→ December 13, 2011
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Dallas eats.

From a culinary perspective, this had to be my most successful winter meetings since Las Vegas in 2008, which isn’t exactly a fair fight since Vegas is something of a food mecca. But Dallas had quite a bit to offer even with my restriction that no meal take place more than 15 minutes’ drive from the Hilton Anatole.

I’ll start with the one place I hit twice, Zaguan Bakery on Oak Lawn Drive, just under a mile and a half from our hotel and on my way back to Love Field to fly home. Zaguan is a South American bakery, featuring pastries, sandwiches, and other dishes from all over that continent, including one of my favorite foods on the planet, the arepa – a thin cornmeal pancake, here sliced lengthwise and stuffed with the fillings of of your choice for a deliciously sloppy sandwich. The slow-cooked beef was whole (I believe brisket) rather than ground, producing a much better texture, and while it comes with a mildly spicy red sauce it’s elevated by fresh guacamole. As good as the arepa was, it was topped by the cachapa, a thick pancake of cornmeal with fresh corn kernels mixed in for a crunchier, sweeter wrap around the same choice of fillings (like an omelet); I had the cachapa with chicken, white meat cooked in a similar sauce but without the depth of flavor from the beef. Both sandwiches are served with plantain chips that you can upgrade to maduros for $0.99 (do this). There’s also a big display case full of sweet pastries that merits a return trip – I only tried one, the alfajor de chocolate, a linzer tarte-like cookie with chocolate frosting between two shortbread cookies with a chocolate glaze on top, not too sweet with a perfect crumbly texture.

My editor Chris Sprow and I went for high-end Mexican on the first night of the meetings at La Duni, a very well-reviewed restaurant over on McKinney. The fresh guacamole appetizer was big and more chunky than smooth (I prefer this style, although I think it’s a matter of taste), with diced onions, cucumbers, and serrano peppers. For the meal, I went with the slow-roasted lomo sandwich, primarily because the restaurant has its own bakery and I can’t turn down fresh bread – in this case, Pan de Yema, a sort of South American brioche that, unfortunately, came out very dry, saved only by the avocado and Manchego in the middle along with the roasted pork. It came with yucca fries dusted in paprika and spritzed with lemon juice, perfectly fried (good thing, as undercooked yucca can kill you); but we also grabbed a side of maduros which were just as perfectly cooked, almost candied while maintaining some firmness inside. Sprow ordered enchiladas con pollo and cleaned his plate so fast I thought he’d eat the napkin too. I don’t care that much about ambience or décor but we both noticed how cool the place looked. One weird thing: They have valet parking … and the valet just pulled the car into the space right next to the front door. I’m pretty sure I could have done that myself.

Il Cane Rosso was the site of the first of our misfit-writers outings – I can’t tell you how much fun these dinners were, even beyond the food – over on the east side of Dallas, serving pizzas cooked in their wood-fired oven at 900 degrees. The house salad was fresh but overdressed; the Caesar, on the other hand, was one of the best I’ve had outside of the garlicky heaven you’ll find at Strip-T’s in Watertown, Massachusetts, although Il Cane Rosso does use anchovies in their Caesar dressing (which isn’t traditional). The pizzas had a great crust (they use imported 00 flour) with the correct amount of char on the outside and high-quality meats among the toppings, although their fresh mozzarella melted more like the low-moisture find you’d get in a grocery store. Of the pizzas we ordered, the prosciutto e rucola, with prosciutto crudo, arugula, and mozzarella, was my favorite. I only tried one of the three desserts we ordered, the zeppole, smaller than the kind I’m used to getting on Long Island but with the right crisp exterior and soft, yeasty interior. They had a solid selection of local beers, and the server (who also gets points for being an Arcade Fire fan) was knowledgeable about the beers and the pizzas. We ordered a substantial amount of food and everyone had at least one drink; with tip, the total ran just $35 a person.

