→ November 22, 2013
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Cookbook recommendations, 2013.

I’ve only made small edits and additions to this post, which first appeared in November of 2012. The most significant change is the inclusion of two new books, including Richard Blais’ first cookbook, which I review towards the end of the post.

If you want the quick-and-dirty shopping list version, here are three cookbooks I am always buying as gifts, especially for newlyweds who tell me they don’t really know how to cook:

  • Ruhlman’s Twenty: 20 Techniques, 100 Recipes, A Cook’s Manifesto
  • Joy of Cooking (1997 edition)
  • Baking Illustrated

    • —

    I’m often asked to recommend a cookbook for readers – maybe for a novice, maybe as a wedding gift for someone, maybe for someone changing his/her diet – but I haven’t done an omnibus cookbook post in two years. With a few really strong new ones entering my collection this year, it seemed like a good time to revisit the subject.

    Just for background, I’m mostly a self-taught home cook. I’ve never taken a cooking class. When I was in grad school, I was free every day around 2 or 3 pm, while my wife, a preschool teacher at the time, would get home at 5:30 and be exhausted, assuming she hadn’t caught one virus or another from the kids, so I took over the cooking. At first, I was pretty awful at it, both in terms of the end product and in my capacity to injure myself through fire or blade. I must have really enjoyed the process, though, because as opposed to my usual habit of giving up on anything I wasn’t good at the first time, I decided to figure out how not to suck at cooking.

    My two main sources of early cooking instruction were Alton Brown’s Good Eats TV series and the 1997 edition of the classic American cookbook Joy of Cooking. With Good Eats airing in repeats on the Food Network and the Cooking Channel, you can just set up your DVR to record them rather than buying the overpriced DVD sets, but the companion books, starting with Good Eats: The Early Years, are worth owning for the revised (usually re-tested) recipes and the commentary on each episode. Brown’s techniques always revolve around sound science and increased efficiency, whether it’s a faster way of doing something or a way to reuse an existing kitchen tool for a new purpose. He’s goofy – belching yeast sock-puppets are just never not funny – but always educational. And of all of his recipes that I’ve tried (more than I can count), only one, the squash dumplings, didn’t work for me, and that was fixed in the companion book.

    Joy of Cooking is always my first recommendation for people who are either just learning to cook or who are looking for one cookbook to rule them all. There are many editions available and there are some wide variations from one to the next, but the ’97 version has served me extremely well for its tremendous breadth of recipes – that’s still my go-to book even for Italian classics like pesto Genovese or shrimp scampi – and for the clear, logical recipes. For this edition, the publisher hired food writers to rewrite most of the recipes in the book, losing the folksy prose that charmed readers of earlier editions, but ensuring that the recipes were easy to follow and worked properly. Each recipe in Joy lists the ingredients in bold face at the point in the recipe where they’re used, rather than listing them all at the top. If you don’t succumb to the temptation to skip your mise en place – prepping and measuring ingredients before you start any cooking – this makes it much easier to follow the recipes and reduces the odds that you’ll skip an ingredient.

    If you’re interested in preserving fruits or vegetables, I have used Joy of Cooking: All About Canning & Preserving for nearly a decade. It’s out of print but amazon has used copies for $4 and up at that link.

    The new essential cookbook that I recommend to readers of any experience level is Ruhlman’s Twenty: 20 Techniques, 100 Recipes, A Cook’s Manifesto, a book I own myself and have given away as a gift. Its recipes require a slightly higher skill level than Joy, but Ruhlman’s twenty section essays – on basic techniques like poaching, braising, and frying, or core ingredients like onions, eggs, and salt – build up your knowledge on each subejct from the ground up. It’s the kind of book that might intimidate a rookie but, if you try some of the recipes, will leave you impressed with your own capabilities. I reviewed Ruhlman’s Twenty in full last November.

    (I should say I’m a firm believer in the adage that if you can read, you can cook. Cooking is not an innate skill that some of us have and some of us lack. It takes attention, it takes patience, it helps if you understand some basic math and science, but at its heart, cooking is about following instructions. Follow those, and you’ll produce something worth eating.)

    Ruhlman’s earlier book, Ratio: The Simple Codes Behind the Craft of Everyday Cooking, is another must-have but is for intermediate home cooks and above because it makes assumptions about the reader’s experience and comfort level with certain techniques or foods. The book’s recipes are largely presented as ratios that can be scaled up to produce the desired quantity. If you want to make biscuits, you need 3 parts flour to 1 part fat to 2 parts liquid. The specifics are largely up to you, and there are brief discussions of your options, but again, Ruhlman is largely assuming you know how a biscuit or a Hollandaise or pâte à choux and is describing each recipe in terms of its foundation.

    For anyone looking to eat more vegetables, whether or not you’re a vegetarian, I now have two strong recommendations. One is Yotam Ottolenghi’s Plenty, which I reviewed in September. Ottolenghi isn’t a vegetarian but every recipe in this book is, with vegetables always the star ingredients, often augmented by butter and/or cheese, but mostly prepared in ways that evoke the essential flavors of the central vegetable. Cutting and browning endives in butter and a little sugar before coating them with cheese and bread crumbs and baking them helps bring out some of this chicory relative’s sugars while taming its strong bitter flavors to a point where the cheese (gruyere or talleggio) can at least compete for your attention. I’ve also found his mixed sauteed mushroom recipe, with soft goat cheese used in lieu of sour cream, to be a great hearty sauce over fresh whole-wheat papparedelle for a warm winter main course.

    The other vegetable-centric cookbook is Nigel Slater’s Tender, easily the most beautifully shot cookbook in my collection. Slater is a very famous food writer in England who has just a small cult following here, but Tender deserves a much wider audience for its focus on vegetables from seed to table. His gardening advice hasn’t helped me much because you can’t get a much wider gap between soil types than England and Arizona, but his dishes, many of which do contain meat but still accentuate the vegetables, are subtle showstoppers, turning some very ordinary veg – the more mundane and kid-unfriendly the plant, the more Slater seems to adore it – into warm, glowing, gorgeous dishes. Tender is the book that got me to buy and cook an actual pumpkin (not from a can), a process that, with about a tablespoon of added brown sugar led to this:

    For the advanced home cook – or even the professional – in your life, go for The Flavor Bible, which isn’t a cookbook at all. The authors, Karen Page and Andrew Dornenburg, interviewed dozens of professional chefs about what ingredients went well together, and tabulated the results in this book. Look up an ingredient in The Flavor Bible and you’ll find a long list of good partners, with ingredients that were mentioned more often earning bolded entries. For example, parsnips are in season right now in much of the country, and the parsnip entry first says they should always be cooked, and work well when baked, boiled, braised, fried, grilled, mashed, pureed, roasted, or steamed. When the authors asked chefs about parsnips, the most-mentioned ingredients were butter (including browned butter) and nutmeg, both appearing in bold, capital letters. Bolded entries, mentioned less often than those two ingredients, include apples, chives, cream, curry, garlic, ginger, maple syrup, olive oil, parsley (a relative of parsnip and carrots), pepper, potatoes, sage, salt (duh), brown sugar, thyme, and root vegetables. The entry also includes about fifty other ingredients that work well with parsnip and were mentioned at least once by the interviewed chefs, and then concludes with five “flavor affinities,” combinations like parsnips + honey + mustard or parsnips + butter + cream + potatoes. Some entries have “Holy Grail” pairings, marked with an asterisk and mentioned by a large portion of the chefs they interviewed, like plums and Armagnac or lamb and rosemary, and some entries have “avoid” sections, like parsley and dessert. There are even sections for national cuisines – if you want to know what flavors work well in Afghan or Eastern European cuisines, for example, they’ve got you covered. What The Flavor Bible doesn’t do, however, is tell you what to do with these pairings. There are assorted quotes from celebrity chefs describing specific dishes, but the book contains no recipes. They assume you have the recipes and techniques and are looking for inspiration.

