→ June 24, 2023
→ By

Stick to baseball, 6/24/23.

I released my second mock draft for 2023 this week for subscribers to the Athletic. I also did a Q&A to answer your draft questions.

My guest on the Keith Law Show this week was Michael Ruhlman, author of Ruhlman’s Twenty and the brand-new The Book of Cocktail Ratios: The Surprising Simplicity of Classic Cocktails, which is an essential guide for any home bartender. You can listen & subscribe via iTunes, Spotify, Stitcher, amazon, or wherever you get your podcasts.

And now, the links…

  • Longreads first: The New Yorker’s Louisa Thomas has a tremendous story on the vicissitudes of Daniel Bard’s career, as he’s had at least two distinct comebacks already in his baseball life. (There’s also a mention of Keith Law Show guest Sian Beilock, author of Choke.)
  • Defector has the story of con artist John Rogers, who scammed people out of millions through his business of buying and digitizing photo archives from major newspapers and professional photographers.
  • NBC News’s Brandy Zadrozny interviewed putative Presidential candidate and science denier Robert F. Kennedy, Jr., who shows just how divorced from reality he is, claiming that the powers-that-be prolonged the pandemic, that the vaccines killed more people than they saved (they did not), and that the CIA killed his father. He also still doesn’t understand that the mercury found in fish and the mercury that used to be found in vaccines were in completely different forms that the human body handles differently.
  • The British government is holding over 60 migrants, mostly Tamils, in a makeshift detention camp on Diego Garcia, with conditions deteriorating and what seems like an end-run around refugee rights because the Brits are claiming the island, which houses a military base, isn’t actually part of the UK.
  • Starbucks caved to pressure from bigots and removed Pride décor from many of its stores. Workers from over 150 locations are going on strike to protest the move.
  • The astroturfing group Moms for Liberty, which is pushing book bans and other anti-LGBTQ+ policies, quoted Hitler … again.
  • Thiefdom, a new game from the designers of Clans of Caledonia, is now also up on Kickstarter. I don’t like Clans of Caledonia anywhere near as much as the consensus – I find it a rather soulless economic Euro – but this appears to be a totally different sort of game.
Filed Under: Uncategorized Tagged With: , , , , , , , , , , , , , , , , , , ,
→ July 22, 2019
→ By

Billion Dollar Whale.

When I reviewed Bad Blood a few months ago, one of you recommended Tom Wright and Bradley Hope’s book Billion Dollar Whale, since it’s in a similar vein – another story about a con artist who took very wealthy people for a substantial ride. While Elizabeth Holmes got caught, and may even stand trial next year (although I hold out little hope of serious punishment), Jho Low, the “whale” at the heart of this book, remains a fugitive from justice, and still has a lot of the proceeds of his massive scam – maybe the biggest in world history.

Low was a Malaysian nobody with a little bit of family money who somehow talked his way into the good graces of Malaysian President Najib Razak and some of his myrmidons, and thus ended up in control of a new sovereign wealth fund in Malaysia called 1MDB. Low, with the help of other officials in Malaysia and co-conspirators in the United Arab Emirates, managed to loot the fund of several billion dollars, using the proceeds to party his way around the world, but also to invest in or start legitimate businesses. He invested in EMI Music, bought real estate in the United States and the United Kingdom, and even funded a Hollywood production company called Red Granite Pictures, co-founded by the stepson of President Razak, which produced the Oscar-nominated film The Wolf of Wall Street as well as Daddy’s Home and Dumb and Dumber To. Meanwhile, Low kept his position of power by providing Razak’s wife with millions of dollars in gifts and jewelry, while using state funds to drum up support to keep Razak in office. He did all of this with the help of major western investment banks, notably Goldman Sachs, which profited handsomely from Low’s looting of the Malaysian government’s supposed investment fund, as well as a Swiss bank called BSI.

Wright and Hope spin an unbelievable yarn here, going from Low’s childhood to his years at Wharton, where he already showed the sort of pretension and penchant for not paying his debts, through his rise and partial fall as the de facto leader of 1MDB. Low befriended Leonardo DiCaprio, giving him millions of dollars of art as gifts, and dated supermodel Miranda Kerr, giving her $8 million in jewelry. (DiCaprio and Kerr forfeited all of those gifts, voluntarily, once the FBI began its investigation into 1MDB.) He also hung out with Jamie Foxx and producer Swizz Beatz, the husband of singer & musician Alicia Keys; Swizz Beatz in particular continued to support Low even when it was clear that the latter had come by all his money via fraud.

