My new cookbook recommendations.

I’m headed off on vacation this week, so I’ll take this opportunity to wish everyone a happy, safe, and overindulgent Thanksgiving. And I’d like to thank you for your readership, both here and over at my day job.

I’m often asked to recommend a cookbook for readers – maybe for a novice, maybe as a wedding gift for someone, maybe for someone changing his/her diet – but I haven’t done an omnibus cookbook post in two years. With a few really strong new ones entering my collection this year, it seemed like a good time to revisit the subject.

Just for background, I’m mostly a self-taught home cook. I’ve never taken a cooking class. When I was in grad school, I was free every day around 2 or 3 pm, while my wife, a preschool teacher at the time, would get home at 5:30 and be exhausted, assuming she hadn’t caught one virus or another from the kids, so I took over the cooking. At first, I was pretty awful at it, both in terms of the end product and in my capacity to injure myself through fire or blade. I must have really enjoyed the process, though, because as opposed to my usual habit of giving up on anything I wasn’t good at the first time, I decided to figure out how not to suck at cooking.

My two main sources of early cooking instruction were Alton Brown’s Good Eats TV series and the 1997 edition of the classic American cookbook Joy of Cooking. With Good Eats airing in repeats on the Food Network and the Cooking Channel, you can just set up your DVR to record them rather than buying the overpriced DVD sets, but the companion books, starting with Good Eats: The Early Years, are worth owning for the revised (usually re-tested) recipes and the commentary on each episode. Brown’s techniques always revolve around sound science and increased efficiency, whether it’s a faster way of doing something or a way to reuse an existing kitchen tool for a new purpose. He’s goofy – belching yeast sock-puppets are just never not funny – but always educational. And of all of his recipes that I’ve tried (more than I can count), only one, the squash dumplings, didn’t work for me, and that was fixed in the companion book.

Joy of Cooking is always my first recommendation for people who are either just learning to cook or who are looking for one cookbook to rule them all. There are many editions available and there are some wide variations from one to the next, but the ’97 version has served me extremely well for its tremendous breadth of recipes – that’s still my go-to book even for Italian classics like pesto Genovese or shrimp scampi – and for the clear, logical recipes. For this edition, the publisher hired food writers to rewrite most of the recipes in the book, losing the folksy prose that charmed readers of earlier editions, but ensuring that the recipes were easy to follow and worked properly. Each recipe in Joy lists the ingredients in bold face at the point in the recipe where they’re used, rather than listing them all at the top. If you don’t succumb to the temptation to skip your mise en place – prepping and measuring ingredients before you start any cooking – this makes it much easier to follow the recipes and reduces the odds that you’ll skip an ingredient.

If you’re interested in preserving fruits or vegetables, I have used Joy of Cooking: All About Canning & Preserving for nearly a decade. It’s out of print but amazon has used copies for $4 and up at that link.

The new essential cookbook that I recommend to readers of any experience level is Ruhlman’s Twenty: 20 Techniques, 100 Recipes, A Cook’s Manifesto, a book I own myself and have given away as a gift. Its recipes require a slightly higher skill level than Joy, but Ruhlman’s twenty section essays – on basic techniques like poaching, braising, and frying, or core ingredients like onions, eggs, and salt – build up your knowledge on each subejct from the ground up. It’s the kind of book that might intimidate a rookie but, if you try some of the recipes, will leave you impressed with your own capabilities. I reviewed Ruhlman’s Twenty in full last November.

(I should say I’m a firm believer in the adage that if you can read, you can cook. Cooking is not an innate skill that some of us have and some of us lack. It takes attention, it takes patience, it helps if you understand some basic math and science, but at its heart, cooking is about following instructions. Follow those, and you’ll produce something worth eating.)

Ruhlman’s earlier book, Ratio: The Simple Codes Behind the Craft of Everyday Cooking, is another must-have but is for intermediate home cooks and above because it makes assumptions about the reader’s experience and comfort level with certain techniques or foods. The book’s recipes are largely presented as ratios that can be scaled up to produce the desired quantity. If you want to make biscuits, you need 3 parts flour to 1 part fat to 2 parts liquid. The specifics are largely up to you, and there are brief discussions of your options, but again, Ruhlman is largely assuming you know how a biscuit or a Hollandaise or pâte à choux and is describing each recipe in terms of its foundation.