    The best book I’ve found for desserts, and one of only two America’s Test Kitchen books I own, is Baking Illustrated, which has most of the basic desserts you’d want to make, including a pie crust (for lattice tops, like the one in my Twitter avatar, but functional in any pie) that works as reliably as any I’ve ever tried. The writing can be cloying, especially when they go into more detail on failed kitchen experiments than I ever needed (if you’re going to describe something that didn’t work, at least make it funny), but the recipes work and their pumpkin pie is bar none the best I have ever tasted, one I make at least once every year.

    For bread baking, I am an unabashed acolyte of Peter Reinhart and own several of his books, including The Bread Baker’s Apprentice, Whole Grain Breads (most of the same breads as the first book, but in whole-wheat, multi-grain, and 50/50 variations), and the more accessible Artisan Breads Every Day. His pizza doughs are pretty foolproof; I add a tablespoon of vital wheat gluten to his 100% whole wheat pizza dough and it’s strong enough to stretch it to translucency without tearing. (Sometimes I tear it anyway because I’m clumsy like that.) His pain a l’ancienne white-flour baguettes from The Bread Baker’s Apprentice are absurdly easy if you have a stand mixer or food processor (this $100 Cuisinart model is the current version of the one I’ve used for fifteen years) and never fail to get raves when I bring them to friends. I’ve made his focaccia, his cinnamon rolls, his struan, his challah, his pitas, and his wild yeast starter, which I kept going for about a year and a half until we packed up the house in Massachusetts. His books even have recipes for international breads like pumpernickel, panettone, hutzelbrot, and stollen, as well as Ethiopian injera and crackers like lavash and graham. Go with Artisan if you’re a bread-baking rookie, or the others if you have more experience or want books that will focus on baker’s ratios and allow for more ingredient substitutions. I reviewed the first two books at length back in 2009.

    Three more quick recommendations:

    * If you’re adventurous in the kitchen, or if like me you’re a Top Chef fan, I highly recommend Richard Blais’ Try This at Home: Recipes from My Head to Your Plate, which I reviewed earlier this year. Blais’ style in his two runs on the show was highly inventive and sometimes just plain strange, but in a good way, and the cookbook mirrors a lot of that style. Our two favorites by far are his lemon-curd roast chicken (which later becomes a pressed chicken terrine, also found in the book) and his sweet potato gnocchi, the latter of which is the only way my daughter will eat sweet potatoes – and which she loves to mix and roll out with me. There’s also an extensive seafood section that I haven’t explored due to my wife’s allergy to shellfish, and Blais also starts with a number of condiments and side items like various pickled vegetables, sauces, vinaigrettes, and smoked items that you wouldn’t normally smoke, including aioli (mayonnaise). It’s a lot of fun but does assume at least a moderate skill level in the kitchen.

    * If you have a slow cooker, go with ATK’s Slow Cooker Revolution. I don’t own the full book, but have a magazine version they sold when the book first came out, including about a third of the main book’s recipes, and they’ve all worked on the first try, including a surprisingly flavorful bolognese sauce that makes enough to freeze for one or two future meals (you lose a little texture, but the flavors remain strong), a beef burgundy stew that gave us about three dinners’ worth, and a white chicken chili that is surprisingly low in fat.

    * I’ve recommended Julia Child’s slim $11 book Julia’s Kitchen Wisdom, which does, indeed, include wisdom from the woman who introduced America to French cooking, in the past because Child was so influential and important that she belongs on this list, but her most famous cookbooks are already dated. This book focuses on the bare essentials in the kitchen, including the basic vinaigrette formula I’ve been using for years, mother sauce formulas, simple instructions for roasting or braising major cuts of meat, souffles, breads, custard, and even baking-powder biscuits so you can make strawberry shortcakes.

    * A cookbook I’ve owned for a few months but haven’t been able to use much yet: Lucid Food: Cooking for an Eco-Conscious Life, by the Persian writer Louisa Shafia. Focused on seasonal, plant-based recipes, it’s more useful for side dishes than mains, and the flavor profiles tend toward the Mediterranean, Middle Eastern, and Persian ends of the scale, although she does include a number of east Asian ingredients including tofu, yuba, and agar-agar. Shafia also includes side notes on gardening, avoiding processed foods, and sustainable eating. If you’re concerned about matters like your carbon footprint or reducing your meat intake, it looks like an ideal book – but with the caveat that I have yet to begin my attack, starting with the Winter section.

    * Finally, two non-cooking books that are about food, written by very highly-regarded chefs: Yes, Chef by the Ethiopian-born, Swedish-raised chef (and Top Chef Masters winner) Marcus Samuelsson; and Blood, Bones, and Butter, by self-taught chef/entrepreneur Gabrielle Hamilton, one of the best non-fiction books I have ever read.

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→ November 17, 2013
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Potato-parsnip rösti.

Parsnips are awesome, and wildly underconsumed in the United States (both facts according to me). A cousin of both carrots and parsley, parsnips share the carrot’s high quantity of sugars just waiting to be brought out with heat, but also have a slightly spicy aroma that always reminds me of ginger ale.

On their own, parsnips can be overwhelming, which is why they’re often paired with other root vegetables or tempered with other strong flavors like bacon or maple syrup. (Or both.) Here I use parsnips to kick up the Swiss potato pancake known as a rösti, adding flavor, texture, and extra nutrition* to what is at heart just a good large hash brown.

*Parsnips are high in vitamins C and K as well as folic acid, and have more than twice the fiber per 100 g as a regular potato does.

Potato-Parsnip Rösti

1 russet potato (going for about 12 ounces/350 grams)
1-2 parnsips (about 4 ounces/100 grams)
1-2 tsp vegetable oil
large pinch of salt
2 Tbsp duck fat, butter, or bacon fat

You want to cook these in a saturated fat, as the potatoes will brown better and of course you’ll get more flavor. If you want a vegetarian option, I’d try coconut oil.