Low’s con was really simple as cons go – he covered up his pilfering of the till with a series of paper transactions, doing so with the cooperation of other con men in Malaysia’s government and with the sovereign funds of Arab nations, all of whom took payouts to participate in the scam. What is hard to fathom, and what Wright and Hope spell out so well, is how thoroughly Low et al bamboozled western banks and accounting firms – or how little they cared about the provenance of the funds as long as they were getting paid. Billion Dollar Whale could be a textbook in a class on “Know Your Customer” rules, and what happens when banks fail to follow those procedures. Low skated repeatedly at points when someone should have told him no, simply because he could get someone else to forge a letter to support him.

Wright and Hope try to explain some of Low’s personality and choice to go into a life of fraud, but largely end up stymied by how bland he was – socially awkward and introverted, granted access to famous people and women by his money but still every bit as inscrutable. He also studiously avoided attention throughout his tenure with 1MDB, so there was minimal press coverage of him, and he didn’t start to appear in the media coverage of the scandal until after several stories had already appeared. So it’s not a biography of Low in any sense, but a story of a con – a completely fascinating one because of how many people either went along with it (to get rich) or failed in their fiduciary or legal duties to stop it.

A huge part of Low’s ability to get away with this scam for years was the tie to Razak, who was finally ousted from office in an election in 2018, after which he and his wife were arrested for corruption. Just this week, prosecutors in his trial showed that his wife spent over $800,000 in one day on jewelry, spending that went through the 1MDB fund; I assume this is the same story Wright and Hope tell of Low taking Razak’s wife to a famous jeweler. Low, however, fled to China and appears to still be running around the country with access to at least some of his ill-gotten gains, which means the Chinese government is, for some reason, okay with him doing so in spite of an Interpol warrant out for his arrest.

Next up: Laura Cumming’s The Vanishing Velázquez: A 19th-Century Bookseller’s Obsession with a Lost Masterpiece.

Filed Under: Uncategorized Tagged With: , , , , ,
→ January 28, 2019
→ By

FYRE.

My prospects ranking package began its rollout this morning for ESPN+ subscribers with the list of 15 guys who just missed the top 100.

—

By now there’s a pretty good chance you’ve seen FYRE, the Netflix documentary on the ill-fated music festival to be held in the Bahamas in the spring of 2017 that turned out to be a giant con run by its founder Billy McFarland and musician Ja Rule. (There is a competing Hulu documentary on the festival that I have not seen.) Netflix chose to release this briefly in theaters, which will qualify it for awards consideration in the next cycle, and for sheer entertainment value it’s among the top documentaries I’ve ever seen.

I love a good con in fiction, but this con happened in real life, and the most amazing theme of FYRE is how so many people working on the festival saw the con happening in real time and did nothing to stop it. Fyre itself was originally an app that would allow people to book celebrities for events, streamlining a process that was opaque even to people with the money to do this but not the access. At some point, McFarland – and we’ll get to him in a moment – had the idea to create a music festival to promote the app, and then plowed ahead with the concept, despite lacking any experience in running festivals, and then hired a bunch of people he knew to try to run the event, half of whom didn’t know what they were doing and half knew what they were doing but couldn’t execute given the constraints of time, money, and location. Many of these folks appear on camera and voice their concerns that it was never going to work, but as far as I can tell, none of them actually quit the organization – one was fired for raising these issues – or did much beyond say that they thought the plans were in trouble.

McFarland appears here only in footage from the planning meetings, because it turns out they pretty much filmed everything as they were trying to make this festival happen, but isn’t interviewed directly; he does answer questions in the Hulu documentary, the producers of which paid him to do so. What FYRE does give us, however, is a sense of just what a grifter McFarland really is: he’d previously come up with Magnises, a members-only club with a credit card-like passport that would give members access to exclusive events, an actual club to visit in Manhattan, and discounts on hard-to-get tickets to concerts and shows. While it delivered on some of its promises, eventually the company started overpromising and underdelivering, or just not delivering at all, leading to a surge in complaints and cancellations just as McFarland was bragging about massive membership growth – and also turning his attention to Fyre.