For anyone looking to eat more vegetables, whether or not you’re a vegetarian, I now have two strong recommendations. One is Yotam Ottolenghi’s Plenty, which I reviewed in September. Ottolenghi isn’t a vegetarian but every recipe in this book is, with vegetables always the star ingredients, often augmented by butter and/or cheese, but mostly prepared in ways that evoke the essential flavors of the central vegetable. Cutting and browning endives in butter and a little sugar before coating them with cheese and bread crumbs and baking them helps bring out some of this chicory relative’s sugars while taming its strong bitter flavors to a point where the cheese (gruyere or talleggio) can at least compete for your attention. I’ve also found his mixed sauteed mushroom recipe, with soft goat cheese used in lieu of sour cream, to be a great hearty sauce over fresh whole-wheat papparedelle for a warm winter main course.

The other vegetable-centric cookbook is Nigel Slater’s Tender, easily the most beautifully shot cookbook in my collection. Slater is a very famous food writer in England who has just a small cult following here, but Tender deserves a much wider audience for its focus on vegetables from seed to table. His gardening advice hasn’t helped me much because you can’t get a much wider gap between soil types than England and Arizona, but his dishes, many of which do contain meat but still accentuate the vegetables, are subtle showstoppers, turning some very ordinary veg – the more mundane and kid-unfriendly the plant, the more Slater seems to adore it – into warm, glowing, gorgeous dishes. Tender is the book that got me to buy and cook an actual pumpkin (not from a can), a process that, with about a tablespoon of added brown sugar led to this:

For the advanced home cook – or even the professional – in your life, go for The Flavor Bible, which isn’t a cookbook at all. The authors, Karen Page and Andrew Dornenburg, interviewed dozens of professional chefs about what ingredients went well together, and tabulated the results in this book. Look up an ingredient in The Flavor Bible and you’ll find a long list of good partners, with ingredients that were mentioned more often earning bolded entries. For example, parsnips are in season right now in much of the country, and the parsnip entry first says they should always be cooked, and work well when baked, boiled, braised, fried, grilled, mashed, pureed, roasted, or steamed. When the authors asked chefs about parsnips, the most-mentioned ingredients were butter (including browned butter) and nutmeg, both appearing in bold, capital letters. Bolded entries, mentioned less often than those two ingredients, include apples, chives, cream, curry, garlic, ginger, maple syrup, olive oil, parsley (a relative of parsnip and carrots), pepper, potatoes, sage, salt (duh), brown sugar, thyme, and root vegetables. The entry also includes about fifty other ingredients that work well with parsnip and were mentioned at least once by the interviewed chefs, and then concludes with five “flavor affinities,” combinations like parsnips + honey + mustard or parsnips + butter + cream + potatoes. Some entries have “Holy Grail” pairings, marked with an asterisk and mentioned by a large portion of the chefs they interviewed, like plums and Armagnac or lamb and rosemary, and some entries have “avoid” sections, like parsley and dessert. There are even sections for national cuisines – if you want to know what flavors work well in Afghan or Eastern European cuisines, for example, they’ve got you covered. What The Flavor Bible doesn’t do, however, is tell you what to do with these pairings. There are assorted quotes from celebrity chefs describing specific dishes, but the book contains no recipes. They assume you have the recipes and techniques and are looking for inspiration.

The best book I’ve found for desserts, and one of only two America’s Test Kitchen books I own, is Baking Illustrated, which has most of the basic desserts you’d want to make, including a pie crust (for lattice tops, like the one in my Twitter avatar, but functional in any pie) that works as reliably as any I’ve ever tried. The writing can be cloying, especially when they go into more detail on failed kitchen experiments than I ever needed (if you’re going to describe something that didn’t work, at least make it funny), but the recipes work and their pumpkin pie is bar none the best I have ever tasted, one I make at least once every year.

