To celebrate this, here’s a countdown of my twenty favorite Prince songs, which I recommend you skip until you’ve tried the quiz. Prince completists out there will probably notice that all but one of these songs were released as singles; in part this is because I am generally a singles guy instead of a deep tracks guy, in part because I think deep tracks guys are usually pretentious boobs, and in part because my first introduction to early Prince came from The Hits<\/a> (EDIT: Why 21? Because somehow I deleted “Raspberry Beret” when reordering songs, didn’t notice it, and added a 20th song before posting. Of course, I wrote the whole thing two weeks ago, so I’m just guessing that that’s what I did.)<\/p>\n 21. “Partyman.” Prince had a very long peak, but it wasn’t a steady one; the late ’80s were relatively fallow for him and he didn’t bounce back all the way until Diamonds and Pearls<\/i> in 1991. The video for “Partyman” starred a relatively unknown Dutch sax player named Candy Dulfer, who then had a crossover pop hit called “Lily Was Here” a year later.<\/p>\n 20. “Little Red Corvette.” I wonder what Prince song has actually received the most airplay over the years – it seems like “Corvette” is a staple of eighties stations the way that Visage’s “Fade to Grey” is de rigueur for ’80s new wave compilations. It’s a good enough song, with lyrics that walk the line between clever and all-right-we-get-it-everything-is-about-sex, which kind of sums up 64% of the songs Prince recorded, with the other 36% just about sex without any of the metaphors.<\/p>\n 19. “Why You Wanna Treat Me So Bad?” Prince was pretty big on the synth early in his career, before the New Wave crowd took it and played it directly into the ground. This was one of Prince’s catchier synth hooks; “When You Were Mine” has better lyrics (“You didn’t have the decency to change the sheets”), but he sounds like he recorded his vocals with a towel stuffed in his mouth.<\/p>\n 18. “I Wanna Be Your Lover.” His first US top 40 pop hit, with 28 more to follow. I wonder how many programmers and listeners realized what exactly Prince was saying in the chorus.<\/p>\n 17. “Black Sweat.” I think this is the only post-name-change song on the list; it sounds a lot like early Prince with better production values and a very catchy drum machine riff behind it. It’s less-is-more music.<\/p>\n 16. “I Could Never Take the Place of Your Man.” Ten thirty-five on a lonely Friday night.<\/p>\n 15. “Sign O’ the Times.” Hated this song when it came out, because it was so strange. Now I like it, because it’s so strange. Prince was never big on social commentary, at least not in songs he released as singles, but “Sign” is entirely about it, and one of the first mainstream songs to talk about AIDS.<\/p>\n 14. “Thieves in the Temple.” Honestly, if it wasn’t for this song, I’m sure Prince could propose that we all forget that Graffiti Bridge<\/i> ever happened and get a unanimous “amen” from the congregation.<\/p>\n 13. “1999.” Might not have made my list at all on January 1, 2000, because I was so damn sick of it.<\/p>\n 12. “Let’s Go Crazy.” Dearly beloved … Purple Rain<\/i> was Prince’s breakthrough, and I’d like to think the main reason is that he veered so much farther into rock territory than he ever had before. He was already working his own wide-ranging style of fusion, and by assimilating a big chunk of not just rock but distorted guitar-driven rock, he created something pretty amazing that no one has been able to match since then. Oh, and this wasn’t even the best song on the album.<\/p>\n 11. “Delirious.” Great song that sounds kind of dated now. It’s begging for a remake that replaces the little Casiotone synthesizer he used on the original track with some guitar.<\/p>\n 10. “U Got the Look.” Prince invents text messaging, with the help of the hey-she-got-kinda-hot Sheena Easton.<\/p>\n![\"\"](\"http:\/\/www.assoc-amazon.com\/e\/ir?t=meadowpartyco-20&l=as2&o=1&a=B001QUTFFY\")