His ability to get Magnises off the ground and even build some kind of customer base set up the Fyre fiasco in two ways: It became clear that he was very good at getting publicity, and he started a pattern of trying to separate wealthy or high-income millennials from their money. The Fyre Festival wasn’t just poorly run, but poorly funded, and the company took money from would-be concert goers for things that didn’t exist, like housing on or near the beach, and eventually came up with the idea of wristbands that attendees would use to pay for “extra” events like jetskiing but that was just a scam to get working capital so the concert wouldn’t go under before it started.

Of course, the most entertaining parts of Fyre come down to the depths of the scam, and how McFarland appears to be so privileged that he can’t understand the word ‘no.’ I won’t spoil it for people who haven’t seen the film, but the Evian water story has quickly become a meme, with good reason. People did get to what was supposed to be the concert site, only to find it wasn’t ready for anybody, with just some hurricane tents propped up on the beach and inadequate supplies or housing for the people who did show up, with the concert cancelled just hours before the event was supposed to begin, and no plans to get all these people back home after they were flown to the site on a chartered plane. McFarland appears to have tried to just keep a half-step ahead of the people while stealing their money, and I think the most shocking part (other than the Evian bit) is that he is eventually arrested over this scam, gets out on bail, and immediately sets out to begin another grift, this one even more blatant than the previous ones.

Nobody feels sorry for the well-heeled Fyre Festival customers who were willing to fly to the Bahamas for what was essentially billed as a luxury version of Coachella and kept handing over cash without doing much to see if the people taking their money were reliable. I can’t say I felt a lot of sympathy for them either, but that schadenfreude was not a major part of FYRE‘s message to me. I can’t get over how many people worked on this project, knew it was a dumpster fire on a flatbed rail car that was slowly going off the tracks into a ravine, and stuck around – even when they weren’t getting paid. One person, never identified, did leak details to a site that called Fyre Festival a scam and probably contributed to its downfall (or at least to the rise of skeptical media coverage of it), but everyone we see here except for the one who was fired kept working here until the event was cancelled. (The guy who was fired – the one real voice of reason here – is the same guy who brags that he learned to fly by playing Flight Simulator.)

This event never gets off the ground were it not for a clever social media campaign that made heavy use of ‘influencers,’ notably those on Instagram, who were promised compensation if they would simply talk about the festival and post its image of a blank orange square. (I don’t know why either.) The documentary skirts the subject too much for my liking, because ultimately, influencer culture is itself a fraud. Yes, if you have a large social media following, you can direct people to buy certain products and services, just by nature of the volume of eyeballs on your content. That absolves the influencer of any responsibility for what they appear to recommend, which was later codified by the FTC into guidelines requiring influencers to disclose “material connections” to brands they recommend, and to do so in a way that will be clear to most users. I have a large Twitter following and modest audiences on Facebook and Instagram (the latter of which I’m using more, mostly just for fun or silly posts), and so I am offered a lot of stuff in the hopes that I’ll recommend it – sometimes things just show up at the house. I have a simple policy: I won’t recommend anything I don’t like or use myself. I have told publishers not to send items. I declined a gift card to a restaurant chain (no, not Olive Garden) because there was a quid pro quo attached to it. Granted, I am not an “influencer” using it as my primary source of income – but maybe that’s not the most ethical way to make a living, either.

As for the Hulu version, I’ll probably watch it because I have a couple of close friends who’ve urged me to do so, even just so we can discuss it, although the consensus seems to be that FYRE is better. And it is wonderfully bonkers at so many points. Ja Rule has a quote near the end that is a jawdropper. The Evian story and McFarland’s third scam, while out on bail, are both are-you-fucking-serious moments. The Lord of the Flies (Lord of the Fyres?) scenes on the beach and later at the airport are both enough to make you screw up your faces in disbelief, although those beach scenes made me a little uncomfortable as these well-off young adults complained over conditions that probably a billion people in the world experience as their normal. It’s shocking in so many ways, none more so than the grifter Billy himself, who must be some sort of sociopath for the ease with which he lies to people and to cameras while gleefully helping himself to others’ cash.

Filed Under: Uncategorized Tagged With: , , , , ,
→ June 2, 2018
→ By

Stick to baseball, 6/2/18.

My third first-round projection for Monday night’s MLB Draft went up on Thursday for Insiders; I’ll do one more on Monday morning. I also held a Klawchat on Thursday, and will do another on Monday afternoon. I wrote a piece earlier in the week for Insiders on why players withdrawing from the draft is a terrible idea for them, benefiting no one but the college coaches encouraging them to do so.

