FYI, I’ve got a 1 pm chat today over at the Four-Letter.
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Sugar addiction.
So the American sugar cartel is at it again, trying to get the government to prop up their industry, which should long since have either disappeared or shrunk into niche status. For those of you who don’t know, Americans pay three times the world market price for sugar because the government restricts sugar imports – true corporate welfare. NAFTA was supposed to put an end to this bullshit, but the sugar lobby is now trying to get Congress to do an end-run around the free trade agreement by forcing the government to buy Mexican sugar imports to keep them off of U.S. shelves.
That pisses me off to begin with, but here’s the thing that should bother everyone: This asinine, smoothawleyrific policy is exacerbating the rising rates of heart disease in the United States. Mass-market food manufacturers, notably the soft drink companies, use high-fructose corn syrup as a sweetener – even though anyone with a functioning tongue can tell you it doesn’t taste as good as sugar does – because it’s significantly cheaper than real sugar. This makes the corn lobby happy, but the problem for consumers is that fructose has a major downside: It reduces the levels of two enzymes critical to heart health,, leading to enlarged hearts and increasing the likelihood of heart disease. A diet high in fruits isn’t likely to cause this problem, but a diet high in high-fructose corn syrup – you know, corn syrup that is HIGH IN FRUCTOSE – is. What’s the better course of action: Using government money to keep Mexican sugar off the market, gouging American consumers while raising heart disease rates; or letting the market dictate prices and getting sugar back into soft drinks?
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The pride of Smithtown …
Northport man charged in $68M scam
I’ve known the defendant since elementary school – he graduated from high school a year ahead of me. Never in a million years would I have pegged him as smart enough to pull off (temporarily, at least) a multi-million dollar fraud scheme.
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Ryan Howard, again.
Bill Conlin, fun and fact-free!, weighs in on Ryan Howard:
There is one set of numbers, however, that fails to match the monetary implications raised by his stature as a power hitter – the numbers on his paycheck.
Conlin appears willfully ignorant of how baseball salaries work. Ryan Howard is eligible for arbitration this year as a Super-Two player, and he will and should be paid like a first-time eligible player. Conlin is making the argument that the Phillies should give Howard a long-term deal that pays him closer to his market value – in other words, he’s saying that the Phillies will be better off if they voluntarily pay Howard more than baseball’s economic system says he should get. Conlin points
You don’t need an economics degree and an MBA to realize that voluntarily overpaying for your inputs is a rather simple recipe for failure. For all the complaining you hear about baseball’s economic system, it is heavily stacked in the teams’ favor: Player salaries are below market value for the first six years of major league service, and for most players, that six-year period will include some or most of their peak years. In Howard’s case, because he reached the majors so late, the six-year period will include ALL of his peak years. By the time baseball’s economic structure allows Howard to be a free agent, he’ll be 32 years old, and given his profile as a hitter and body type, he’ll be paid a salary commensurate with his peak-years production during his decline phase, assuming that he becomes a free agent.
But hey, should we be surprised? Conlin’s own employer pays him the top salary at the paper plus his pension, and his peak years are behind him, too.
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Northanger Abbey film.
Now that’s more like it. The new movie version of Austen’s Northanger Abbey was spot-on, very faithful to the original novel with some excellent performances.
The plot of the novel, well preserved in the movie, is the simplest of Austen’s canon. Catherine Mansfield is a teenaged girl living in an English country village who loves to read the Gothic romances popular at the time, and who uses those novels as a substitute for the life experience she lacks. A wealthy couple offers to bring her to Bath with them for a few months, where she meets two suitors, Mr. Tilney and Mr. Thorpe, and becomes fast friends with Mr. Thorpe’s sister, Isabella, who is in love with Catherine’s brother James. One of her suitors is good, and one is bad. There’s a misunderstanding over her relationship with the wealthy couple. And that’s almost all of it. It’s a trifle compared to the character studies of Pride and Prejudice and Emma, but it’s witty and sweet.
This adaptation – I only know of one other, which I haven’t seen – hews quite closely to the plot of the novel, keeping the characters all true to Austen’s writing. Felicity Jones is excellent as Catherine and it doesn’t hurt that she looks like a cuter version of Natalie Portman. Carey Mulligan – also pretty darn cute, and someone had fun with her in wardrobe – was superb as the superficial and often condescending Isabella. And unlike last week’s version of Persuasion, this film allows its scenes to develop rather than rushing us from one spot to the next to try to cram the book into 90 minutes of air time.
Next up: A new take on Mansfield Park, my least favorite Austen novel, due in no small part to its priggish heroine, Fanny Price. There was a 1999 film version starring the underrated Frances O’Connor as Fanny, and while it was a good movie, it was only loosely based on the novel, incorporating some elements from Austen’s own life (using her letters as a basis) and also just flat-out changing some things around. This upcoming version is reported to be more faithful to the text – the screenplay was written by Andrew Davies, who wrote the screenplay for the new Northanger Abbey version and the screenplay for the definitive 1995 Pride and Prejudice miniseries – which strikes me as a mixed blessing.
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A simple pasta dish.