1. Peel and grate the potato on the coarse side of a box grater. Wrap the result in a tea towel* and squeeze as much liquid as you can out of it, wringing it tightly and squeezing again after a quick rest. This is key to getting a crispy brown exterior; if you don’t get enough moisture out, your rösti will steam when you want it to fry.

2. Peel and grate the parsnip and toss with the wrung-out grated potato.

3. Add the oil and salt and toss to thoroughly mix. You could add other spices here, but I wouldn’t go much beyond salt and black pepper.

4. In a 10- or 12-inch nonstick skillet, heat 1 Tbsp of the cooking fat over medium-high heat until melted and very hot – at least 300 degrees if you have an infrared thermometer, which you should because then you can tell your daughter you’re actually a spy chef. Add the potato/parsnip mixture and press lightly to create a flat pancake that fills the skillet.

5. Cook about 8-10 minutes until the bottom is brown and crispy. This is a little tricky the first time, as it depends on your stove; you may need to moderate the heat a little to make sure the potatoes cook through without burning the bottom.

6. Flip the rösti on to a large plate, flat pan lid, or a cookie sheet. Add the second tablespoon of cooking fat to the pan, heat until melted and sizzly, then slide the rösti back into the skillet and allow it to cook for 5-6 minutes until brown and crispy on the second side.

* A tea towel … I don’t really know what the hell those are either. I have a couple of thin dishtowels that do the trick, but I also have a few white cotton handkerchiefs that I bought very cheaply a few years ago and that work great for applications just like this one.

If you love parsnips as much as I do, check out Alton Brown’s parnsip muffin recipe – I add a tablespoon of oat bran (removing the same weight of flour) and a teaspoon of vanilla, and I substitute brown sugar for half of the white – as well as the various roast and mashed parsnip recipes in Nigel Slater’s wonderful cookbook Tender: A Cook and His Vegetable Patch.

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→ April 23, 2013
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52 Loaves.

I’ve got a new Insider column up on possible demotions/promotions, looking at whether there’s any sense in those moves. I also recorded an extremely fun episode of Behind the Dish today, featuring Michael Schur of Parks & Recreation and FJM fame.

William Alexander’s 52 Loaves: One Man’s Relentless Pursuit of Truth, Meaning, and a Perfect Crust is a peculiar mix of memoir, baking how-to, and experiential non-fiction (“I did this weird/crazy thing so I could write a book about it”) that never quite hits on any of those areas until its final passage, where Alexander’s quixotic efforts to bake the perfect loaf of French country bread lands him in the disused bakery at a French monastery, teaching one of the brothers how to bake bread. It’s poorly written and just as poorly organized, yet when Alexander finally steps back and lets an actual story unfold, it makes the aggravation of the first 200-odd pages worthwhile.

Alexander’s quest to replicate a bread he’d tasted some years earlier leads to a resolution to bake a loaf of this style of bread, known as pain de campagne, every weekend for a full year (hence the title). This bread has a few key characteristics – a hard, crispy crust that shatters (in a good way) when you bite into it, and a moist crumb with plenty of air holes, sometimes a little large and irregularly shaped. It’s normally made with a levain, a wild yeast starter that can be years or decades old, and includes a blend of white and whole wheat flours. Alexander starts out from a recipe, struggles with it, and then goes out in search of expert opinions and better tools, even growing his own wheat and attempting to build an earthen oven in his backyard, while consulting people like the esteemed Peter Reinhart, whose books I regularly extol on this blog.

Alexander is fine when he’s describing these educational endeavors, from trips to grain mills and bakeries to phone and email conversations with bakers, but he’s in the book himself far too much, unfortunate as he’s not an interesting character and shares way, way too much information (especially about his sex life with his wife, who I assume has since castrated him for doing so). He’s also just not a good writer at all, verbose when he needs to be terse, and desperately unfunny, as in this description of a brief conversation with his wife:

“It was Julia’s idea,” I said clumsily.
“Julia?”
As Ricky Ricardo used to say, “Lu-ceee, you got a lot of ‘splainin’ to do.”
Let’s start with Julia.
I’m referring of course, to the late Julia Child.

That’s about as hackneyed a phrase as you’ll find, followed by three mentions of “Julia” before he tells us which Julia … except that in a book about food, there’s only one Julia anyway, so why play coy?

Eventually, his bread-baking improves to the point where he’s at least churning out solid loaves, albeit not exactly up to his own high standards, so Alexander starts reaching out to monasteries in Europe in search of one that still bakes its own breads in-house. That search leads him to one that has a bakery, including a wood-fired oven, but hasn’t used it in some time; that monastery agrees to let Alexander, an agnostic, come bake in their ovens for a week or so if he agrees to teach one of the brothers how to do it so they can restart the tradition after he leaves. Alexander’s experiences there, building unexpected bonds with his protege and others in the monastery, while himself pondering some big questions (without coming to any real conclusions or experiencing a conversion), is so compelling and so well-written that it felt like it came from the pen of a different writer. The forced jocularity of the first three-fourths of the book disappears when there’s something significant at stake – he has to teach this novice how to bake this one kind of bread in a matter of a few days, using unfamiliar equipment while conforming to the monastery’s rigid schedule of prayer and services. And Alexander’s own reaction to that schedule, even attending some of the services himself and sharing meals with the brothers, gives us a much more mature picture of the man than his puerile jokes about rebuffing his wife’s advances because he needs to feed the starter do.

52 Loaves includes recipes at the end, including his method of developing and growing a levain (starter) as well as the unique recipe he developed for the monastery, adapting to the ingredients available there. (There are some differences between our flours and those you can buy in Europe, another informative section that showed Alexander can educate his readers when he wants to do so.) I have used a starter, and kept one going for about two years in Boston, but don’t bake enough bread to justify the work involved in keeping one, since the Arizona summers are so hot that we don’t want to run the oven at those temperatures for long periods of time. When the urge to bake bread strikes, I use a biga, a sort of overnight starter that begins with ¼ tsp of commercial, active yeast, allowing it to develop overnight in the fridge to get some of the flavor you’d get with a wild yeast starter – an inferior substitute, but not one most people (myself included) are that likely to notice.

Next up: In Pursuit of the Unknown: 17 Equations That Changed the World by Ian Stewart, presumably not the third baseman.

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→ March 12, 2013
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Blood, Bones & Butter.

A little admin stuff first – my new weekly podcast for ESPN, Behind the Dish, debuted today, featuring an interview with Astros GM Jeff Luhnow and a conversation with fellow writer Joe Sheehan. I appreciate the support of all of you who listened to Baseball Today and mourned its end, so I hope you’ll tune in to the new show. It should be up on iTunes today (there’s a technical problem on their end, I’m told). Spread the word.

Also, I have new posts for Insiders on Jeff Samardzija, David Holmberg, and other Cubs and Dbacks and on Yordano Ventura, Brandon Belt, Tyler Skaggs, and more.

