Music — Page 5

→ September 4, 2022
→ By keith

Stick to baseball, 9/4/22.

One new post for subscribers to The Athletic this week, looking at some of the more significant or interesting September callups from the last seven days. Some other good names, like Triston Casas, came up after I wrote it.

My podcast returned this week with Dan Pfeiffer, former senior adviser to President Barack Obama and author of the new book Battling the Big Lie: How Fox, Facebook, and the MAGA Media Are Destroying America. You can subscribe via iTunes, Spotify, Stitcher, amazon, or wherever you get your podcasts.

And now, the links…

Longreads first: The New Yorker looks at the roots of Justice Samuel Alito’s crusade to make America an explicitly Christian nation, regardless of the Constitution’s protections against this.
Multiple women have accused Arcade Fire co-leader Win Butler of sexual misconduct, as reported by Pitchfork.
This long Vanity Fair profile of Washington Post executive editor Sally Buzbee sure makes it sound like she’s going to both-sides our political moment.
Not sure if I linked this previously, but this study in Science should be (have been) the final nail in the “lab-leak” hypothesis, which is now just a conspiracy theory pushed by cranks and grifters in the face of such strong evidence for a zoonotic origin.
NBC News’ Ben Collins pulls back the curtain on Kiwi Farms, a message board where trolls dox their targets, mostly LGBTQ+ people and women, leading to at least two suicides and substantial real-world harassment, including swatting attacks. After the article ran, Kiwi Farms’ trolls doxxed Collins and threatened further attacks and even violence, so Cloudflare, their caching and DDoS protection provider, finally dropped them as a free client.
Dialectical behavior therapy, or DBT, is the best tool we have to help self-harming and suicidal teens, but it’s widely underused, in part because it’s expensive and insurance carriers often deny coverage.
A secular activist sent signs saying “In God We Trust” in Arabic to Carroll ISD in Texas, because the theocratic state has a policy saying any such signs must be displayed in a “conspicuous” place, but of course the district is refusing to display them, as well as signs that say it in rainbow-colored letters.
Having a miscarriage or stillbirth in Alabama can land you 18 years in prison if a jury decides that you used drugs and those caused the loss of the pregnancy.
Ginni Thomas, the wife of a sitting Supreme Court justice, tried to get lawmakers in both Arizona and Wisconsin to nullify Joe Biden’s victory in the 2020 Presidential election.
The Council for National Policy has long operated in secret while helping conservatives try to take over multiple levels of the U.S., state, and local governments, but a recent leak has given us a glimpse at how the clandestine group works.
Philadelphia chef Jim Burke died early last month at 49 due to a rare lung cancer. He’d previously worked at James and Wm. Mulherin & Sons. I met him briefly last winter, as he was involved in several projects down here in Wilmington as well.
The Houston Chronicle’s editorial board writes that the U.S. had eradicated polio, but anti-vaxxers have brought it back.
Here’s yet another study showing that COVID-19 vaccines reduce infectiousness – that is, if you’re vaccinated and still get the virus, you are less likely to spread it.
California lawmakers approved funding to keep the state’s only nuclear reactor running well into the future, a key component of reducing our emissions of CO2 and other gases that contribute to climate change.
Mississippi, a state so poorly run it can’t even provide running water to residents of its capital and largest city, also may have paid $70 million in federal welfare funds to various cronies do things like give motivational speeches, including over $1 million to Brett Favre – who never even made the speeches for which he was paid. One party has controlled every aspect of the state government of Mississippi since 2012.
New Hampshire libertarians calling themselves Free Staters are trying to dismantle the state government from within, notably attacking public schools, as part of their goal of forming an independent “libertarian utopia.”
The New York Times is running nine editorials asking ‘what are schools for?’ Guess how many slots went to teachers.
The ridiculous but still concerning lawsuit that tried to stop bookstores from selling the YA book Gender Queer has been dismissed. The plaintiffs, a couple of homophobic men from Virginia, claimed the book met the definition of obscenity.
If you’re seeing book bans enacted or proposed in your area, here’s an editorial on how to fight back from the Washington Post.
Florida, meanwhile, is trying to force public-school teachers to indoctrinate students with conservative ideology (video).
Brock Turner, who sexually assaulted an unconscious woman but got just six months in prison (and served only three) because the judge didn’t want to ruin his life, is now running around bars in Ohio.
Brittany Aldean, the wife of country music singer Jason Aldean, posted a shitty transphobic joke on her Instagram page, and now claims she was taken out of context.
Candace Buckner, also of the Washington Post, writes about John Wall’s recent comments about his depression and thoughts of suicide.
Board game news: You can pre-order Clank! Catacombs, a new version of Clank! with a modular board and some new elements brought over from the legacy game, and read some of the designer diaries.
The Kickstarter closed but you can still download the free version of the print-and-play game Sunshine City (and I’m sure there will be a way to just buy the whole $5 package).
Cartouche, a game from the co-designer of the upcoming game The Fox Experiment (alongside Wingspan designer Elizabeth Hargrave), is on Pledgemanager for $39 and up, although I don’t see an end date for the campaign.

Filed Under: Uncategorized Tagged With: board game news, coronavirus, first amendment, florida, links, longreads, mental health, mississippi, Music, psychology, scotus, social media, stick to baseball, texas, vaccines

→ September 3, 2022
→ By keith

Music update, August 2022.

And we’re back, after I missed a non-December monthly playlist for the first time in something like six or seven years, thanks to the combination of the late draft, trade deadline, Gen Con, and my big family vacation to the UK, so this playlist covers stuff from two months rather than just the one. We’ve got a ton of potentially great new albums and EPs due out the rest of the year, including stuff from the first four artists here, plus something new from the Arctic Monkeys, Suede, Christine & the Queens, Editors, the Yeah Yeah Yeahs, Dry Cleaning, and more. As always, if you can’t see the widget below, you can access the Spotify playlist here.

The Beths – Knees Deep. The Beths have released three fantastic singles ahead of their album, Expert in a Dying Field, due out on the 16^th. I have gotten much worse at predicting which bands will break out into broader success, but man, if any band seems poised to do so right now, it’s the Beths.

The Wombats – Is This What It Feels Like to Feel Like This? One of my favorite bands going, the Wombats are putting out a six-track EP in November, just nine months after releasing their latest album, and this title track is a banger.

GIFT – Gumball Garden. The first time I heard this I was sure it was Tame Impala, or a Kevin Parker side project. It’s that precise psychedelic-rock vibe – or you might think DIIV if you’re familiar with them – and the vocalist sounds a good bit like Parker, but there’s no connection. GIFT is a five-piece band from Brooklyn and their debut album, Momentary Presence, is due out on October 14^th. I love the whole track but the surprise guitar riff around the 1:35 mark is next-level.

Sports Team – The Drop. Sports Team’s second album, GULP!, is due out on September 23^rd, a two-month delay due to production issues, but we’ve got four strong singles from the album now, including this, “R Entertainment,” “The Game,” and “Dig,” showing some versatility beyond their initial art-punk style.

STONE – Waste. Heavy post-punk music from a band led by the son of John Power, former lead singer/guitarist of the La’s (“There She Goes”) and Cast (“Alright,” “Sandstorm”), which is quite the way to rebel against your parents, I guess.

YUNGBLUD – Don’t Feel Like Feeling Sad Today. I’m not a big YUNGBLUD fan but this is a perfect little 2-minute punk-pop song.

The Mars Volta – Blacklight Shine. TMV’s first album in a decade, just called The Mars Volta, will drop on September 16^th, and will feature this track as well as their latest release, “Vigil,” both of which are experimental yet also somehow rather accessible.

The Lounge Society – No Driver. This punk/post-punk quartet comprises four teens from Yorkshire who’ve been releasing music since 2020 and just released their debut album Tired of Liberty on Friday.

Young Fathers – Geronimo. The Mercury Prize winners return with their first new music since 2018’s tremendous album Cocoa Sugar, bringing a track that combines multiple genres with just a dash of rap mixed in.