Sausage and mushroom pasta with pecorino romano – one pot and one skillet. Moderate knife skills required, and I’ll assume we all know that pasta should be cooked until it is al dente and no further, on penalty of death.
1 onion (or one small onion), diced
1 red bell pepper, cored and cut into 1″ strips
2 cloves garlic, minced
Pinch crushed red pepper
15-20 cremini mushrooms, quartered
1 pound fresh chicken/turkey sausage, Italian-flavored, casings removed
1 pound dried pasta (farfalle, rigatoni)
¾ cup to 1 cup grated Pecorino Romano cheese
1. Cook pasta according to package directions in heavily salted water. Drain, reserving one cup of the cooking liquid, returning the pasta to the cooking pot. Ideally, you want the pasta to be done just after the following process is completed.
2. In 1 Tbsp olive oil in a large skillet, sweat onion and red bell pepper until translucent and just thinking about browning, 7-8 minutes. Add garlic and red pepper and cook 30-60 seconds more.
3. Move pan contents to edges. Add mushrooms to center (using more olive oil if required) and cook until they release their liquid and brown slightly, 5-10 minutes.
4. Move mushrooms to pan edges and add sausage, cooking thoroughly. I like to let the meat sit when I first add it so that it browns on one side, then I break it up into small bits and sauté it.
5. Add the skillet’s contents and the cheese to the pasta with ½ cup of the cooking liquid, stirring quickly to form a sauce using the residual heat from the pasta and the liquid. If the resulting sauce is too dry, add some of the remaining cooking liquid just until the pasta is coated and wet, but do not add so much that you get a pool of liquid on the bottom of the pot. Add a few turns of fresh black pepper and serve.
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NFL picks.
Usual disclaimer – I am not much of a football fan, let alone any kind of expert, and I am not placing any actual bets on these games – but here are my picks:
San Diego (+14) over NEW ENGLAND – New England to win
GREEN BAY (-7) over New York
I’m leaning towards the under on both games – anywhere from 46.5-48 on the first game, and 40.5-41.5 on the second.
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More Jane.
I didn’t mean for this to become the all-Jane Austen blog, but I stumbled on this AP article on Andrew Davies, the screenwriter behind the famed 1995 Pride and Prejudice adaptation and behind this Sunday’s new take on Northanger Abbey. For a guy who talks about making changes to novel texts in his adaptations, he’s all the way at the “faithful” end of the continuum of adapters.
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Wicked.
I have a rule when it comes to novels: If there’s a map of a fictional place in the front, move in the other direction. I can’t think of a book since the Lord of the Rings series that had such a map at its start and didn’t end up the worse for it.
The fact that the author took time to make up a country or a region or a continent or whatever does not impress me; it tells me he was more enamored with the creation of irrelevant details than he was with things like plot, character development, or themes. This preference for creation over craft bedevils the fantasy genre as a whole, and it’s the reason why I rarely bother to read anything from that section of the store.
Gregory Maguire’s Wicked: The Life and Times of the Wicked Witch of the West has sold over three million copies, earned mostly positive reviews, and spawned a massively successful Broadway musical. So I want to hesitate before calling the book something of a bore, a revisionist fantasy that reflects the awkward worldviews and odd fascinations of a teenaged boy even though it was written by an adult man. I won’t hesitate, but I want to.
Wicked is a parallel novel, telling the “other side” of The Wonderful Wizard of Oz by providing a backstory for the Wicked Witch of the West, as well as her sister, trying to make them sympathetic characters. The Wicked Witch of the West is given a name, Elphaba, which in and of itself has a mythology in the novel, and she’s a Hermione Granger sort of child, an intellectual who takes up the causes of the oppressed; she’s shunned from birth because she was born with green skin (a point which is explained later in the book in what I found to be a very unsatisfying way), and it wouldn’t be a stretch to say that until her death she has major daddy issues.
Wicked struck me wrong in multiple ways. Reusing someone else’s characters and setting is unoriginal; recasting them and altering facts or personality traits is unethical. Maguire alters entire characters and turns chunks of Baum’s original story on its head. He also clearly intended for this to be a novel of ideas – it’s a superficial one at best – and again, if you’re going to do that, make up your own universe first. Wicked‘s text also includes some awkward descriptions of sex and bodily functions, almost as if the book was written by a teenaged boy or someone who had that particular species’ fascination with those two subjects and unfamiliarity with the former. I admit that it’s not easy to write about sex – there’s an entire award devoted to the problem – but Maguire’s style is just painful, from perfunctory descriptions of the mechanics of sex to oddly jarring mentions of defecation or regurgitation.
The novel moves quickly despite some clunky prose and the aforementioned problems, because the material itself is so lightweight. I don’t mind lightweight reading if it’s entertaining and was intended to be lightweight, but Wicked is almost devoid of humor and suffers under the weight of some of its pretensions, including an explicitly stated question on the nature of evil that is only sparingly addressed. I’m tilting at a windmill given the book’s success and the way it has opened up a cottage industry for Maguire, who has since written similar books revising Snow White and Cinderella to his liking, but I’d like to see someone dump some water on Maguire before he desecrates another classic work by writing an adolescent retelling.