Huge month for new music – 31 songs on this playlist is a new record for me, but this is after I cut a few tracks just to try to limit it to the best songs I’ve heard since June 1st. You can access the Spotify playlist below or via this direct link.
Oh Wonder – High On Humans. I know a few of you are big Oh Wonder fans, but they’re pretty new to me, and so far I’m a fan – this is good, smart, alternative pop.
Portugal. The Man – Rich Friends. Their latest album Woodstock dropped two weeks ago and is really strong, their usual mix of bombastic, melodic rock, with more R&B influences than I’ve heard on previous records.
The Amazons – Black Magic. Fairly new English band from Reading who’ve gotten a ton of hype in the British music and mainstream press; I’m a fan of the huge guitar riff driving this song.
Sløtface – Nancy Drew. The Norwegian punk-popsters who gave us “Empire Records” last year are back with another subtly poppy track with slightly twisted lyrics.
Waxahatchee – Never Been Wrong. Katie Crutchfield’s next album, Out in the Storm, comes out on July 14th, and this track is more in the folk-rock vein of 2015’s “Under a Rock.”
The Preatures – Girlhood. This Australian quintet is about to release its first album since 2014, with a similar ’60s British pop/rock vibe. Also, I couldn’t figure out what the repeated line was in the verse, but according to my Internet it’s “a morning girl.”
Beach Fossils – Tangerine. Brooklyn indie-rockers Beach Fossils just released their latest album, Somersault, of stoner/surfer/lo-fi tracks, with this track offering the best hook on the album.
The Districts – If Before I Wake. I didn’t love the Districts’ acclaimed 2015 album, A Flourish and a Spoil, but this song is absolutely anthemic.
No Win – You’ll Be Fine. Apparently No Win is a side project of a member of FIDLAR, although I’m not a big fan of FIDLAR’s music so I was totally unaware of this, but hey, this song rocks.
Ride – Lannoy Point. The shoegazers’ first album in 21 years, Weather Diaries, starts out very strong and has probably four songs that would fit in very well with their vintage output, but I felt like it tapered off towards more maudlin lyrics and less inventive music.
Radiohead – I Promise. Radiohead has reissued OK Computer for the seminal album’s 20th anniversary in a two-disc set called OK Computer OKNOTOK 1997 2017, including three previously unreleased tracks from the recording sessions, including this melancholy acoustic track, which would have fit very well on The Bends.
Manchester Orchestra – The Alien. Speaking of melancholy acoustic tracks, one of two new singles from Manchester Orchestra off their upcoming album A Black Mile to the Surface, is a surprisingly melodic, gentle song from a band I typically associate with huge, crunching guitars and with Andy Hull screaming himself hoarse.
Birdtalker – One. Another acoustic track, this one more like vintage folk with some smart and incisive lyrics, from a new Nashville band founded by the wife-and-husband duo of Dani and Zack Green.
The War On Drugs – Holding On. At least this time, the boys kept the song under six minutes! The Bob Dylan overtones can still be a bit much but this song has a driving, memorable hook that really powers the track even when Adam Granduciel starts to sound more like Richard Belzer doing a Dylan impression.
Liam Gallagher – Wall Of Glass. Yep, that’s the former Oasis singer, with what sounds like a solid post-Be Here Now sort of Oasis track.
Death From Above (1979) – Freeze Me. They’ve dropped the ‘1979’ from their name, although it still appears on Spotify. After a decade-long hiatus, they’re about to release their second album in three years, with this lead single probably my favorite track from them yet.
Washed Out – Get Lost. To borrow a malaprop from my daughter, I’m just so-and-so on Washed Out, the nom de chill of Ernest Greene, whose latest album Mister Mellow drops on Friday. This song encapsulates what I like about Washed Out – a melodic, upbeat, highly layered track that brings more complexity than just calling it a dance song would indicate.
Sparks – What The Hell Is It This Time?. Sparks have been around since the early 1970s, although if you know them at all, it’s probably from their one-off collaboration with Jane Wiedlin, “Cool Places,” which reached #49 on the Billboard 100 and became a staple of new-wave compilations. Now aged 71 and 68, the brothers Mael are about to release their 22nd album, Hippopotamus, and this very catchy lead single finds them just as weird as ever.
Floating Points – Kelso Dunes (Edit). Experimental music is an acquired taste and I won’t pretend to be an expert, but I’ve liked some of Sam Shepherd’s stuff so far, and not just because he’s a neuroscientist who happens to make music.
Phoenix – Ti Amo. The title track from the Grammy winners’ latest record is a throwback to the two-step/garage era of the early ’90s on top of the new wave stylings they usually bring.
Arcade Fire – Creature Comfort. I liked “Everything Now” more, but that’s a top five track of the year for me, so that’s not exactly a slight to this second single from their upcoming fifth album.
Queens of the Stone Age – The Way You Used To Do. Anything from QotSA is an automatic inclusion. Their upcoming album Villains comes out August 25th.
Royal Blood – Hole In Your Heart. The duo’s second album, ?How Did We Get So Dark? , came out earlier this month and it really rocks – it’s a step ahead of their debut – with this, “Lights Out,” “Hook, Line, & Sinker,” “I Only Lie When I Love You,” and “Where Are You Now?” my favorites.
Wolf Alice – Yuk Foo. The first single from the British quartet’s upcoming sophomore album, Visions of a Life, is harder and harsher than anything I remember from their debut album, which had a great balance of hard, fast, driving rock and mellower passages that showcased singer/guitarist Ellie Rowsell’s vocal range.
A Giant Dog – Bendover. It’s so loud and obnoxious it’s almost shtick, but it works on this track.
Superchunk – Up Against the Wall. Not only have Superchunk not changed their sound in their nearly 30 years of recording, they don’t even sound like they’ve aged on their new two-track release (the other song, “I Got Cut,” is more of the same).
Jason Loewenstein – Superstitious. Hard rock from one of the guitarists in Lou Barlow’s Sebadoh and the Fiery Furnaces.
Big Boi with Troze – Chocolate. Big Boi’s album Boomiverse is … fine, I guess. I like his vocal style, but I think the album suffers from too many guest spots and from some mediocre beats. Highlights include this track and “Kill Jill” (with Killer Mike and Jeezy).
Ice Cube – Good Cop Bad Cop. A bonus track on the 25th anniversary reissue of Death Certificate, this new song has Ice Cube actually sounding a bit like his old self on a very angry track about police shootings of unarmed black victims and the blue wall of silence that protects the perpetrators.
Less Art – Pessimism as Denial. The new band featuring Ian Miller (Kowloon Walled City) and Riley Breckenridge (Thrice) of the old Productive Outs podcast and of the, uh, grindcore (?) band Puig Destroyer strongly reminds me of early ’90s post-hardcore acts like Quicksand. This first single is off their first album, Strangled Light, due July 28th.
Danzig – Skulls & Daisies. Here primarily for its novelty, as Glenn Danzig is now 62 and sounds it throughout his namesake band’s latest album, salvaged on this track by the guitar work of Tommy Victor, whose main band, Prong, also has a new album due next month.