Black Honey – Charlie Bronson. Definitely a rougher edge this time around from the Brighton indie-rockers, although you can still hear their melodic tendencies underneath the grit.

Two Door Cinema Club – Wonderful Life. This Northern Irish band will release its fifth album, Keep on Smiling, on Friday; this lead single came out in mid-July and is more of the electro-pop we’ve come to expect from the trio, maybe skewing a little more towards rock than “I Can Talk” or “Sleep Alone” did.

The Killers – boy. A leftover track from before last year’s Pressure Machine, one that sounds like it belonged on 2020’s Imploding the Mirage.

Martin Courtney – Sailboat. Courtney is the lead singer/guitarist for Real Estate, but released his second solo album, Magic Sign, this summer; this track might be my favorite thing he’s done, a soft psychedelic-rock track that features a perfectly timed guitar riff that elevates the song into something more.

Sam Fender – Alright. A B-side from the Seventeen Going Under sessions, this could easily have appeared on the album, and I do think it’s a good rule of thumb that when an artist’s B-sides are good enough to consider as singles in their own right (or, say, to include on one of my playlists), then the artist is pretty damn good.

Stella Donnelly – How Was Your Day? Donnelly is an acclaimed singer/songwriter in her native Australia, but hasn’t received a ton of attention outside of it, although her quirky vocal style and hooky melodies would fit in well in the British indie scene. Her second album, Flood, dropped a week ago. I am also obligated to mention that, according to Wikipedia, Donnelly’s mother is Welsh.

Rina Sawayama – Catch Me in the Air. Sawayama is a pop artist at heart, and this is one of her most straightforward pop tracks so far, with a big hook in the chorus.

Lizzo – 2 Be Loved (I Am Ready). I thought Special was generally strong, with two big standout tracks in “About Damn Time” and this song, which I think most clearly reflects her work with Prince before he died.

Broken Bells – We’re Not in Orbit Yet… James Mercer (the Shins) and Brian Burton (aka Danger Mouse) are back with their first new music since 2019’s “Good Luck” and first new album since 2014’s After the Disco with a track that reminds me in good ways of “The High Road” off their first record.

Tei Shi – GRIP. Tei Shi ended up in a fight with her old label after they refused to pay her the rest of her advanced for her last album, La Linda, and wrote this song in 2021 about the experience.

Death Cab for Cutie – Here to Forever. DCFC return with their tenth album, Asphalt Meadows, on September 16^th, featuring this very upbeat song with an existentialist message as well as “Roman Candles.”

Jack White – A Tip From Me to You. A surprise second album from White, Entering Heaven Alive, dropped in July, this one more acoustic/downtempo and less experimental than this spring’s Fear of the Dawn.

The Linda Lindas – Tonite. The Linda Lindas are media darlings, which makes me worry their label (or manager) will turn them into some bland pop act, which is largely what happened to the Donnas back in the 1990s. This is a cover of a Go-Go’s song the Lindas often cover live, and it’s a great version, but ironic because the Go-Go’s were also co-opted by the mainstream music industry.

The Front Bottoms – More than It Hurts You. From their new EP Theresa, this track feels like a throwback to the earliest days of emo, with the overly earnest vocal delivery but an inherent pop sensibility underneath the emo trappings.

Muse – Kill or Be Killed. I fell off the Muse bandwagon probably around The Resistance in 2009, although I’d been a big fan of their earliest work, and this track has a strong “Muscle Museum” or “Cave” vibe to me, so maybe they’re going back to their roots a little bit.

Archers of Loaf – In the Surface Noise. I wasn’t a big Archers of Loaf fan in their 1990s heyday, but they are about to release their first new album in 24 years, Reason in Decline, on October 21^st, and I do like this vaguely psychedelic-rock track.

Filed Under: Uncategorized Tagged With: 2022 in music, alternative, indie, Music

→ July 4, 2022
→ By keith

Music update, June 2022.

We have a bunch of comebacks this month, with bands I liked once upon a time returning either in reality or just to my radar because they put out something great in June. You can access the playlist here if you can’t see the Spotify widget below.

Editors – Karma Climb. This is the best New Order song in 21 years. (Editors are not New Order, and this is the second single ahead of their seventh album, EBM, due out in September.)

The Beths – Silence is Golden. The Beths have had some great tracks over their four years of releasing music, with a lot of punk influences in their power-pop formula, but the music here is as close to straight metal as they’ve ever veered – and it works.

Talk Show – Cold House. Talk Show gets labeled as post-punk, or new wave punk, but their music is more darkwave with far less of a punk influence than any of the reviews.

Jungle – GOOD TIMES. Jungle’s already back with a two-track single less than a year after Loving in Stereo dropped, with this the better (and more uptempo) of the two songs.

Automatic – Skyscraper. Now this is post-punk new wave.Automatic was new to me before this track, although their newest album, Excess, was their sophomore release.

Queen Colobus – Think Fast. Welsh vocalist/saxophonist Beth Hopkins leads Queen Colobus, mixing jazz with indie/alternative rock, as if Dry Cleaning or Yard Act merged with Sons of Kemet.

CVC – Docking the Pay. Another Welsh band – I swear this is a coincidence – CVC might be most notable for wiping all their old music from streaming platforms, so right now all there is from them are two songs, this and “Winston.” This new single combines an electronic beat that reminds me of a HAERTS track with vocals that might be from a drinking song.

Inhaler – These Are the Days. Bono’s son – I guess at some point I should stop calling him that – and his band keep churning out solid alt-rock singles.

The Aces – Girls Make Me Wanna Die. I’d lost track of Aces after their first single, “Stuck,” made my top songs of 2016 playlist, because I didn’t find the debut album as catchy, but this has that same pop energy with better production values.

Sløtface – Come hell or whatever. Sløtface has gone from a band to a one-woman operation, with singer/songwriter Haley Shea the only remaining member, and this the first new single from her as the new Sløtface.

Bartees Strange – Wretched. Strange’s second album, Farm to Table, is a big step forward, expanding his repertoire of genres and reducing the influence of the National on his overall sound.

Preoccupations – Ricochet. A welcome return for these Canadian post-punks, whose fourth album, Arrangements, is due out in September.

Kid Kapichi – Rob the Supermarket. Kid Kapichi had two singles this month, this rocker, which could fit very well on their debut album This Time Next Year, and the extra-biting acoustic track “Party at Number 10,” the subject of which should be quite evident.

beabadoobee – 10:36. Beabadoobee does Sunflower Bean? This is a delightfully sunny pop track, leading into her second album, Beatopia, due out on July 15^th.

FKA twigs – killer. Yet another new track from FKA twigs, separate from her Caprisongs mixtape, and I think more in line with the music from magdalena. “It’s dangerous to be a woman in love” can have so many meanings here.

Dry Cleaning – Don’t Press Me. I don’t love Dry Cleaning’s flat and very forward-produced vocals, but they get this great Wire/Magazine vibe when they let it rip, as they do on this lead single from their sophomore album, Stumpwork, due out in October.

Christine and the Queens – Je te vois enfin. This is the first new track from Christine and the Queens since last fall, and introduces the “Redcar” persona, although whether that means anything for the music remains to be seen. It’s in a similar musical vein to “I disappear in your arms,” one of my favorite tracks of 2020.

Kiwi jr. – Unspeakable Things. Man that organ riff with its one chromatic tone is pretty great, harkening back to the brief moment in the mid-aughts when emo was listenable.

La Luz – San Fernando Shadow Blues. I assume this is the theme to the next James Bond movie, which will star the as-yet unnamed actor skeet-surfing in the opening scenes to save the planet.

Porcupine Tree – Rats Return. Closure/Continuation marks Porcupine Tree’s return after a 13-year absence from recording, including this heavy, Rush-like rocker and last year’s single “Harridan.”

Soilwork – Nous Sommes la Guerre. New prog metal from a Swedish band I typically associate with more extreme sounds, but here we get only clean vocals and a very melodic synth line driving the track.

Filed Under: Uncategorized Tagged With: 2022 in music, alternative, indie, Music, progressive metal

→ June 3, 2022
→ By keith

Music update, May 2022.

