{"id":10903,"date":"2025-08-06T08:00:00","date_gmt":"2025-08-06T12:00:00","guid":{"rendered":"https:\/\/meadowparty.com\/blog\/?p=10903"},"modified":"2025-08-05T23:24:08","modified_gmt":"2025-08-06T03:24:08","slug":"service-model","status":"publish","type":"post","link":"https:\/\/meadowparty.com\/blog\/2025\/08\/06\/service-model\/","title":{"rendered":"Service Model."},"content":{"rendered":"\n<p>Andrei Tchaikovsky landed a pair of nominations for this year\u2019s Hugo Award for Best Novel, one of them for <em><a href=\"https:\/\/bookshop.org\/a\/2960\/9781250290281\">Service Model<\/a><\/em>, a dark comedy set in a dystopian future and starring a robot valet who finds that he\u2019s killed his master and no longer understands his purpose.<\/p>\n\n\n\n<p>Charles is the valet, and when the novel opens, he finds his master in bed with his throat cut by his razor, and an investigation leads to the inevitable conclusion that Charles is the culprit. Charles takes himself to Diagnostics, although along the way he stops at some other manors, only to find that there aren\u2019t any humans anywhere else, either. At Diagnostics, he realizes that the entire bureaucratic setup has been brought to a halt, with any robots who show up to wait in the unmoving line sent off for scrap, and The Wonk, who seems to be hanging out in Diagnostics but maybe not working there, tells him that he\u2019s developed free will, so he should go \u2018live\u2019 outside of service. Charles, whom the Wonk dubs Uncharles, can\u2019t quite grasp that, and spends most of the book on a quest for some human to serve, mostly with the Wonk at his (its) side.<\/p>\n\n\n\n<p><em>Service Model<\/em> combines elements of farce and picaresque novels to explore some fundamental questions that go beyond robots or so-called AI. Charles is searching for meaning when the meaning he believed in for his entire existence isn\u2019t just erased, but completely defied, like someone who grows up in one religion and has a sudden experience or realization that the religion is false. Imagine an evangelical Christian turned atheist who can\u2019t give up all of the trappings of the former belief system, and keeps looking for reasons to continue their previous way of life. Even in the face of undeniable evidence that his worldview is false \u2013 Charles and the Wonk meet a robot that calls itself God, who turns out to be neither omnipotent nor infallible \u2013 Charles can\u2019t give up his programming.<\/p>\n\n\n\n<p>Because Charles is a machine, not a human, Tchaikovsky \u2013 who says <a href=\"https:\/\/paulsemel.com\/exclusive-interview-service-model-author-adrian-tchaikovsky\/\">he was inspired by a scene<\/a> in <em>The Restaurant at the End of the Universe<\/em> \u2013 pushes his quest to ridiculous extremes, like some sort of robotum ad absurdum. Charles\u2019s source code says he must have a human to serve, even when there isn\u2019t a suitable human, or any human, in sight. It reads as a commentary on the limitations of \u201cAI,\u201d even if it can supposedly rewrite its own code, and on our misplaced faith in these tools to think for us. Garbage in, garbage out. The solution Uncharles finds ultimately requires the intervention of a human.<\/p>\n\n\n\n<script src=https:\/\/bookshop.org\/widgets.js data-type=\"book\" data-affiliate-id=\"2960\" data-sku=\"9781250290281\"><\/script>\n\n\n\n<p>Tchaikovsky uses peril quite liberally, almost to the point of parodying the picaresque genre, as Charles ends up in one ridiculous situation after another, often requiring the help of The Wonk or some other force, including just sheer luck, to get out of being shut down or decommissioned or otherwise ceasing to exist. It gets a little tiresome because when he\u2019s on the verge of extinction with 250 pages left, you\u2019re pretty sure he\u2019s going to make it out all right, and there are a couple of situations Charles escapes just because he has to move to the next plot point. Most of those sections do work in spite of their absurdity, however, because Tchaikovsky has such a deft hand with black humor, and in Charles he has created one of the best unintentionally funny characters I\u2019ve seen in a while. (I think Tchaikovsky might be the humorist-satirist that people say that Gary Shteyngart is.) You can just appreciate <em>Service Model<\/em> as a quixotic tale, where The Wonk is Charles\u2019s Sancho Panza, but I think its great strength is what\u2019s below the surface, with a deeply humanistic bent and a clear philosophy on the limitations and potential harms of technology.<\/p>\n\n\n\n<p>Of the six Hugo nominees, I\u2019ve read two in full, this one and T. Kingfisher\u2019s <em><a href=\"https:\/\/meadowparty.com\/blog\/2025\/04\/07\/a-sorceress-comes-to-call\/\">A Sorceress Comes to Call<\/a><\/em>, and right now I\u2019m almost through Robert Jackson Bennett\u2019s <em><a href=\"https:\/\/bookshop.org\/a\/2960\/9781984820716\">The Tainted Cup<\/a><\/em>. All are good enough to win; I think Kingfisher\u2019s might be my favorite, but <em>Service Model<\/em> has a lot more to say, and if Hugo voters consider that aspect it\u2019s probably the superior choice. That said, I have a copy of Kaliane Bradley\u2019s <em><a href=\"https:\/\/bookshop.org\/a\/2960\/9781668045145\">The Ministry of Time<\/a> <\/em>on hold at the library, and I think that might be the actual favorite.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Andrei Tchaikovsky landed a pair of nominations for this year\u2019s Hugo Award for Best Novel, one of them for Service Model, a dark comedy set in a dystopian future and starring a robot valet who finds that he\u2019s killed his master and no longer understands his purpose. Charles is the valet, and when the novel [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[66,86,684,237,524],"class_list":["post-10903","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-british-literature","tag-comic-novels","tag-contemporary-novels","tag-picaresque","tag-science-fiction","entry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/10903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/comments?post=10903"}],"version-history":[{"count":1,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/10903\/revisions"}],"predecessor-version":[{"id":10904,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/posts\/10903\/revisions\/10904"}],"wp:attachment":[{"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/media?parent=10903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/categories?post=10903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meadowparty.com\/blog\/wp-json\/wp\/v2\/tags?post=10903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}