So we just finished the Masterpiece Theatre showing of the new adaptation of Mansfield Park, and it was enjoyable as a trifle of a movie, but dreadful as an adaptation. I simply could not get past Billie Piper, in the lead role of Fanny Price, as a brunette who dyed her hair blonde in the early 1800s … and then couldn’t be bothered to do her eyebrows!

Mansfield Park is easily my least favorite of Austen’s novels due to its wimpy protagonist, despite all of Fanny’s defender’s claims of her “quiet strength,” which is revisionist bullshit – she’s a damned wimp and even in the one time when she stands up for herself, she’s sorry to have made others around her upset. There’s nice, and then there’s doormat. Fanny Price is a doormat.

The adaptation has turned this somewhat dark novel into a paper-thin romantic intrigue. All of the tension of the novel is gone. Mrs. Norris (yes, like the cat in the Harry Potter series, although here she is a live person) spends the novel tormenting Fanny at every turn; she’s scarcely in the movie at all. In the novel, when Fanny rejects the advances of Henry Crawford, the entire family (she’s staying with her aunt and uncle) turns on her in a relentless attempt to persuade her to accept his proposal, ultimately sending her back to her own poor family as a punishment. Here, she’s not invited on a day trip, and before we know it, Henry has run off with her sister – an event which, by the way, is a total shock in the novel and yet is foreshadowed in the first twenty minutes of the film. And so on. There is no tension in the movie, yet the book is wracked with it. At worst, couldn’t the screenwriters have found some middle ground.

I’m not the only Janeite who thinks so, for what it’s worth – the second of those links focuses on yet more unladylike behavior, as we saw in the new take on Persuasion. I admit that it’s a hard novel to adapt because a faithful version would be oppressive and bleak, but let’s at least stay true to the time period.

The Complete Jane Austen series is continuing with the Colin Firth Pride and Prejudice shown in three parts, starting this Sunday; it is well worth watching in its own right, but also stands as perhaps the supreme literary adaptation, period. The series then breaks, resuming on March 23rd with another old edition, this time of Emma, starring Kate Beckinsale.