Pale Fire.

You could interpret Vladimir Nabokov’s Pale Fire (on the TIME 100 and #53 on the Modern Library 100) in any number of ways. The book comprises an unfinished, 999-line epic poem – occasionally brilliant, but mostly pedestrian and often just silly – by John Shade, and 150 pages of critical commentary by the late poet’s neighbor, the very eccentric Charles Kinbote.

I prefer to view the book as a satire of modern critical commentary on poetry, where the critic or analyst can find whatever s/he wants in the poem by looking hard enough, even though the analysis may be informed by nothing more than a series of coincidences. As a satire along these lines, Pale Fire is undoubtedly successful, blending outright humor with the dry wit that comes of exaggerating the satire’s target to the point of comedy, but satire does not provide a novel with any narrative greed. Only a strong plot can do that, and the plot of Pale Fire is weak, not least because the reader can figure out the two main twists before completing the first third of the book.

Similarly, the clever wordplay throughout Pale Fire is amusing, but doesn’t hold the reader’s attention. Yes, it’s great to see a reference in the poem to “Hurricane Lolita,” followed by a dry, witless comment on the name Lolita. Yes, the reference to “word golf” in the index is funny when you follow the “see also’s” to their conclusion. The play on the names of Oliver Goldsmith and William Wordsworth is good for a chuckle, but the moment passes. You can’t sustain a novel on cleverness alone, so while Pale Fire is undeniably clever, you have to buy into the mystery of the narrator’s identity to find the narrative greed here that will propel you through the book.

Nabokov himself apparently said that the narrator is a fraud, a madman with an invented backstory, but there are other critics and fans of Pale Fire who offer differing interpretations, that perhaps the narrator’s commentary is guided by Shade from beyond the grave, or that the narrator is Shade himself, or that Kinbote is who he says he is (a minor plot point I won’t spoil). These debates are mildly interesting, but even the mystery of who is who and what is what wasn’t enough to propel me through the text. With thirty pages to go, I was still dragging myself to the end. It was obvious from the start how Shade would die, and obvious to me from early on who Kinbote was or thought he was. I thought we might get some major plot twist at the end, but none came, and the fairly insubstantial plot of the attempt to assassinate the king of possibly-fictional Zembla was boring, not least because we know it fails. Nabokov also said that he wrote primarily for himself, and I suppose his tastes were far different than my own.

Next up: An out of print novel by Anthony Powell, one of his first, a comedy called A View to a Death, which preceded A Dance to the Music of Time. I was lucky enough to stumble on a copy in a used book store for $2, although I see some copies online for under $10.