The Oscars are happening tonight, about two months later than usual, so I\u2019ve put together this post with some loose predictions, my own picks for each award, and, most importantly, links to every one of these films I\u2019ve reviewed. I\u2019ve seen all of the Best Picture, Best Director, and Best Screenplay nominees, and all but one of the films in the four acting categories, as well as all five documentaries and all five animated features, with 50 total films seen from the 2020 awards cycle (which ran fourteen months).<\/p>\n\n\n\n
Best Picture<\/strong><\/p>\n\n\n\n The Father<\/em><\/a> Who will win: Nomadland<\/em><\/p>\n\n\n\n Who should win: Nomadland<\/em><\/p>\n\n\n\n I don’t feel that confident in the prediction here; I’m a little concerned that Chicago 7<\/em> will win, as it’s such an actor-focused, Very Important Film that it might resonate with the same voters who picked Green Book<\/em> two years ago. I’ve seen Minari, and loved it, but haven’t posted a review yet.<\/p>\n\n\n\n Snubs: A Sun<\/em><\/a> didn’t even make the Best International Feature cut (it was on the shortlist), but it belongs here, as does One Night in Miami<\/em><\/a>, the exclusion of which I simply do not understand. Never Rarely Sometimes Always<\/em><\/a> would have been a good if out-of-the-box choice. I haven’t seen First Cow<\/em> yet.<\/p>\n\n\n\n Best Director<\/strong><\/p>\n\n\n\n Another Round<\/em><\/a> (Thomas Vinterberg) Who will win: Zhao<\/p>\n\n\n\n Who should win: Zhao<\/p>\n\n\n\n This award and Best Picture used to be more closely linked than they are now, but I’m not sure I see them splitting the votes this time around. Vinterberg’s nomination seems inexplicable, unless it’s a sympathy vote, as his daughter was killed in a car accident during filming; she helped inspire the script and he dedicated the film to her.<\/p>\n\n\n\n Snubs: Regina King was supposed to be a lock for this category for One Night in Miami<\/em>. I would have given Florian Zeller a nod as well for The Father<\/em>.<\/p>\n\n\n\n Best Actress<\/strong><\/p>\n\n\n\n Viola Davis, Ma Rainey’s Black Bottom<\/em><\/a> Who will win: Mulligan<\/p>\n\n\n\n Who should win: Mulligan<\/p>\n\n\n\n Davis could win this, but I don’t think this is particularly close on the merits. Mulligan gave one of the two best performances I saw this year, and if pushed I think she gave the best one. I was very glad to see Kirby get a nomination even though she has no chance to win \u2013 she is that movie, and she’s clearly a star on the rise.<\/p>\n\n\n\n Snubs: Carrie Coon for The Nest<\/em><\/a> and Sidney Flanigan for Never Rarely Sometimes Always <\/em>would both have been better choices than Day, who does a fine job with a terribly written part.<\/p>\n\n\n\n Best Actor<\/strong><\/p>\n\n\n\n Riz Ahmed, Sound of Metal<\/em> Who should win: Hopkins<\/p>\n\n\n\n Boseman’s going to win, obviously, and he was very good \u2026 but Hopkins was just better, in a more significant role. I wouldn’t want to see the reaction if Hopkins were to win.<\/p>\n\n\n\n Snubs: I’m good with these five. Dev Patel was great in A Personal History of David Copperfield<\/em><\/a>.<\/p>\n\n\n\n Best Supporting Actress<\/strong><\/p>\n\n\n\n Maria Bakalova, Borat Subsequent Moviefilm<\/em><\/a> Who will win: Youn<\/p>\n\n\n\n Who should win: Youn<\/p>\n\n\n\n I feel like this is a lock, and of the four I’ve seen \u2013 I haven’t seen Hillbilly Elegy<\/em> and see no good reason to do so \u2013 I’d put Youn and Colman as 1 and 1A, Bakalova second, and would give Seyfried a participation trophy. Maybe Close gets some sort of lifetime achievement thing here, especially after losing to Colman a few years ago when she was supposed to win, but people forget that The Wife<\/em> was actually a shit movie.