Jasper Fforde’s Shades of Grey came out in 2009, his first novel separate from his various Thursday Next/Nursery Crime books, and ended on a cliffhanger. The resolution had to wait for fifteen years, until the release earlier this year of Red Side Story, which picks up right after the end of the previous novel and thrusts our two heroes directly into jeopardy. It’s Fforde’s longest novel to date, and his darkest, as he finally reveals the story behind the alternate universe of both books.
The novels take place in the future, at a date unknown (but revealed within the second book), in a place called Chromatacia, which exists on the island of Britain. Our civilization appears to be long gone, as residents of Chromatacia refer to the Something That Happened before they existed. Their civilization revolves around color: Most humans can see just a single color, and their status in society depends on what color that is and how much they can see it. Purples have the highest status; Greys have the lowest. Our hero, Eddie Russett, is a Red, while he falls in love with the pugnacious Jane Grey, who has a habit of punching people in the nose when they displease her. In Shades of Grey, they discover that all is not right in Chromatacia or with the authorities that run it, National Colour, who profess to abide by the rules of a prophet named Munsell, who wrote the rules that govern the nation. The events that close the first book put Eddie and Jane in immediate danger of a death sentence, giving the sequel a real-time feel, as they must both solve the greater mystery of what exactly Chromatacia is and finagle a way out of execution via the Green Room.
Fforde has always at least dabbled in dystopias. The Thursday Next series takes place in an alternate universe as well, and while it’s mostly a comic and satirical world, he colors it (no pun intended) with numerous negative or simply unpleasant twists. Both of his standalone novels, Early Riser and The Constant Rabbit, depict worlds distinctly worse than ours, the former full of great suffering, the latter a not-thinly-veiled analogue for our own racism and xenophobia, just with bunnies. The truth of Chromatacia does not emerge until near the end of Red Side Story, but once it begins to come out over the last hundred pages or so, it is monstrous at both a micro level and a macro one.
That long, detailed conclusion and the sheer number of characters we met in Shades of Grey make Red Side Story the first Fforde book I’ve ever read that I found slow to start. It didn’t help that I read the first book fifteen years ago, so I didn’t exactly hit the ground running, but there is a lot of exposition here, and a ton of plot for Fforde to set up for his usual denouement to work. He’s a master of this particular form, laying hints and details early that will come back to matter later in a way that makes you laugh or simply slap your forehead for your failure to see it coming, but here he’s also busy building out more color (pun intended) to the world even as he’s placing stones for the conclusion. It’s not a mark against the book that he does so – this universe has so many details and quirks that it requires more work to set it up and keep it running. It does mean that some of the character development that boosted Shades of Grey doesn’t appear until you’re maybe a fourth of the way into Red Side Story.
That development goes far more to Eddie than to Jane, as she becomes more of a supporting player here, with Eddie clearly the star and far more in control of the action (to the extent that anyone is in control in Chromatacia). Jane was the more interesting and fun character in the first book, not least because she would punch anyone who commented on her rather retroussé nose (Eddie describes people’s noses any time he meets someone), but here she has somewhat less to do and ends up off screen more. Some of that is plot-driven, as Eddie is betrothed to the officious climber Violet deMauve, who is also carrying his baby, so she ends up a more significant character this time around, while Fforde also delves into the underworld of Chromatacia more than in the first book, much of which is necessary for the big finish.
Fforde had a long stretch of writers’ block when he was working on Early Riser, but since that book came out in 2018-19, he’s been on something of a roll, not just in productivity but in creativity, as his last few novels before the hiatus began had started to lose a little something, especially the Thursday Next ones. He’s promised the eighth and perhaps final book in that series next, and in February of this year he announced that there will be a third book in this series as well, which is especially interesting given how Red Side Story concludes. I’m already in the tank for Fforde anyway, but Red Side Story is even more ambitious than his typical novel, and seeing him succeed when stretching himself makes me even more eager to read whatever he publishes next.
Next up: Adam Hochschild’s To End All Wars: A Story of Loyalty and Rebellion, 1914-1918.
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