Henry Green was an unusual man who wrote unusual books, nearly all with one-word titles ending in “-ing.” One of his best-regarded novels, Loving, made the Modern Library 100 (#89) and the TIME 100. It has little plot and can be hard to follow, but the depiction of class differences in World War II Ireland (featuring an English family trying to escape the war and their English and Irish servants) is clever, incisive, and sometimes quite funny. The scattered, snobbish matriarch refers to all butlers as “Raunce,” regardless of their actual names; constantly loses items; and is completely oblivious to the fact that her daughter-in-law is shagging another man under the same roof. The butler who ascends to the title when the previous one dies is a money-grubbing, status-conscious, fatuous man, and is the closest thing the book has to a protagonist. One of the female servants is in love with Raunce; the other seems to have no idea with whom she’s in love, but wants to be in love with someone.
The plot is paper thin; it would be more accurate to say it comprises several subplots, including a lost or stolen sapphire ring, the romance between Raunce and Edith, and stories like the daughter-in-law’s affair that are almost background noise behind the nonstop dialogue among the servants. Green’s writing style is peculiar, with abrupt transitions from subject to subject and speaker to speaker and a cavalier attitude towards punctuation:
‘Now me lad she wants that glove and don’t forget.’
‘What glove?’
‘The old gardening glove Edith went birds’-nesting with,’ Raunce replied. ‘Holy Moses look at the clock,’ he went on, ‘ten to three and me not on me bed. Come on look slippy.’ He whipped out the decanter while Bert provided those tumblers that had not yet been dried. ‘God rest his soul,’ Raunce added in a different tone of voice then carried on,
‘Wet glasses? Where was you brought up?’
And the setting and subtle humor are reminiscent of Waugh and Wodehouse, two of my favorite authors, although I found Green’s prose a bit offputting until I got used to it.
Next in my queue is Green’s first novel, Living. For more on Green, this review of a biography of Green offers quite a bit of detail on his life and writing career.
Keith, you’ve got the v and o reversed in the first instance of ‘glove’ in the quote (Sorry to start off on a bit of a ticky-tack note). And I’ve been scared of books light on plot ever since I read Tristram Shandy. Have you read that, and if so, is this less of a nightmare?
Mike – thanks, fixed it. Haven’t read Shandy, but Loving is only 1/4 the length of the older book – maybe 180 pages in the edition I have.
Hey Keith, what are your thoughts on the recently traded Brandon Allen? The scouts I have read seem to be pretty split on him. Are the DBacks getting a full time 1B or a left handed bat off the bench?
Just talked to a scout yesterday who scouted Birmingham in the last few weeks. He brought up Allen, said he liked the bat, but didn’t see him as an everyday guy.
“Light on plot” is very accurate for this book. On my blog for this book I mentioned how I wished the castle was in London so the Blitz could happen, or something. Seemed to me that the book was 99.9% chats around ‘nice cups of tea’ and contrary to the reviewer who felt the book nicely contrasted servants and masters, I don’t ever feel I got enough knowledge about the masters to go that far. I would have wanted MORE about Miss Violet and her affair with Capt Davenport than I did Charley running around after peacocks. 🙂
Great blog.