May went by a little too quickly for my tastes, but it did have plenty of new music, including album releases from Everything Everything, Stars, Porridge Radio, Just Mustard, Craig Finn, The Black Keys, Florence + the Machine, Kendrick Lamar, The Smile, Belle & Sebastian, Arcade Fire, Sunflower Bean, and Black Star. If you can’t see the widget below, here’s a direct link to the playlist.

Jamie T – The Old Style Raiders. Jamie T has been quite popular in the UK for about 15 years now, since Zane Lowe gave him a boost before his debut album even appeared, but I haven’t been a fan of his music before, between the cracked-voice sung-talked vocals and off-kilter guitar lines, but this … put this straight into my veins. Every aspect of this song works, right from that initial power-chord riff through the vocals (his voice is fuller, and its tone more consistent) through the soaring lines over the chorus. I’m in.

Sharon Van Etten – Mistakes. I think this is SVE’s second-ever appearance on my playlists, and the other was a track she did with the National. Her laconic vocal style has never quite done it for me, but paired with a dark and insistent beat to contrast with some of her boldest singing yet. She leaned a bit into distortion and electronic elements on her last album, and they pop up even more on her latest record, We’ve Been Going About This All Wrong, although, once again, I’m less of a fan of her slower-tempo tracks.

Blossoms – Born Wild. I liked Blossoms’ latest album, Ribbon Around the Bomb, a bit less than I expected given how much I loved the two lead singles, “Ode to NYC” and “The Sulking Poet.” The title track, “Care For,” and this song are all quite solid. Recommended for fans of The Head and the Heart, Whiskeytown, and Lord Huron.

Folk Implosion – Don’t Give It Away. One of two new songs from Lou Barlow and John Davis, their first new music written and recorded together in 23 years, since the last Folk Implosion album was a Barlow solo effort. It sounds like they never left.

Young Guv – Nowhere At All. I saw the name “Young Guv” and thought it was going to be a horrible white rapper, but it’s actually Ben Cook, the guitarist for Fucked Up, making dream-pop tracks that sound like part of the Paisley Underground movement (early Bangles, Green on Red) rather than something new in 2022. I’m saying that’s a good thing.

Porcupine Tree – Herd Culling. Steve Wilson’s work with Opeth is evident once again on this new track, the third in advance of Closure/Continuation, the British prog-rock stalwarts’ first new album since 2009. This is edited to be a single, so I assume the album version will clock in at 10:28.

The Smile – Thin Thing. A Light for Attracting Attention, the debut album from The Smile (Thom Yorke and Jonny Greenwood of Radiohead plus Tom Skinner of Sons of Kemet), is almost certainly going to end up among my top ten albums of the year, but I’m still digesting it – it’s strange and ambitious and full of unexpected turns. This track has a big of “Jigsaw Falling Into Place” but moves into different territory with Skinner’s percussion when we hit the first break.

Foals – 2001. Foals promised us an upbeat dance album, and through four singles, where’s the lie? This is the funkiest these guys have ever sounded, and it turns out it melds extremely well with their previous sound.

Rina Sawayama – This Hell. A pretty straight-ahead pop track from Sawayama, this is the lead single from her sophomore album, Hold the Girl, due out September 2^nd. I’d be surprised if this album didn’t make her a global star, although I know that isn’t always just about the music.

beabadoobee – Love Song. Beatrice is a talented guitarist who doesn’t let it rip enough, in my opinion, but this is a lovely little acoustic-ish number ahead of her second album, Beatopia, due out in July.

Sports Team – The Game. This extremely British rock band’s second album, Gulp, is due out in July. If the Libertines were more upper-class, but no more sober, they might sound like Sports Team.

Adwaith – Wedi Blino. If you think I’m including this song because it’s sung entirely in Welsh – the title means “Tired” – then, on the advice of my attorney, I will invoke my rights under the fifth amendment to avoid self-incrimination.

Suede – She Still Leads Me On. When Bernard Butler left Suede after their second album, Richard Oakes, who was just 17 years old, beat out hundreds of other guitarists to take his place. Oakes is now 46 years old. And Brett Anderson is 54. I suppose the bright side here is that I’m still young enough to put out that debut album!

Sky Ferreira – Don’t Forget. Ferreira released one single in 2019, and until now that was her only new music since 2013’s Night Time, My Time, her well-reviewed but uneven debut LP. This definitely sounds like a different artist – this is deeply rooted in mid-80s synthpop sounds, with music like Nu Shooz or even Peter Schilling.

Kendrick Lamar feat. Sampha – Father Time. I think I’ve settled into a space where I respect Kendrick Lamar’s work, but I know I’ll probably never love it. Mr. Morale & the Big Steppers is a fascinating work of art, with some tremendous highlights, including “Auntie Diaries,” which is a massive statement of trans acceptance that also includes frequent use of the f-slur (in context, but still, regrettable). Barring that, this is my favorite track on the record, thanks to the presence of Mercury Prize winner Sampha on the chorus.

Stars – Pretenders. From Capelton Hill is Stars’ first album in five years, and it’s lovely even without the highs of 2012’s The North, which contained my favorite Stars track (and our wedding song), “Hold On When You Get Love and Let Go When You Give It.” This is probably my favorite song from the new album, especially with the duet in the chorus between Amy Millan and Torquil Campbell.

Superbloom – Falling Up. Very Melvins meets the Smashing Pumpkins circa 1994. I’m very vulnerable to music that reminds me of very specific eras, bands, or moments in time. This does it.

Just Mustard – Seed. This Irish group lives on the abrasive side of shoegaze without becoming as inscrutable (or unlistenable) as My Bloody Valentine, whose music I could just never get into. Just Mustard’s second album, Heart Under, just came out last Friday.

Killing Joke – Lord of Chaos. This is not a drill – we have new music from Killing Joke, a four-song EP called Lord of Chaos, and they pick up right where they left off after 2015’s Pylon. (The EP actually came out in late March. I’m just behind.)

Filed Under: Uncategorized Tagged With: 2022 in music, alternative, hip-hop, indie, Music, rap

→ May 6, 2022
→ By keith

Music update, April 2022.

April was a lighter month for good singles, but we’re heading into a heavy period of new album releases starting today (Arcade Fire, Belle & Sebastian, Sunflower Bean, Warpaint). We get new albums from The Smile, Everything Everything, Porridge Radio, Stars, and Liam Gallagher this month, and Bartees Strange, Foals, Soccer Mommy, and Post Malahahahaha I can’t even finish that, next month. As always, you can click here to access the playlist if you can’t see the widget below.

Kae Tempest feat. Grian Chatten – I Saw Light. Tempest is a poet and spoken-word artist whose work I was unfamiliar with, but this song, featuring Grian Chatten of Fontaines D.C., flattened me. I heard the song and thought they might be a poet, just because the lyrics are that good, especially the depth of imagery within them.

Belle and Sebastian – Young and Stupid. This is the sweet spot for me with Belle and Sebastian – lush and a little more uptempo, with Murdoch’s wry humor throughout the lyrics, which he also exhibited in this tweet on Wednesday.

Sports Team – R Entertainment. Strong lyrics might be the theme for this month’s playlist; Sports Team does that thing I keep mentioning that I like where we get some British singer sing-talking clever lyrics over post-punk backing music. They’re just the right side of obnoxious for me.

Just Mustard – Mirrors. I think this Irish shoegaze band is starting to come into its own heading into their second album, with a better sense of its sound, including a slightly more prominent melody, and better production that better centers the vocals.

Jessie Buckley and Bernard Butler – The Eagle and the Dove. Yep, that’s Oscar nominee Jessie Buckley and former Suede guitarist Bernard Butler. Buckley’s career started on a British reality competition show, where she finished second, with the winner getting a part in a new stage production of Oliver! … which is a long way of saying she was a singer before she was an actress. It turns out she’s great at both, which you can see in 2019’s Wild Rose.

Let’s Eat Grandma – Levitation. I understand the joke in this band’s name (the importance of proper punctuation!) but I still don’t like it. Their sound, though, has a very mid-80s synthpop vibe that is catnip to me as a child of that era. This is my favorite song from them so far, coming off their third album, Two Ribbons, released last month.