<\/p>\n\n\n\n Snubs: Tilda Swinton was superb in The Personal History of David Copperfield<\/em>, certainly deserving of Seyfried’s spot.<\/p>\n\n\n\n Best Supporting Actor<\/strong><\/p>\n\n\n\n Sasha Baron Cohen, The Trial of the Chicago 7<\/em> Who will win: Kaluuya<\/p>\n\n\n\n Who should win: Kaluuya<\/p>\n\n\n\n I’ll say this \u2013 if Raci wins, it’ll be an amazing story, and I’ll cheer for him. But Kaluuya was slightly better in a much more significant role, and he’s one of the best actors going today. Of course, he was really the lead actor in Judas<\/em>, but that’s another story entirely, I guess.<\/p>\n\n\n\n Snubs: I’m also good with these five, although Kingsley Ben?Adir was pretty amazing as Malcolm X in One Night in Miami<\/em>.<\/p>\n\n\n\n Best Documentary Feature<\/strong><\/p>\n\n\n\n Collective<\/em><\/a> What will win: Time<\/em><\/p>\n\n\n\n What should win: Collective<\/em><\/p>\n\n\n\n I just don’t know; I thought Time<\/em> was the shoo-in here, but Tim Grierson thinks My Octopus Teacher <\/em>\u2013 easily my least favorite of these \u2013 is going to win, and no matter what, Collective<\/em> should win, because it’s the best story and it’s told so effortlessly.<\/p>\n\n\n\n Snubs: Transhood<\/em>. It’s on HBO Max. You should watch it.<\/p>\n\n\n\n Best Writing, Original Screenplay<\/strong><\/p>\n\n\n\n Judas and the Black Messiah What should win: Promising Young Woman<\/em><\/p>\n\n\n\n What will win: Promising Young Woman<\/em><\/p>\n\n\n\n The screenplay categories have become a way to honor a film that has no shot at Best Picture (or maybe anything else) with a little pat on the head to say, “good job, we liked your little movie.” In this case, though, I’m good with Promising Young Woman<\/em> taking this award home but not getting Director or Best Picture; the script itself is daring and novel and gets at least some of the credit for enabling Mulligan’s performance.<\/p>\n\n\n\n Snubs: A Sun<\/em>, Never Rarely Sometimes Always<\/em>, The Nest<\/em>.<\/p>\n\n\n\n Best Writing, Adapted Screenplay<\/strong><\/p>\n\n\n\n Borat Subsequent Moviefilm<\/em><\/a> What should win: One Night in Miami<\/em><\/p>\n\n\n\n What will win: The Father<\/em><\/p>\n\n\n\n I could go either way here with those two screenplays; The Father<\/em> is a better movie, because of Hopkins and some directorial choices, but Miami<\/em> gets a very slight edge for me in the writing department.<\/p>\n\n\n\n Snubs: A Personal History of David Copperfield<\/em>. You may remember the original.<\/p>\n\n\n\n Best Animated Feature Film<\/strong><\/p>\n\n\n\n Onward What should win: Wolfwalkers<\/em><\/p>\n\n\n\n What will win: Soul<\/em><\/p>\n\n\n\n Pixar just has such a huge advantage in this category that it seems contrarian to predict any non-Pixar film to win, but I’ll pull for Wolfwalkers, another hand-drawn film from Cartoon Saloon, even knowing it probably has no chance. Soul<\/em> might be fourth for me among these nominees.<\/p>\n\n\n\n Snubs: The only other eligible film I saw was A Whisker Away<\/em>, an anime film you can see on Netflix, which offers a far better story than Onward<\/em>.<\/p>\n\n\n\n Best Animated Short Film<\/strong><\/p>\n\n\n\n “Burrow” What should win: “If Anything Happens I Love You”<\/p>\n\n\n\n What will win: “Burrow”<\/p>\n\n\n\n “If Anything Happens I Love You,” available on Netflix, follows a couple after their only child has been killed in a school shooting. It’s devastating, and the style of the art further evokes those emotions. But I always assume Pixar is going to win this category. (I haven’t seen “Opera,” which appears to only be streaming on the subscription site ShortsTV.)