I’m a big fan of the movies of film director Hayao Miyazaki, but just got around to seeing his last release, Howl’s Moving Castle. After the triumph of his previous film, Spirited Away, it was a disappointment, although it’s still a strong film when compared to the rest of the field – animated or otherwise.
Sophie is a 19-year-old girl working in her family’s hat shop, but after an odd encounter with a handsome young wizard in the streets of her town, she’s visited by the Witch of the Waste (voiced by Lauren Bacall), who casts a spell that turns her into an elderly woman. She sets out in search of the wizard Howl and his “moving castle,” a building that walks on mechanical legs, powered by the fire demon Calcifer (Billy Crystal). Her hope is that Howl can reverse the aging spell cast on her, but it turns out that Howl and Calcifer both have spell problems of their own.
Howl’s moves along well until its final quarter, at which point the plot becomes needlessly complex and ends up in a horribly clichéd and quick resolution. It’s a shame, because the first three-fourths of the movie is strong and the writers were unafraid to deviate from the normal paths of animated films. (The movie was adapted from a young-adult novel by Diana Wynne Jones.) Howl’s starts out as an action film, then settles into a more deliberate pace to try to explore the psychological drama behind the characters’ various curses, but never fulfills that promise before returning to action-film pacing and rushing to the finish.
As with all Miyazaki films, Howl’s has more than its share of arresting imagery and sheer inventiveness. The design of the moving castle is phenomenal, and it threatens in some ways to become a character in its own right (and perhaps it should have). The landscape scenes are gorgeous and rich, with layers and textures that are more associated with CG on these shores. The folks at Pixar who oversaw the English dubbing made a pair of inspired choices of voice actors in Crystal, who does a sort of poor man’s Robin Williams/Genie with Calcifer, and Lauren Bacall, whose voice is perfect for the evil witch who turns out to be something a bit deeper than that.
If you’re not already a Miyazaki fan, the place to start is with his masterwork, Spirited Away, probably the best non-CG animated movie ever made. I also highly recommend My Neighbor Totoro, which is a little more of a children’s story than most Miyazaki films but makes the application of the word “charming” to any other film seem fraudulent. I also recommend Castle in the Sky and Princess Mononoke, as well as Whisper of the Heart, a romantic film for which Miyazaki wrote the screenplay but which was directed by a colleague of his, Yoshifumi Kondo, who died just three years after its release.
No love for Porco Rosso? Granted, you probably want to highlight your favorites as opposed to mentioning all of Miyazaki’s films, but I would rank Porco Rosso higher than Castle in the Sky, Whisper of the Heart, and maybe Mononoke-hime.
Also, do you ever watch the films with Japanese audio? While the English dubs for Miyazaki’s films are usually the best around, I still prefer hearing the original cast’s voices. I guess it feels more natural to me to see characters with Japanese mannerisms speaking Japanese, but I also think there’s something to be said to seeing the film as the director intended it.
Didn’t care for the ending of Porco Rosso. It seemed thrown together, and there was a major uptick in violence for a film that had been relatively mild to that point. I’d probably put it on par with Howl’s, maybe a touch behind, with Nausicaa at the bottom. (I’ve never seen Kiki’s or Castle of Cagliostro.)
I would never watch a live-action movie with dubbing, but it doesn’t faze me with animation, and I find subtitles in an animated movie to be distracting. Besides, Lasseter’s no piker when it comes to setting up voiceovers.
My son and daughter own Spirited Away, My Neighbor Totoro and Kiki’s Delivery Service. My daughter watched Howl’s Moving Castle and thought it was OK.
However, both my daughter and I tried to watch Princess Mononoke and turned it off. I felt it was too preachy.
its too bad youve sworn of comic books, keith. there is some pretty dope japanese books out there.
Kiki’s Delivery Service is really the best of Miyazaki for me, great for kids, better than Totoro. Very accessible. And more charming too, even though it’s characters are (almost?) adolescents. I’m not sold on a lot of the other ones, though they are visually stunning. Howl’s Moving Castle needed an editor in the worst way, as do a lot of the Miyazaki films in the past ten years.
I rate Spirited Away as excellent, and Howl a touch below.
Totoro wins points for cuteness, but there isn’t much to the story.
I feel like I’m one of the only Miyazaki fans who didn’t care for Mononoke, and I have to express my surprise/outrage that there was no mention of Nausicaa.
“Totoro wins points for cuteness, but there isn’t much to the story.”
Madness.
Keith’s right about the backdrops/scenery – Howl’s Moving Castle and My Neighbor Totoro both have such beautiful Japanese landscapes. Also, you can’t beat the catbus in Totoro. Miyazaki is the king of whimsy.
I would second the call for the inclusion of Nausica. This film is not only thoroughly enjoyable but it has also become extremely influential in the world of animation, in my opinion.
Keith,
Any thoughts about the MLB’s squeeze of the Cape League?
I couldn’t have said it any better than Peter Gammons did today.
I have to say, the worst part of ‘castle’ in English for me is Christian Bale as Howl. He’s a very good actor, but his voice is the opposite of how Howl should sound, at least to me. I am influenced by seeing it subtitled the first time, though.
Really, re: Bale as Howl? I thought he was fine, if not a positive.
Howl, for me, is hard to judge outside the context in which it was made (although I feel it’s fair to do so). I believe his adaption of the book was heavily influenced by the build-up towards the invasion of Iraq. When I saw it after its release, I couldn’t help be think about it in terms of a subtle commentary on power and responsibility.
I agree that it isn’t Miyazaki’s best work, but compared to most of the movies to which we’re exposed, I think Howl’s is still an outlier on the right side of the curve.