Everything Everything – I Want a Love Like This. One of my favorite bands of the last decade, EE will release their sixth album, Raw Data Feel, on May 20^th. This is the third single from that album – a fourth, “Pizza Boy,” dropped this morning – and I’m pretty excited about the direction so far.

Foals – Looking High. Foals promised that their upcoming album, Life Is Yours, due out June 17^th, would be upbeat and danceable, and the early singles have delivered on that promise.

Cory Wong – Power Station. Wong has worked with a few musicians who worked with Prince, and this track sounds a lot like something we might hear from Prince’s endless well of unreleased tracks. I’m in.

beabadoobee – See You Soon. Beatopiacomes outon July 17^th; withthis and “Talk,” both very strong singles with different vibes (this one is quieter and more lush, “Talk” is more straight-up rock), coming out in the last few weeks, I’m expecting a big leap forward on her second record.

The Head and the Heart – Shut Up. Every Shade of Blue came out in April and it’s really all over the place – it sounds like the work of three different bands who split the album between them – with this my favorite track on the album.

Arcade Fire – Unconditional I (Lookout Kid). I definitely worry any time Arcade Fire puts out a song with a second part, but this is actually a simpler and less pretentious affair than Win Butler has offered on similar diptychs (“Infinite Content,” the Orpheus/Eurydice tracks from Reflektor, or the two singles they released in March).

Interpol – Toni. The lead single from their forthcoming album The Other Side of Make-Believe, due out July 15^th, is an understated affair from Interpol as they celebrate their 25^th anniversary, a change from how they usually announce new albums – “PDA,” “Slow Hands,” and “The Heinrich Maneuver” were all heavier rock tracks and the lead singles from their respective albums.

Sunflower Bean – I Don’t Have Control Sometimes. This jangle-pop trio’s third album, Headful of Sugar, comes out today, featuring five songs we’ve heard already – four advance singles as well as the bonus track “Moment in the Sun,” a one-off single from 2020 that made my top 100 from that year.

Fontaines D.C. – Skinty Fia. Speaking of these Dublin punks, they dial the intensity down on their third album, as on the title track here. It’s hit or miss, unfortunately, as I think they’ve lost the righteous anger that made their last album, A Hero’s Death, more successful.

Iceage – All the Junk on the Outskirts. This track was left on the cutting room floor during the recording of 2018’s Beyondless, but they’ve “reconfigured” it and released in advance of their summer/fall tour.

Buzzcocks – Senses Out of Control. I assumed the death of Pete Shelley in 2018 would be the end of the Buzzcocks, but here they are … and this is actually pretty good, wth 66-year-old Steve Diggle handling vocals.

Working Men’s Club – Circumference. I don’t know if WMC qualify as “darkwave,” but I love their darker spin on new wave, which at least has strong roots in 1980s darkwave bands like Clan of Xymox and Bauhaus.

Wet Leg – Ur Mum. I’m just not on this duo’s wavelength despite the wide critical acclaim; the weird high/low vocal delivery just rubs me the wrong way, and I find myself in the minority in thinking their lyrics aren’t that witty. That said, there are three songs on their self-titled debut album I like, this one “Angelica,” and “Wet Dream,” which is a pretty solid effort.

SAULT – Luos Higher. SAULT changed their entire sound for their sixth album, Air, released last month with no advance notice, as with their previous records. They’ve dispensed with the ’70s funk and soul sounds, and all of the Black Lives Matter-themed lyrics are gone … in fact, just about all of the lyrics are gone. Air is almost all instrumental, highly experimental in music styles and forms, and simultaneously impressive and disappointing. I respect the ambition here, but what made SAULT’s first four albums in particular so incredible was their combination of smart, incisive lyrics and a modern twist on classic genres of music. Bring that beat back, Inflo.

Filed Under: Uncategorized Tagged With: 2022 in music, alternative, Music

→ April 4, 2022
→ By keith

Music update, March 2022.

Another strong month for new music, enough that I ended up cutting a few tracks – any time I do that I feel like it means the standard to make the playlist is getting higher. You can access it here if you can’t see the widget below.

Blossoms – Ode to NYC. I’d heard Blossoms before, but not much of their music, and nothing grabbed me like the two singles they released in March from their upcoming album, Ribbon Around the Bomb, have. “Ode to NYC” is like a mad scientist selected the best genes from Lord Huron and The Head and the Heart and made a new creature into this song. It’s also kind of amazing to me that a British band can so effortlessly co-opt the American indie-folk sound.

Riverby – Chapel. The vocals here from August Greenberg are stunning, on what is by far the best track on this emo-punk band’s latest album, Absolution. Just make the whole record out of this.

Hatchie – Lights On. This Australiandream-pop singer/songwriter is about to release her second full-length album, Giving the World Away, on April 22^nd, featuring this track, “Quicksand,” and the solid title track.

HAIM – Lost Track. I have never cared for HAIM’s sort of inoffensive soft-pop, despite their acclaim from other musicians, many of whose music I liked. This is the first song by theirs I’ve really liked, as it doesn’t try to do much at all – there’s a good hook in the chorus, some nice counterpoint in the vocals, and it’s over in under two and a half minutes.

Soccer Mommy – Shotgun. Another artist I’ve never been able to get into, Soccer Mommy announced her third album, Sometimes, Forever, will drop on June 24^th, with this lead single boasting a great hook in the pre-chorus line “Whenever you want me…”

Greentea Peng – Your Mind. Peng has shown an experimental bent since the start of her career, but she’s widening her musical template even further with this single, which leans further into jazz and if anything de-emphasizes her vocals in favor of more interesting music.

Elzhi feat. Georgia-Anne Muldrow – Already Gone. Elzhi is a Detroit rapper loosely associated with Danny Brown and the late J Dilla, with a discography that goes back to an EP he released in 1998. I’d never heard anything by him, but he has a strong old-school delivery that reflects those late ’90s roots.

Jack White feat. Q-Tip – Hi-De-Ho. White and Tip worked together on the final ATCQ album in 2016, so the pairing here isn’t surprising, but the song itself is. It’s not just Q-Tip making one of his hundred or so guest appearances, where he never mails it in but also never seems to exert himself that much, and it’s not just White playing a riff or two over and over again. It sounds like an experiment, like two people got in the studio and started messing with several ideas, but decided to release four minutes of that musical exploration even though it doesn’t confirm to expectations of what a single from two experienced, fairly mainstream artists should sound like.

Bartees Strange – Heavy Heart. Strange is a huge fan of the National but his music always sounds to me like a better twist on The Hold Steady.

Band of Horses – Warning Signs. I’d say Things Are Great is much better than Why Are You OK and somewhat better than Mirage Rock but not as good as Cease to Begin. So, if you already like Band of Horses, you should like this album, which for me was a mixed bag but more good than not.

Spiritualized – The Mainline Song. I’ve known about Spiritualized for probably 25 years, at least since Ladies and Gentlemen, We Are Floating in Space, which was widely praised by critics at the time and has only grown in stature since then. Also, it’s hard to believe that that album, OK Computer, and Urban Hymns are all a quarter century old. Anyway, this is a joyous track from Spiritualized that seems to catch them at the top of their game.

Weird Nightmare – Searching for You. Weird Nightmare is Alex Edkins of METZ, and this sounds a lot like METZ, unsurprisingly, although if anything it’s a bit tighter and more accessible.

Blossoms – The Sulking Poet. I haven’t put two songs from one artist on the same playlist in probably five or more years, so it’s a big fucking deal (to me, at least), when I do do it. Like, big enough that I was looking at Blossoms tour dates and debating whether it made sense to go to Lisbon for two days to see them in a music festival.

alt-J – Happier When You’re Gone. I’vegone from the world’s biggest alt-J fan to someone who’d be fine if they never released another album. The ambitious, experimental, meticulous songwriting from their first album, An Awesome Wave, is long gone in favor of more easily digestible and, consequently, more boring alt-pop songs. This track is probably the closest they’ve come at least to the sensibility of the first album since anything on their second record.

