Top albums of 2020 so far.

This year has sucked across multiple dimensions, but new music has been one of the few bright spots of the first half of 2020 – although I worry that there’s a time lag here, and we’re getting great singles and albums recorded before the world ended. Anyway, here are the best albums I have heard so far this year.

7. SAULT – Untitled (Black Is). SAULT released one of the best albums of 2019 but did so after my 2019 rankings came out – in fact, they released two albums (7 and 5) last year, and both were great, but I didn’t hear either until May of this year. The identities of the band members are still unknown, but they’ve gained some critical attention nonetheless for their soul/funk/spoken word sound, and with Untitled (Black Is) they’ve become overtly political with a series of anthems supporting Black Lives Matter and other causes of equality and justice. Standout tracks include “Bow,” featuring Michael Kiwanuka; “Monsters;” “Why We Cry Why We Die;” and “Black.”

6. Tame Impala – The Slow Rush. I’ve always been a few degrees short of the critical acclaim for Kevin Parker’s music; I’ve liked many of his tracks but he often needs an editor to rein him in, and his albums haven’t come together as well as they should. The Slow Rush still has too many tracks that go on too long – half of the twelve songs here run five minutes or more, up to 7:13 for the closer – but it’s the most coherent record he’s released to date. Standout singles include “Borderline,” “Lost in Yesterday,” and “Breathe Deeper.”

5. Bananagun – The True Story of Bananagun. I only heard about this Melbourne psychedelic rock/funk group a few weeks ago, but I’m all about this album and their strange mélange of late ’60s flower-child rock and funk guitar work from the decade afterwards. Standout tracks include “The Master,” “Freak Machine,” and “Bang Go the Bongos.”

4. Waxahatchee – Saint Cloud. Folk-rocker Katie Crutchfield bares her soul, recounting her struggles with alcoholism and decision to get sober after her previous album, the uneven Out in the Storm (which still gave us “Never Been Wrong”), and the result is her best and most complete album to date. Standout tracks include “Lilacs,” “Can’t Do Much,” and “Hell.”

3. Grimes – Miss Anthropocene. A good example of when to separate the art from the artist. Grimes’ last album, Art Angels, was my #1 album of 2015; this record is more experimental and expansive, but still has several tracks that stand well on their own thanks to strong melodies, including “Violence,” “4ÆM,” and “Delete Forever.”

2. Khruangbin – Mordechai. I was late to the Khruangbin party, only hearing their last album, Con Todo El Mundo, a year after it came out, helped by The RFK Tapes’ podcast’s use of “Maria También” as its theme song. I think I got here just in time, though, as Mordechai is going to be their big breakout, as it has the same kind of Thai jazz/funk/rock hybrid sound as their last album, but now with extensive vocals from all three members. Standout tracks include “Pelota,” “Time (You and I),” the funky “So We Won’t Forget,” and “Connaissais de Face.”

1. Moses Boyd – Dark Matter. I don’t have any comparison for this album by percussionist Moses Boyd, one half of Binker and Moses. It’s a dark, swirling journey of modern jazz and house that has the energy of improvisational music but the tighter focus and melodic sensibility of more mainstream genres. Standout tracks include the stellar “Shades of You” (feat. Poppy Ajudha), shimmering opener “Stranger than Fiction,” and the guitar-laden “Y.O.Y.O.”

Upcoming albums I’m at least excited to hear: The Beths – Jump Rope Gazers (7/10); Dirty Streets – Rough and Tumble (7/31); Everything Everything’s RE-ANIMATOR (8/21); Cut Copy – Freeze, Melt (8/21); Sad13 – Haunted Painting (9/25); Doves – untitled (TBD); Noname – untitled (TBD).

Music update, April 2020.

A shorter-than-normal playlist this month as I think the pandemic has played havoc with release schedules and has obviously kept many artists out of the studio, but there are still some strong singles in advance of albums already planned for releases this summer and fall. As always, you can access the playlist directly if you can’t see the widget below.

Iceage – Lockdown Blues. Yep, he’s saying “Covid 19 lockdown blues/the only way out is through.” There have been some regrettable songs written and released during the pandemic; this one is actually good.

