Draft content.

My predraft content is starting to appear on ESPN.com today, so for those of you waiting for it, here are links to what’s up already. I’ll update this post as more content appears; there are reports on most of the top prospects coming, I assume later in the day.

Also, I’ll be on ESPNEWS today (Friday) from 4:10-4:30 pm EDT in the Insiders segment.

Updated top 75 prospects ranking

First-round projection

Overview article (As of right now, this is free to non-Insiders)

If you have questions related specifically to those articles, please ask them in the Conversations on ESPN.com rather than here.

KlawChat.

Just a reminder that there’s a KlawChat at 1 pm today over at the Four-Letter.

Also, I’ll be on Bernie Miklasz’ show in St. Louis tomorrow at 4:20 pm CDT, and on ESPN’s Pittsburgh affiliate on Saturday at 10:40 am EDT.

Radio etc.

I’ve been slacking on the blog here as I write predraft content, but I’ve got some radio coming up – today at 4:15 on our Nashville radio affiliate, at 4:40 on our Madison (WI) affiliate, at 6:15-ish on ESPN 890 here in Boston, and at 6:30 on the FAN 590 in Toronto (that’s for my buddies at DrunkJaysFans). I’ll be on AllNight tonight with guest host Amy Lawrence. I’m also trying to schedule something on Bernie Miklasz’ show in St. Louis for Wednesday.

In the meantime, check out one of the best food blogs, I’ve ever seen, Chocolate and Zucchini, written by an impossibly cute Parisian native who worked as a software programmer before becoming a full-time food blogger and author. The post to which I linked is about her loathing of hotel breakfasts, which you all know I share, and her makeshift solution to the problem, which I admire but refuse to follow on grounds that one of my rewards for taking business trips is bacon.

And if I catch my breath, I’ve got some eats to write up and that Calvino book too.

Germinal.

The Novel 100 author Daniel Burt described Emile Zola’s Germinal as “perhaps the angriest book ever written,” and it’s hard to deny that anger – or perhaps rage – is the fuel on which the book’s engine runs. It’s also a riveting novel, a highly readable novel, and a complex novel that is expertly plotted and contains within it stories of unrequited love and deep suspense.

Germinal, which is present on the Novel 100 (#66) and the Bloomsbury 100, is the story of a conflict between the poor laborers of a coal-mining town in 1860s France and the bourgeois management and owners. The workers live in grinding poverty, barely earning subsistence wages, dying in the mine or because of it, and ultimately living lives devoid of meaning. Ownership pits worker against worker to drive labor costs down, yet points to the subsidized housing it provides as evidence of its beneficence. Zola doesn’t exonerate his laborers, showing how their infighting and ignorance hold them back.

The plot centers around Etienne, an unemployed mechanic who finds work in the mine but, discovering the appalling conditions and dead-end wages, decides to put his knowledge of Marxism to use and organizes a general strike. The strike has severe consequences for everyone in the town, and to some degree for ownership, and precipitates a spree of violence punctuated by one of the most vicious scenes I can recall in a Western novel.

Buried within the greater story is a for the time progressive view of women’s rights and role, by way of a savage depiction of the women in the mine, including Catherine, who captures Etienne’s heart but instead chooses to be with the violent man who first “takes” her virginity by force. Zola attacks nearly everyone and everything by distilling them into sharp and unappealing characters, from abbes more interested in peace than helping the poor to shopkeepers who prey on customers near starvation to the idle rich who own the means of production.

The primary literary criticism of Germinal seems to be its inaccuracy. Zola introduces early-1800s working conditions into the latter half of the century, but adds Marxist ideas and organizations before they could have reached France. I have less of a problem with this, since the novel is functioning on some level as satire, and satire works via exaggeration.

Next up: Italo Calvino’s short work Marcovaldo, or seasons in the city.

A new trend this year for America: wasting food!

Quick note: I’ll be on ESPN Radio’s Gameday in about 20 minutes (1:20 pm EDT).

Found this interesting article in the International Herald Tribune via Gmail on how much food we waste:

In 1997, in one of the few studies of food waste, the Department of Agriculture estimated that two years before, 96.4 billion pounds of the 356 billion pounds of edible food in the United States was never eaten. Fresh produce, milk, grain products and sweeteners made up two-thirds of the waste. An update is under way.

I have to admit that nothing makes me more upset than throwing food away. In the past few years, I’ve decreased my food purchases to more or less just what I know I’ll use, making more trips to the store (which isn’t feasible for everyone) and, for ingredients that can’t be purchased in small enough quantities, planning several meals around them to avoid waste. I also convert foods that maybe are past their primes for eating straight and convert them into other foods, like using fruit to make pies or cobblers or jams, or taking stale bread and making fresh bread crumbs by tossing it in the food processor. And yet I still find myself tossing, usually via the garbage disposal, way more food than I’d like – leftovers usually.

Unfortunately, short of tailoring your purchases to more closely fit what you eat, which isn’t easy for people who shop for food once a week, there’s not much you can do to reduce the impact of what you waste. Composting isn’t for everyone, and with skunks and raccoons in our neighborhood, it’s definitely not for us. There’s just no way to get the food I’ve bought and won’t or can’t use into the hands of someone who needs it.