For bread baking, I am an unabashed acolyte of Peter Reinhart and own several of his books, including The Bread Baker’s Apprentice, Whole Grain Breads (most of the same breads as the first book, but in whole-wheat, multi-grain, and 50/50 variations), and the more accessible Artisan Breads Every Day. His pizza doughs are pretty foolproof; I add a tablespoon of vital wheat gluten to his 100% whole wheat pizza dough and it’s strong enough to stretch it to translucency without tearing. (Sometimes I tear it anyway because I’m clumsy like that.) His pain a l’ancienne white-flour baguettes from The Bread Baker’s Apprentice are absurdly easy if you have a stand mixer or food processor (this Cuisinart model is the current version of the one I’ve used for fifteen years) and never fail to get raves when I bring them to friends. I’ve made his focaccia, his cinnamon rolls, his struan, his challah, his pitas, and his wild yeast starter, which I kept going for about a year and a half until we packed up the house in Massachusetts. His books even have recipes for international breads like pumpernickel, panettone, hutzelbrot, and stollen, as well as Ethiopian injera and crackers like lavash and graham. Go with Artisan if you’re a bread-baking rookie, or the others if you have more experience or want books that will focus on baker’s ratios and allow for more ingredient substitutions. I reviewed the first two books at length back in 2009.

Three more quick recommendations:

* If you have a slow cooker, go with ATK’s Slow Cooker Revolution. I don’t own the full book, but have a magazine version they sold when the book first came out, including about a third of the main book’s recipes, and they’ve all worked on the first try, including a surprisingly flavorful bolognese sauce that makes enough to freeze for one or two future meals (you lose a little texture, but the flavors remain strong), a beef burgundy stew that gave us about three dinners’ worth, and a white chicken chili that is surprisingly low in fat.

* If you want a celebrity cookbook, just because, the best I own – and I’m thinking household-name celebrities – is actually Bobby Flay’s Mesa Grill Cookbook. I’ve eaten at Mesa Grill three times, once in Manhattan and twice in Vegas, and every dish I have eaten at those restaurants is in here and easy to reproduce at home. The blue- and yellow-corn muffins are decadent.

* Finally, one that doesn’t fit anywhere else: Julia Child’s slim $11 book Julia’s Kitchen Wisdom, which does, indeed, include wisdom from the woman who introduced America to French cooking – but whose most famous cookbooks haven’t aged well, at least not to my eyes. This book focuses on the bare essentials in the kitchen, including the basic vinaigrette formula I’ve been using for years, mother sauce formulas, simple instructions for roasting or braising major cuts of meat, souffles, breads, custard, and even baking-powder biscuits so you can make strawberry shortcakes.

Cookbook recommendations (plus Top Chef thoughts).

Before I get to the books (and magazine), a thought or two on last week’s Top Chef: All-Stars.

First, I found it interesting that no chef stood up for Jamie and even indicated that they understood, let alone approved of, her decision to leave for stitches on her thumb. If that’s the ethic of the kitchen, I feel like I should defer to that. And Tony Bourdain had no sympathy either. (Hat tip to Dave Cameron for pointing me to Bourdain’s blog.) Plus the stakes are even higher in this competition than they are in a restaurant kitchen.

But more importantly, how did no one ding her on bad cutting technique? Where the hell was her thumb that she ran her knife directly into it? I hate the parallel-to-the-board cut anyway because it’s dangerous, but when I must do it, my main priority is ensuring that if the knife moves forward faster than I expect, it will do nothing but slice the food I’m cutting. Fingers up. Thumbs up. Wrist angled up and sharply away from the food. If you don’t want to send Jamie home for malingering, send her home for poor knife skills.

Also, I tweeted a link earlier to the Chicago Tribune‘s interview with week 1′s unconditionally-released chef, Elia, in which she completely loses her mind and goes after Tom Colicchio. Tom’s response, while clearly dripping with disrespect, stays on point in an impressive manner – he answers the charges while keeping the deprecation subtle. It’s a model of angry writing. And as he and Bourdain and others have said, raw fish is raw fish. If it’s not meant to be raw, and it’s raw, you can’t pin that on the judges.

I was asked on Twitter today to suggest some cookbooks or magazines, and I haven’t updated my old list of recommendations in a while so I figured I’d throw a new post together. I tend toward more specialized cookbooks now because I’m more interested in ideas than in techniques, but I’ll start with the staples to which I keep returning even though I’ve owned some of them for years.

