I first encountered Tom Standage’s work when a friend gave me Standage’s A History of the World in Six Glasses, a brief history of a half-dozen fundamental drinks common to most global cuisines. At some point after I wrote about that book, Amazon put Standage’s 1996 book, The Victorian Internet: The Remarkable Story of the Telegraph
Once that technical material is out of the way, Standage can focus on the social and economic aspects of the telegraph’s invention and rapid spread and adoption. News agencies were also early adopters, leading to the now-ubiquitous organizations Reuters and the Associated Press. Diplomats made heavy use of such cables for several decades, with the telegraph playing significant roles in the Dreyfuss Affair (which led Emile Zola to pen his “J’accuse!” column) and the Zimmermann Telegram fiasco during World War I. But there were also dreamers who thought the telegraph would lead to world peace and skeptics who thought the telegraph a parlor trick or feared its impact, similar to pronouncements on all sides of the earliest days of the World Wide Web (and the Segway, which didn’t work out quite so well). It’s an instructive look at how new technologies can disrupt entire economies, and how people and businesses react to such disruptive technologies in the first place, with massive investments made as if the telegraph was going to last forever, only to have it supplanted by the telephone within a few decades.
Standage wrote his book in 1997, so even in the short period since then we’ve seen substantial upheaval from the explosion of the Internet around the globe and through new access points unthought of when most people got online via a computer and a 28k modem. He adds an afterword, written in 2007, where he correctly foresees the rise of mobile phones as Internet access devices, and even draws a parallel between the economy of characters in text messaging and the various methods of shorthand used to send cheaper telegraphs. The afterword gives The Victorian Internet the finishing bow it needs to tie together its subject with the subtitle, and to allow Standage to emphasize the broader point about the creative destruction wrought by highly disruptive technologies. It’s a quick, educational read that, if it pops up for $2 again, would even make a bear from darkest Peru smile.
Next up: I finished Anthony Marra’s A Constellation of Vital Phenomena