Longtime Marlins scout Orrin Freeman and his wife Penny are both facing awful health problems and mounting medical bills, so Penny’s daughter has set up a GoFundMe to help offset some of these costs. You can expect MLB to try to help one of its own as well. Of course, universal health care would make a difference in cases like this – and it could happen to any of us in time.

My book Smart Baseball is now out in paperback! I’ll be at Washington DC’s famed bookstore Politics & Prose on July 14th, along with fellow author Jay Jaffe, to talk baseball, sabermetrics, and whatever else you kind readers ask about. I should be able to announce another event in the Boston suburbs for July 28th very soon.

And now, the links…

Filed Under: Uncategorized Tagged With: , , , , , , , , , , , , , , , , ,
→ March 10, 2018
→ By

Stick to baseball, 3/10/18.

I had two posts for Insiders this week, with another one on Shohei Ohtani just posted this morning. One piece looked at potential #1 overall pick Casey Mize, a right-handed pitcher at Auburn who threw a no-hitter last night. I ranked potential impact prospects for the 2018 season, which differs from my top 100 ranking, which looks at prospects’ long-term expected value. I also held a Klawchat on Thursday.

Over at Paste, I reviewed Smile, a new, light card game designed by Michael Schacht, best known for Zooloretto.

The paperback version of Smart Baseball comes out on Tuesday! I’ll be at Twitter HQ that day, and will answer questions from readers via the site’s Q&A app. To submit a question, tweet it with the hashtag #smartbaseball.

And now, the links…

Filed Under: Uncategorized Tagged With: , , , , , , ,
→ June 28, 2017
→ By

The Handmaiden.

A psychological and erotic thriller built around a classic con story, the South Korean film The Handmaiden made a number of critics’ top ten lists for 2016, but wasn’t even submitted by the Korean Film Council for consideration for the 2016 Academy Award for Best Foreign Language film even after the film was generally praised on release at Cannes that year. Directed by Park Chan-wook (Oldboy, Thirst), The Handmaiden manages to combine a double-cross story worthy of Hitchcock, a drawing-room mystery worthy of Charlotte Heyer, and erotica worthy of Cinemax into a single, stunningly shot film that still manages to compel even as Park’s train wobbles off the tracks in its final third. It’s free on amazon prime and can be rented via iTunes.

Adapted from the novel Fingersmith by Sarah Waters, The Handmaiden is told in three parts, beginning with the story of Sook-hee, a peasant thief who is recruited by the con artist “Count” Fujiwara to become handmaiden to a wealthy heiress and convince the ingenue to marry the fake count so he can then dump her in an insane asylum and make off with her money. Sook-hee agrees after negotiating a better cut of the proceeds for herself, only to fall in love with her mark, Hideko, and lose her commitment to the con. No one’s motives are truly clear here, and Lady Hideko’s uncle isn’t merely the reclusive rare book collector he appears to be; once the first part of the con is revealed, the narrative shifts back to the beginning and shows much of the same material with missing details restored. Everything you see in part one has a purpose, even if it takes most of the film to discover it.

The con drives the plot, but the power of The Handmaiden resides in the scenery and the lead performances. The film is gorgeously shot, from the uncle’s mansion to the Japanese gardens even to the night scenes among the trees, with Park manipulating light and dark or introducing bursts of color to enact quick shifts in tone. There are very obvious parallels to Hitchcock’s Rebecca, and there are scenes in the gardens on the estate where you’d expect to see the girl from Fragonard’s The Swing swaying to and fro.

Kim Tae-ri, making her feature film debut as Sook-hee, nails the urchin’s mixture of overconfidence and naivete, while Ha Jung-woo is perfect as the suave, unctuously charming con man Fujiwara. (The two are both in the upcoming South Korean drama 1987, about the student protests that year that brought down South Korea’s military regime.) Kim Min-hee won several awards for her portrayal of Hideko, perhaps the most thankless role of the three because so much of the script requires her to act numb, although the character gains complexity once the depravity of her uncle becomes apparent in part two; her role just seems less demanding, other than the makeup and hair she’s required to wear while Hideko delivers readings of the books in her uncle’s collection.