Everything Everything – Teletype. Contrast that with Everything Everything, who probably peaked for me with the two tremendous singles off Arc, “Cough Cough” and “Kemosabe,” yet who haven’t stopped trying to innovate, or given up their weirdness to pander to a larger audience. This draws more on electronic music styles than what we’ve heard from them previously, although the next track, “I Want a Love Like This,” goes in a different direction.

Sprints – Delia Smith. Sprints’ new EP, A Modern Job, features a couple of very strong punk-pop tracks that are more punk than pop, including this one, which names one of Britain’s most notable celebrity chefs.

Pillow Queens – Hearts & Minds. This Irish quartet released its new album, Leave the Lights On, on Friday, to positive reviews. There’s definitely an American alt-rock vibe to their music; I saw a comparison to the Killers, which holds if you consider the half of the Killers’ catalogue where they lean into roots and country-rock, like “Dying Breed” or “Lightning Fields” from Imploding the Mirage.

Melody’s Echo Chamber – Personal Message. A new artist to me, Melody Prochet released her first album a decade ago, and continues to make ethereal chamber-pop with a similar vocal style to Hatchie’s.

Arcade Fire – The Lightning II. Arcade Fire released two albums in March, right before Will Butler announced he was leaving the band. “The Lightning I” is a pretentious slog, while this track has more of the big energy that recalls their first two albums.

The Smile – Skrting on the Surface. I assume this supergroup’s album is coming very soon, with three singles released so far; it’s hard not to think of this as pre-Kid A Radiohead given the prominence of Thom Yorke’s voice and Jonny Greenwood’s musical direction, although nothing they’ve put out so far has the same rock vibe as Radiohead’s peak albums Pablo Honey and OK Computer.

Bloc Party – Sex Magik. I will probably forever want Kele & Company to make the next “Banquet,” but I’ll settle for something as frenetic and loud in that post-punk vein. Last year’s “Traps” had it, this mostly has it, while the newest single “If We Get Caught” doesn’t.

beabadoobee – Talk. Beatrice Laus’s second album Beatopia is due out on July 15^th, and if this sunny fuzzed-out lead single is an indicator of what’s coming, I’m in.

The Mysterines – Means to Bleed. Lia Metcalfe and company finally released their first full-length album, but it didn’t include some of their best singles to date. Where’s “I Win Every Time?” Or “Gasoline?” Or “Bet Your Pretty Face?” There’s good material here, and Metcalfe’s deep, smoky voice pairs so well with the band’s crunching guitars, but they’ve toned some of the energy down a notch, and I miss their earliest work. I still think they’ve got a chance to be huge.

Drug Church – Fun’s Over. Musicians I know love Drug Church, and this marks the post-hardcore group’s second appearance on one of my playlists; their new album Hygiene is quick and punchy, with short bursts of mid-tempo punk with heavy bottoms and garage-rock production.

Crows – Garden of England. Crows’ debut album Silver Tongues was one of my favorites of 2019, and they just returned with their second LP, Beware Believers, on Friday. Their music is just as loud and angry, blending punk, garage, and thrash on this furious track released just a few weeks before the full record.

Opeth – Width of a Circle. Don’t get too excited – it’s a bonus track on the extended edition of Opeth’s 2019 album In Cauda Venenum. But it’s still new Opeth, and that’s good.

Vio-Lence – Upon their Cross. The lyrics don’t make a ton of sense, but the riffing from these Bay Area thrash pioneers is still good.

Filed Under: Uncategorized Tagged With: 2022 in music, alternative, indie, Music, progressive metal, rap, thrash

→ March 6, 2022
→ By keith

Music update, February 2022.

February turned out to be a loaded month for music, especially album releases, with The Wombats’ Fix Yourself, Not the World and Frank Turner’s FTHC two of my favorites, while Gang of Youths’ angel in realtime was a letdown after three great singles leading up to the release. I still need to listen to Black Country, New Road’s new album, and re-listen to the new LPs from White Lies and Band of Horses (which came out on Friday). In the meantime, here’s my latest playlist, which you can see here if you can’t see the widget below.

Everything Everything – Bad Friday. I love the way this song recalls the frenetic energy of some of EE’s best tracks, from “Cough Cough” to “Kemosabe” to “My Kz, Ur Bf” and “Planets.” The English art-rock quartet will release their sixth album, Raw Data Feel, on May 20^th.

Portugal. The Man – What, Me Worry? Five years after Woodstock made the band into stars, led by the all-timer hit “Feel It Still,” the Portland-based rockers will return with their ninth album this June, and have just begun a U.S. tour with alt-J.

Arlo Parks – Softly. Parks’ first new music since her Mercury Prize-winning debut album Collapsed in Sunbeams came out in January of 2021 is this shimmering new track that contrasts sunny music with melancholy lyrics about a dying relationship. She told NME that she’s expanding her musical palette, which I take as a great sign.

Mattiel – Lighthouse. Featuring one of the best pop hooks of the year so far, this is the second single in advance of the Atlanta indie-rock duo’s third album, Georgia Gothic, on March 18^th. I get a big Swing Out Sister vibe from the song, maybe just because of the lead singer’s voice.

Pillow Queens – Be By Your Side. I think this is the first Pillow Queens track I’ve heard, but their 2020 debut album In Waiting earned some very positive reviews; I’m fairly sure Spotify’s algorithm put it on my Release Radar because I love whenyoung, another Irish band that mines similar sonic territory.

Foals – 2am. Life is Yours, Foals’ seventh album, is due out on June 17^th, and this is the second banger so far from the record, after last fall’s outstanding “Wake Me Up.”

Sunflower Bean – Who Put You Up to This? Great guitar work here, unusual for Sunflower Bean, whose previous songs have been more muted and driven by bright melodies.

Just Mustard – Still. This Irish shoegaze band first showed up on my playlists in 2019, with the singles “October” and “Seven,” but this is their first new music since then and comes with an announcement of a new album, Heart Under, due out in May. I enjoy the hard-edged guitar work contrasted with the clear vocals of Katie Ball.

Mdou Moctar – Nakanegh Digh. This bonus track on the deluxe version of Afrique Victime absolutely rocks, like so much of that album, and I can’t believe I have a college game to attend on the same night Moctar and Parquet Courts are playing near me.

Melt Yourself Down – Balance. I don’t even know how to describe MYD’s music; it’s not eclectic so much as it smushes together a half-dozen genres or styles, notably jazz, American R&B, and dance. They’ve been around for a decade, with their fourth album, Pray for Me I Don’t Fit In, coming out in February, but this was my first exposure to them. The guitar riff here is fucking incredible.

Johnny Marr – Ghoster. Marr has never quite hit the right melodic notes as a solo artist – I hate to say he needs his former bandmate, given what happened to that guy, but he needs someone like that – although the early singles from Fever Dreams Parts 1-4 have had some decent hooks.

Joy Oladokun w/Tim Gent – Fortune Favors the Bold. I love Oladokun’s voice, and here she finds another strong hook in the chorus; I’m not sure if Gent’s rapping adds much here, though.

Belle & Sebastian – Unnecessary Drama. I can never tell the direction in which Stuart Murdoch et al are going, but this sounds like a shift back to the more uptempo, rock-oriented sounds from Girls in Peacetime Want to Dance.

Wet Leg – Angelica. I hated Wet Leg’s single “Chaise Longue,” which got all kinds of critical praise despite being annoying and juvenile, but this track is far better in every way. The lyrics are actually funny and clever, the melody is stronger, and they’re not repeating the same line ad nauseum. It won’t be everyone’s cup of tea, as they’re still quite distinctly in that vein of British indie rock where everything’s a bit off kilter, but if you’ve read my music posts for a while, you know I’m usually a sucker for that (from Gang of Four to Yard Act).

Blossoms – Ode to NYC. Another band I feel like I should have known before, Blossoms are English but remind me of Lord Huron and The Head and the Heart in all the good ways.

The Head and the Heart – Virginia (Wind in the Night). These folk-rock stalwarts will release their fifth album, Every Shade of Blue, on April 29^th.