Space Above, So Below – Golden. Space Above is former The Naked & Famous keyboardist Aaron Short’s new project, with So Below (singer Maddie North) contributing vocals on many of their songs so far, including this darkly ethereal track.

Khruangbin – Time (You and I). This new single from the Texas-based funk/jazz trio features extensive vocals from Laura Lee Ochoa, a departure from their primarily instrumental work to date, and is the lead single from their third album Mordechai, due out next month.

Village of the Sun – TED. VotS is a new collaboration between Binker and Moses – as in Moses Boyd, whose Dark Matter is my favorite album of the year so far – and Simon Ratcliffe of Basement Jaxx. This track takes its name and inspiration from a song called “Dreamship” by the Ted Moses Quintet, which I only know from googling.

Talk Show – Petrolhead. I’ve enjoyed Talk Show’s snarling mix of classic post-punk sounds, more contemporary rock rhythms, and just a hint of the energy of dance music without heavy electronic elements.

The Wants – Clearly a Crisis. The Wants are pure post-punk, influenced by Gang of Four and other icons of the earliest new wave bands, and it comes through most successfully on this track and “Motor” from their debut album Container.

bdrmm – Happy. A five-piece shoegaze band from Hull, bdrmm released their debut EP If Not, When? in October, and have returned now with this subdued, swirling track that has some early Lush to it with a more upbeat tempo.

Everything Everything – In Birdsong (Edit). Lead singer Jonathan Higgs has described this song’s lyrics as an attempt to capture what it might have been like to be the world’s first self-aware human, although I find it more interesting for the highly textured keyboard layers below Higgs’ falsetto, crescendoing into a sort of wall of sound that seems almost tactile by the end of the song.

Jake Bugg – Saviours of the City. Bugg seems to have come back around to the Dylanesque sounds of his Mercury Prize-nominated self-titled debut album, eight years later, with this second single ahead of his fourth album, which is due out later this year.

The Naked and Famous – Blinding Lights. TNAF’s cover of the Weeknd’s “Blinding Lights,” from his new album After Hours, beats the original for me – not least because of Alisa Xayalith’s voice.

Asylums – A Perfect Life in a Perfect World. The Southend rock quartet have produced a song that sounds like it could have been recorded and released in 1994, and I mean that as a high compliment.

Ministry – Alert Level (Quarantine). I’m not as big a Ministry fan as you might guess from my age and musical tastes, as I find a lot of Al Jourgensen’s work with the band after their shift from new wave to industrial designed more to shock than to entertain. “Alert Level (Quarantine)” is still harsh and abrasive, but also has one of the best guitar riffs of any song in Ministry’s catalog.

Pure Reason Revolution – Ghosts & Typhoons. I don’t know how to categorize PRR’s music, with its peculiar mixture of progressive rock, electronic, and extreme metal elements, often in songs that run six to ten minutes in length, but their new album Eupnea, their first LP in a decade, has really grown on me this year thanks to songs like this and “Silent Genesis.”

Katatonia – The Winter of Our Passion. These Swedish prog-metallers started out as a death metal act but have shifted to clean vocals and doom sounds that sometimes incorporate metal aspects, but often don’t – if you heard this without knowing who the artist was, I doubt you’d call it metal. It’s one of the most accessible things they’ve done but retains the sophistication of their most recent albums.

Stick to baseball, 8/17/19.

I was on vacation with my girlfriend last weekend, taking a few days to go offline while at a resort in Jamaica (my first trip there, so $countries_visited++;), and while I did go see a game right after I got back, I haven’t written this week. My parents also came to visit for a few days, so I had to skip the chat this week. I’ll do one either Tuesday or Wednesday of this upcoming week instead.

I did an interview a few weeks back with a site called the Good Men Project which ran while I was away. I don’t think that makes me a Good Man but I can hope.

Thank you to everyone who has signed up for my free email newsletter and sent kind, thoughtful replies to my last few editions. I’ll send another one later this week after I’ve written some more content around the interwebs.

And now, the links…