–

Gabrielle Hamilton is a self-taught and, in her words, “reluctant,” chef who achieved great acclaim for her tiny New York restaurant Prune and the honest, rustic fare she has served there for the past fourteen years, eventually winning the James Beard Award as NYC’s best chef in 2001. Her brilliantly written memoir, Blood, Bones & Butter: The Inadvertent Education of a Reluctant Chef, is a masterpiece of the memoir genre, a perfect emulsion of food writing and autobiography that will make your mouth water with descriptions of food yet never shies away from critical introspection.

One central thread, Hamilton’s own relationship with food and, by extension, how much that relationship tied to her relationships with friends and family, runs through the entire book, but rather than giving a single story, Hamilton splits her memoir into a sort of triptych: one section on her childhood and adolescence, one on her stop-and-go path into a career in food (with a detour to Michigan for a master’s in creative writing), and one on her unfulfilling marriage to an Italian doctor, Michele. Food is everywhere in the book, yet the book isn’t about food. It is about Hamilton’s peculiar life, with her passion for cooking a recurring character in every episode.

Hamilton’s path to culinary stardom was accidental, but also extremely odd, not something you’d ever recommend to a would-be chef. Her offbeat family imploded when her French-born mother suddenly demanded a divorce from Gabrielle’s set-designer/artist father, ushering in a period when Gabrielle was largely left without parental supervision, a tragicomic setup that led her both into the kind of libertine behavior you’d expect from a 13-year-old without adults around and into a lifetime of extreme self-reliance. She began working in restaurants and bars, as a dishwasher or a server, and eventually working insane hours for catering outfits in New York, learning how to cook as she went rather than at culinary school. Her disdain for fussy, pretentious food gives her an opportunity for some hilarious rants; her own culinary ethos is about as far from a “chef’s tasting menu” as you can get. Instead, she waxes more romantic when describing an Italian sandwich she purchased at a pork shop in Brooklyn (unnamed, sadly) or the fresh seasonal vegetables she finds during annual visits to her mother-in-law in Rome and Puglia. Even in the final section, which details her latent disaffection with her marriage, one that wasn’t founded on love and never grew into anything more than friendly co-parenting, Hamilton still uses food as the foundation for the exploration of her own emotions.

While Hamilton infuses nearly every page with her passion for food, it’s her clear yet highly evocative writing style that sets Blood, Bones & Butter apart. She can express so much in just a few sentences, as in this passage, describing the scene at a coffee place in Grand Central Station:

I hate hating women but double-skim half-decaf vanilla latte embarrasses me. I ordered a plain filtered coffee, as if I were apologizing on behalf of my gender, and when I dug through my heavy purse to pay for it I discovered in my bag a diaper, a resealable jar of apricot puree, and one of Marco’s socks, which had somehow in the general loss of boundary and private real estate that is Motherhood, made its way in there.

That second sentence there is a thing of beauty, its odd punctuation contributing to its sense of barely contained chaos, all while we get Hamilton’s scorn for overly prissy fake coffee drinks and her exasperation at the loss of self that comes with the addition of one or more kids. When Hamilton describes her experiences in catering kitchens, or takes you through Michele’s family estate in Italy, or talks about the large family meals that bookend the story – the giant lamb roasts her father organized when she was a kid, and the family meal with her now ex-in-laws that appears in the epilogue-cum-“reader’s guide” – you can hear the sizzle of the meat as it cooks. If she’s as good of a chef as she is of a writer, Prune must be amazing.

One stray thought on the book: in a passage about women’s roles and struggles in a professional kitchen, Hamilton offers this thought:

If anything, I have come to love the men who also feel that the kitchen is abetter place when women are allowed to work in it, the men who feel that if any part of society is abused, that it demeans the rest of society.

Emphasis mine there, because that summarizes quite nicely why I will block people on Twitter who use the r-word, or a gay-bashing epithet like the word for a bundle of sticks, and it explains why I find team nicknames like Indians or Braves or that odious one that plays football in Washington so offensive. Intent to demean is not required for something to demean. Simply creating a division that sets one part of the population as “other” is demeaning. We do not name sports teams after Italians or Jews or African-Americans, after lesbians or Sikhs or the disabled, yet we think nothing of naming sports teams after Native Americans, or using words that are obvious proxies for them. (Would you see the implicit racism in a sports team called the Atlanta Slaves?) Hamilton’s praise for men who want women in their kitchens and treated as equals says much about her character, and what kind of co-worker and boss she must be, especially in an industry that often adulates alpha males with domineering personalities.

Next up: Lev Grossman’s The Magician King, the sequel to his 2009 novel The Magicians, which I reviewed that August.

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→ March 7, 2013
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The Sharper Your Knife, the Less You Cry.

I have a new post up on Ryu Hyun-Jin and Yasiel Puig and did a Klawchat as well.

One more negative book review before I move on to one I’m really enjoying, this time on Kathleen Flinn’s flimsy cooking-school memoir The Sharper Your Knife, the Less You Cry: Love, Laughter, and Tears in Paris at the World’s Most Famous Cooking School, in which the author tells the story of her time at Le Cordon Bleu in Paris, which coincided with her engagement and marriage to the love of her life. Unfortunately, the book just isn’t very well written (in terms of prose) and the telling is so superficial that we’re not getting enough of the food nor are we getting enough of the personal anecdotes that could make a book like this a fun read even if it’s light on the cooking.

Flinn’s reason for going to cooking school is easily the best aspect of the book: Laid off from a dot-com job with Microsoft’s sidewalk.com unit (it’s never named, but if you’re familiar with the industry it’s obvious who she worked for), Flinn decided to chase a long-denied dream of attending Le Cordon Bleu, one of the world’s oldest and most prestigious culinary arts programs, one she was encouraged to pursue years earlier by none other than Julia Child. Flinn’s then-boyfriend Mike encourages her to do it, even leaving his own career on hold for a year-plus to move to Paris with her and have what I imagine was the adventure of a lifetime.

However, that sense of adventure just never comes through on Sharper‘s pages. There’s a rote sense to Flinn’s days in school – go in, cook, screw some stuff up, take the food home – that we don’t get any of the color of the school itself as we did in Michael Ruhlman’s seminal The Making of a Chef, yet we also get only the slightest feel of life as an expat in Paris, or of the terrific romance between Kathleen and Mike. Side characters are painted in two dimensions, and sometimes one, like their overbearing, freeloading houseguests from Seattle, a lesbian couple who seem to be on the verge of a breakup with every interaction. I closed the book with no clear picture of who anyone was except for Kathleen herself, and even she came through in a faded image, driven by hackneyed life advice more than an abiding passion for food. (I’m sure she has that passion, but it never comes through on the pages.) Flinn’s habit of ending sections and chapters with awful cliches – “Sometimes, the places life takes us can be so unexpected” or “I wonder if graduating higher in the class rankings is worth the price she may ultimately pay” – is grating and indicative of a broader writing style that reads like it was written by someone who hasn’t read enough great writers, who believes that this is how you craft a story.

If this subject interests you, I can’t recommend Ruhlman’s book highly enough, as it balances the food and the educational experience very well against the fascinating personalities with whom he went through the school. I just found Flinn’s book paled in comparison and was much harder to push through given the weakness of the prose.

