{"id":11200,"date":"2026-05-22T08:00:00","date_gmt":"2026-05-22T12:00:00","guid":{"rendered":"https:\/\/meadowparty.com\/blog\/?p=11200"},"modified":"2026-05-21T20:41:10","modified_gmt":"2026-05-22T00:41:10","slug":"angel-down","status":"publish","type":"post","link":"https:\/\/meadowparty.com\/blog\/2026\/05\/22\/angel-down\/","title":{"rendered":"Angel Down."},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Cyril Bagger is a malingerer and a coward, hanging back in every battle his troop encounters in the hellscape of France during World War I, which leads to his selection for a group of five disposable heroes who are ordered to go retrieve a shrieking wounded soldier from the battlefield. The shrieker isn\u2019t a soldier, however; it\u2019s an angel, and she seems to appear as someone different to everyone who sees her.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Daniel Kraus won this year\u2019s Pulitzer Prize for Fiction for <em><a href=\"https:\/\/bookshop.org\/a\/2960\/9781668068458\">Angel Down<\/a>,<\/em> the slightly experimental novel that puts us in the trenches with Bagger and company. The entire novel is written as a single sentence, broken frequently into paragraphs and chapters, with every paragraph starting with the word \u2018and.\u2019 It\u2019s a fast-moving, extremely graphic work, contributing to the growing body of grotesque novels of the Great War, but ultimately the gimmick wears out its welcome, and the remainder is <em>1917 <\/em>with magic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bagger is our protagonist, and as the book begins he and four other idiots are selected for what appears to be a suicide mission by the mad modern Major General Reis, who was born with just one arm. (The <em><a href=\"https:\/\/www.nytimes.com\/2025\/07\/26\/books\/review\/angel-down-daniel-kraus.html\">New York Times\u2019 review<\/a><\/em> refers to Reis\u2019 willingness to \u201csingle-handedly prolong the war,\u201d which I have to assume is a tasteless reference to the birth defect.) When Bagger and the teenager Arno, who is desperate for anything resembling a family and clings to Bagger as a combination of a father figure and an older brother, reach the weeping angel, Bagger is overcome by the light that pours out of her and assumes she is one of the fabled <a href=\"https:\/\/en.wikipedia.org\/wiki\/Angels_of_Mons\">Angels of Mons<\/a>. When they bring her back to the trench where the other three knuckleheads await, it becomes clear that everyone who sees this angel sees something different \u2013 something they want or need, like a carnival attraction, a mother, a girlfriend left behind in the U.S., or later a weapon to win the war. Bagger sees her as some sort of salvation, but she also turns out to have supernatural healing powers, which allow him to strike a devil\u2019s bargain with the angel later in the story.<\/p>\n\n\n\n<script src=https:\/\/bookshop.org\/widgets.js data-type=\"book\" data-affiliate-id=\"2960\" data-sku=\"9781668068458\"><\/script>\n\n\n\n<p class=\"wp-block-paragraph\">Kraus\u2019 strength here is in the ways in which the angel becomes a device to reveal the interior thoughts, desires, or intentions of his various characters, often in horrifying fashion. No one, save perhaps Bagger, sees her as an independent being with agency. Every character has been ground down by war to a sharpened point, and their needs become paramount, even if they are malicious or deranged or outright insane. The angel, who is never named, becomes a sort of prism through which each character is refracted, broken down into their component parts so we can see how thin the whole actually is.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The use of the literary device of a single sentence screams \u201cgimmick\u201d to me, although the frequent breaks prevent it from turning into <em>Finnegan\u2019s Wake <\/em>(he says confidently, having never read past the first page of that inscrutable work). It does not add anything to the text, and starting every paragraph with \u201cand\u201d for 280-plus pages results in the word disappearing from view; you just stop seeing it and start with the next word. I also found Kraus\u2019 florid descriptions of the violence to be too over-the-top, even though many reviews have praised that aspect of the novel; if you\u2019ve ever cringed at the sound of someone\u2019s head getting crushed or bashed in, like the death of Michael\u2019s stepfather in <em>The Wire<\/em>, there are dozens of sentences in <em>Angel Down<\/em> that evoke that revulsion.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I don\u2019t know that the canon of World War I literature needs more entries, and Kraus\u2019 choice of that conflict in and of itself should at least invite some skepticism going into the work. He creates one strong character and some intriguing if shallow secondary ones, but leans too heavily on verbal sleight-of-hand and depictions of violence to pad the often superficial narrative. It\u2019s a quick read, at least, but not an especially deep or satisfying one.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Next up: I\u2019m reading Jo Walton\u2019s <em><a href=\"https:\/\/bookshop.org\/a\/2960\/9781250811837\">The Just City<\/a><\/em> at the moment and finding it unusually dry compared to her other novels.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cyril Bagger is a malingerer and a coward, hanging back in every battle his troop encounters in the hellscape of France during World War I, which leads to his selection for a group of five disposable heroes who are ordered to go retrieve a shrieking wounded soldier from the battlefield. The shrieker isn\u2019t a soldier, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[36,1072,252,867],"class_list":["post-11200","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-american-literature","tag-experimental-novels","tag-pulitzer-prize","tag-world-war-i","entry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/11200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/comments?post=11200"}],"version-history":[{"count":1,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/11200\/revisions"}],"predecessor-version":[{"id":11201,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/11200\/revisions\/11201"}],"wp:attachment":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/media?parent=11200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/categories?post=11200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/tags?post=11200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}