The Afghan Whigs – I’ll Make You See God. Good to have Dulli and company back. Age hasn’t blunted their sharp edges at all.

Killing Joke – Lords of Chaos. I assumed these post-punk icons were done after 2015’s Pylon, a fantastic album that would have served as a perfect coda to a long career of genre-expanding albums and influencing several generations of punk, metal, and alternative bands, but they’re releasing a new EP with this as the title track. Also, the show Euphoria really should have used Killing Joke’s song of the same name for the theme music.

The Beths – A Real Thing. The Beths return nearly two years after the New Zealand power-pop band’s last album, Jump Rope Gazers, with a song that talks obliquely about climate change. There’s no word on a new album but the band is about to finally embark on their first North American tour.

Alt-J – Happier When You’re Gone. The Dream, alt-J’s fourth album, represents a further shift in a less ambitious, more overtly commercial direction for the British trio, who have never managed to reach the heights of their debut An Awesome Wave in the decade since its release. This track bears some resemblance to that first album in its music, although there’s nothing so daring anywhere on this record.

Kreator – Hate Über Alles. The German thrash legends are still at it, forty years after they first formed, and I don’t think they’ve lost a step or even changed their sound much in that time.

Zeal and Ardor – Death to the Holy. This is about as good as Z&A’s marriage of gospel and death metal can get, where the extreme sounds actually work to enhance the more traditional elements between those moments.

Filed Under: Uncategorized Tagged With: 2022 in music, alternative, indie, metal, Music

→ March 5, 2022
→ By keith

Stick to baseball, 3/5/22.

I answered some questions on the Blue Jays’ farm system this week, which was a transcription of my appearance on our Spin Rates podcast. The Klawchats returned this week. I’m planning to start written draft coverage this upcoming week with a top 30.

On my own podcast, my guest was author and journalist Kathryn Schulz, talking about her wonderful new memoir Lost and Found, about the death of her father and how she met and married her wife, the author Casey Cep. Listen via The Athletic or subscribe on iTunes, Amazon, that other site, or wherever you get your podcasts. I appeared on the Romantic About Baseball podcast as well.

And now, the links…

Longreads first: Why are Wisconsin judges charging women who accuse their husbands of abuse? ProPublica documents the case of one woman who did just that and lost custody of her four kids because the judge charged her with contempt four times and ordered her arrest.
The New Yorker has a tremendous interview with J. Kenji Lopez-Alt, conducted by Helen Rosner, as his new book The Wok hits shelves on Tuesday.
My friend Tim Grierson wrote about Tears for Fears’ enduring hit “Everybody Wants to Rule the World.”
I don’t know if this New York Times piece, on how RFK Jr.’s family friends feel about his descent into anti-vaxx grifting, is helpful or not.
Two new pre-prints show more evidence for a zoonotic origin for the SARS-CoV-2 pandemic. There’s also a follow-up thread that underscores one of the findings that wasn’t well-covered in that article. Needless to say, the lab-leak grifters were quick to attack – the author of a book that depends on the lab-leak hypothesis asked her followers on twitter to harass one of the journal’s editors to try to stop publication, and is trying increasingly desperate attacks on the pre-prints.
Also, a new journal article found that gender-affirming care improved mental health outcomes in transgender children. Just in case you weren’t clear on what was going on in Texas and anywhere the Republican Party is in charge. Oh, Texas Children’s Hospital has paused hormone therapies for trans kids, thanks to the state’s directive. These could be your kids. We should all be outraged.
Of course, now pro-Putin propaganda is flooding anti-vax groups online, along with the usual anti-science and anti-Semitic nonsense.
There’s no evidence that wearing a mask leads to physical or psychological harm for kids. They don’t cause carbon dioxide poisoning, don’t lead to developmental delays, and help prevent the spread of COVID-19.
The Biden Administration’s most recent moves have killed our collective approach to slowing the pandemic, by taking measures designed to protect the most vulnerable members of society and making them into personal decisions.
Now anti-vaxxers are trying to convince parents not to take their kids to the pediatrician.
Arizona Gov. Doug Ducey and state Sen. Wendy Rogers are both directly connected to white nationalist Holocaust denier Nick Fuentes. The connection may be part of why Ducey declined to run for the U.S. Senate this week.
Supreme Court nominations have become a farce because of a Supreme Court ruling, writes Dana Milbank of the Washington Post.
While nobody was paying much attention, Trump endorsed a right-wing plan to take over the GOP – and steal an election or two.
The newly-elected government of Honduras is going to ban open-pit mining, a profitable but environmentally disastrous practice.
A small bit of good environmental news: the scourge of purple sea urchins that has devastated the California coast’s kelp forests has led to a new industry that harvests and farms the urchins to sell uni, the roe of sea urchins often found at sushi restaurants, in turn easing some of the pressure on the kelp forests.
Missouri lawmakers are rushing to legalize sports betting, but only in casinos and sports stadiums. So who’s funding them?
Legendary video game designer Sid Meier (Civilization, Pirates!, Railroad Tycoon) warned of the dangers of the industry’s shift towards in-game purchases.
My friend Zabe Bent was quoted in a brief NY Times piece on how best to design bike lanes in cities.
Board game news: Capstone Games opened pre-orders for the Terra Mystica: Big Box, including the base game, two expansions, and a solo “Automa” mode, for $149.95.
Library Labyrinth, a cooperative library-themed board game from the left-wing publisher Dissent Games, is now on Kickstarter.

Filed Under: Uncategorized Tagged With: board game news, coronavirus, environment, links, longreads, missouri, Music, russia, stick to baseball, the swamp, video games

→ February 19, 2022
→ By keith

Stick to baseball, 2/19/22.

My prospects ranking package is now all posted for subscribers to the Athletic. Here’s the complete rundown of everything that ran:

The top 100 prospects
The prospects who just missed the top 100
The ranking of all 30 farm systems
The org top 20s:

Baltimore	Houston	Chicago Cubs
Boston	LA Angels	Cincinnati
NY Yankees	Oakland	Milwaukee
Tampa Bay	Seattle	Pittsburgh
Toronto	Texas	St. Louis
Chicago White Sox	Atlanta	Arizona
Cleveland	Miami	Colorado
Detroit	NY Mets	LA Dodgers
Kansas City	Philadelphia	San Diego
Minnesota	Washington	San Francisco

I also did two Q&As over at the Athletic, one the day the farm rankings went up and one the day the top 100 went up.

Since my last stick to baseball post, I’ve reviewed several board games over at Paste as well, including Nidavellir, one of my favorite games from 2021; Equinox, a new version of Reiner Knizia’s game Colossal Arena; The Rocketeer: Fate of the Future, a two-player game based on the 1991 cult classic; and Wilson & Shep, a cute bluffing game for players as young as five.

I’ve done a bunch of podcasts and radio things related to the top 100, including the Seattle Sports Union; the Update with Adam Copeland (talking Giants prospects); Press Box Online (Orioles); Sox Machine (White Sox); and Karraker & Smallmon (Cardinals).

My own podcast returned in late January, with three episodes since my last roundup: Michael Schur, author of How to Be Perfect and creator of the show The Good Place; the post-punk band Geese, an episode where I answered a bunch of reader questions on the top 100 too; and union labor lawyer Eugene Freedman, who gave his thoughts on the MLB lockout. You can subscribe via iTunes, Stitcher, amazon, or wherever you get your podcasts.