Next up: I’m just 50 pages into Gabrielle Hamilton’s Blood, Bones & Butter and it’s amazing, extremely well-written and, thus far, a compelling story.

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→ January 7, 2013
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Farro with braised duck legs.

My favorite protein of all isn’t bacon, or short ribs, or smoked pork shoulder – it’s duck, duck legs specifically, which are best cooked slowly until the meat falls off the bone, after which the skin is cooked over direct heat until crispy and slightly sweet, while the fat rendered out during the slow cooking process is saved for another dish, like potatoes or bitter greens or even fried eggs. The one issue with duck legs is, once cooked, figuring out how to serve them, since they tend to fall apart before they even get out of the pot. I’ve tossed duck leg meat into risotto, which is fabulous but also a lot of work, and more of a special-occasion meal than a weekday-night dish. I’ve also had them served in crepes (at Bobby Flay’s Mesa Grill) or in tacos, but again, that’s a lot more work, and not a complete meal in and of itself.

Enter farro, a whole grain that can be prepared similarly to brown rice or barley but with a starch that is released during cooking to produce a slightly creamy texture similar to that of risotto. Farro is an “ancient grain,” an unhybridized plant found in Egyptian tombs and still popular in northern Italian cuisine, part of the wheat family but very low in gluten. It’s related to spelt and einkorn but is easier to cook than the berries of those two members of the wheat (Triticum) family), and, in my opinion, it tastes better too. You can prepare farro using the liquid/farro ratios below and treat it like a risotto, starting with onion and garlic, finishing with grated Parmiggiano-Reggiano and a little butter, or you can treat it like a pilaf and stir or fold in greens or peas after the cooking is finished. Here I use it as the platter for the duck, finished with some peppery leaves for color and to make it a one-dish meal.

As for the duck meat itself, I use the braised legs recipe from Ruhlman’s Twenty, which is foolproof and can be made a day or two in advance – it’s a great thing to throw in the oven on a cold weekend day, since it makes the house smell amazing, and braised meats always taste better a day later anyway. Just store it in the braising liquid and skim the congealed fat off the top the next day. You can even strain the defatted liquid and use it in place of some of the stock in this recipe. If your local Whole Foods or similar high-end market sells prepared duck confit, that will work as well.

Farro with duck legs and arugula

4 duck legs, braised or confit
1 tbsp rendered duck fat or olive oil
1 shallot, minced
1 cup farro
¼ cup white wine or 2 Tbsp brandy
3 cups chicken stock or low-sodium chicken broth
½ tsp salt
1 handful of arugula, radish leaves, or other peppery greens

1. Shred the duck meat by hand. To prepare the skin, remove it from the legs, keeping it as intact as possible, and scrape any remaining fat off the inside of the skin using a paring knife. Crisp the skin in a dry, non-stick skillet until brown on both sides, and set aside until serving. Preheat the oven to 350 degrees.

2. Heat the fat/oil in a large (3-quart) saucepan until hot and add the shallot, sweating for 1-2 minutes until translucent but not brown. Add the farro and toast in the oil 2-3 minutes until the grains smell slightly nutty.

3. Add the wine/brandy and stir until the alcohol has mostly cooked away and the pan is dry when you separate the grains. (Lean over the pot and inhale. If you get dizzy, it’s not ready for step four yet.)

4. Add the stock/broth and salt, stir once to combine thoroughly, and bring to a boil. Cover and place in the oven for 35 minutes, at which point the farro should have absorbed all of the liquid.

5. Once the pot is out of the oven, add the duck meat and green leaves, stir, and cover for ten minutes to heat the duck and wilt the leaves. Serve in bowls topped with sliced crispy duck skin and freshly ground black pepper.

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→ November 18, 2012
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My new cookbook recommendations.

I’m headed off on vacation this week, so I’ll take this opportunity to wish everyone a happy, safe, and overindulgent Thanksgiving. And I’d like to thank you for your readership, both here and over at my day job.

I’m often asked to recommend a cookbook for readers – maybe for a novice, maybe as a wedding gift for someone, maybe for someone changing his/her diet – but I haven’t done an omnibus cookbook post in two years. With a few really strong new ones entering my collection this year, it seemed like a good time to revisit the subject.

Just for background, I’m mostly a self-taught home cook. I’ve never taken a cooking class. When I was in grad school, I was free every day around 2 or 3 pm, while my wife, a preschool teacher at the time, would get home at 5:30 and be exhausted, assuming she hadn’t caught one virus or another from the kids, so I took over the cooking. At first, I was pretty awful at it, both in terms of the end product and in my capacity to injure myself through fire or blade. I must have really enjoyed the process, though, because as opposed to my usual habit of giving up on anything I wasn’t good at the first time, I decided to figure out how not to suck at cooking.

My two main sources of early cooking instruction were Alton Brown’s Good Eats TV series and the 1997 edition of the classic American cookbook Joy of Cooking. With Good Eats airing in repeats on the Food Network and the Cooking Channel, you can just set up your DVR to record them rather than buying the overpriced DVD sets, but the companion books, starting with Good Eats: The Early Years, are worth owning for the revised (usually re-tested) recipes and the commentary on each episode. Brown’s techniques always revolve around sound science and increased efficiency, whether it’s a faster way of doing something or a way to reuse an existing kitchen tool for a new purpose. He’s goofy – belching yeast sock-puppets are just never not funny – but always educational. And of all of his recipes that I’ve tried (more than I can count), only one, the squash dumplings, didn’t work for me, and that was fixed in the companion book.

Joy of Cooking is always my first recommendation for people who are either just learning to cook or who are looking for one cookbook to rule them all. There are many editions available and there are some wide variations from one to the next, but the ’97 version has served me extremely well for its tremendous breadth of recipes – that’s still my go-to book even for Italian classics like pesto Genovese or shrimp scampi – and for the clear, logical recipes. For this edition, the publisher hired food writers to rewrite most of the recipes in the book, losing the folksy prose that charmed readers of earlier editions, but ensuring that the recipes were easy to follow and worked properly. Each recipe in Joy lists the ingredients in bold face at the point in the recipe where they’re used, rather than listing them all at the top. If you don’t succumb to the temptation to skip your mise en place – prepping and measuring ingredients before you start any cooking – this makes it much easier to follow the recipes and reduces the odds that you’ll skip an ingredient.

If you’re interested in preserving fruits or vegetables, I have used Joy of Cooking: All About Canning & Preserving for nearly a decade. It’s out of print but amazon has used copies for $4 and up at that link.

The new essential cookbook that I recommend to readers of any experience level is Ruhlman’s Twenty: 20 Techniques, 100 Recipes, A Cook’s Manifesto, a book I own myself and have given away as a gift. Its recipes require a slightly higher skill level than Joy, but Ruhlman’s twenty section essays – on basic techniques like poaching, braising, and frying, or core ingredients like onions, eggs, and salt – build up your knowledge on each subejct from the ground up. It’s the kind of book that might intimidate a rookie but, if you try some of the recipes, will leave you impressed with your own capabilities. I reviewed Ruhlman’s Twenty in full last November.