Joy of Cooking. The gray lady of the kitchen – still reliable if somewhat staid, with a level of completeness that few rivals can approach. If you need a recipe for a basic or common dish, it’s probably here, with clear instructions and lots of information on ingredients. I learned to cook from two sources above all others: Alton Brown and Joy. I’m partial to the 1997 edition myself, as I understand the last revision (for the book’s 75th anniversary) introduced some best-forgotten sections on semi-homemade meals while removing some of the professionally-written material that makes the ’97 version so indispensable. The new revision does include cocktail recipes, but I have The Official Harvard Student Agencies Bartending Course for that.

Ratio: The Simple Codes Behind the Craft of Everyday Cooking. You cook, and you don’t own Ratio? I don’t think I’ve added any cookbook to my collection that changed my thinking on food as much as Michael Ruhlman did in his concise, almost engineering-like book that reduces recipes to their master formulas. From biscuits to pâte à choux to stocks to custards, Ruhlman gives you the framework and lets you build up from there. If you’re like me and cook better when you understand what’s happening in the bowl or pot, you must own Ratio. And it’s just $10 on amazon.

Baking Illustrated. The one book that I can say has truly supplanted Joy, at least in its niche; if you can get past the cloying prose and descriptions of the strange substitutions they tried (“then we replaced the sour cream with motor oil … but that killed four of the testers”), the recipes are extremely reliable, and the lengthy prose does give you the insight you’ll need to know where you can tweak. Their pumpkin pie recipe remains the best pumpkin pie I’ve ever tried, and it worked perfectly the first time I made it.

Peter Reinhart’s The Bread Baker’s Apprentice, Whole Grain Breads, and Artisan Breads Every Day. I love bread, real bread, just baked, best eaten in a day or two after which you bake some more. Reinhart helped me crack the code of good bread, and his books are tremendous references that cover many of the directions in which you might go as a baker. Artisan Breads Everyday is the beginner’s book of the collection, if you’re just getting started with the joys of autolysis and the overnight soak, while the other two books are still accessible but presume a little more skill – and they include the best pizza dough recipe I’ve ever used.

How To Cook Everything. I do not own this book, but the reviews from those of you who do have been uniformly positive, and it seems like a good companion to or – perish the thought – substitute for Joy. The author, Mark Bittman, is a longtime food writer for the New York Times who is often credited with bringing no-knead bread to the attention of the masses. (I still knead my bread, though. Even a minute of kneading makes a huge difference.)

Good Eats: The Early Years. The first of three books – I do not own the second one yet – has Alton going back through every episode of his seminal TV series and reworking recipes to address problems or user concerns, all while providing a lot of background information on each episode or the food it covers.

Julia’s Kitchen Wisdom. I do own a copy of the first part of Julia Child’s Mastering the Art of French Cooking … but it feels dated to me, and I’m never likely to do much classical French cooking at home. That’s just not how we eat on a day to day basis. Julia’s Kitchen Wisdom distills the core techniques and ideas from her experience in the kitchen into a slim, bright volume that I have always found far more relevant to what I might cook on a Wednesday evening. The book contains many recipes, but as with Brown, Reinhart, and Ruhlman, Child is pushing comprehension, not repetition. This was the book that pushed me to make more vinaigrettes.

For magazines, I’m partial to Fine Cooking, which takes that scientific approach of Good Eats and packs every issue full of recipes, with reference information on ingredients and tools, a card with nutrition data for every dish in that issue, and an emphasis on extensibility (such as the “nine cookies from three doughs” article from several years ago that was a staple of my Christmas cookie regimen). Of course, my subscription keeps lapsing because I’m disorganized, but this is the only cooking magazine to which I’ve subscribed since my daughter was born; I gave up on Bon Appetit because they repeated recipes and ideas, and I can’t deal with the writing in Cook’s Illustrated, which is even sillier than the writing in Baking Illustrated.

Chicken stock.

A couple of weeks ago, Whole Foods ran a two-week special, selling entire broiler-fryer chickens for 99 cents a pound, which amounted to roughly $4 for an entire bird. Boneless, skinless chicken breasts typically cost at least $4.49 a pound, and since the entire breast of one bird usually runs 1 to 1.5 pounds, it was cheaper to buy the entire bird and butcher it myself than to just buy those boneless, skinless, tasteless breasts anyway.

Of course, when you buy the whole bird, you get the thighs, legs, and wings, all of which have more flavor than the breasts do. You get the giblets, most of which I just put down the disposal, but I suppose you could use them for gravy if you’re so inclined. But the best part of buying and butchering your own chicken is what you get after all of that other stuff is gone: The bones, and bones mean stock.