The second group dinner was to Lockhart Smokehouse, in the Bishop Arts District. Lockhart brags “no forks needed,” although I’d call that a slight exaggeration; the brisket was insanely tender with the best outer bark I have ever had on any kind of smoked beef. The smoked sausage, from Kreuz Market in Lockhart (near San Antonio), was fair but didn’t have the same great smoke flavor as the brisket. They smoke food over local post oak, which is apparently common in Texas but isn’t a wood I’ve encountered anywhere else. My fellow writers gave positive reviews to the ribs, the jalapeno sausage, and the smoked chicken. I did try the baked beans but tasted all heat and very little smoke. Sprow’s contribution to the blog follows:


Beware of meat.

Back to solo dining: Tei-An is a Japanese soba house in the Arts District with a slightly peculiar menu mixing traditional Japanese dishes with plates more tailored to the American palate. I went with a soba dish, figuring I should go with something I couldn’t get just anywhere, short green soba noodles served hot with chicken in a mild curry-like sauce (too mild to really be curry, I think). The dish was solid, very filling thanks to the noodles but touching on bland, and the dish came with four mayo-heavy California rolls as a free side dish. The soba noodles were very well made, but just lacked flavor; maybe I ordered the wrong thing, but at a soba house, shouldn’t the soba dishes blow you away?

I ventured out for one breakfast, at Craft Dallas, another outpost in Tom Colicchio’s growing empire. The short rib hash with two eggs any style was a small disappointment, given Craft’s legendary 24-hour short rib dish; the short ribs themselves were fine, but the hash was sitting in a fancy bowl with a very salty sauce on the bottom, and the (perfectly) poached eggs ended up running into that sauce.

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→ July 3, 2010
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The Story of Sushi.

My most recent piece on ESPN.com went up yesterday – a preview of the major amateur free agents available in Latin America this summer.

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I recommend a lot of books around here, but I’m not sure the last time I said that any you must read a particular book. If you like sushi, or just seafood in general, however, you need to get yourself a copy of Trevor Corson’s The Story of Sushi: An Unlikely Saga of Raw Fish and Rice (published in hardcover as The Zen of Fish), a tremendous read that blends the history of what we now refer to as sushi in the U.S. with a surprisingly interesting subplot around a class going through a sushi-chef academy near Los Angeles. Corson’s integration of the two threads is remarkable, but for me, the value was in hearing him subtly say to American diners: “SUSHI: UR DOIN IT WRONG.”

Corson boils sushi down to its core components – the rice, the vinegar in the rice, the seaweed – and even dabbles in some food chemistry by explaining why we particularly like those ingredients as well as raw fish, discussing umami and the chemicals that deliver it (glutamic acid and inosine monophosphate in particular) and why we like the flesh of sea creatures raw but generally don’t like uncooked meat from land creatures. He discusses why certain types of fish make better or worse sushi, and of course discusses wild fish versus farm-raised (wild is better, but farm-raised does have some advantages) as well as the dangers overfishing present to natural fish populations. There’s even a chapter on uni, a paste comprising the gonads of sea urchins, which I recently learned is also consumed raw in various Caribbean cuisines as well.

Those sections were interesting, but didn’t do too much to change the way I thought about sushi, since I already knew I liked the stuff. Corson also discusses the various traditions around sushi and the etiquette of eating it (use your fingers for nigiri; never rub your wooden chopsticks together; miso soup should be eaten after the meal), as well as the logic for eating certain pieces in certain ways. A good sushi chef will, if you allow him, consider the order in which you’re eating your fish, moving across a continuum from milder flavors to stronger ones, or from softer textures to firm ones. Stirring wasabi (which, you probably know, isn’t actually wasabi at most U.S. restaurants but American horseradish dyed green) into soy sauce reduces the flavor of the wasabi, because the heat is partly deactivated in liquid. The fish used in spicy tuna rolls – a thoroughly American creation – is generally refuse, scraped off the skin of the tuna after the best pieces have been removed and used for nigiri or other dishes that require better flavor and texture. In fact, most rolls are inauthentic and used to hide inferior-quality fish under ingredients that are strongly flavored, like chili oil, or that coat the tongue with fat, like mayonnaise or avocado.