<\/p>\n\n\n\n Snubs: “Cops and Robbers,” also on Netflix, can’t quite match the animation quality of “Yes-People” or the style of “Genius Loci” (which bored me), but the story, told as spoken-word poetry, is more relevant and more powerful. I don’t think dialogue gets you far in this category, though.<\/p>\n\n\n\n Best International Feature Film<\/strong><\/p>\n\n\n\n Another Round I’ve only seen Another Round<\/em> and Collective <\/em>here; I’d vote for Collective<\/em> of the two, but I think A Sun<\/em> was better than both. The last two are now both on Hulu, so I’ll get to them eventually. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":" The Oscars are happening tonight, about two months later than usual, so I\u2019ve put together this post with some loose predictions, my own picks for each award, and, most importantly, links to every one of these films I\u2019ve reviewed. I\u2019ve seen all of the Best Picture, Best Director, and Best Screenplay nominees, and all but […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1222,1226,1229,1225,1148,1224,1221,1227,1231,1090],"class_list":["post-9005","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-2020-best-actor-nominees","tag-2020-best-actress-nominees","tag-2020-best-adapted-screenplay-nominees","tag-2020-best-animated-feature-nominees","tag-2020-best-documentary-feature-nominees","tag-2020-best-original-screenplay-nominees","tag-2020-best-picture-nominees","tag-2020-best-supporting-actor-nominees","tag-2020-best-supporting-actress-nominees","tag-oscars","entry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/9005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/comments?post=9005"}],"version-history":[{"count":3,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/9005\/revisions"}],"predecessor-version":[{"id":9010,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/9005\/revisions\/9010"}],"wp:attachment":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/media?parent=9005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/categories?post=9005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/tags?post=9005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Judas and the Black Messiah<\/em><\/a>
Mank<\/em><\/a>
Minari
<\/em>Nomadland<\/em><\/a>
Promising Young Woman<\/em><\/a>
Sound of Metal<\/em><\/a>
The Trial of the Chicago 7<\/em><\/a><\/p>\n\n\n\n
Mank<\/em> (David Fincher)
Minari<\/em> (Lee Isaac Chung)
Nomadland<\/em> (Chlo\u00e9 Zhao)
Promising Young Woman<\/em> (Emerald Fennell)<\/p>\n\n\n\n
Andra Day, The United States vs. Billie Holliday<\/em><\/a>
Vanessa Kirby, Pieces of a Woman<\/em><\/a>
Frances McDormand, Nomadland<\/em>
Carey Mulligan, Promising Young Woman<\/em><\/p>\n\n\n\n
Chadwick Boseman, Ma Rainey’s Black Bottom<\/em>
Anthony Hopkins, The Father<\/em>
Gary Oldman, Mank<\/em>
Stephen Yeun, Minari<\/em>
Who will win: Boseman<\/p>\n\n\n\n
Glenn Close, Hillbilly Elegy<\/em>
Olivia Colman, The<\/em> Father<\/em>
Amanda Seyfried, Mank<\/em>
Yuh-Jung Youn, Minari<\/em><\/p>\n\n\n\n
Daniel Kaluuya, Judas and the Black Messiah<\/em>
Leslie Odom, Jr., One Night in Miami<\/em>
Paul Raci, Sound of Metal<\/em>
LaKeith Stanfield, Judas and the Black Messiah<\/em><\/p>\n\n\n\n
Crip Camp
The Mole Agent
My Octopus Teacher
Time<\/em><\/p>\n\n\n\n
Minari
Promising Young Woman
Sound of Metal
The Trial of the Chicago 7<\/em><\/p>\n\n\n\n
The Father
Nomadland
One Night in Miami
<\/em>The White Tiger<\/em><\/a><\/p>\n\n\n\n
Over the Moon
<\/em>Shaun the Sheep: Farmageddon<\/em><\/a>
Soul<\/em><\/a>
Wolfwalkers<\/em><\/a><\/p>\n\n\n\n
“Genius Loci”
“If Anything Happens I Love You”
“Opera”
“Yes-People”<\/p>\n\n\n\n
Better Days
Collective
The Man Who Sold His Skin
Quo Vadis, Aida?<\/em><\/p>\n\n\n\n