And now, the links…

Longreads first: There is no evidence that wearing masks in school harms children’s mental health or educational development. None. I’ll repeat: There is no fucking evidence, people. Every one of those anti-mask grifters you see on Twitter hawking their $80 a year substack is full of shit.
In 2003, a woman in Australia was convicted of smothering all four of her babies to death. Several researchers believe she is innocent, and that a mutant gene was the real cause of the tragedy.
MIT Technology Review has a very long piece on the scientist at the center of the lab-leak conspiracy theory.
The scourge of private equity is now causing rapid inflation in housing prices, with PE firms buying up apartment buildings, hiking rents, and skimping on or even forgoing basic services to tenants.
WIRED looks at how personal finance apps are making phone scams even easier.
The Harvard Gazette ran an excerpt from Kevin Birmingham’s 2014 book on Ulysses’ long and tortuous road to publication. I reviewed The Most Dangerous Book back in 2016.
MEL gives us the subterfuge behind the surprise pop hit “Tubthumping,” and how the anarcho-communist band Chumbawamba used its success for their own ends.
Are you getting cardboard shipping boxes from U-Line? Not only does the family that owns U-Line fund the far-right site The Federalist, they’ve given millions to other right-wing extremists, including some of January 6^th terrorists. If you use U-Line in your business, find another vendor. If you get a package in a U-Line box, contact the shipper and ask them to use someone else for their boxes.
Space elevators are a staple of hard science fiction novels and stories, but if one breaks, it’s a massive and potentially fatal disaster. The plot of Green Mars includes the sabotage of a space elevator, and while I don’t care for the novel, Kim Stanley Robinson does a reasonable job of getting the science right on what happens when the broken cable hits the ground.
REI sent this union-busting email to all of its employees, then published a podcast full of dubious rationalizations for its anti-union efforts.
The Washington Post profiled the woman who led the first successful effort to unionize a Starbucks store.
COVID-19 becoming “endemic” doesn’t mean it’s becoming harmless.
In fact, there’s evidence that the claims that the omicron variant is less severe than prior ones are due to greater population immunity, not to any reduced ability of the virus to cause serious illness. Also, there’s a subvariant of concern, too, although once again, vaccination confers substantial benefits.
COVID denialists on the right seem to think the virus is actually a person – at least in the language they use to minimize it.
Right-wing pundits, including Jordan Peterson, were up in arms because a Boston hospital denied a heart transplant to a man who refused the COVID-19 vaccines – but such rules are routine to increase the likelihood of the patient’s survival.
Anti-vaccine loon Christiane Northrup has become a major donor to Maine Republican candidates, including former Governor Paul LePage.
Two Long Island nurses have been charged with selling fake vaccine cards and entering the false information into vaccination databases, taking home $1.5 million in the process. But what happens to the people who bought them?
An inevitable consequence of all of this anti-vaccine misinformation is that now measles vaccination rates are falling in the UK.
Meanwhile, Republicans in 14 states are pushing bills that would block medical boards from censuring doctors who spread misinformation; in Tennessee, the Know-Nothings in the state legislature even pressured the medical board into removing language from its website discouraging such doctors.
Speaking of foundations of misinformation, Fox News was happy to talk to an anti-vax state trooper … until he died of COVID-19.
A New Jersey police officer was driving drunk when he struck a pedestrian … and then put the body in his car and drove home with it. He didn’t call 911. He now faces a dozen felony charges.
The story about the Los Angeles train robbery a few weeks ago, which made news across the country and even in Europe, is really about how Union Pacific laid off 4/5 of its security force – and how the mainstream media increasingly just buys whatever corporations are selling.
This is horrifying: San Francisco police used DNA from a woman’s rape kit to identify her as a suspect in another crime. And we wonder why women don’t come forward to report their assaults. I’ve already reached out to two state Senators in Delaware, and to the Attorney General, to see what can be done to make sure this does not occur here.
Over 650 Philly cops who claim they’re too sick or injured to work are fine holding down other jobs.
A tax cheat and father of a child murderer has bankrolled a right-wing streaming network that has given Steve Bannon a platform again. It’s available through most major streaming platforms, too.
A tremendous piece of local journalism led to the resignation of the police chief of Brookside, Alabama, who had set up a racket that scammed drivers out of over $500,000 a year in fines and forfeitures – often when they were no closer to the town than the local interstate.
A Republican state senator in Texas has sworn in a declaration that the state’s Republicans violated federal voting rights laws in a recent redistricting.
Minneapolis police insisted on a no-knock warrant in a predawn raid – raid, a word that should be reserved for war, or perhaps when there’s a lost ark involved – on an apartment in the city. They ended up murdering an innocent civilian sleeping in that apartment.
Spokane district attorney Larry Haskell is under fire, again, for his wife’s long history of racist and white nationalist comments online. It’s more disturbing that voters keep electing him.
Families in West Virginia are suing a school that held a Christian revival on campus during school hours, with some teachers forcing students to attend. This isn’t the first such incident in this school district.
I liked Encanto, and assume it’s going to win the Oscar for best animated film, but I noticed the script glossed over the weird power dynamic between the Madrigals and the townsfolk. Jim Vorel wrote about that very topic for Paste.
Hannah Keyser has a great piece at Yahoo! Sports asking why people get so mad over Hall of Fame voting. The abuse was worse than ever this year.
Ohio’s extreme gerrymandering leads to more extreme laws from legislators who don’t have to worry about re-election, even though the laws are often opposed by a majority of Ohio voters.
The mayor of Ridgeland, Mississippi, a suburb of Jackson, decided to order the city’s libraries to remove all LGBTQ+ materials before he’d release their funding. The city’s leaders are denying this is what’s happening, but a local nonprofit group has raised all of the missing funds from donations.
This feels like old news now, but McMinn County, Tennessee, banned Maus, the Pulitzer Prize-winning graphic novel about the Holocaust, from its school curricula because there are naked mice in it.
Who’s behind all the book-banning movements? Major conservative dark-money donors, of course.
And they’re also pushing educational gag orders across the country, with over 120 such bills introduced in the last 13 months.
Like the one in Florida, supported by the death-loving governor there, that wants to force LGBTQ+ kids back in the closet. (DeSantis can’t even bring himself to condemn a neo-Nazi rally in Orlando.)
Or the laws targeting the chimera of critical race theory in schools, which threatens teachers’ livelihoods and even their freedom.
LZ Granderson writes about the extreme illogic of Michelle Tafoya leaving the media to campaign against racism education, when she herself lives in a town that has become majority white thanks to racial covenants in housing contracts.
The British government recently moved to make something called “virginity repair” surgery illegal. I didn’t know this was a thing, but it is clearly founded in some seriously deranged religious beliefs.
Matt Walsh, espouser of misogynistic and homophobic views under the guise of Christianity, tried to trick a bunch of trans people into participating in a documentary attacking trans rights.
This is from before the Oscar nominations were announced, but the LA Times‘ Justin Chang implored the Academy to nominate Drive My Car for Best Picture – which they did.
Craig Calcaterra continues to expose New Albany, Ohio, school board member Philip Derrow as a science-denying history-ignorant turnip.
Is a building at Florida State University causing cancer in the people who work there? Cancer clusters are often matters of chance, but in this case, there’s evidence of actual carcinogens in the air ducts, and the school has closed the building to investigate.
Missouri’s Attorney General Eric Schmitt courted snitches among parents opposed to mask mandates, setting off a series of pointless, expensive battles that probably did way more to harm kids than wearing a mask ever could.
Instagram is doing nothing to suspend or block accounts promoting hate speech.
I don’t often agree with Jennifer Rubin’s editorials in the Washington Post, but I think her take here is correct: The only way Democrats can hope to fight Republican voter-suppression efforts is to change the venue to local elections and referenda, taking the message directly to voters – and even that may not be enough.
I can’t love this tweet enough.
Board game news: I saw a prototype of Earth, a tableau- and engine-building game from Inside Up Games, at PAX Unplugged, and from what I saw it looks right up my alley. It’s on Kickstarter now.
So is Trekking Through History, the third Trekking game (following Trekking the National Parks and Trekking the World) from Underdog Games.
And so is Rolling Heights, the new roll-and-write game from the designer of Mystic Vale.
Tiwanaku, the game previously known as Pachamama, will relaunch on Kickstarter on March 9^th.

Filed Under: Uncategorized Tagged With: baseball, board game news, coronavirus, dark money, florida, free speech, links, mississippi, missouri, movies, Music, philadelphia, police, san francisco, science, stick to baseball, texas, unions, vaccines, voter suppression, washington state, west virginia

→ February 7, 2022
→ By keith

Music update, January 2022.