(I should say I’m a firm believer in the adage that if you can read, you can cook. Cooking is not an innate skill that some of us have and some of us lack. It takes attention, it takes patience, it helps if you understand some basic math and science, but at its heart, cooking is about following instructions. Follow those, and you’ll produce something worth eating.)

Ruhlman’s earlier book, Ratio: The Simple Codes Behind the Craft of Everyday Cooking, is another must-have but is for intermediate home cooks and above because it makes assumptions about the reader’s experience and comfort level with certain techniques or foods. The book’s recipes are largely presented as ratios that can be scaled up to produce the desired quantity. If you want to make biscuits, you need 3 parts flour to 1 part fat to 2 parts liquid. The specifics are largely up to you, and there are brief discussions of your options, but again, Ruhlman is largely assuming you know how a biscuit or a Hollandaise or pâte à choux and is describing each recipe in terms of its foundation.

For anyone looking to eat more vegetables, whether or not you’re a vegetarian, I now have two strong recommendations. One is Yotam Ottolenghi’s Plenty, which I reviewed in September. Ottolenghi isn’t a vegetarian but every recipe in this book is, with vegetables always the star ingredients, often augmented by butter and/or cheese, but mostly prepared in ways that evoke the essential flavors of the central vegetable. Cutting and browning endives in butter and a little sugar before coating them with cheese and bread crumbs and baking them helps bring out some of this chicory relative’s sugars while taming its strong bitter flavors to a point where the cheese (gruyere or talleggio) can at least compete for your attention. I’ve also found his mixed sauteed mushroom recipe, with soft goat cheese used in lieu of sour cream, to be a great hearty sauce over fresh whole-wheat papparedelle for a warm winter main course.

The other vegetable-centric cookbook is Nigel Slater’s Tender, easily the most beautifully shot cookbook in my collection. Slater is a very famous food writer in England who has just a small cult following here, but Tender deserves a much wider audience for its focus on vegetables from seed to table. His gardening advice hasn’t helped me much because you can’t get a much wider gap between soil types than England and Arizona, but his dishes, many of which do contain meat but still accentuate the vegetables, are subtle showstoppers, turning some very ordinary veg – the more mundane and kid-unfriendly the plant, the more Slater seems to adore it – into warm, glowing, gorgeous dishes. Tender is the book that got me to buy and cook an actual pumpkin (not from a can), a process that, with about a tablespoon of added brown sugar led to this:

For the advanced home cook – or even the professional – in your life, go for The Flavor Bible, which isn’t a cookbook at all. The authors, Karen Page and Andrew Dornenburg, interviewed dozens of professional chefs about what ingredients went well together, and tabulated the results in this book. Look up an ingredient in The Flavor Bible and you’ll find a long list of good partners, with ingredients that were mentioned more often earning bolded entries. For example, parsnips are in season right now in much of the country, and the parsnip entry first says they should always be cooked, and work well when baked, boiled, braised, fried, grilled, mashed, pureed, roasted, or steamed. When the authors asked chefs about parsnips, the most-mentioned ingredients were butter (including browned butter) and nutmeg, both appearing in bold, capital letters. Bolded entries, mentioned less often than those two ingredients, include apples, chives, cream, curry, garlic, ginger, maple syrup, olive oil, parsley (a relative of parsnip and carrots), pepper, potatoes, sage, salt (duh), brown sugar, thyme, and root vegetables. The entry also includes about fifty other ingredients that work well with parsnip and were mentioned at least once by the interviewed chefs, and then concludes with five “flavor affinities,” combinations like parsnips + honey + mustard or parsnips + butter + cream + potatoes. Some entries have “Holy Grail” pairings, marked with an asterisk and mentioned by a large portion of the chefs they interviewed, like plums and Armagnac or lamb and rosemary, and some entries have “avoid” sections, like parsley and dessert. There are even sections for national cuisines – if you want to know what flavors work well in Afghan or Eastern European cuisines, for example, they’ve got you covered. What The Flavor Bible doesn’t do, however, is tell you what to do with these pairings. There are assorted quotes from celebrity chefs describing specific dishes, but the book contains no recipes. They assume you have the recipes and techniques and are looking for inspiration.

The best book I’ve found for desserts, and one of only two America’s Test Kitchen books I own, is Baking Illustrated, which has most of the basic desserts you’d want to make, including a pie crust (for lattice tops, like the one in my Twitter avatar, but functional in any pie) that works as reliably as any I’ve ever tried. The writing can be cloying, especially when they go into more detail on failed kitchen experiments than I ever needed (if you’re going to describe something that didn’t work, at least make it funny), but the recipes work and their pumpkin pie is bar none the best I have ever tasted, one I make at least once every year.

For bread baking, I am an unabashed acolyte of Peter Reinhart and own several of his books, including The Bread Baker’s Apprentice, Whole Grain Breads (most of the same breads as the first book, but in whole-wheat, multi-grain, and 50/50 variations), and the more accessible Artisan Breads Every Day. His pizza doughs are pretty foolproof; I add a tablespoon of vital wheat gluten to his 100% whole wheat pizza dough and it’s strong enough to stretch it to translucency without tearing. (Sometimes I tear it anyway because I’m clumsy like that.) His pain a l’ancienne white-flour baguettes from The Bread Baker’s Apprentice are absurdly easy if you have a stand mixer or food processor (this Cuisinart model is the current version of the one I’ve used for fifteen years) and never fail to get raves when I bring them to friends. I’ve made his focaccia, his cinnamon rolls, his struan, his challah, his pitas, and his wild yeast starter, which I kept going for about a year and a half until we packed up the house in Massachusetts. His books even have recipes for international breads like pumpernickel, panettone, hutzelbrot, and stollen, as well as Ethiopian injera and crackers like lavash and graham. Go with Artisan if you’re a bread-baking rookie, or the others if you have more experience or want books that will focus on baker’s ratios and allow for more ingredient substitutions. I reviewed the first two books at length back in 2009.

Three more quick recommendations:

* If you have a slow cooker, go with ATK’s Slow Cooker Revolution. I don’t own the full book, but have a magazine version they sold when the book first came out, including about a third of the main book’s recipes, and they’ve all worked on the first try, including a surprisingly flavorful bolognese sauce that makes enough to freeze for one or two future meals (you lose a little texture, but the flavors remain strong), a beef burgundy stew that gave us about three dinners’ worth, and a white chicken chili that is surprisingly low in fat.

* If you want a celebrity cookbook, just because, the best I own – and I’m thinking household-name celebrities – is actually Bobby Flay’s Mesa Grill Cookbook. I’ve eaten at Mesa Grill three times, once in Manhattan and twice in Vegas, and every dish I have eaten at those restaurants is in here and easy to reproduce at home. The blue- and yellow-corn muffins are decadent.

