My Futures Game recap is up for Insiders.
I read six books on my vacation – fortunately, my wife and I both subscribe to John Waters’ philosophy on lovers and books – including four of my favorite authors/series (Poirot, Nero Wolfe, Flavia de Luce, and a standalone P.G. Wodehouse novel), as well as two new authors, including Larry Niven’s Hugo and Nebula Award-winning novel Ringworld. Like Arthur Clarke’s similarly-acclaimed Rendezvous with Rama, Ringworld is a work of hard science fiction, in this case playing off a popular concept in physics and speculative science (the Dyson Sphere) and turning it into a lengthy adventure story involving the discovery of a distant world. It’s also surprisingly dull for a story that has as much action as Ringworld does, perhaps because most of the plot elements are so hackneyed.
Set in a distant future where man has explored a wider corner of the galaxy, encountering at least three alien races, the story has four explorers setting off on a mission to reach the structure of the story’s title, an artificial planet of sorts shaped like a ring around a distant sun. The crew is assembled by a two-headed creature called a puppeteer, who has deliberately selected three specific members – two humans, and one giant feline creature called a kzinti – for this mission, itself a response to the discovery that the Milky Way’s core is going to break down in a massive chain reaction in about 20,000 years. The puppeteers have already begun a massive migration, but it becomes clear that they want to see if copying Ringworld would accommodate them in another system.
Niven has explicitly said that he modeled the world after the Dyson Sphere, a hypothetical structure built around a star capable of capturing all of that star’s energy to supply the needs of the species that built it. Dyson recognized that per capita energy usage rises as a civilization becomes more technologically advanced – how many devices are you charging at the moment? – and conceived this structure as a totally crazy, speculative solution as well as a theoretical maximum on the energy available to that civilization, given that solar energy would dwarf any energy from nonrenewable sources. Niven has the unfortunate tendency to give the reader too much of the physics, generally in awkward dialogue between these impossibly-educated crew members, which doesn’t do much to help keep the story moving. Where Niven has to deviate from known or even hypothetical physics – the familiar “hyperdrive” of most science fiction gets stretched even further than normal – he spares us the details, which works much better because you’re only reading this book if you’re already willing to suspend your disbelief in things like travel at or faster than the speed of light. (Niven actually has an amusing bit of handwaving about this that I won’t spoil.)
Science fiction that relies this heavily on the science portion for seizing and maintaining reader interest worked for me when I was a teenager, but now it leaves me cold; I want fiction that tells me a story, preferably one that examines some fundamental aspects of human nature. (Granted, that’s tricky with a kzinti who might eat his shipmates or a puppeteer who rolls into a ball when scared as part of the crew.) Niven could have used his plot device as a way to consider the eventuality that we will fill the planet, or reach a point where we can’t increase our per capita energy consumption, but he blows right past that to get his quartet on Ringworld, where they find … well, not very much. And what they find is bizarre, often inexplicable, and impossible to picture with Niven’s rather stolid prose.
Ringworld isn’t a slow or arduous read, however – the writing isn’t complex, the sentences are pretty short, and most chapters function as self-contained stories. It may have been more praiseworthy in its day, but given some of the recent Hugo winners that have put storycraft over the sci-fi or fantasy elements, it feels very dated.
Next up: I just finished Dodie Smith’s I Capture the Castle and started Michael Cunningham’s Pulitzer Prize-winning novel The Hours on the flight back from Humid City this morning.
My reaction to Niven has always been the same way. He’s aces at describing the science, but there’s seldom a novel’s worth of story in it. I think he’s at this best writing short stories, taking one weird idea and creating a scenario around it (Beowulf Shaeffer > Louis Wu.)
Love the book reviews , Is there anyway you would ever do an entire chat ( or Redsit AMA) about just books for your fans? Thanks
Sure. Either.