Independent People.

I love this book. It is an unfolding wonder of artistic vision and skill – one of the best books of the twentieth century. I can’t imagine any greater delight than coming to Independent People for the first time.

That’s not my take on Halldór Laxness’ novel; it’s from novelist Jane Smiley, who wrote a more direct takeoff on King Lear and provided the above blurb for the cover of Independent People. No, I didn’t think that the novel was a revelation on every page or a life-changing experience. I thought it was awful.

To be more specific, I think it is the most bleak, humorless, and misanthropic book I’ve ever read. Laxness himself admitted that his protagonist, Bjartur, was “stupid,” but it’s worse than that – he’s a complete asshole whose lack of regard for the feelings of others, above all women, borders on sociopathy. The ideal of “independence” around which the novel is structured is folly and leads to Bjartur’s ruin in various ways. And none of the supporting characters is built with enough depth or dimension to overcome the long shadow of Bjartur’s obstinate, materialist, misogynistic point of view.

Independent People is the story of Bjartur’s adult life as he leaves the servitude of the local Bailiff of Myri and attempts to build an independent life as a self-sufficient farmer on a local croft. He marries twice, although his stubbornness and lack of empathy lead to the deaths of both women. His eldest child, Asta Sollilja, is the only one to whom he shows any affection, but when she becomes pregnant at fifteen at the hands of a rapscallion whom Bjartur himself invites into the home, he throws her out and resolves (with finite success) to have nothing more to do with her. Depending on how you interpret the ending, his assholishness may lead to her death too. Around all of this happiness is famine, bankruptcy, fraud, parochialism, and the pointless deaths of several people and many animals.

What made the book so difficult to gut my way through was the complete lack of warmth. You could freeze your drink if you sit it too close to the novel; the only glimmers of empathy from any major character come from Asta, but they’re depicted as the confused feelings of an ultra-sheltered teenaged girl, and she too falls into a cynical stoicism when her father throws her out. Laxness tries to create some embers of emotion in the short conclusion, but it seemed forced.

Laxness won a Nobel Prize and appears to have a small but highly devoted following, at least in the literary world. All I can say is that I’m glad I went to Iceland long before I read this book, because I doubt he would have made the country come off any worse if he’d written that the locals bite the heads off of live puppies.

Next up: Italo Svevo’s Zeno’s Conscience, a modernist comedy of psychoanalysis and self-absorption.

Comments

  1. Do you always complete books once you have opened the cover? Sounds like you should have put this one down!

  2. … you should give Laxness another try, I suggest The Fish Can Sing or Under The Glacier

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  1. […] simply too much of it – French, Japanese, German, Italian, Scandinavian, Latin American. Halldor Laxness may have won the Nobel Prize, but never made it on to my bookshelf. Lev and I both have English […]