Prospect season pushed this back about a week, but my monthly playlists are back, and this one is longer than usual because I have some tracks from late December as well. You can see the playlist here if you can’t see the widget below.

As for my use of Spotify, I’m leaning towards switching to another service, but in the middle of prospect-writing season, I didn’t have time to figure out the logistics of moving all of my playlists and information over – let alone deciding which service to use. I don’t think their responses so far have been adequate at all; putting a disclaimer before a podcast where the guest spends 2-3 hours spewing misinformation does nothing to stop the misinformation from spreading. That’s even before I get into more recent revelations of a Joe Rogan using the n-word dozens of times. I’ll get through the prospect reports and reevaluate where I put my money and where I ask you to listen to my playlists.

Gang of Youths – in the wake of your leave. I can’t wait for this Australian group’s third album, Angel in Realtime, which drops on February 25^th. The title track was a top ten song of last year for me, and this one isn’t too far behind. There’s a lot of peak (1980s, not “Beautiful Day”) U2 in their music.

Khruangbin feat. Leon Bridges – B-Side. The collaboration that brought us last year’s EP Texas Sun returns with another EP this month called Texas Moon. This song is fantastic, but the second single from the EP, “Chocolate Hills,” was surprisingly boring.

Large Plants – The Death of Pliny. Large Plants is the new side project from Jack Sharp of Wolf People (not to be confused with Wolf Parade, Wolfmother, Wolfgang Press, or Wolf). This track is very late ’60s blues-psychedelia with some lovely guitarwork as a highlight.

Waxahatchee – Tomorrow. Katie Crutchfield did the soundtrack for the Apple TV+ adaptation of the graphic novel series El Deafo. This song feels very much like someone asked her to write the most upbeat song she could, and it’s great.

Camp Cope – Running with the Hurricane. I heard this song before knowing anything about the band, and was surprised to hear something so Americana-sounding from an Australian band. If you like Waxahatchee, I think this song might be up your alley.

Sprints – Little Fix. This Irish punk-garage quartet have churned out a series of hooky singles that don’t skimp on the noise elements, always with something a bit clever in the lyrics as well.

Frank Turner – A Wave Across a Bay. Turner’s tribute to Frightened Rabbit singer Scott Hutchison, who killed himself in 2018, has a beautiful build in the chorus and Turner’s knack for turning clever phrases even in grief.

Spoon – Wild. Spoon’s first album in five years, Lucifer on the Sofa, drops this Friday, and the two singles I’ve heard so far show Britt Daniel in peak form, with a harder edge to the music behind him, something I can certainly support. The piano riff behind the chorus sounds incredibly familiar to me though.

White Lies – Am I Really Going to Die. It’s not as morbid as it sounds – it’s quite upbeat, in fact, and after hearing the two singles they’ve released, I’m wondering if As I Try Not to Fall Apart (due out February 18^th) is going to be this British new wave band’s best album yet.

Shungudzo – It’s a good day (to fight the system). A tip from my grad school classmate Jim led me to I’m not a mother, but I have children, the 2021 debut album from Zimbabwean-American (and former Real World cast member) Shungudzo. The album itself combines multiple genres, from folk to hip-hop, with biting social commentary, and would have made my top albums of the year list if I’d heard it in time.

FKA Twigs feat. Jorja Smith and Unknown T – jealousy. So FKA Twigs released a mixtape in January called [CAPRISONGS] featuring a cornucopia of high-octane guests, but if you’ve followed my music lists at all, you had to know I’d choose the song with Jorja Smith to highlight. The drumbeat behind this track is intense, with sudden stops and starts that keep you off balance for the duration of the song.

Lucius – Next to Normal. I’ve liked quite a few Lucius songs over the decade since their first proper album came out in 2013, but I did not expect this track, which sounds like it could have come from Prince’s back catalog. Their third (or fourth, depending on whether you count their self-released record from 2009) album, Second Nature, comes out on April 8^th.

The Mysterines – Dangerous. I’ve been looking forward to this British hard rock quartet’s debut album for about two years now, although this track isn’t the best representation of the high-octane grunge I’ve come to love from them. That LP, titled Reeling, is out March 11^th.

Kid Kapichi feat. Bob Vylan – New England. Two artists who appeared on my top 100 songs of 2021 teamed up on this new single, taking aim at voter apathy in the UK with music that would have fit right in on Kid Kapichi’s This Time Next Year.

Crows – Slowly Separate. Crows’ Silver Tongues was one of my favorite albums of 2019, and this is the first new music from the British punk-rock band since then. They’re signed to IDLES’ Balley Records label, but I find their music more accessible and interesting than their bosses’ throwback punk style, more akin to Kid Kapichi or Fontaines D.C.

Yard Act – Pour Another. The Overload, the debut album from this British post-punk band, did not disappoint, from the title track to “Payday” to “The Incident” to this bouncy, dissonant tune. I keep coming back to the Gang of Four comparisons because they fit so well. Maybe these guys should cover “Natural’s Not In It?”

The Smile – You Will Never Work in Television Again. The Smile are Thom Yorke, Jonny Greenwood, and Sons of Kemet drummer Tom Skinner. There’s supposed to be an album coming, but for now we have two singles that sound a fair bit like Radiohead’s first album, and I’m here for anything where Radiohead members return to their rock roots.

Peter Doherty & Frédéric Lo – You Can’t Keep It From Me Forever. Yep, that’s Pete Doherty of the Libertines, working with the French musician Lo, with an album from the two of them due out on March 18^th. Doherty also hinted at new Libertines material perhaps coming within the year, which would be even more exciting, but this track has a lot of that same vibe, almost like an older twist on the Libertines’ sound.

Hatchie – Quicksand. Hatchie’s dream-pop sound always reminds me of the Cranberries’ first two albums before that band went sideways; don’t be fooled by the slow start here, as the chorus has the big hook Hatchie delivers on all her better tracks.

Griff & Sigrid – Head on Fire. Griff doesn’t miss – that’s three incredible pop tracks from her in a year, this one featuring the popular Norwegian singer Sigrid.

Tempers – Nightwalking. Gothic electronica from a NYC duo who’ll release their third album, New Meaning, in April.

Steve Vai – Zeus in Chains. Vai’s Passion and Warfare came out the summer after I graduated from high school, and I couldn’t get enough of it. That particular style of instrumental guitar music hit a creative and popular zenith at that time, ending some time in 1992-93 with the rise of grunge (I’d call Joe Satriani’s “Summer Song” the last big hit of this movement), and Vai’s next album, Sex & Religion, didn’t have the same kind of melodic highs, and I fell off the train. Then this song popped up on my Release Radar, and it’s pretty good – maybe not quite at the level of “I Would Love To” or “The Animal,” but with a solid hook and some peak Vai shredding.

Zeal & Ardor – Church Burns. This project of Swiss-American musician Manuel Gagneux will put out a new, self-titled album this month, and if this song is any indication, his efforts to integrate gospel sounds with extreme metal – he says “black” metal but I assume that’s a play on words – are reaching their fruition.

King Buffalo – Shadows. This track is ten minutes long, just to warn you, but if you like psychedelic metal with a good bit of stoner to it, King Buffalo’s Acheron should be right up your alley.

Anxious – Let Me. This Connecticut hardcore punk band veers into extreme metal territory, with less of the melodic sensibility of last year’s “In April.”

Destruction – Diabolical. These icons of ’80s thrash – Wikipedia calls them part of the “Big Four” of German thrash, which, sure – actually sound pretty good for a bunch of guys pushing 60, and I give them credit for sticking to their sound. Thrash’s moment came and went as its adherents either went more commercial (looking at you, Metallica) or more extreme, but I’ll forever think of it as the perfect blend of speed and technical playing, without the excesses of most death metal bands.

Deserted Fear – Reborn Paradise. German melodic death metal that borders on thrash, just with growled lyrics. The machine gun-like guitar riff behind the verse stood out for me even with the ridiculous vocals.

Filed Under: Uncategorized Tagged With: 2022 in music, alternative, indie, melodic death metal, metal, Music, post-punk

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