{"id":181,"date":"2008-02-17T19:10:02","date_gmt":"2008-02-17T23:10:02","guid":{"rendered":"http:\/\/www.meadowparty.com\/blog\/?p=181"},"modified":"2008-02-17T19:10:02","modified_gmt":"2008-02-17T23:10:02","slug":"waitress","status":"publish","type":"post","link":"https:\/\/meadowparty.com\/blog\/2008\/02\/17\/waitress\/","title":{"rendered":"Waitress."},"content":{"rendered":"<p><i><a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FWaitress-Widescreen-Andy-Griffith%2Fdp%2FB000VY1EYG&#038;tag=meadowpartyco-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\">Waitress<\/a><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=meadowpartyco-20&amp;l=ur2&amp;o=1\" width=\"1\" height=\"1\" border=\"0\" alt=\"\" style=\"border:none !important; margin:0px !important;\" \/><\/i> is sort of a smart date movie, a romantic comedy with a heavy dose of realism (well, until the end), or a sad portrait of rural American life with some dark comedy and a positive outcome.<\/p>\n<p>The film revolves around Jenna (Keri Russell), a waitress in a pie shop in a small Southern town, who discovers she&#8217;s pregnant and is not happy about it. Her husband, Earl &#8211; good luck watching the rejuvenated <i>Law &#038; Order<\/i> after watching Jeremy Sisto in this movie &#8211; is a colossal jackass, abusive, controlling, and dumb as a post. (He&#8217;s the one real stock character in the film.) She ends up having an affair with the town&#8217;s new gynecologist (Nathan Fillion), a married transplant from Connecticut. Jenna is surrounded by characters at the pie shop, from her two waitress co-workers to the gruff head chef to the 80-year-old owner, Joe, played to the hilt by Andy Griffith as a grumpy old man, who gives everyone (including Jenna) a hard time about everything, but also fills the slightly hackneyed wise-old-man role.<\/p>\n<p>The movie is alternately funny and painful. Jenna has a talent for making up new pie recipes, but gives some of them silly names based on what&#8217;s going on in her life, like &#8220;I Don&#8217;t Want to be Pregnant with Earl&#8217;s Baby Pie.&#8221; (Her co-worker Dawn: &#8220;I don&#8217;t think we can put that on the menu board, huh?&#8221;) Yet aside from the rare moments of pleasure she gets at the pie shop, Jenna is miserable. She&#8217;s trying to save up to leave her husband, but is repeatedly stymied. She&#8217;s afraid the baby will trap her in a bad marriage forever. She makes a connection with her doctor, but there&#8217;s no future in that while both are married. It&#8217;s a black comedy in the sense that the underlying life we see is so grim, with Jenna trying to find a way to start her life over but unable to create the opportunity; in fact, she gets her chance through an external source, which sort of makes up for the way that the opportunities she creates are stymied one by one.<\/p>\n<p><i>Waitress<\/i> succeeds because the droll humor and the film&#8217;s obvious sympathy for Jenna (and thus ours) overcome its flaws. The turning point at the film&#8217;s end is a bit too perfect, but writer Adrienne Shelly did set it up throughout the movie. Earl is a one-note character, perfectly defined by the fact that when he comes to the diner to pick Jenna up, he starts beeping his horn before he&#8217;s even pulled up to the front door; I found myself averting my eyes almost every time he came on screen because his treatment of his wife was so dated and misogynistic. I suppose such people exist, but Earl seemed too sharply defined and exaggerated. There was something a little too creepy about Dawn ending up dating her &#8220;stalker elf,&#8221; Okie, even if the point was to provide an example to Jenna. And perhaps the movie&#8217;s biggest sin in my mind is the pie-making -pouring cooked custards into unbaked pie shells (you have to blind-bake them), laying the horizontal strips of a lattice top over the vertical ones (they should be woven), and mashing fillings after they&#8217;ve been poured into the crust (the juices would turn the bottom crust into mush).<\/p>\n<p>These hiccups don&#8217;t interrupt the movie&#8217;s undeniable charm, driven by some witty writing and a fantastic performance by Russell in the lead role. It&#8217;s a date movie with brains, or perhaps an indie take on the romantic comedy genre, or a film that just defies easy categorization. We could use a few more of those, come to think of it. I&#8217;ve been debating offering some sort of easy rating system, but if I had one, this would get my highest mark.<\/p>\n<p>As an aside, no review of <i>Waitress<\/i> would be complete without a mention of its tragic backstory. After the movie was completed but before it was accepted to the 2007 Sundance festival, writer\/director Adrienne Shelly, who also played Jenna&#8217;s unlucky-in-love co-worker Dawn, was murdered in her Manhattan office-apartment by an illegal immigrant construction worker whom she caught stealing money from her purse. It&#8217;s an artistic loss, as Shelly clearly had a lot of promise as a writer, and a terrible personal loss for her family: <i>Waitress<\/i> was written a few years earlier as a love-letter to her then-unborn daughter, who appears at the end of the film as Jenna&#8217;s daughter as a toddler.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Waitress is sort of a smart date movie, a romantic comedy with a heavy dose of realism (well, until the end), or a sad portrait of rural American life with some dark comedy and a positive outcome. The film revolves around Jenna (Keri Russell), a waitress in a pie shop in a small Southern town, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[167,215,272],"class_list":["post-181","post","type-post","status-publish","format-standard","hentry","category-dvds","tag-indie","tag-movies","tag-sentimental","entry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/comments?post=181"}],"version-history":[{"count":0,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/181\/revisions"}],"wp:attachment":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/media?parent=181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/categories?post=181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/tags?post=181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}