* Finally, one that doesn’t fit anywhere else: Julia Child’s slim $11 book Julia’s Kitchen Wisdom, which does, indeed, include wisdom from the woman who introduced America to French cooking – but whose most famous cookbooks haven’t aged well, at least not to my eyes. This book focuses on the bare essentials in the kitchen, including the basic vinaigrette formula I’ve been using for years, mother sauce formulas, simple instructions for roasting or braising major cuts of meat, souffles, breads, custard, and even baking-powder biscuits so you can make strawberry shortcakes.

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→ October 9, 2012
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Culinary Intelligence.

Peter Kaminsky is a longtime food writer, as a journalist, food critic, and cookbook co-author, who found that his career was threatening to shorten his lifespan – after a few decades in the business, he found himself overweight, prediabetic, and rejected when he applied for life insurance. His newest book, Culinary Intelligence: The Art of Eating Healthy (and Really Well), promises an approach to food that keeps calories in check without sacrificing too much pleasure while weighing the ethical concerns about some types of foods. I thought it fell a little short of those goals, but for someone looking to transition from a diet heavy on processed foods and chain restaurant meals, it’s an excellent starting point to get you to elevate your eating habits, one that never lapses into preaching or the monotony of calorie-counting.

This short (209 pages in deckle-edged hardcover) volume covers quite a bit of ground without much wasted verbiage. Kaminsky briefly recounts his history as a food writer whose waistline expanded with his fame, and discusses how he dropped forty-odd pounds without feeling like he was depriving himself. Some of the advice is obvious – cut out sugars and white flours, load up on whole foods, fill your stomach with vegetables rather than with meat (although he never argues for abstaining from meat entirely) – but much of it will be useful to readers who grasp that stuff but feel like their meals have become boring or even painful. There’s a lot of advice on cooking, including lists of key ingredients to keep on hand as well as using the powers of science, notably caramelization and the Maillard reaction (the flavors created when foods high in protein are browned). Kaminsky abbreviates this concept as FPC, or Flavor per Calorie, a variable that should be maximized at every opportunity – sound advice, easily followed with some basic kitchen skills and ingredient knowledge, some of which is contained within this book.

He also discusses sensible approaches to restaurants, including a discussion of why most chain restaurants are evil – and, along the way, why it’s not elitist or snobbish to try to avoid them. (He singles out Chipotle as an exception, mentioning their commitment to local, sustainable agriculture.) Any experienced home cook knows you can often salvage a mediocre cut of meat by drowning it in butter, cream, salt, or even sugar – think of Guy Fieri’s favorite “sweet soy sauce,” which can’t actually be a thing, right? – so when you see a restaurant dish that seems to promise those things, what are they telling you about the quality of the underlying ingredients? I also appreciated his thoughts on ordering less at restaurants, where portion sizes have grown to absurd levels, something you don’t find when traveling abroad. I tend to eat pretty small portions and rarely finish full entrees at restaurants, but I still feel a bit guilty knowing that what I didn’t eat will simply be trashed (or, rarely, composted). Sometimes I’ll order a few smaller plates rather than a main course, to try more items and to avoid wasting food, but Kaminsky validates that practice, arguing it should be more of the norm, and that a party of four would often do better (and consume fewer calories) to order two to three starters and two entrees, sharing everything as they go.

For me, the value in Culinary Intelligence is twofold: Kaminsky’s writing, which is elegant and spare yet highly descriptive; and the expostulation of a food philosophy very similar to mine. The book’s main point, about eating well without getting fat, will seem a little obvious to anyone who’s been cooking avidly for a number of years, and while Kaminsky’s book will help me keep my awareness of what I’m eating high, I don’t think I learned any new tips or tricks from it. It’s absolutely something I’ll buy for friends who want to start getting into cooking or to try to lose weight without using complicated programs or filling up with “diet” processed foods, and its readability should help it reach that target audience without making them feel like the author was talking down to them.

Next up: I’m currently reading Alan Bradley’s A Red Herring Without Mustard, the third book in the Flavia de Luce mystery series; I reviewed the first book in the series, The Sweetness at the Bottom of the Pie, in September of 2011. After that, I’ll start Jane Smiley’s Pulitzer Prize-winning novel A Thousand Acres.

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→ September 18, 2012
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Plenty.

I’m not a vegetarian – I like bacon way too much to be so crazy, and duck confit too for that matter, and sushi, so really this isn’t going to work out – but I do believe in eating less meat as part of our overall diets. It’s better for the planet, and it’s better for the wallet, even if you choose, as I do, to spend some of the savings on buying better-quality meat, like grass-fed beef, wild-caught fish, or organic chicken. It’s probably better for your health as well, although I think that’s still up in the air. The problem is that a diet based around meat is pretty easy to plan and prepare – most meats can be marinated and grilled, or brined and roasted, or even pan-seared with a quick sauce, without a ton of active work. If you want to eat more vegetables, either with or in place of meat, you need more time and more creativity to make them taste better and fill the void left on the plate by the reduction in animal proteins. Yotam Ottolenghi’s Plenty: Vibrant Recipes from London’s Ottolenghi, a book of vegetarian recipes written by a chef who eats and cooks with meat, has filled a critical hole in my bookshelf.

Ottolenghi was born in Israel, trained as a chef in London and operates one restaurant, Nopi, and four shops in that city. His food is heavily Mediterranean, although it has strong Turkish, Italian, and Arab roots as well as the obvious Israeli influences, and at the same time grabs from other cuisines around the world, often crossing boundaries – such as his insistence that cilantro has a place in dishes that are fundamentally Italian. Plenty brings that sensibility together with the idea that a vegetable can be the star of the show, filling its pages with potential main courses and luxurious side dishes across the spectrum of vegetables, even stretching into pulses and grains before the book concludes.

I’ve tried a half-dozen recipes from Plenty so far, with broad success overall. The hits included zucchini and hazelnut salad with parmiggiano-reggiano; stuffed zucchini with rice; mushroom ragout with croutons and poached eggs; roasted sweet potato wedges; and caramelized endive with Gruyère, although that latter one suffered slightly from the way the cheese melted right off the endive halves in the oven. In general, Ottolenghi uses every non-meat tool available to boost the flavor of vegetables and make them more suitable for the central role on a vegetarian plate, including spices, herbs, acids, sharp cheeses, yogurt, crème fraiche, and the occasional runny egg. The resulting dishes burst with strong yet balanced flavors and are bright and appealing on the plate, with most recipes within reach of a moderately skilled home chef. The one disappointment, lentil galettes with a lemon-yogurt dressing, wasn’t bad, but even with all of the spices and herbs included in the mix, you’re still left with a plate of lentils, just nicely seasoned ones. Every recipe I tried was clear enough to make substituting ingredients (e.g., swapping out pine nuts because my daughter is allergic to them) simple.

