{"id":282,"date":"2008-06-24T09:26:07","date_gmt":"2008-06-24T13:26:07","guid":{"rendered":"http:\/\/www.meadowparty.com\/blog\/?p=282"},"modified":"2009-08-20T14:18:14","modified_gmt":"2009-08-20T14:18:14","slug":"the-klaw-100-part-two","status":"publish","type":"post","link":"https:\/\/meadowparty.com\/blog\/2008\/06\/24\/the-klaw-100-part-two\/","title":{"rendered":"The Klaw 100, part two."},"content":{"rendered":"

Part one (#100-81)<\/a>
\nPart three (#60-41)<\/a>
\nPart four (#40-21)<\/a>
\nPart five (#20-1)<\/a><\/p>\n

80. Ragtime<\/a>\"\"<\/i>, by E. L. Doctorow. An extremely easy read, despite the references to some characters by roles (“Mother’s Younger Brother”) rather than names, with rolling, twisting plot lines and text that takes you into another era.<\/p>\n

79. Rebecca<\/a>\"\"<\/i>, by Daphne Du Maurier. Full review<\/a>. A classic gothic mystery, which also led to Alfred Hitchcock’s only non-honorary Oscar.<\/p>\n

78. The Scarlet Pimpernel<\/a>\"\"<\/i>, by Baroness Orczy. Overlooked now, probably because of the rather unflattering depiction of a Jewish character, it’s a fast-paced and tense adventure story that deserves to be read by readers who understand its historical context. (And it’s hardly the only book on this list to take its shots at Jews.)<\/p>\n

77. Song of Solomon<\/a>\"\"<\/i>, by Toni Morrison. Full review<\/a>. Morrison’s second-best novel, the story of a black family divided through two generations and of one of the sons, Milkman Dead, who is searching for his own identity in the world.<\/p>\n

76. A Grain of Wheat<\/a>\"\"<\/i>, by Ngugi wa’Thiongo. One of the best and most important novels written by an African author, Grain<\/i> depicts a Kenyan village divided by the white colonial authorities, who use their power to split and oppress the people whose land they rule.<\/p>\n

75. Blood Meridian<\/a>\"\"<\/i>, by Cormac McCarthy. Full review<\/a>. Beautifully written tale of good and evil with an uncomfortably high level of violence.<\/p>\n

74. The Awakening<\/a>\"\"<\/i>, by Kate Chopin. A novella in the ruined-woman genre, The Awakening<\/i> takes the story of Anna Karenina<\/i>, transfers it to New Orleans, and condenses it to focus strictly on the woman, her choices, and the society that boxes her into a corner.<\/p>\n

73. Fathers and Sons<\/a>\"\"<\/i>, by Ivan Turgenev. An under-read Russian novel, like Goncharov’s Oblomov<\/i>, Fathers and Sons<\/i> captures a generational clash that threatens the traditional way of life in Russia, while introducing the then-chic philosophy of nihilism to the broader public.<\/p>\n

72. A Thousand Splendid Suns<\/a>\"\"<\/em>, by Khaled Hosseini. Full review<\/a>. Hosseini’s second book wasn’t quite the tear-jerker that his first was, but still had power in its subtlety, with the occasional burst of drama to keep you alert.<\/p>\n

71. Moll Flanders<\/a>\"\"<\/i>, by Daniel Defoe. Another straight narrative without breaks, Moll<\/i> is a picaresque novel and a twisted morality tale that follows a woman of uncertain scruples through her entire life, from her birth in a prison to her life as a prostitute to her eventual rise to wealth.<\/p>\n

70. The Adventures of Roderick Random<\/a>\"\"<\/i>, by Tobias Smollett. An early and now somewhat-overlooked picaresque novel by one of the first great novelists and translators in the English language.<\/p>\n

69. Watership Down<\/a>\"\"<\/i>, by Richard Adams. I struggled a little bit with this one; it’s a children’s novel, but it’s not. It’s more of a modern epic, a fable about a warren of rabbits who find their home threatened by human development, with one rabbit emerging as a hero through his own wiles and personal growth. The book is so good that it violates two of my core rules, that a book with a map or with a glossary should be avoided.<\/p>\n

68. Their Eyes Were Watching God<\/a>\"\"<\/i>, by Zora Neale Hurston. Criminally overlooked for decades, Eyes<\/i> has become a classic in the growing canon of African-American literature. Its use of dialect cleared the path for Alice Walker and the grandmaster of the genre, Toni Morrison.<\/p>\n

67. Brave New World<\/a>\"\"<\/i>, by Aldous Huxley. One of the leading dystopian novels with Orwell’s 1984<\/i>, which is coming up on this list. Huxley’s depiction of a world overrun by technology was both prescient and paranoid, and perhaps rings more true than Orwell’s work given subsequent developments.<\/p>\n

66. Monarch of the Glen<\/a>\"\"<\/i>, by Compton Mackenzie. Full review<\/a>. Brilliantly funny. Currently out of print in the U.S., although it remains in print in England.<\/p>\n

65. The Big Sleep<\/a>\"\"<\/i>, by Raymond Chandler. Chandler is half of the pair of leading lights of the hard-boiled detective genre, and The Big Sleep<\/i> was his best work, with sleuth Philip Marlowe as the pensive star, with dry wit and filled glass and a very clear moral compass.<\/p>\n

64. All the King’s Men<\/a>\"\"<\/i>, by Robert Penn Warren.Full review<\/a>. The fictionalized story of the rise and fall of Huey “Kingfish” Long, told almost as the backdrop for the story of the narrator, political crony Jack Burden.<\/p>\n

63. The Prime of Miss Jean Brodie<\/a>\"\"<\/i>, by Muriel Spark. Full review<\/a>. A novel of feminism, of religious ideologies (and fascism!), told with an unusual and effective back-and-forth narrative style and a dose of humor.<\/p>\n

62. The Day of the Locust<\/a>\"\"<\/i>, by Nathanael West. A scathing indictment of early Hollywood culture and its pernicious effects on those who chase its rainbows.<\/p>\n

61. Henderson the Rain King<\/a>\"\"<\/i>, by Saul Bellow. Far more enjoyable than the self-loathing of Herzog<\/i>, Henderson<\/i> employs humor and a touch of the absurd to explore the meaning of life and one \u00fcber-successful yet spiritually unfulfilled man’s search for it in the hinterlands of Africa.<\/p>\n","protected":false},"excerpt":{"rendered":"

Part one (#100-81) Part three (#60-41) Part four (#40-21) Part five (#20-1) 80. Ragtime, by E. L. Doctorow. An extremely easy read, despite the references to some characters by roles (“Mother’s Younger Brother”) rather than names, with rolling, twisting plot lines and text that takes you into another era. 79. Rebecca, by Daphne Du Maurier. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[29,30,31,36,66,86,109,158,182,237,265],"class_list":["post-282","post","type-post","status-publish","format-standard","hentry","category-literature","tag-afghan-literature","tag-african-literature","tag-african-american-literature","tag-american-literature","tag-british-literature","tag-comic-novels","tag-dystopian","tag-hard-boiled","tag-klaw-100","tag-picaresque","tag-russian-literature","entry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/comments?post=282"}],"version-history":[{"count":1,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/282\/revisions"}],"predecessor-version":[{"id":954,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/282\/revisions\/954"}],"wp:attachment":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/media?parent=282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/categories?post=282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/tags?post=282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}