The film would almost certainly have received an NC-17 rating here for the two sex scenes between Sook-hee and Hideko, which some critics have tabbed “soft porn” but which would probably escape remark if they involved a hetero pairing. If there’s something objectionable here, it’s the scenes’ length, or some of the dialogue, perhaps badly translated, from Sook-hee that I think was supposed to show that she’s just as naive as Hideko. (Waters herself defended the scenes, saying the women are appropriating a very male pornographic tradition and that queer audiences welcomed them.) Establishing the attraction between the two women as genuine is critical for the credibility of the overall story, and while the second scene is probably too long by half, skipping them entirely would have left the film worse off. The movie’s conclusion, however, brings the off-screen violence from implication to reality with a needlessly grisly torture scene that would have survived just as well without showing us any severed fingers; I haven’t read the novel but I believe that scene was Park’s invention.

I doubt any film would have topped The Salesman for the Best Foreign Language Oscar, given the political circumstances around the latter’s nomination, but I would rank The Handmaiden above the four other nominees. You can argue it’s pornographic, but I think those scenes are both transgressive and true to the original author’s intent; the violence is far more disturbing and less essential to the plot. And the plot is reason enough to watch the film – it’s an old con done up in a new way, with double dealing and secret schemes, by actors who fully inhabit the devious characters they’re portraying. It’s easily among my top ten movies of last year.

Filed Under: Uncategorized Tagged With: , , , , , ,
→ March 24, 2015
→ By

Charlatan: America’s Most Dangerous Huckster.

Pope Brock’s Charlatan: America’s Most Dangerous Huckster, the Man Who Pursued Him, and the Age of Flimflam tells the story of con man J.R. Brinkley, the forerunner to today’s “FoodBabe” and “HealthRanger,” a man whose scams were so successful (at extracting money) and popular that he nearly won an election to become governor of Kansas. He helped create the modern radio industry, launched the first real “border blaster” from just over the border with Mexico, and spent about twenty years evading the pursuit of the American Medical Association’s lead investigator Morris Fishbein before finally coming to justice. It is so bizarre and so extreme that it defies belief, both that anyone could get away with a scam so brazen and that his name isn’t that well known today.

Brinkley’s main con was to pass himself off as a surgeon (despite a lack of any medical degree other than honorary ones he received later) who invented an operation where he would implant the glands from goat testicles into the scrotum of a human to give the latter added virility. In other words, he was selling penis pills before Al Gore invented the Internet. And it worked – the con, that is, not the operation, which was complete bullshit and left many patients maimed or worse. Brinkley built a huge practice in the backwater town of Milford, Kansas, in part by also constructing one of the country’s first radio stations and using it to promote his own business. He also filled much of the station’s airtime with country music, spreading the popularity of that genre and thus further building the audience for his promotion of his own business.

When the authorities in Kansas eventually forced him to stop killing people with scrotal operations, Brinkley first staged a write-in campaign for governor that, in just five weeks, may have garnered him enough votes to win, only to have a back-room deal invalidate thousands of those votes and hand the election to one of his rivals. Brinkley later decamped for Del Rio, Texas, opening a new surgery and setting up a half-million watt radio station just over the border that was so powerful there were days the signal could reportedly reach Canada. That station, XERA, introduced mexican and “tex-mex” music to the broader public and later gave us the outsized personality known as Wolfman Jack. Brinkley was a ruthless, sociopathic confidence man, but he was also quite brilliant and kept ahead of his enemies and adversaries for so long because he was a visionary. He saw potential in radio before anyone else did, and rewrote the rules of political campaigns, and also found a fine new way to part gullible people from their money, whether they had it to give him or not.

Fishbein enters frequently into the story as a secondary character, giving the story some narrative greed as he and Brinkley collide several times before the final denouement at a trial where Brinkley was actually the plaintiff, suing Fishbein for libel for calling the fake doctor a charlatan. Whether Brinkley actually believed his “operation” – which barely qualified as such – helped the patients is never clear, as he may simply have been convinced of his own invincibility regardless of the truth. He succeeded for nearly twenty years, running variations of the same scam, frequently upping the ante after he had to pull up stakes in one location, amassing enormous wealth and political power before his ultimate downfall.

