{"id":7413,"date":"2019-02-13T08:00:59","date_gmt":"2019-02-13T13:00:59","guid":{"rendered":"http:\/\/meadowparty.com\/blog\/?p=7413"},"modified":"2019-02-13T09:13:30","modified_gmt":"2019-02-13T14:13:30","slug":"high-flying-bird","status":"publish","type":"post","link":"https:\/\/meadowparty.com\/blog\/2019\/02\/13\/high-flying-bird\/","title":{"rendered":"High Flying Bird."},"content":{"rendered":"<p>Steven Soderbergh&#8217;s newest film, <em>High Flying Birds<\/em> debuted in select theaters as well as on Netflix on February 12th, which means everyone can watch it now just as it&#8217;s getting reviewed &#8211; and it&#8217;s good, flawed but good, and likely of interest to most of you here since you&#8217;re probably a sports fan of some sort if you&#8217;re reading this in the first place. It&#8217;s also notable because for at least the second time Soderbergh has filmed a feature entirely on iPhones, which is sort of a mixed bag for the viewing experience. The movie really stands on two pedestals: the righteous indignation of its plot, with the screenplay by Tarell Alvin McCraney (who wrote the play that became the film <a href=\"https:\/\/meadowparty.com\/blog\/2016\/12\/01\/moonlight\/\"><em>Moonlight<\/em><\/a>) and a standout performance from the always-compelling Andre Holland.<\/p>\n<p>Holland plays Ray, an agent who represents multiple NBA players, including recent #1 draft pick Erick Scott (Melvin Gregg). The NBA is in a lockout as the movie opens, right before what I presume is Labor Day, which means players aren&#8217;t getting paid, which means Ray isn&#8217;t getting paid, which means his agency is crying poverty (with Zachary Quinto playing his one-dimensional boss). So Ray, with the help of his former assistant Sam (Zazie Beets), concocts a scheme, on the fly, to try to force owners to improve their offer to the players&#8217; union, involving Erick and his teammate, the arrogant star Jamero Umber, playing an &#8216;impromptu&#8217; pickup game at a charity event run by Ray&#8217;s friend and mentor Spencer (Bill Duke).<\/p>\n<p>With MLB potentially heading for a work stoppage, and players taking to social media every day to talk about the deteriorating situation &#8211; revenues are rising, but player compensation isn&#8217;t, and obviously the best free agents are still unsigned &#8211; <em>High Flying Bird<\/em> feels incredibly timely even though it&#8217;s about another sport and incorporates a racial theme not as present in MLB. Slavery is mentioned multiple times &#8211; and its mere mention is worked into a successful running gag &#8211; while it&#8217;s no accident that the owners who appear on screen are all white, while every player, agent, or other representative is African-American. The script carefully avoids any discussion of dollars, focusing instead, as it should, on the distribution of the spoils; once you start bringing dollar amounts into any discussion of the salaries of professional athletes, you provoke the emotional bias that makes people say &#8220;$10 million to play a game?&#8221; and then I have to reach for the rum again.<\/p>\n<p>There are many facets of Soderbergh&#8217;s direction and McCraney&#8217;s script that don&#8217;t work. Foremost among them is Soderbergh&#8217;s inclusion of snippets from interviews he conducted with three current NBA players &#8211; Karl-Anthony Towns, Donovan Mitchell, and Reggie Jackson, which means I was today days old when I learned there was an NBA player named Reggie Jackson &#8211; discussing life in the NBA, especially as a rookie. At the beginning, the answers help provide some context for what&#8217;s about to happen, but Soderbergh interrupts the film twice with more snippets in the final 20 minutes, which wrecks the tension and the flow of the narrative as he&#8217;s trying to wrap up both the global storyline and the set of storylines for Erick, Sam, and Ray. Many characters who play important roles in the plot are utterly one-dimensional, including Kyle Maclachlan&#8217;s bespectacled NBA owner (complete with trophy wife who speaks to her dog in nauseating baby talk). Sonja Sohn is well-cast as the NBA Players Association&#8217;s main rep, but the side story of her trying to start a family with her wife\/partner doesn&#8217;t fit anywhere in the rest of the story.<\/p>\n<p>And then there&#8217;s the editing and cinematography, which ultimately knock this film down from great to good for me. The picture quality is excellent, and most of the time you&#8217;d never think anything was filmed on something other than high-end equipment, but Soderbergh chooses some very strange angles, often filming people from an angle a little too high or low and distorting the viewer&#8217;s perspective. (Insert film angle optimization joke here.) There are also some very abrupt edits where scenes seem to change before a character has finished a sentence, and while Ray and Spencer in particular work some long pauses into monologues, Soderbergh doesn&#8217;t let any moments at the ends of those soliloquies breathe.<\/p>\n<p>Holland is always great &#8211; he had side roles in <em>Moonlight<\/em> and <em>42<\/em> &#8211; but this is the most substantial part I&#8217;ve seen him tackle, and he&#8217;s not just good but credible from the opening scene (which has Ray and Erick engage in some very clever banter, a pace I wish the film had tried to keep up in later scenes). Ray gets preachy with Erick a few times, which does give an ironic aspect to the sermon Jamero&#8217;s mother drops him, but Holland&#8217;s charisma and particularly his tight, highly modulated delivery makes him compelling where he might have been exhausting. Beets and Gregg are also solid in supporting roles, although I didn&#8217;t find the chemistry between them all that evident even though the two characters do get together. Duke is just a delight even though his character plays the same short melody over and over through the film.<\/p>\n<p><em>High Flying Bird<\/em> will leave you with zero doubt as to its take on the late-stage capitalism of professional sports: The athletes are still treated like chattel, by mostly white owners, and many fans don&#8217;t care or side with the owners because they think the players&#8217; high salaries should be enough, rather than considering whether the players are getting their fair share of revenues, or, as the script points out, how many hands reach into a player&#8217;s paycheck before it reaches him. Meanwhile, MacLachlan and his wife are planning to jet to Australia for a long weekend on their private plane, and he manages to patronize the hell out of Sonja Sohn&#8217;s character (in a subtly homophobic way) and isn&#8217;t much better to Ray. There are clear good guys and bad guys here, and unlike most coverage of labor issues in American sports, McCraney&#8217;s take is at least directionally correct. It&#8217;s a film worth seeing and discussing, and if the book that Scott carries around all film in a sealed envelope, revealed at the very end, gets a little bump in sales as a result, so much the better.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Steven Soderbergh&#8217;s newest film, High Flying Birds debuted in select theaters as well as on Netflix on February 12th, which means everyone can watch it now just as it&#8217;s getting reviewed &#8211; and it&#8217;s good, flawed but good, and likely of interest to most of you here since you&#8217;re probably a sports fan of some [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1077,215],"class_list":["post-7413","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-2019-movies","tag-movies","entry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/7413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/comments?post=7413"}],"version-history":[{"count":2,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/7413\/revisions"}],"predecessor-version":[{"id":7415,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/7413\/revisions\/7415"}],"wp:attachment":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/media?parent=7413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/categories?post=7413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/tags?post=7413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}