Hell or High Water.

Hell or High Water (available to rent on amazon and iTunes) earned Best Picture and Best Original Screenplay nominations for this month’s Academy Awards, which perplexes me no end because it’s just not that kind of movie. It’s incredibly entertaining, very well shot, but there is nothing in this story you haven’t seen before, whether we’re talking characters or plot. It’s cowboy noir, and while I love noir (and did really enjoy this movie), this iteration changes nothing of the noir formula except putting the action in west Texas.

Jeff Bridges, who earned a nomination for Best Supporting Actor for his work here, plays Texas Ranger Marcus (not Josh) Hamilton, who’s – wait for it – just a few weeks away from retirement when a string of small-time bank robberies, all of branches of the same bank, crosses his desk and gives him one last ‘big’ case before he heads off to his porch. The robbers, played by Chris Pine (Toby) and Ben Foster (Tanner), are a pair of brothers who are robbing banks solely of the small cash in the drawers, and are working up enough money to pay off some specific debt that becomes clear around the midpoint of the film. Pine plays the sensitive brother who doesn’t want anyone to get hurt, while Foster is the ex-con loose cannon who seems to enjoy robbing banks for the hell of it. Bridges’ partner, Alberto Parker (Gil Birmingham), is a younger cop of both Mexican and Comanche descent, and bears the brunt of Bridges’ unending stream of bigoted “Injun” humor.

It’s two against two, and you can certainly guess how this is going to end if you’ve seen a few movies in your lifetime. That doesn’t make the trip less enjoyable, especially since the dialogue between the cops is snappy (other than the racist humor, which has a little shock value at the start and quickly overstays its welcome as a device to mask the affection Bridges’ character feels for his partner) and the scenery is stunning, with panoramic shots of the west Texas landscape. I haven’t been to that part of the state, but I’ve been to Arizona and New Mexico, even out of the metro areas, and it has that same feel of desolation between the arid climate and the lack of anything resembling civilization – buildings, paved roads, people, even animals.

The characters, however, are all straight out of Noir Central Casting. Foster plays his character turned up to 11 the entire film, and while he seems to be having a blast, it means the character has no nuance. He’s a psychopath and his only redeeming characteristic is that he loves his brother, although that’s just kind of a stated fact, with nothing resembling an explanation or a background. (He shows incredible empathy for his brother, but thinks nothing of shooting strangers, security guards, cops, and so on.) Bridges does everything he can with his character, although the cop who’s one case away from retirement is about as hackneyed as the hooker with a heart of gold, and it’s pretty easy to figure out who’s going to survive this movie and who’s not.

Where Hell or High Water really clicks is the dry humor, much of it around Texas playing a bit to stereotype. When the brothers rob their second bank, there’s an older gentleman at the teller; one brother asks him if he has a gun on him, and the man replies with a combination of shock and indignation, “You’re god-damned right I have a gun.” A young punk at a gas station who can barely hold his pistol correctly gets what’s coming to him for mouthing off to the brothers. Albert gets a few zingers back at Marcus that show him to be the more erudite of the two, despite the way Marcus talks to him as some sort of noble savage.

Was this script just a noir story, though, or was writer Taylor Sheridan trying to make some bigger points about evil banks and a dying way of life on the ranch? If the latter was true, it didn’t work at all for me; it was there but entirely superficial, and if the plot itself was familiar, the Big Bad Corporation aspect is downright bromidic. Sometimes a good guys/bad guys story is just that. Let them shoot it out for themselves and leave the bigger meaning to other films.

(By the way, two “where I have a seen that actor before?” moments for me from Hell or High Water: The brothers’ lawyer is played by Kevin Rankin, who played the priest on Gracepoint, and Toby’s ex-wife is played by Marin Ireland, who briefly played an Islamist terrorist on Homeland.)

I’ve seen five of the nine Best Picture nominees so far, and this would easily be at the bottom for me, and behind a few other movies I’ve seen this year, including Loving, which I saw Saturday and will review this week as well.