Anyway, it was an interesting read for me, because I’m conscious of what I waste. Just the other day, my wife and I both bought strawberries without realizing the other had done so, and one batch (mine, I think) had mold on half the berries by the next day. With a two-year-old in the house, it wasn’t worth taking chances on the “clean” berries, so out they went. It’s just a shame.

Pittsburgh radio.

All you Yinzers can hear me on WEAE 1250 AM today at 11:20 am with Joe Starkey.

The Boston Herald/Spygate affair.

So, as a friend of beleaguered Boston Herald writer John Tomase, I’ve been wrestling with how I might address the topic without coming off as too biased on John’s behalf. Seth Mnookin spared me the trouble with his excellent post on the subject today:

But the vitriol and derision being directed at Tomase is over-the-top. (And getting angry at him or at the Herald is a bad way to displace frustration/anger over the Pats slightly-less-than-perfect season.) He had what he thought was a big story, and he thought he had made the limitations of his story clear in the piece itself. The allegations contained therein logically followed from what was already known. And nobody he interviewed would say, flat out, that the piece was wrong.

This was, more or less, going to be my main point. The calls for Tomase’s firing – there’s even a Facebook group dedicated to it – don’t make much sense to me. Is he accused of malfeasance here? No one seems to be making a credible accusation along those lines. He got a scoop that appeared legitimate, and ran with it. One would assume that at least one Herald editor knows about Tomase’s source(s), and was sufficiently satisfied with the sourcing to green-light the story.

Is he accused of frequent mistakes along these lines – viz, running a story without giving the target(s) enough time to respond? To my knowledge, this is the first time John’s been charged with this kind or, in fact, any kind of journalistic error. So what is the justification for calling for Tomase to lose his job? Doesn’t some of the responsibility lie with the editors, as Seth says, to rein the writers in?

Georgia eats.

On the first season of Feasting on Asphalt, Alton Brown and his crew stopped at a tiny place in Toccoa, Georgia, called Shirley’s Sole Food Café. Ethan Martin, a likely first-rounder in this year’s Rule 4 draft, goes to school in Toccoa, and when I finally put two and two together the night before I flew down there, I figured I had to eat a meal at Shirley’s as sort of a pilgrimage. Unfortunately, I was there on a Friday, which is all-you-can-eat fish fry night at Shirley’s, meaning I didn’t get the menu that Alton et al got on their visit. The meal was slightly disappointing, although I was impressed that nothing tasted fishy. The fish is fried in large batches and placed in warming trays up front; you walk along the counter and point to what you want. The fried shrimp were the best option, in a crunchy crust (like panko, but can you really get panko bread crumbs out there?), while the fried tilapia ended up a bit chewy. It was $12 for the fish fry, plus another $8 if you wanted fresh steamed crab legs … which I did, receiving more crab legs than I could eat. They were fresh and had a lot of meat, but the meat itself was a little bland, lacking that distinctive undertone of sweetness that, for me, has always separated crab from lobster.

This week, I was driving down 19/41 to Griffin to see Tim Beckham when I passed McGhin’s Southern Pit Barbecue and saw the parking lot was pretty full for lunchtime on a weekday, so I pulled in. It certainly looked the part, and the menu was pretty straightforward without a lot of descriptions – the type of place that assumes you know your Q. However, it turned out to be more evidence that, as JC Bradbury told me last year, there is no good barbecue in Georgia. I went with a pork/beef platter, which came with piles of shredded meat plus two sides and “cracklin’ cornbread.” That cornbread was the only item on the plate to which I’d give an average grade (it was plus, plenty of fat in it and no sugar). Both meats were very dry and more chopped than shredded; I hate to be forced to add sauce to pulled pork or beef because it needs the moisture, and it was worse because the sauce was North Carolina style, heavy on the vinegar, which to my palate means one-dimensional. The baked beans were also too vinegary and more like a soup than actual baked beans. I didn’t even touch the coleslaw because it was sitting in a pool of a mayo-based dressing; God only knows what microbes might be living in there. For dessert – I had room – I got the peach cobbler, when in Rome, etc. It was more of a deconstructed peach pie, with a pie crust mixed in with the filling of a peach pie. (A cobbler dough is more akin to a biscuit dough than a pie crust dough, lighter and a little cakey rather than the flaky and tender and very fatty characteristics of pie dough.) The filling was overcooked and had way more cornstarch than needed to thicken it. I have to give the waitress credit, however; when I said I didn’t know what Brunswick stew was and, after she described it, decided not to order it as a side, she brought a tiny dish of it to me anyway so I could try it. I wish I could have said better things about the food, but I’m not going to lie to you – it just wasn’t good.

It’s also time for another update on Paschal’s. I went to the original location on MLK Jr. Drive in downtown Atlanta for breakfast, and the food was generally quite good and was made to order. I decided to branch out and try the salmon croquettes, a platter that comes with two eggs cooked to order, home fries, and a biscuit. The waitress actually asked me whether I wanted my eggs scrambled hard, medium, or soft, which is the first time I’ve ever been asked that; I went with soft, and they were perfect for me, although if you like ‘em runny they may seem overdone. The biscuit was excellent, very soft, but without much of a crust – the top was golden, but it was like a thin layer of parchment paper rather than the traditional semi-hard crust. The supposed star of the dish, the croquettes, were obviously made from tinned salmon and had a fishy taste that couldn’t really be avoided.