For each bird, I’d keep the carcass (the bones and bits of meat after all of the “parts” are removed), the wings (not enough meat to worry about and very good for stock-making), and the neck (the one part of the giblets packet that I don’t toss) and stick them in the freezer for the next stock-making day. I also keep parts of various vegetables in a bag in the freezer – the top rings (not stems) and bottom bits of peppers, the white parts of celery stalks, etc. – that are all also stock-worthy. This avoids the expense of buying lots of vegetables just to put them into stock.

(If you’re wondering about that whole butchering-the-chicken part, I’d eventually like to shoot a video I can use here to demonstrate how easy it is. I’ve done it with a timer and I can butcher a chicken into its eight pieces – two each of breasts, thighs, legs, and wings – in about four and a half minutes. That’s under five minutes to get parts that would easily cost you $10 more if you bought them already butchered, plus you get the bones.)

Making stock requires no cooking skill at all other than patience and the ability to not turn your damn stove knobs up to 11. Dump everything in a pot, throw an upside-down steamer basket (preferably a crappy old one – I have one that’s just for making stock now) on top, skim a few times, wait 5-6 hours, cool and store. Nothing in there you can’t do if you have the time.

Anything frozen can go right in the pot without defrosting.

Chicken stock

6 quarts water (the better the water, the better the stock – I buy spring water for this)
1 chicken carcass, including wings and neck
2 ribs celery, cleaned and snapped in half
1-2 carrots, washed well (or just peeled) and cut in half
1 red or green bell pepper, seeded and stemmed, or just various pepper parts
(You can use pieces of hot peppers too. I’ve used jalapeño and poblano pieces before.)
1 medium onion, halved, or half a large onion
2 peeled garlic cloves
A few sprigs of parsley and thyme
2-3 sage leaves
1 bay leaf
1 tsp whole black peppercorns
1 pinch celery seeds
1. Put everything in a stockpot or other large pot capable of holding at least 10-12 quarts. Place a steamer basket upside-down on top of the contents to hold everything under the surface of the water. Bring to a simmer – not a boil, but a gentle simmer – and cook for at least four hours, skimming any scum off the top (every half hour should work). Overcooking it will prevent the liquid from dissolving the collagen in the bones, so take it easy on the heat.
2. When you start to see a thin, clear film on the surface, congratulations – you’ve made stock. That’s gelatin, the thing that distinguishes stock from broth and makes soups taste like soup instead of flavored water. The film will usually appear sometime between the fourth and fifth hours of cooking. I usually let my stock go for another hour or so to make sure I’ve leached all of the collagen out of the bones. Six hours is about the max time you need to do this; if you’re nearing that point and don’t see any gelatin, you probably have your heat on too low.
3. You need to cool your stock quickly. Empty and clean your sink, close up the drain, fill it with ice (two bags should do the trick) and add cold water to fill the sink about halfway. Place a pot or bowl capable of holding at least six quarts in the sink and strain the contents of your stockpot through a fine-meshed strainer into the empty pot. Chill in the ice-water bath until the temperature of the stock drops enough for it to go into the fridge – at least to 60 degrees, and preferably all the way to 40.
4. Chill several hours of overnight. Remove any fat that has congealed at the surface (but don’t discard it – you can cook with it!), portion the remaining stock into containers and refrigerate or freeze. It’ll last in the fridge a few days, but you can keep it for months in the freezer.

You may want to use a bit of damp cheesecloth to strain the last of the stock and remove any dirt or off bits that have settled at the bottom of the pot while it chilled.

You may also notice the absence of one ingredient: Salt. Don’t salt your stock – add salt when you cook with it. If it’s salted, and you reduce it as part of any recipe, you’ll end up with an overly salty finished product. You can add many different herbs, spices, and vegetables, but avoid any members of the cabbage family (including broccoli), which will give the stock a strong and not-desirable flavor. I’ve used mustard seed, cloves, tarragon, and leeks, among other items. Think “aromatics” and you’ve got the idea.

I’ll post some recipes using chicken stock over the next few weeks, but it’s great for basic soups, for moistening stuffing at Thanksgiving, and for reducing and using to thicken some sauces. Any decent cookbook should have soup recipes that start with chicken or some other stock as their bases.