The drawback to Plenty is that the instructions for several recipes don’t seem to have been tested on home stoves. When the text says “simmer gently,” what they actually seem to mean is “boil.” Oven cooking times all seemed too short, even with a thoroughly preheated oven. The book also includes volumetric measurements when weights would be more accurate. It’s a better cookbook for someone with a little more home cooking experience than a beginner would have, but if you’re like me and want to find new ways to get vegetables into your diet, whether as side dishes or as main courses, it’s perfect.

So here’s my take on Plenty‘s stuffed zucchini recipe, tweaking some of the ingredients to suit our tastes and allergies. Removing them from the pan after 40 minutes of cooking was a little tricky because I used very long zucchini, so look for short, wide fruit that will allow you to stuff them without requiring an engineering degree to extract them once they’re done.

Stuffed zucchini
Adapted from Yotam Ottolenghi’s Plenty

1 medium onion, finely chopped
1 tbsp olive oil
2/3 cup short-grain rice
2 tbsp chopped pecans
2 tbsp minced parsley
½ tsp dried thyme
½ tsp ground cumin
½ tsp ground coriander
¼ tsp ground allspice
3 Tbsp lemon juice
2 wide zucchini, sliced lengthwise
¾ cup boiling water
1½ tsp sugar
1 tsp toasted sesame seeds
about 1 oz Pecorino Romano
salt and black pepper

1. Saute the onion in the oil until translucent but not brown. Add the next seven ingredients, a pinch of salt, plus 2 Tbsp of the lemon juice and cook on low to medium-low heat for five minutes, stirring to avoid sticking, until highly fragrant.

2. Use a spoon to scoop out the centers of the zucchini for stuffing. Place them in a shallow but wide saute pan that is large enough to fit all the zucchini. (You can use more zucchini if they’re small enough to fit in the pan.) Fill them with the rice-onion mixture. Pour the boiling water, sugar, a pinch of salt, and the last tablespoon of lemon juice around the zucchini (but not on top yet).

3. Cover and cook at an active simmer for 30-40 minutes, basting with the cooking liquid several times to allow the rice to cook. They’re ready when the rice is al dente.

4. Plenty suggests serving these cold with yogurt as a sauce, but I liked these hot, topped with sesame seeds, freshly ground black pepper, and shaved Pecorino Romano.

Note: Thicker grains of rice may require more cooking time, so you might parcook them about ten minutes to get them soft before adding to the remainder of the stuffing ingredients. I’d also recommend the same if you wish to use brown rice, although that might require even more pre-cooking.

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→ September 11, 2012
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Pasta alla carbonara.

I’d made pasta alla carbonara many times, using the recipe from Joy of Cooking or similar recipes that all worked primarily the same way – beat some eggs and toss the pasta in that mixture along with a little reserved pasta water, then adding the grated cheese and some cooked bacon. Even using all the right ingredients – Pecorino Romano and either pancetta or the harder-to-find guanciale – didn’t solve the basic problem of texture. No matter how quickly I moved or how carefully I managed the heat, the sauce would cook unevenly and I’d end up with some bits of sauce scrambling on the bottom of the pan.

As I tried to figure out a reason this might happen aside from user error (always a possibility in my kitchen), I had a small breakthrough while frying eggs for breakfast. The egg white cooks more or less the moment it hits the hot pan, while the cook can control the cooking of the yolk and keep it runny for quite some time. The sauce in pasta alla carbonara might have cooked too fast because I was using the wrong ratio of yolks to whites – instead of one to one, why not use more yolks and fewer whites? It turns out that it’s wrong to think of carbonara as a sauce. It’s a custard, and the texture of the finished sauce should be comparable to slightly melted gelato (itself a custard, just with a small amount of air beaten into it).

This turned out to be a one of the two major adjustments I made to the recipe while experimenting with the ratios. The other involves the pasta water. Most recipes that call for pasta water use it for its thickening power (it contains starch from the pasta itself, as well as some of the salt you added before adding the pasta), or to thin out a sauce that might otherwise be too thick. In this case, however, I decided to reserve twice as much of this water as the various recipes called for, and then used some of that to deglaze the pan in which I rendered and crisped the pancetta, imparting substantially more bacon-y flavor to the finished sauce.

Pasta alla carbonara is often served in the United States with long, thin shapes like fettuccini or spaghetti, but I prefer to go with shorter tube-shaped pastas with ridged exteriors. The tube shape allows the pasta to grab some of the smaller pieces of bacon in the sauce, and the sauce clings more easily to shapes with ridged exteriors, like penne or rigatoni. You can use whatever kind you like, of course, but I do think the shape and the sauce need to work together, and long, smooth shapes just leave too much sauce at the bottom of the bowl.

So, the summary:
* Use more yolks and fewer whole eggs
* Use real pancetta (or the similar guanciale) and Pecorino Romano
* Deglaze the bacon pan with pasta water
* Choose the right pasta shape
* Work quickly once you begin constructing the sauce in the pasta pot
* Don’t add anything else – that means no cream, no butter, no chicken, no vegetables, nothing. The sauce is the star and this is a one-man show.

And, finally, I don’t want to hear about how unhealthful this dish is. I’m not suggesting you make this every night. This is peasant food for the soul.

½ pound penne, rigatoni, or similar shape
3 egg yolks
1 whole egg
¾ cup Pecorino Romano cheese, finely grated
About 75 grams of pancetta or guanciale, finely chopped for rendering (this was about 3 thick slices for me)
Salt and freshly ground black pepper

Hardware: Pasta pot, saute pan, tempered glass measuring cup, strainer, long-handled wooden spoon or heatproof plastic tongs

1. Render the bacon in the saute pan. I prefer the method from the indispensable Ruhlman’s Twenty, in which you just barely cover the meat with water in the pan, put the lid on, and heat it on high until the water’s gone, reducing the heat as the bacon sizzles and browns. You can do this as you cook the pasta as long as the pancetta is done ahead of time. Drain and reserve the rendered fat, and reserve the meat, but do not clean the pan.
2. Cook the pasta according to the package directions, making sure to use plenty of water and salt it aggressively before adding the pasta.
3. Beat the eggs together until homogenous.
4. Here’s where things speed up.
a) When the pasta is just barely al dente, use the measuring cup to remove a cup of the pasta water. Use ¼ to ½ cup to deglaze the hot saute pan, scraping the bottom to clean it. Hold this water in the pan for now; it can simmer but don’t let it boil.
b) Drain the pasta and return it to the pot, off heat, tossing with enough of the bacon fat to just barely coat the pasta and keep it from sticking together.
c) Add the eggs to the pasta along with the deglazing liquid and stir or toss aggressively. Don’t let the sauce sit at the bottom of the pan. You want this to get warm, about 160 degrees F, but never hot.
d) Once the pasta is coated and the egg/water sauce is warm, add ½ cup of the cheese and toss. Then add the bacon, toss again, and season with freshly ground black pepper. Serve with the remaining cheese as an optional garnish.

The remaining pasta water has two purposes. One is to thin the sauce in the pot if it’s looking too thick. The other is to thin the sauce if it’s been sitting for a few minutes before anyone can get a second helping; this sauce thickens (or maybe just contracts) as it cools.

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