I also revisited the Paschal’s in the Atlanta airport before my flight home, and at the suggestion of one of you, tried the collard greens. They had a strong cured-pork flavor – I’m assuming ham hock – and the sweetness of a little sugar, although nothing can disguise the fact that collard greens, even cooked properly for hours, are bitter. And this time around, I got my quarter-dark fried chicken, which could not have been more perfectly cooked.

The Mailbag of Malcontent, Vol. 8.

Love my readers! This was in the pool of questions for today’s chat:

(1420) Brian-Baltimore
Sorry. Definitely said it about Lincecum. I always knew you were the type that weasles out of his off base projections. You are too smug for your own good. That makes the whole blog you wrote about being true to your readership hollow.

The best part here is that Brian misunderstood what I was saying, and his mistake means that I’m a smug weasel! Excuse me – weasle. Although he was better than the reader who called me a “shitbag” because I didn’t answer his question.

A Dance to the Music of Time, completed.

UPDATE, December 2010: The University of Chicago Press has made volume one of the Dance available as a free e-book on amazon.com and on their own site.

Anthony Powell’s twelve-volume sequence, A Dance to the Music of Time, is a masterwork of dry English humor and brilliant characterization. Part of both the TIME 100 and the Modern Library 100 (where it ranked 43rd), Dance is told by Nick Jenkins over a period of nearly fifty years as he moves through the social circles of interwar London, serves in a rather low-risk infantry unit in World War II, and then becomes a distinguished writer after the war and returns to many of the same characters who populated the earlier books. It’s a popular series in the United Kingdom, but it’s not well-known in the United States.

Nick himself is a wry observer but a milquetoast character, and his wife, Isobel, is a phantom in the stories. The main character and antihero is Kenneth Widmerpool, a climber lacking in social skills but not in confidence who always seems to find himself in the right situation, exasperating anyone hoping to see him fail. The series is full of funny, well-drawn secondary characters, from Nick’s alcoholic school-mate Charles Stringham to the “mobile laundry unit” head Bithel to the ice queen Pamela Flitton, who destroys every man on whom she sets her sights. The narrative greed that I look for in every novel isn’t strong here, but the reader is drawn forward simply by the music of time: We’re following Nick as he goes through life, seeing the world through the lens of his professional and personal lives.

Powell’s observations on the rhythms of life display Nick’s interest, but with a surprising bit of dispassion. Broken marriages, personal setbacks, and even deaths are reported as facts intrinsic to life, but by and large unworthy of comment; by the last book, where secondary characters are dropping like flies, their deaths become parenthetical phrases, a reflection (I suppose) on how we perceive the deaths of those with whom we’ve lost touch as we ourselves grow older. Instead, Jenkins (whom Powell admitted was based on himself) prefers to find interest in small stories and little scandals, although as the series advances the scandals do become proportionally bigger and Powell’s writing veers somewhat more towards the risqué and sensational, perhaps a reflection of the various time periods covered by the series.

The twelve novels, comprising roughly 65-70 long chapters over about 3000 pages, don’t quite match Wodehouse for laugh-inducing content, but Powell infuses the writing with wit. His characters names can totter on the line between the ridiculous and the plausible, from the Walpole-Wilsons to Flavia Wisebite (and her ex-husband, Cosmo Flitton) to Scorpio Murtlock. When books written by some of the secondary characters are mentioned, they have glorious titles like Camel Ride to the Tomb and Dogs Have No Uncles. The punch lines, when they do arrive, are funny because of the context; having one character pour the contents of a sugar-bowl over another’s head is not intrinsically all that funny, but when it happens in Dance, it rises to another level of humor. Jenkins plays the Bob Newhart role of the one sane or normal person surrounded by wackos on lunatics, leaving him, with some later help from Isobel, to offer his commentary.

I have a strong feeling that J.K. Rowling has read Powell’s series and paid homage to it through two minor characters in the Harry Potter series. One minor character in the series is a mystic and spiritualist named Dr. Trelawney, who speaks in aphorisms and vague pronouncements, greeting people by saying, “The Essence of All is the Godhead of the True,” and expecting (but rarely receiving) the reply, “The Vision of Visions Heals the Blindness of Sight.” The similarity to Professor Trelawney in name, in bent, and in obsession with visions is unlikely to be a coincidence. I also saw similarities between Powell’s character Sillery and Rowling’s Professor Slughorn; both are slightly unctuous men who ran salons in their college’s houses and seemed to devote significant energy to determining whom to invite, measuring their gatherings’ success by the names and status of the attendees.

If you enjoy English writing, Powell’s depiction of upper-class English society from the immediate aftermath of World War I into the turbulent 1960s is worth the significant time investment. Next up for me: I’m already a third of the way into Emile Zola’s seminal socio-political novel Germinal.