That power in particular reminded me of the recent efforts by the soi-disant “FoodBabe” Vani Hari, a woman with no scientific or medical training (and no evident knowledge of either) who has used social media to run protests against specific ingredients in processed foods while encouraging people to do stupid things like take useless “natural herbs” or buy her book. Her post on staying healthy while flying is legendary for its ignorance (such as her beliefs on the chemical composition of air), and she fosters the same kind of anti-science sentiment that encourages vaccine deniers, climate change deniers, and 9/11 “truthers.” Her effort is hardly the only one of its kind; look at NaturalNews, another anti-science site run by a mountebank who peddles misinformation like claiming a raw food diet can cure cancer and fibromyalgia in what amounts to one giant appeal to nature. (Prepare to be shocked: Mike Adams, the self-styled “Health Ranger” who runs Natural News, is a vaccine denier and an all-around quack.) So while it’s easy to read Charlatan and convince yourself that such a sham could never happen today, in reality the fraudsters have just moved online.

Next up: I read S.S. Van Dine’s first Philo Vance mystery, The Benson Murder Case (just $1.99 for Kindle), on the flight yesterday, and will start Nobel Prize winner Mo Yan’s Red Sorghum later today.

Filed Under: Uncategorized Tagged With: , , , , ,
→ October 31, 2013
→ By

The Land that Never Was.

Klawchat today at 1 pm EDT. I’ll have a Top Chef recap up late tonight or early Friday morning.

Poyais was a small, independent principality (later republic) on the Mosquito Coast of Central America, protected by mountains from invasion by neighboring Spanish territories, blessed with abundant natural resources, and, according to its Cazique Gregor Macgregor, desperate for English colonists to come populate it. Macgregor issued bonds on behalf of the Poyais government on London exchanges, and sold plots of land in Poyais to eager would-be settlers from all economic strata, desperate blue-collar workers to professional men promised positions of authority in the Poyais government. He eventually attracted 240 men, women, and children and loading them on two ships bound across the Atlantic, while he remained in England to float more debentures and recruit further colonists.

If you’ve never heard of Poyais – I hadn’t, in any context – that’s because it was Macgregor’s fabrication, all part of an elaborate fraud he used to pilfer money from investors and settlers alike. David Sinclair’s The Land That Never Was: Sir Gregor Macgregor And The Most Audacious Fraud In History covers this long-forgotten scam, which claimed the lives of 180 of those 240 settlers, yet for which Macgregor only served a few months in jail, eventually dying in exile in Caracas in 1845, still a free man.

Sinclair’s retelling is fairly straightforward, taking readers back through Macgregor’s history as a soldier of fortune with ambitions beyond his abilities and a talent for lying through his teeth when it suited his purposes (such as taking credit for battles or adventures in which he hadn’t fought). He depicts Macgregor as a silver-tongued confidence man taking advantage of a time when Central and South America were all the rage among English investors and reporters, an environment that was ripe for a polished scam artist who had just enough legitimacy in his credentials to pull it off. The people Macgregor fooled weren’t all rubes or uneducated citizens – many were successful professional men who bought Macgregor’s promises of government appointments in European-style cities in Poyais that just needed experienced leaders to fill out its government.

Knowing nothing about the Poyais scheme beyond what I read in Sinclair’s book, I was more struck by another aspect of Macgregor’s temporary success: He told people what they wanted to hear. The fantasy he created put an apparent physical reality to the aspirations of the middle-class men he recruited to lead the colony, and to the desperate dreams of poorer workers in search of greater economic opportunity than they found in the heavily populated, stagnating England. A century after the disastrous Darien scheme, a failed attempt to establish a Scottish colony on the northeast coast of what is now Panama, nearly bankrupted the nation’s landowners and led to their 1707 union with England, the Scots fell for a fabrication that catered to their disillusion over their last failure but promised little risk because the colony had already been established. Macgregor wrote his pamphlets in a bombastic style, sometimes under assumed names, to improve their appeal, but the audience had to be willing to receive it. Whether he was just fortunate in his timing or truly understood that he was selling something his listeners or readers wanted to buy, it was a critical element in the success of the scam.

Macgregor was eventually found out, but paid very little penalty for it, so Sinclair’s story lacks the sort of natural climax and resolution you’d expect or want in a story of a terrible fraud that cost not just money but innocent lives, including those of children. The reactions of the survivors are shocking, far more interesting than the limited time we see of Macgregor facing legal charges in France, but robs Sinclair a little of the strength of a traditional narrative – not that there’s much he could have done to improve that. Instead, the book’s greatest strength comes in its midsection, where we follow Macgregor around as he sells his nonsense and then read about the plight of the colonists when they get to Poyais and find nothing there. That alone makes it well worth a read, even if its story arc isn’t what we typically expect (unfairly, perhaps) from narrative non-fiction.