I’ve never been a huge fan of complicated rolls, since they tend to layer lots of ingredients together and come with sticky-sweet sauces, and I’m not a fan of mayonnaise so I generally avoid spicy tuna anyway. Having a rich, fatty, sweet roll can burn your palate for the delicate flavors of the fish-and-rice nigiri. But Corson’s book, without ever explicitly saying, “don’t eat the fancy rolls,” presents three arguments – one based on authenticity, one on the quality of the ingredients, and the fact that sushi becomes rather unhealthy when you load it up with fats and sugars – for at least limiting your consumption of those rolls, if not eliminating them altogether. And the teachers and sushi chefs who appear in the book all share his disdain for the fancier rolls, even while they teach them at the academy because customers want them – and they’re very profitable. (Another good reason not to order them, actually – you usually get more bang for your buck with nigiri.)

A book that just discussed sushi’s history, traditions, and science would have been worth reading without an actual plot to carry it along, but Corson built his book around the story of a class at The California Sushi Academy, a school run by a longtime sushi chef named Toshi whose restaurant (adjacent to the school) is struggling and who is himself recovering from a fairly recent stroke that has sapped his energy. Corson focuses on a few specific students in the class, including Kate, the nominal star of the book, a young woman struggling to find a career while fighting depression who nearly quits the school a half-dozen times; Fie, the Danish model/actress who decided she’d rather be the bombshell behind the sushi bar; and Takumi Nishio, the former Japanese boy-band star who quit the music business to study first Italian cuisine and now authentic sushi; while also devoting some time to Zoran, the Yugoslavia-born/Australian-raised head instructor who is a True Believer in traditional sushi even as he teaches the students American-style rolls. Their stories are interesting, as are their struggles – except for Takumi, who, in the book at least, seems to be a complete natural at whatever cuisine he tries, so he’s fascinating but without much drama. Corson follows them on assignments outside the classroom, like feeding the cast and crew on a movie lot, or watches them work a shift in the back room of the restaurant, using each episode as a segue into some note on the history or components of sushi.

If you like sushi, The Story of Sushi is $10 well spent. You can simultaneously learn the history of the California roll – its inventor is actually known, and there’s a good reason why there’s an avocado in it – and why you shouldn’t really bother with it when you’re in a quality Japanese restaurant.

For more from Corson, check out his official site, which includes some notes on the people in The Story of Sushi and other links and articles about seafood.

Next review: Richard Russo’s The Whore’s Child and Other Stories.

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→ July 19, 2008
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New York eats.

Two dinner hits from the recent trip to NYC.

First up was Avra, a Greek seafood restaurant in midtown. Their specialty is whole fish, grill-roasted over charcoal, deboned, and butterflied, dressed simply with a little olive oil, some large capers, and parsley. What it wasn’t dressed with was salt, which is criminal. You pay by the pound, so it’s not a great deal for one person since they don’t seem to sell anything under a pound, and a pound of whole fish is a lot for one person to eat. I went with the server’s suggestion, lavraki, a relatively tasteless white fish with a texture like that of branzino (sea bream). For a starter, I went with a salad of goat cheese, red onions, and arugula with a balsamic vinegar dressing, which was a little odd because I don’t associate balsamic vinegar with Greece at all. The goat cheese came spread on two small crostini and had nothing to do with the underdressed pile of arugula at the center of the plate. In fact, the only real positive of the meal was the fresh, crusty peasant bread and the thin hummus and delicious brined olives. I hate olives – one of the only foods I genuinely do not like, along with most kinds of ham, eggplant, and corned beef – but the brown olives (cultivar unknown, unfortunately) were out of this world.

The following night’s meal was better, at Sushiden, a rather hopping sushi place also in Midtown. It’s places like Sushiden that remind me of how rare it is to find fresh, high-quality sushi, because the flavor and texture of their fish demolishes anything I’ve had outside of New York and California. You pay for the quality, though – prices started at about $3.50 per piece for nigiri and went well north of $10. I stuck mostly to less expensive fish, like the incredibly tender salmon (sake), but stepped out a little for one piece of the daily special Japanese grouper ($10) and the fatty bigeye tuna ($8). The only fish that wasn’t out of this world was the freshwater eel (unagi), which was tough and fishy. I was also impressed that the meal finishes with a cup of hojicha, a green tea where the leaves are roasted, leaving an incredibly smooth beverage without the heavy grassy notes of good green teas. The only negative of Sushiden is that it’s hard to see getting out of there for under $75 a person without even including alcohol. One additional positive was that the clientele was overwhelmingly Japanese.

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