tomase’s firing – there’s even a Facebook group dedicated to it – don’t make much sense to me. Is he accused of malfeasance here? No one seems to be making a credible accusation along those lines. He got a scoop that appeared legitimate, and ran with it. One would assume that at least one Herald editor knows about Tomase’s source(s), and was sufficiently satisfied with the sourcing to green-light the story.

Is he accused of frequent mistakes along these lines – viz, running a story without giving the target(s) enough time to respond? To my knowledge, this is the first time John’s been charged with this kind or, in fact, any kind of journalistic error. So what is the justification for calling for Tomase to lose his job? Doesn’t some of the responsibility lie with the editors, as Seth says, to rein the writers in?