Next up: I’m halfway through Henry James’ The Portrait of a Lady, which is going far better than I expected given what little I’ve previously read of James’ work.

Filed Under: Uncategorized Tagged With: , , , ,
→ March 30, 2013
→ By

The Grifters.

I’ve got a draft blog post up on Braden Shipley and Aaron Judge, as well as a post with predictions for the 2013 season.

Jim Thompson’s 1963 novel The Grifters is my first encounter with his work, a neo-noir novel that draws from the prose style of hard-boiled detective novels but brings it outside of the detective genre, instead focusing on the cons themselves with barely a shamus in sight. The three main characters are all tied together in simple ways, but Thompson develops them each so deeply that the result is like a modern, dark Greek tragedy, written by someone who read too much Raymond Chandler. (Note: One cannot read too much Chandler.)

Adapted into the 1990 film of the same name by Donald Westlake, The Grifters centers on Roy Dillon, a mid-20s artist of the “small con,” little tricks designed to yield up to $100 that won’t attract too much notice from the police. His indifferent, manipulative mother Lilly is herself involved with the mob, as she has been for years, now helping them rig the betting against longshots at the track. Roy avoids most lasting relationships, as part of the life of the grifter but also a consequence of a childhood with a sociopathic mother, yet ends up involved with Moira Langtry, who is also on the make but whose motives aren’t immediately clear. When one of Roy’s small cons leaves him nearly dead and in need of convalescence, his mother makes her move to reestablish herself in her son’s life – for her own purposes, of course.

Roy is the far more developed character in the book, working from an independent sense of morality, wary of his mother yet unable to fully sever ties with her, but Lilly is far more fascinating – the mother who’d eat her young and who only views others as tools for her own advancement. (It cracks me up that the actress who played Lilly in the film, Anjelica Houston, is now the voice of the overly sweet Queen Clarion in the new Tinker Bell movies.) We get Lilly and Roy’s backstory through flashback chapters intertwined with the present time, which tracks Roy’s injury and recovery, and which allows Lilly to introduce Roy to the seemingly innocent nurse Carol, an immigrant who is reluctant to discuss anything of her past.

Thompson had to have been at least somewhat thinking in terms of Greek tragedies, especially Oedipus, when writing The Grifters, as the elements are too obvious for this to have been inadvertent. The incestuous undertone to Lilly and Roy’s relationship becomes clearer the more we watch the two interact, especially since sex is Lilly’s primary way of manipulating men, either to get what she wants or to get out of trouble. The three elements Aristotle identified as critical to the tragic plot – reversals of fortune, recognition, and suffering by one or more protagonists – are all present, especially in the two-part conclusion, the second half of which even surprised me. Greek tragedies often come across today as pedantic and dull, but Thompson uses both the plot and taut syntax to keep the tension high from the hit Roy takes the stomach in the first chapter to that final confrontation that lays everyone’s motives bare.

The style and subject matter reminded me of Chandler and Hammett, as well as They Shoot Horses, Don’t They?, which I read in February, but the strongest resemblance was to James Crumley’s The Last Good Kiss. Crumley’s novel is more violent and has less of the classical elements of The Grifters, but I wouldn’t be shocked to hear that Thompson had influenced Crumley’s work, especially since Crumley was in college and graduate school when two of Thompson’s most significant works, this novel and Pop. 1280 were first published.

Next up: B.S. Johnson’s manic metafictional absurdist novel Christie Malry’s Own Double-Entry.

Filed Under: Uncategorized Tagged With: , , , , ,
→ October 26, 2012
→ By

The Man Who Loved Books Too Much.

Allison Hoover Bartlett’s non-fiction book The Man Who Loved Books Too Much: The True Story of a Thief, a Detective, and a World of Literary Obsession (on sale for $6 on amazon) tells the story of a man who stole dozens of rare books from dealers (whose security protocols were often quite lax) because, well, he wanted them. Or he felt entitled to them, because the fact that he couldn’t afford them was just unfair. He’s a con artist, but not a very sharp one, just a persistent one with an pathological self-delusion when questions of right and wrong interfere with what he wants. He’s fascinating, enough that Bartlett’s portrayal is compelling reading despite only going about half as deep as it could have on the subject.

John Gilkey is the book thief of the title, a man who preys on the trust in the cloistered world of rare book collectors and dealers, most of whom still trade in these commodities for love of the books (but not necessarily to read them), and none of whom seem aware of the possibility that someone might rip them off. The problem is exacerbated by a lack of communication among dealers, allowing Gilkey, who isn’t the brightest bulb in the chandelier but manages to keep himself out of jail for longer than you’d expect, to stretch out his spree by avoiding hitting stores multiple times and eventually spreading out across the country, even pulling a scam or two via mail.

Yet the peculiar part about Gilkey’s crime wave is that he never sells the books. He collects the books just to collect them; he doesn’t even read them. He focuses on the Modern Library list of the top 100 novels of the 20th century, a list I’ve haphazardly been reading my way through (despite its sketchy tabulation), because, it seems, these books have been identified for him as Important or Prestigious. His knowledge is superficial and his moral compass is either damaged or nonexistent – he talks of “getting” books, not stealing them, and feels no remorse for the dealers he’s robbed. He can’t afford the books, so the logical option is to take them, because why should rich people have these things while he does without? His ability to rationalize his actions reminded me of pedophiles or serial killers who, even after they’re caught and convicted, remain unrepentant and even try to convince others of the rightness or fairness of their crimes. Fortunately Gilkey was completely nonviolent, although I wonder what would have happened had any bookseller confronted him while he tried to steal a book.

The story of how he was finally stopped is almost as interesting, a credit to the efforts of a single book dealer, Ken Sanders, a lapsed Mormon who is also a collector (and perhaps hoarder) of rare books, purchasing them for his store in part so he can be their temporary custodian. Sanders was the director of security for the Antiquarian Booksellers Association of America for several years and took Gilkey’s thefts personally, helping coordinate reports on the crimes and disseminate information to try to protect other dealers from falling for the same scam. Those efforts led to Gilkey’s arrest, but law enforcement’s interest in thefts of rare books, even valuable ones, isn’t that high, and the sentences for such crimes are often light if the criminals are prosecuted at all, meaning Gilkey serves his time, re-offends, and is arrested again, but the thefts continue. Many of the books he stole in his original spree have been recovered but others remain at large.

That last point is where Bartlett herself becomes enmeshed in the story herself, as she may have seen some of those books herself when interviewing Gilkey’s mother and sister, eventually seeing a group of books Gilkey asked his mother to store for him. The statutes of limitations on many of those thefts have long expired, but their recovery is also relevant for the books’ historical value, giving Bartlett an ethical dilemma she never fully resolves. Bartlett shies away from examining the books, but doing so could have given her some titles to give to Sanders for circulation, possibly returning some to their former owners, regardless of criminal charges.

Aside from the unsatisfactory resolution to Bartlett’s ethical quandary, she also didn’t get deep enough into Gilkey’s pre-thieving history to explain why he is the way he is. This seems like a mental illness, but Gilkey’s hints about thieves within his family, stealing from each other as a fact of life, go unexamined and unresearched. Gilkey seemed forthcoming with Bartlett, almost eager to tell his story, yet we don’t really get much beyond understanding that he’s not a profiteer and he’s not playing with a full deck. Once he’s caught, he’s not clever enough to change tactics, so the hunt for him (which, while short, is thrilling to read) can’t sustain the second part of the book. We do get some glimpses of Gilkey’s past, and his weird personality, but could have used more, so the book as it stands feels a little light even though it’s very interesting and an easy read.

Bartlett mentions along the way that she’s a fan of narrative nonfiction, mentioning four titles that rank among her favorites:

* In Cold Blood, which I read last year but somehow never reviewed. It was interesting, well written, but the crime at heart is tough to read about, and Capote’s platonic relationship with the truth detracts from the power of his narrative. It’s a better read for its historical value and literary importance than for the story within.
* The Professor and the Madman, which I read about ten years ago and loved, although its narrative is looser than most, without much of a conclusion.
* The Orchid Thief, which I haven’t read but purchased last week.
* The Spirit Catches You and You Fall Down, which I also haven’t read and would love to hear about if any of you have.

Next up: Jennifer Egan’s Pulitzer Prize-winning novel A Visit from the Goon Squad.

Filed Under: Uncategorized Tagged With: , ,